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PHOTO 1MIDTERM REVIEW!
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THESE TOPICS
WILL BE ON THE EXAM & ARECOVERED IN THIS REVIEW
1. Parts of theCamera2. Shutter speed3. Aperture4. Depth of field5. Light metering6. Bracketing
7. Equivalent exposures8. Easels9. Parts of the enlarger
10. Processing film11. Darkroom chemistry12. Principles of
Composition
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parts of the camera
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1. 2.
3. 4.
5.
6.
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1. 2.
3. 4.
5.
6.
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1. 2.
3. 4.
5.
6.
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1. 2.
3. 4.
5.
6.
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1. 2.
3. 4.
5.
6.
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1. 2.
3. 4.
5.
6.
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1. 2.
3. 4.
5.
6.
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7.
8. 9.
10.
11.12.
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7.
8. 9.
10.
11.12.
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7.
8. 9.
10.
11.12.
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7.
8. 9.
10.
11.12.
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7.
8. 9.
10.
11.12.
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7.
8. 9.
10.
11.12.
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7.
8. 9.
10.
11.12.
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shutter speed
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What is this?
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What is this?
shutter speed dial
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What is this?
What does it do?
shutter speed dial
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What is this?
What does it do?
shutter speed dial
controls how long the shutter isopen - in fractions of a second
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What is this?
What does it do?
What does shutter speed TECHNICALLY control inyour photograph?
shutter speed dial
controls how long the shutter isopen - in fractions of a second
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What is this?
What does it do?
What does shutter speed TECHNICALLY control inyour photograph?
What does shutter speed CREATIVELY control inyour photograph?
shutter speed dial
controls how long the shutter isopen - in fractions of a second
how long the shutter is open - how much LIGHT gets in
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What is this?
What does it do?
What does shutter speed TECHNICALLY control inyour photograph?
What does shutter speed CREATIVELY control inyour photograph?
shutter speed dial
controls how long the shutter isopen - in fractions of a second
how long the shutter is open - how much LIGHT gets in
a sense of MOVEMENT or MOTION
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What does the B stand for?
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What does the B stand for?
bulb
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What does the B stand for?
What does it do?
bulb
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What does the B stand for?
What does it do?
bulb
lets you have complete controlover shutter speed
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What does the B stand for?
What does it do?
bulb
lets you have complete controlover shutter speed
How?
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What does the B stand for?
What does it do?
bulb
lets you have complete controlover shutter speed
the shutter stays open as long as you are pushing theshutter release button
How?
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What does the B stand for?
What does it do?
When would you use this?
bulb
lets you have complete controlover shutter speed
the shutter stays open as long as you are pushing theshutter release button
How?
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What is this?
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What is this?
a tripod
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What is this?
a tripod
When do you use this?
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What is this?
a tripod
When do you use this?
at shutter speeds of 1/60 or below
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What is this?
a tripod
When do you use this?
at shutter speeds of 1/60 or below
What happens if you dont?it will be blurry and you will be disappointed. I promise.
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If you wanted to take a picture of a running man sothat the action would be frozen - what shutterspeed might you try?
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If you wanted to take a picture of a running man sothat the action would be frozen - what shutterspeed might you try?
1/1000
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What if you wanted to show movement - how wouldyou do that?
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What if you wanted to show movement - how wouldyou do that? the slower the better - try at least 1 second
if possible (movement will look blurred)
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You can also show movement using panning - what ispanning?
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You can also show movement using panning - what ispanning?
using a slow shutter speed (1/30 or below), move(pan) your camera to follow the moving subject
as you take the picture
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aperture
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What is this?
Wh h ?
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aperture ring
What is this?
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Wh i hi ?
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What does it do?
aperture ring
controls the size of the aperture,measured in -stops
What is this?
Wh i hi ?
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What does it do?
aperture ring
controls the size of the aperture,measured in -stops
What is this?
A low -stop number = a _______ size aperture.
Wh i hi ?
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What does it do?
aperture ring
controls the size of the aperture,measured in -stops
What is this?
A low -stop number = a _______ size aperture.LARGE
Wh i hi ?
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What does it do?
What does aperture size TECHNICALLY control inyour photograph?
aperture ring
controls the size of the aperture,measured in -stops
What is this?
A low -stop number = a _______ size aperture.LARGE
Wh t i thi ?
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What does it do?
What does aperture size TECHNICALLY control inyour photograph?
aperture ring
controls the size of the aperture,measured in -stops
how large an aperture - how much LIGHT gets in
What is this?
A low -stop number = a _______ size aperture.LARGE
Wh t i thi ?
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What does it do?
What does aperture size TECHNICALLY control inyour photograph?
What does aperture size CREATIVELY control inyour photograph?
aperture ring
controls the size of the aperture,measured in -stops
how large an aperture - how much LIGHT gets in
What is this?
A low -stop number = a _______ size aperture.LARGE
Wh t i thi ?
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What does it do?
What does aperture size TECHNICALLY control inyour photograph?
What does aperture size CREATIVELY control inyour photograph?
aperture ring
controls the size of the aperture,measured in -stops
how large an aperture - how much LIGHT gets in
DEPTH OF FIELD
What is this?
A low -stop number = a _______ size aperture.LARGE
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depth of field
Depth of Field
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Depth of Field
/16
/2
/8
Depth of Field
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Depth of Field
/16
/2
/8
the wall of focus
Depth of Field
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Depth of Field
/16
/2
/8
the wall of focus how much (forwards and backwards of your subject)
of your image will be in focus
Depth of Field
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p
Depth of Field
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Depth of Field
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If you want a greatdepth of field, what
size aperture shouldyou use?
Depth of Field
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If you want a greatdepth of field, what
size aperture shouldyou use? SMALL
Depth of Field
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If you want a greatdepth of field, what
size aperture shouldyou use?
Such as?
SMALL
Depth of Field
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/16
If you want a greatdepth of field, what
size aperture shouldyou use?
Such as?
SMALL
Depth of Field
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/16
If you want a greatdepth of field, what
size aperture shouldyou use?
Such as?
SMALL
Depth of Field
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/16
If you want a greatdepth of field, what
size aperture shouldyou use?
If you want a shallowdepth of field, what
size aperture shouldyou use?
Such as?
SMALL
Depth of Field
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/16
If you want a greatdepth of field, what
size aperture shouldyou use?
If you want a shallowdepth of field, what
size aperture shouldyou use?
Such as?
SMALL
LARGE
Depth of Field
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/16
If you want a greatdepth of field, what
size aperture shouldyou use?
If you want a shallowdepth of field, what
size aperture shouldyou use?
Such as?
Such as?
SMALL
LARGE
Depth of Field
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/16
/2
If you want a greatdepth of field, what
size aperture shouldyou use?
If you want a shallowdepth of field, what
size aperture shouldyou use?
Such as?
Such as?
SMALL
LARGE
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A POINT TO EMPHASIZE
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SHUTTER SPEED
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SHUTTER SPEED
Physically/Technically controls:
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SHUTTER SPEED
Physically/Technically controls:
Creatively controls:
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SHUTTER SPEED
Physically/Technically controls:
Creatively controls:
AMOUNT OF LIGHT
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SHUTTER SPEED
Physically/Technically controls:
Creatively controls:
AMOUNT OF LIGHT
(how long shutter is open)
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SHUTTER SPEED
Physically/Technically controls:
Creatively controls: MOVEMENT
AMOUNT OF LIGHT
(how long shutter is open)
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SHUTTER SPEED
Physically/Technically controls:
Creatively controls: MOVEMENT(blurry or sharpness)
AMOUNT OF LIGHT
(how long shutter is open)
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SHUTTER SPEED
APERTURE
Physically/Technically controls:
Creatively controls: MOVEMENT(blurry or sharpness)
AMOUNT OF LIGHT
(how long shutter is open)
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SHUTTER SPEED
APERTURE
Physically/Technically controls:
Physically/Technically controls:
Creatively controls: MOVEMENT(blurry or sharpness)
AMOUNT OF LIGHT
(how long shutter is open)
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SHUTTER SPEED
APERTURE
Physically/Technically controls:
Physically/Technically controls:
Creatively controls:
Creatively controls:
MOVEMENT(blurry or sharpness)
AMOUNT OF LIGHT
(how long shutter is open)
SHUTTER SPEED
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SHUTTER SPEED
APERTURE
Physically/Technically controls:
Physically/Technically controls:
Creatively controls:
Creatively controls:
MOVEMENT(blurry or sharpness)
AMOUNT OF LIGHT
AMOUNT OF LIGHT
(how long shutter is open)
SHUTTER SPEED
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SHUTTER SPEED
APERTURE
Physically/Technically controls:
Physically/Technically controls:
Creatively controls:
Creatively controls:
MOVEMENT(blurry or sharpness)
AMOUNT OF LIGHT
AMOUNT OF LIGHT
(size of aperture)
(how long shutter is open)
SHUTTER SPEED
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SHUTTER SPEED
APERTURE
Physically/Technically controls:
Physically/Technically controls:
Creatively controls:
Creatively controls: DEPTH OF FIELD
MOVEMENT(blurry or sharpness)
AMOUNT OF LIGHT
AMOUNT OF LIGHT
(size of aperture)
(how long shutter is open)
SHUTTER SPEED
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SHUTTER SPEED
APERTURE
Physically/Technically controls:
Physically/Technically controls:
Creatively controls:
Creatively controls: DEPTH OF FIELD
MOVEMENT(blurry or sharpness)
(the wall of focus)
AMOUNT OF LIGHT
AMOUNT OF LIGHT
(size of aperture)
(how long shutter is open)
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light metering
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Remember that your camera can not guess how you
want the picture to come out.
sorry
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Remember that your camera can not guess how you
want the picture to come out.
sorry.
sorry
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Remember that your camera can not guess how you
want the picture to come out.
sorry.
Meter directly fromyour subject. Its a good idea toget UNCOMFORTABLY CLOSEto your subject,
meter, then back up and re-compose the frame. This isalways important - but especially if your subject isbacklit (has a strong source of light coming frombehind it.)
hi!
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How does the camera talk to you?
hi!
hi!
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How does the camera talk to you?
hi!
What does that look like?
hi!
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How does the camera talk to you?
hi!
That depends on what KIND of LIGHTMETER your camera has.
What does that look like?
4 Categories of LIGHT METERS:
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4 Categories of LIGHT METERS:
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1. Goldilocks
4 Categories of LIGHT METERS:
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1. Goldilocksthese settings have TOO MUCH light!these settings have TOO LITTLE light!
these settings are JUST RIGHT!
4 Categories of LIGHT METERS:
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1. Goldilocks
4 Categories of LIGHT METERS:
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1. Goldilockstoo much light (overexposed)too little light (underexposed)
just right (well exposed)
4 Categories of LIGHT METERS:
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1. Goldilockstoo much light (overexposed)too little light (underexposed)
just right (well exposed)
Goldilocks PRO
4 Categories of LIGHT METERS:
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1. Goldilockstoo much light (overexposed)too little light (underexposed)
just right (well exposed)
Goldilocks PRO too much/little... by exactly THIS MUCH
4 Categories of LIGHT METERS:
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1. Goldilocks
2. Aperture Priority
too much light (overexposed)too little light (underexposed)
just right (well exposed)
Goldilocks PRO too much/little... by exactly THIS MUCH
4 Categories of LIGHT METERS:
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1. Goldilocks
2. Aperture Priority
too much light (overexposed)too little light (underexposed)
just right (well exposed)
YOU select aperture, then:camera suggests a good shutter
speed
Goldilocks PRO too much/little... by exactly THIS MUCH
4 Categories of LIGHT METERS:
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1. Goldilocks
2. Aperture Priority
3. Shutter Speed Priority
too much light (overexposed)too little light (underexposed)
just right (well exposed)
YOU select aperture, then:camera suggests a good shutter
speed
Goldilocks PRO too much/little... by exactly THIS MUCH
4 Categories of LIGHT METERS:
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1. Goldilocks
2. Aperture Priority
3. Shutter Speed Priority
too much light (overexposed)too little light (underexposed)
just right (well exposed)
YOU select aperture, then:camera suggests a good shutter
speed
YOU select shutter speed, then:
camera suggests a good aperture
Goldilocks PRO too much/little... by exactly THIS MUCH
4 Categories of LIGHT METERS:
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1. Goldilocks
2. Aperture Priority
3. Shutter Speed Priority
4. Multiple options/combination
too much light (overexposed)too little light (underexposed)
just right (well exposed)
YOU select aperture, then:camera suggests a good shutter
speed
YOU select shutter speed, then:
camera suggests a good aperture
Goldilocks PRO too much/little... by exactly THIS MUCH
4 Categories of LIGHT METERS:
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1. Goldilocks
2. Aperture Priority
3. Shutter Speed Priority
4. Multiple options/combination
too much light (overexposed)too little light (underexposed)
just right (well exposed)
YOU select aperture, then:camera suggests a good shutter
speed
YOU select shutter speed, then:
camera suggests a good aperture
Goldilocks PRO too much/little... by exactly THIS MUCH
the camera gives you achoice (see above
options)in how it light
meters
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hey you. listen. you
are a total photorock star. everythingis going to be
GREAT.
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What is bracketing?
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What is bracketing?taking the same photograph at different exposures
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taking the same photograph at different exposures
What is bracketing?taking the same photograph at different exposures
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Why would you do this?
taking the same photograph at different exposures
What is bracketing?taking the same photograph at different exposures
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Why would you do this?
taking the same photograph at different exposures
to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you
What is bracketing?taking the same photograph at different exposures
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Why would you do this?
taking the same photograph at different exposures
to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you
How do you bracket?
What is bracketing?taking the same photograph at different exposures
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Why would you do this?
taking the same photograph at different exposures
to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you
How do you bracket?1. light meter
What is bracketing?taking the same photograph at different exposures
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Why would you do this?
taking the same photograph at different exposures
to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you
How do you bracket?1. light meter
2. choose which setting you want to keep (apertureor shutter speed)
What is bracketing?taking the same photograph at different exposures
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Why would you do this?
taking the same photograph at different exposures
to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you
How do you bracket?1. light meter
2. choose which setting you want to keep (apertureor shutter speed)
3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and alsoone up and one down.)
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How do you bracket?
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How do you bracket?
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How do you bracket?
1. light meter
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g
How do you bracket?
1. light meter
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g
250
/8
How do you bracket?
1. light meter
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g
250
/8
2. choose which setting you want to keep (apertureor shutter speed)
How do you bracket?
1. light meter
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g
250
/8
2. choose which setting you want to keep (apertureor shutter speed)
How do you bracket?
1. light meter
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g
250
/8
2. choose which setting you want to keep (apertureor shutter speed)
3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and alsoone up and one down.)
How do you bracket?
1. light meter
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g
250
/8
2. choose which setting you want to keep (apertureor shutter speed)
3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and alsoone up and one down.)
500
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How do you bracket?
1. light meter
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250
/8
2. choose which setting you want to keep (apertureor shutter speed)
3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and alsoone up and one down.)
4. take the three photographs
500 125
How do you bracket?
1. light meter
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250
/8
2. choose which setting you want to keep (apertureor shutter speed)
3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and alsoone up and one down.)
4. take the three photographs
500 125
/8 at 1/500 /8 at 250 /8 at 125
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equivalent exposures
Equivalent Exposures
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Equivalent Exposures
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What are equivalent exposures?
Equivalent Exposures
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What are equivalent exposures?different combinations of aperture/shutter speedsettings that give you the same exposure (range oflight/dark values)
Equivalent Exposures
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What are equivalent exposures?different combinations of aperture/shutter speedsettings that give you the same exposure (range oflight/dark values)
Why do they matter?
Equivalent Exposures
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What are equivalent exposures?different combinations of aperture/shutter speedsettings that give you the same exposure (range oflight/dark values)
Why do they matter?
to help you make use of your CREATIVE controls(depth of field and the sense of movement) while stillgetting a properly exposed image
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USING Equivalent Exposures
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Lets say you are asked to shoot a
USING Equivalent Exposures
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Let s say you are asked to shoot aphotograph of a pinwheel in
motion, for the OMG itsSPRING!!! issue of a local magazine.
Lets say you are asked to shoot a
USING Equivalent Exposures
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Let s say you are asked to shoot aphotograph of a pinwheel in
motion, for the OMG itsSPRING!!! issue of a local magazine.
You find a pinwheel that is moving,and your cameras light meter tells
you that you should use 1/500 and/2. This is the picture you get:
Lets say you are asked to shoot a
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
150/406
Let s say you are asked to shoot aphotograph of a pinwheel in
motion, for the OMG itsSPRING!!! issue of a local magazine.
You find a pinwheel that is moving,and your cameras light meter tells
you that you should use 1/500 and/2. This is the picture you get:
Lets say you are asked to shoot a
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
151/406
Let s say you are asked to shoot aphotograph of a pinwheel in
motion, for the OMG itsSPRING!!! issue of a local magazine.
You find a pinwheel that is moving,and your cameras light meter tells
you that you should use 1/500 and/2. This is the picture you get:
/2 and 1/500 sec
Lets say you are asked to shoot a
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
152/406
Let s say you are asked to shoot aphotograph of a pinwheel in
motion, for the OMG itsSPRING!!! issue of a local magazine.
You find a pinwheel that is moving,and your cameras light meter tells
you that you should use 1/500 and/2. This is the picture you get:
/2 and 1/500 sec
Youre really happy with the
exposure (the range of light anddark values) but it totally doesntshow motion. Like at all.
Lets say you are asked to shoot a
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
153/406
Let s say you are asked to shoot aphotograph of a pinwheel in
motion, for the OMG itsSPRING!!! issue of a local magazine.
You find a pinwheel that is moving,and your cameras light meter tells
you that you should use 1/500 and/2. This is the picture you get:
/2 and 1/500 sec
Youre really happy with the
exposure (the range of light anddark values) but it totally doesntshow motion. Like at all.
What should you do?
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
154/406
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
155/406
/2 and1/500 sec
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
156/406
/2 and1/500 sec
What setting was responsible for
freezing the motion of themoving pinwheel?
8/10/2019 Photo 1 Midterm Review 2016
157/406
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
158/406
/2 and1/500 sec
What setting was responsible for
freezing the motion of themoving pinwheel? shutter speed
What could you do to create thesense of motion in your
photograph?
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
159/406
/2 and1/500 sec
What setting was responsible for
freezing the motion of themoving pinwheel? shutter speed
What could you do to create thesense of motion in your
photograph? lower the shutter speed
8/10/2019 Photo 1 Midterm Review 2016
160/406
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
161/406
Since you got the EXPOSURE right, that means youre happy withthe relationship between your settings, you just need to use the
lowest possible shutter speed you can.
Use an Equivalent Exposure chart to figure out what aperture andshutter speed pair you could use which would give you the sameLIGHT as the original settings, but let you use the lowest possibleshutter speed.
/2 and1/500 sec
What setting was responsible for
freezing the motion of themoving pinwheel? shutter speed
What could you do to create thesense of motion in your
photograph? lower the shutter speed
Equivalent Exposure Chart
8/10/2019 Photo 1 Midterm Review 2016
162/406
Equivalent Exposure Chart
8/10/2019 Photo 1 Midterm Review 2016
163/406
Equivalent Exposure Chart
camera, what settingssho ld I se?
8/10/2019 Photo 1 Midterm Review 2016
164/406
should I use?
Equivalent Exposure Chart
camera, what settingsshould I use? 2 & 500
8/10/2019 Photo 1 Midterm Review 2016
165/406
should I use? 2 & 500
Equivalent Exposure Chart
camera, what settingsshould I use? 2 & 500
8/10/2019 Photo 1 Midterm Review 2016
166/406
hey friend. you can use anypair of settings you want, solong as they are equivalent.
should I use? 2 & 500
Equivalent Exposure Chart
camera, what settingsshould I use? 2 & 500
8/10/2019 Photo 1 Midterm Review 2016
167/406
hey friend. you can use anypair of settings you want, solong as they are equivalent.
should I use? 2 & 500
Equivalent Exposure Chart
camera, what settingsshould I use? 2 & 500
8/10/2019 Photo 1 Midterm Review 2016
168/406
hey friend. you can use anypair of settings you want, solong as they are equivalent.
should I use? 2 & 500
2
Equivalent Exposure Chart
camera, what settingsshould I use? 2 & 500
8/10/2019 Photo 1 Midterm Review 2016
169/406
hey friend. you can use anypair of settings you want, solong as they are equivalent.
should I use? & 500
500
2
Equivalent Exposure Chart
camera, what settingsshould I use? 2 & 500
8/10/2019 Photo 1 Midterm Review 2016
170/406
hey friend. you can use anypair of settings you want, solong as they are equivalent.
should I use?
500
2
more light
Equivalent Exposure Chart
camera, what settingsshould I use? 2 & 500
8/10/2019 Photo 1 Midterm Review 2016
171/406
hey friend. you can use anypair of settings you want, solong as they are equivalent.
should I use?
500
2
more light
Equivalent Exposure Chart
camera, what settingsshould I use? 2 & 500
8/10/2019 Photo 1 Midterm Review 2016
172/406
hey friend. you can use anypair of settings you want, solong as they are equivalent.
should I use?
500
2
more light
more light
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
173/406
8/10/2019 Photo 1 Midterm Review 2016
174/406
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings but let you use the lowest possible shutter speed
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
175/406
original settings, but let you use the lowest possible shutter speed.
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings but let you use the lowest possible shutter speed
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
176/406
original settings, but let you use the lowest possible shutter speed.
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
177/406
original settings, but let you use the lowest possible shutter speed.
/2500
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
178/406
original settings, but let you use the lowest possible shutter speed.
/2500
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
179/406
original settings, but let you use the lowest possible shutter speed.
/2500
500
/2
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
180/406
original settings, but let you use the lowest possible shutter speed.
/2500
250500
/2
8/10/2019 Photo 1 Midterm Review 2016
181/406
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
182/406
g g , y p p
/2500
250 125 60500
/2
8/10/2019 Photo 1 Midterm Review 2016
183/406
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
184/406
g g , y p p
/2500
250 125 60 30 15500
/2
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
185/406
g g y p p
/2500
250 125 60 30 15 8500
/2
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
186/406
g g y p p
/2500
250 125 60 30 15 8500
/2
4
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
187/406
g g y p p
/2500
1000 250 125 60 30 15 8500
/2
4
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
188/406
g g y p p
/2500
1000 250 125 60 30 15 8
x
500
/2
4
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
189/406
/2500
1000 250 125 60 30 15 8
x
500
/2 /2.8
4
8/10/2019 Photo 1 Midterm Review 2016
190/406
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
191/406
/2500
1000 250 125 60 30 15 8
x
500
/2 /2.8 /4 /5.6
4
8/10/2019 Photo 1 Midterm Review 2016
192/406
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
193/406
/2500
1000 250 125 60 30 15 8
x
500
/2 /2.8 /4 /5.6 /8 /11
4
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
194/406
/2500
1000 250 125 60 30 15 8
x
500
/2 /2.8 /4 /5.6 /8 /11 /16
4
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
195/406
/2500
1000 250 125 60 30 15 8
x
500
/2 /2.8 /4 /5.6 /8 /11 /16
4
/22
8/10/2019 Photo 1 Midterm Review 2016
196/406
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
197/406
/2500
1000 250 125 60 30 15 8
x
500
/2 /2.8 /4 /5.6 /8 /11 /16
4
/22
8/10/2019 Photo 1 Midterm Review 2016
198/406
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
199/406
/2500
1000 250 125 60 30 15 8
x
500
/2 /2.8 /4 /5.6 /8 /11 /16
/224
4
/22
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
200/406
/2500
1000 250 125 60 30 15 8
x
500
/2 /2.8 /4 /5.6 /8 /11 /16
/224
4
/22
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
201/406
/2500
1000 250 125 60 30 15 8
x
500
/2 /2.8 /4 /5.6 /8 /11 /16
/224
4
/22
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
202/406
/2500
1000 250 125 60 30 15 8
x
500
/2 /2.8 /4 /5.6 /8 /11 /16
/224
these images areequivalent exposures
4
/22
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
203/406
/2500
1000 250 125 60 30 15 8
x
500
/2 /2.8 /4 /5.6 /8 /11 /16
/224
these images areequivalent exposures
4
/22
Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.
USING Equivalent Exposures
8/10/2019 Photo 1 Midterm Review 2016
204/406
/2500
1000 250 125 60 30 15 8
x
500
/2 /2.8 /4 /5.6 /8 /11 /16
/224
these images areequivalent exposures
USE A
TRIPOD
4
/22
Equivalent Exposure Chart
8/10/2019 Photo 1 Midterm Review 2016
205/406
Equivalent Exposure Chart
8/10/2019 Photo 1 Midterm Review 2016
206/406
Equivalent Exposure Chart
camera, whatsettings shouldI ?
8/10/2019 Photo 1 Midterm Review 2016
207/406
I use?
Equivalent Exposure Chart
camera, whatsettings shouldI ?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
208/406
I use?
Equivalent Exposure Chart
camera, whatsettings shouldI e?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
209/406
I use?
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
210/406
I use?
8
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
211/406
I use?
125
8
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
212/406
I use?
125
8
more light
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
213/406
I use?
125
8
more light
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
214/406
I use?
125
8
more light
more light
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
215/406
I use?
125
8
more light
more light
5.6
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
216/406
I use?
125
8
more light
more light
5.6 4
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
217/406
I use?
125
8
more light
more light
5.6 4 2.8
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
218/406
I use?
125
8
more light
more light
5.6 4 2.811
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
219/406
I use?
125
8
more light
more light
5.6 4 2.81116
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
220/406
I use?
125
8
more light
more light
5.6 4 2.8111622
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
221/406
I use?
125
8
more light
more light
5.6 4 2.8111622
250
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
222/406
I use?
125
8
more light
more light
5.6 4 2.8111622
250 500
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
223/406
I use?
125
8
more light
more light
5.6 4 2.8111622
250 500 1000
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
224/406
I use?
125
8
more light
more light
5.6 4 2.8111622
250 500 100060
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
225/406
use
125
8
more light
more light
5.6 4 2.8111622
250 500 10006030
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
226/406
125
8
more light
more light
5.6 4 2.8111622
250 500 1000603015
Equivalent Exposure Chart
camera, whatsettings shouldI use?
8 & 125
8/10/2019 Photo 1 Midterm Review 2016
227/406
125
8
more light
more light
5.6 4 2.8111622
250 500 1000603015
e q u a l
8/10/2019 Photo 1 Midterm Review 2016
228/406
125
8 5.6 4 2.8111622
250 500 1000603015
8/10/2019 Photo 1 Midterm Review 2016
229/406
125
8 5.6 4 2.8111622
250 500 1000603015
e q u a l
8/10/2019 Photo 1 Midterm Review 2016
230/406
q
125
8 5.6 4 2.8111622
250 500 1000603015
8/10/2019 Photo 1 Midterm Review 2016
231/406
125
8 5.6 4 2.8111622
250 500 1000603015
8/10/2019 Photo 1 Midterm Review 2016
232/406
what do Iwant to DO?
8/10/2019 Photo 1 Midterm Review 2016
233/406
125
8 5.6 4 2.8111622
250 500 1000603015
8/10/2019 Photo 1 Midterm Review 2016
234/406
what do Iwant to DO?
I cannot decide for you.
125
8 5.6 4 2.8111622
250 500 1000603015
8/10/2019 Photo 1 Midterm Review 2016
235/406
125
8 5.6 4 2.8111622
250 500 1000603015
8/10/2019 Photo 1 Midterm Review 2016
236/406
125
8 5.6 4 2.8111622
250 500 1000603015
8/10/2019 Photo 1 Midterm Review 2016
237/406
8/10/2019 Photo 1 Midterm Review 2016
238/406
8/10/2019 Photo 1 Midterm Review 2016
239/406
125
8 5.6 4 2.8111622
250 500 1000603015
8/10/2019 Photo 1 Midterm Review 2016
240/406
8/10/2019 Photo 1 Midterm Review 2016
241/406
125
8 5.6 4 2.8111622
250 500 1000603015
8/10/2019 Photo 1 Midterm Review 2016
242/406
125
8 5.6 4 2.8111622
250 500 1000603015
8/10/2019 Photo 1 Midterm Review 2016
243/406
125
8 5.6 4 2.8111622
250 500 1000603015
8/10/2019 Photo 1 Midterm Review 2016
244/406
Equivalent Exposure Chart
8/10/2019 Photo 1 Midterm Review 2016
245/406
Equivalent Exposure Chart
8/10/2019 Photo 1 Midterm Review 2016
246/406
Equivalent Exposure Chart camera, whatsettings shouldI use?
8/10/2019 Photo 1 Midterm Review 2016
247/406
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
248/406
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
249/406
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
250/406
5.6
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
251/406
60
5.6
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
252/406
60
5.6
more light
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
253/406
60
5.6
more light
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
254/406
60
5.6
more light
more light
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
255/406
60
5.6
more light
more light
4
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
256/406
60
5.6
more light
more light
4 2.8
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
257/406
60
5.6
more light
more light
4 2.8 2
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
258/406
60
5.6
more light
more light
4 2.8 28
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
259/406
60
5.6
more light
more light
4 2.8 2811
8/10/2019 Photo 1 Midterm Review 2016
260/406
8/10/2019 Photo 1 Midterm Review 2016
261/406
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
262/406
60
5.6
more light
more light
4 2.8 281116
125 250
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
263/406
60
5.6
more light
more light
4 2.8 281116
125 250500
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
264/406
60
5.6
more light
more light
4 2.8 281116
125 25050030
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
265/406
60
5.6
more light
more light
4 2.8 281116
125 2505003015
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
266/406
60
5.6
more light
more light
4 2.8 281116
125 25050030158
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
267/406
60
5.6
more light
more light
4 2.8 281116
125 25050030158
e q u a l
Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60
8/10/2019 Photo 1 Midterm Review 2016
268/406
60
5.6
more light
more light
4 2.8 281116
125 25050030158
60
5.6 4 2.8 281116
125 250 50030158
8/10/2019 Photo 1 Midterm Review 2016
269/406
60 125 250 50030158
60
5.6 4 2.8 281116
125 250 50030158
l
8/10/2019 Photo 1 Midterm Review 2016
270/406
60 125 250 50030158
e q u a l
60
5.6 4 2.8 281116
125 250 50030158
8/10/2019 Photo 1 Midterm Review 2016
271/406
60 125 250 50030158
60
5.6 4 2.8 281116
125 250 50030158
8/10/2019 Photo 1 Midterm Review 2016
272/406
60 125 250 50030158
60
5.6 4 2.8 281116
125 250 50030158
8/10/2019 Photo 1 Midterm Review 2016
273/406
60 125 250 50030158
60
5.6 4 2.8 281116
125 250 50030158
8/10/2019 Photo 1 Midterm Review 2016
274/406
60 125 250 50030158
60
5.6 4 2.8 281116
125 250 50030158
8/10/2019 Photo 1 Midterm Review 2016
275/406
60 125 250 50030158
60
5.6 4 2.8 281116
125 250 50030158
8/10/2019 Photo 1 Midterm Review 2016
276/406
60 125 250 50030158
60
5.6 4 2.8 281116
125 250 50030158
8/10/2019 Photo 1 Midterm Review 2016
277/406
60 125 250 50030158
8/10/2019 Photo 1 Midterm Review 2016
278/406
the easels
Easels
8/10/2019 Photo 1 Midterm Review 2016
279/406
Easels
This is a ________ easel.
8/10/2019 Photo 1 Midterm Review 2016
280/406
8/10/2019 Photo 1 Midterm Review 2016
281/406
Easels
This is a ________ easel.
It is used when making:
CONTACT
8/10/2019 Photo 1 Midterm Review 2016
282/406
8/10/2019 Photo 1 Midterm Review 2016
283/406
Easels
This is a ________ easel.
It is used when making:
contact sheetsh l
CONTACT
8/10/2019 Photo 1 Midterm Review 2016
284/406
contact sheets pinhole positives
Easels
This is a ________ easel.
It is used when making:
contact sheetsh l
CONTACT
8/10/2019 Photo 1 Midterm Review 2016
285/406
contact sheets pinhole positives collage negatives
Easels
This is a ________ easel.
It is used when making:
contact sheetsi h l i i
CONTACT
8/10/2019 Photo 1 Midterm Review 2016
286/406
co t ct s eets pinhole positives collage negatives photograms
Easels
This is a ________ easel.
It is used when making:
contact sheetsi h l i i
CONTACT
8/10/2019 Photo 1 Midterm Review 2016
287/406
pinhole positives collage negatives photograms
EaselsThis is a ________ easel.
It is used when making:
contact sheetsi h l i i
CONTACT
8/10/2019 Photo 1 Midterm Review 2016
288/406
pinhole positives collage negatives photograms
This is a __________________ easel.
EaselsThis is a ________ easel.
It is used when making:
contact sheetspi h l p i i
CONTACT
8/10/2019 Photo 1 Midterm Review 2016
289/406
pinhole positives collage negatives photograms
This is a __________________ easel.PRINTING / MASKING
8/10/2019 Photo 1 Midterm Review 2016
290/406
EaselsThis is a ________ easel.
It is used when making:
contact sheetspi h l p iti
CONTACT
8/10/2019 Photo 1 Midterm Review 2016
291/406
pinhole positives collage negatives photograms
This is a __________________ easel.PRINTING / MASKING
It is used when making: enlargements from negatives
EaselsThis is a ________ easel.
It is used when making:
contact sheets pi h l p iti
CONTACT
8/10/2019 Photo 1 Midterm Review 2016
292/406
pinhole positives collage negatives photograms
This is a __________________ easel.PRINTING / MASKING
It is used when making: enlargements from negatives
It helps your prints have:
EaselsThis is a ________ easel.
It is used when making:
contact sheets pi hole positi es
CONTACT
8/10/2019 Photo 1 Midterm Review 2016
293/406
pinhole positives collage negatives photograms
This is a __________________ easel.PRINTING / MASKING
It is used when making: enlargements from negatives
It helps your prints have: neat, white borders
EaselsThis is a ________ easel.
It is used when making:
contact sheets pinhole positives
CONTACT
8/10/2019 Photo 1 Midterm Review 2016
294/406
pinhole positives collage negatives photograms
This is a __________________ easel.PRINTING / MASKING
It is used when making: enlargements from negatives
It helps your prints have: neat, white borders regular sizes
8/10/2019 Photo 1 Midterm Review 2016
295/406
parts of the enlarger
8/10/2019 Photo 1 Midterm Review 2016
296/406
Parts of the Enlarger
8/10/2019 Photo 1 Midterm Review 2016
297/406
Parts of the Enlarger
lamphouse {
8/10/2019 Photo 1 Midterm Review 2016
298/406
Parts of the Enlarger
lamphouse {
8/10/2019 Photo 1 Midterm Review 2016
299/406
Parts of the Enlarger
lamphouse {
8/10/2019 Photo 1 Midterm Review 2016
300/406
Parts of the Enlarger
lamphouse {
8/10/2019 Photo 1 Midterm Review 2016
301/406
Parts of the Enlarger
bellows {
lamphouse {
8/10/2019 Photo 1 Midterm Review 2016
302/406
Parts of the Enlarger
bellows {
lamphouse {
8/10/2019 Photo 1 Midterm Review 2016
303/406
Parts of the Enlarger
bellows {
lamphouse {
8/10/2019 Photo 1 Midterm Review 2016
304/406
Parts of the Enlarger
bellows {lens
lamphouse {
8/10/2019 Photo 1 Midterm Review 2016
305/406
Parts of the Enlarger
bellows {lens
lamphouse {negative carriergoes here
8/10/2019 Photo 1 Midterm Review 2016
306/406
Parts of the Enlarger
bellows {goes here
lens
lamphouse {negative carriergoes here
8/10/2019 Photo 1 Midterm Review 2016
307/406
Parts of the Enlarger
bellows {g
easel goes here
lens
lamphouse {negative carriergoes here
8/10/2019 Photo 1 Midterm Review 2016
308/406
Parts of the Enlarger
bellows {g
easel goes here
lens
(but which easel??)
lamphouse {negative carriergoes here
8/10/2019 Photo 1 Midterm Review 2016
309/406
Parts of the Enlarger
bellows {g
easel goes here
lens
(but which easel??)
lamphouse {negative carriergoes here
heightadjustmentknob
8/10/2019 Photo 1 Midterm Review 2016
310/406
Parts of the Enlarger
bellows {g
easel goes here
lens
(but which easel??)
lamphouse {negative carriergoes here
heightadjustmentknob
moves EVERYTHINGup and down
8/10/2019 Photo 1 Midterm Review 2016
311/406
Parts of the Enlarger
bellows {g
easel goes here
lens
(but which easel??)
lamphouse {negative carriergoes here
heightadjustmentknob
moves EVERYTHINGup and down
8/10/2019 Photo 1 Midterm Review 2016
312/406
Parts of the Enlarger
bellows {g
easel goes here
lens
(but which easel??)
lamphouse {
{negative carriergoes here
heightadjustmentknob
moves EVERYTHINGup and down
8/10/2019 Photo 1 Midterm Review 2016
313/406
Parts of the Enlarger
bellows {g
easel goes here
lens
(but which easel??)
lamphouse {
{negative carriergoes here
heightadjustmentknob
moves EVERYTHINGup and down
8/10/2019 Photo 1 Midterm Review 2016
314/406
Parts of the Enlarger
bellows {g
fine focus
easel goes here
lens
(but which easel??)
lamphouse {
{negative carriergoes here
heightadjustmentknob
moves EVERYTHINGup and down
8/10/2019 Photo 1 Midterm Review 2016
315/406
Parts of the Enlarger
bellows {g
fine focusmoves the bellows
up and down
easel goes here
lens
(but which easel??)
lamphouse {
{negative carriergoes here
heightadjustmentknob
moves EVERYTHINGup and down
8/10/2019 Photo 1 Midterm Review 2016
316/406
Parts of the Enlarger
bellows {g
fine focusmoves the bellows
up and down
easel goes here
lens
(but which easel??)
lamphouse {
{negative carriergoes here
heightadjustmentknob
moves EVERYTHINGup and down
8/10/2019 Photo 1 Midterm Review 2016
317/406
Parts of the Enlarger
bellows { fine focusmoves the bellows
up and down
easel goes here
lens
(but which easel??)
lamphouse {
{negative carriergoes here
heightadjustmentknob
moves EVERYTHINGup and down
8/10/2019 Photo 1 Midterm Review 2016
318/406
Parts of the Enlarger
bellows { fine focusmoves the bellows
up and down
easel goes here
grain focuser
lens
(but which easel??)
lamphouse {
{negative carriergoes here
heightadjustmentknob
moves EVERYTHINGup and down
8/10/2019 Photo 1 Midterm Review 2016
319/406
Parts of the Enlarger
bellows { fine focusmoves the bellows
up and down
easel goes here
grain focuser
lens
(but which easel??)
lamphouse {
{negative carriergoes here
heightadjustmentknob
moves EVERYTHINGup and down
8/10/2019 Photo 1 Midterm Review 2016
320/406
Parts of the Enlarger
bellows { fine focusmoves the bellows
up and down
easel goes here
grain focuserused to get the sharpest possible print
lens
(but which easel??)
lamphouse {
{negative carriergoes here
heightadjustmentknob
moves EVERYTHINGup and down
8/10/2019 Photo 1 Midterm Review 2016
321/406
Parts of the Enlarger
bellows { fine focusmoves the bellows
up and down
easel goes here
grain focuserused to get the sharpest possible print
lens
(but which easel??)
lamphouse {
{negative carriergoes here
heightadjustmentknob
moves EVERYTHINGup and down
8/10/2019 Photo 1 Midterm Review 2016
322/406
Parts of the Enlarger
bellows { fine focusmoves the bellows
up and down
easel goes here
grain focuserused to get the sharpest possible print
lens
(but which easel??)
8/10/2019 Photo 1 Midterm Review 2016
323/406
processing film
Loading Your Film:What goes into the changing bag?
8/10/2019 Photo 1 Midterm Review 2016
324/406
Loading Your Film:What goes into the changing bag?
tank (including lid & post)
8/10/2019 Photo 1 Midterm Review 2016
325/406
Loading Your Film:What goes into the changing bag?
tank (including lid & post)
8/10/2019 Photo 1 Midterm Review 2016
326/406
Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels
8/10/2019 Photo 1 Midterm Review 2016
327/406
Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels
8/10/2019 Photo 1 Midterm Review 2016
328/406
Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels
can opener
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329/406
Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels
can opener
8/10/2019 Photo 1 Midterm Review 2016
330/406
Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels
can opener your film
8/10/2019 Photo 1 Midterm Review 2016
331/406
your film
Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels
can opener your film
8/10/2019 Photo 1 Midterm Review 2016
332/406
your film
Processing Your Film (the SUPER condensed version)
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333/406
Processing Your Film (the SUPER condensed version)
1. Water Rinse
8/10/2019 Photo 1 Midterm Review 2016
334/406
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
8/10/2019 Photo 1 Midterm Review 2016
335/406
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
8/10/2019 Photo 1 Midterm Review 2016
336/406
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
8/10/2019 Photo 1 Midterm Review 2016
337/406
4. Fixer
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
8/10/2019 Photo 1 Midterm Review 2016
338/406
4. Fixer
5. Water Rinse
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
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339/406
4. Fixer
5. Water Rinse
6. Perma Wash
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
8/10/2019 Photo 1 Midterm Review 2016
340/406
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
8/10/2019 Photo 1 Midterm Review 2016
341/406
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent
8/10/2019 Photo 1 Midterm Review 2016
342/406
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
8/10/2019 Photo 1 Midterm Review 2016
343/406
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
8/10/2019 Photo 1 Midterm Review 2016
344/406
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
8/10/2019 Photo 1 Midterm Review 2016
345/406
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
8/10/2019 Photo 1 Midterm Review 2016
346/406
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
8/10/2019 Photo 1 Midterm Review 2016
347/406
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
8/10/2019 Photo 1 Midterm Review 2016
348/406
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent
Processing Your Film (the SUPER condensed version)
1. Water Rinse
2. Developer
3. Stop Bath
8/10/2019 Photo 1 Midterm Review 2016
349/406
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent
8/10/2019 Photo 1 Midterm Review 2016
350/406
darkroom chemistry
8/10/2019 Photo 1 Midterm Review 2016
351/406
8/10/2019 Photo 1 Midterm Review 2016
352/406
8/10/2019 Photo 1 Midterm Review 2016
353/406
sink
8/10/2019 Photo 1 Midterm Review 2016
354/406
sink
name:
8/10/2019 Photo 1 Midterm Review 2016
355/406
sink
name: developer
8/10/2019 Photo 1 Midterm Review 2016
356/406
sink
name: developer
8/10/2019 Photo 1 Midterm Review 2016
357/406
sink
name: developer stop bath
8/10/2019 Photo 1 Midterm Review 2016
358/406
sink
name: developer stop bath
8/10/2019 Photo 1 Midterm Review 2016
359/406
sink
name: fixerdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
360/406
sink
name: fixerdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
361/406
sink
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
362/406
sink
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
363/406
sink
what do I do?
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
364/406
sink
what do I do?develops the paper
(oxidizes silver)(pH 11 or 12 = base)
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
365/406
sink
what do I do?develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
366/406
sink
what do I do?develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
367/406
sink
what do I do?develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
368/406
sink
what do I do?develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
I should bereplaced when...
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
369/406
sink
what do I do?develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
I should bereplaced when...
if I am a darkyellowish orangecolor, sort of like
this but not exactly
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
370/406
sink
what do I do?develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
I should be
replaced when...
if I am a darkyellowish orangecolor, sort of like
this but not exactly
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
371/406
sink
what do I do?develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
I should be
replaced when... if I am a darkpurple color
if I am a darkyellowish orangecolor, sort of like
this but not exactly
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
372/406
sink
what do I do?develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
I should be
replaced when... if I am a darkpurple color
if I am a darkyellowish orangecolor, sort of like
this but not exactly
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
373/406
sink
what do I do?develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
I should be
replaced when... if I get cloudy whenyou drip hypo check inif I am a darkpurple color
if I am a darkyellowish orangecolor, sort of like
this but not exactly
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
374/406
sink
what do I do?develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
I should be
replaced when... if I get cloudy whenyou drip hypo check inif I am a darkpurple color
if I am a darkyellowish orangecolor, sort of like
this but not exactly
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
375/406
sink
what do I do?develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
I should be
replaced when... N/Aif I get cloudy whenyou drip hypo check inif I am a darkpurple color
if I am a darkyellowish orangecolor, sort of like
this but not exactly
name: fixer waterdeveloper stop bath
8/10/2019 Photo 1 Midterm Review 2016
376/406
sink
snapshot vs. composed
8/10/2019 Photo 1 Midterm Review 2016
377/406
principles of composition
p pand
What is the difference between a snapshot and a
composed photograph?
8/10/2019 Photo 1 Midterm Review 2016
378/406
What is the difference between a snapshot and a
composed photograph?
Snapshot
8/10/2019 Photo 1 Midterm Review 2016
379/406
What is the difference between a snapshot and a
composed photograph?
Snapshot
A casual recordof some event, person, object or place.
8/10/2019 Photo 1 Midterm Review 2016
380/406
What is the difference between a snapshot and a
composed photograph?
Snapshot
A casual recordof some event, person, object or place.
Usually a very quick response to a situation.
8/10/2019 Photo 1 Midterm Review 2016
381/406
What is the difference between a snapshot and a
composed photograph?
Snapshot
A casual recordof some event, person, object or place.
Usually a very quick response to a situation.
Unorganized, no attention has been paid to details.
8/10/2019 Photo 1 Midterm Review 2016
382/406
What is the difference between a snapshot and a
composed photograph?
Snapshot
A casual recordof some event, person, object or place.
Usually a very quick response to a situation.
Unorganized, no attention has been paid to details.
8/10/2019 Photo 1 Midterm Review 2016
383/406
Only the photographerhas an emotional connection to the photo
What is the difference between a snapshot and a
composed photograph?
Snapshot
A casual recordof some event, person, object or place.
Usually a very quick response to a situation.
Unorganized, no attention has been paid to details.
8/10/2019 Photo 1 Midterm Review 2016
384/406
Only the photographerhas an emotional connection to the photo
vs. Composed Photograph
What is the difference between a snapshot and a
composed photograph?
Snapshot
A casual recordof some event, person, object or place.
Usually a very quick response to a situation.
Unorganized, no attention has been paid to details.
8/10/2019 Photo 1 Midterm Review 2016
385/406
Only the photographerhas an emotional connection to the photo
vs. Composed Photograph An artistic interpretationof an event, person, object, or place.
What is the difference between a snapshot and a
composed photograph?
Snapshot
A casual recordof some event, person, object or place.
Usually a very quick response to a situation.
Unorganized, no attention has been paid to details.
8/10/2019 Photo 1 Midterm Review 2016
386/406
Only the photographerhas an emotional connection to the photo
vs. Composed Photograph An artistic interpretationof an event, person, object, or place.
A process where care is taken to consider the elements and principlesthat exist
within the frame of the composition.
What is the difference between a snapshot and a
composed photograph?
Snapshot
A casual recordof some event, person, object or place.
Usually a very quick response to a situation.
Unorganized, no attention has been paid to details.
8/10/2019 Photo 1 Midterm Review 2016
387/406
Only the photographerhas an emotional connection to the photo
vs. Composed Photograph An artistic interpretationof an event, person, object, or place.
A process where care is taken to consider the elements and principlesthat exist
within the frame of the composition.
Organized frame, where attention has been paid to expressing an emotionor
telling the viewer something about its subject.
What is the difference between a snapshot and a
composed photograph?
Snapshot
A casual recordof some event, person, object or place.
Usually a very quick response to a situation.
Unorganized, no attention has been paid to details.
8/10/2019 Photo 1 Midterm Review 2016
388/406
Only the photographerhas an emotional connection to the photo
vs. Composed Photograph An artistic interpretationof an event, person, object, or place.
A process where care is taken to consider the elements and principlesthat exist
within the frame of the composition.
Organized frame, where attention has been paid to expressing an emotionor
telling the viewer something about its subject.
A universal appeal orsense of interest- ability to connect to many viewers
Principles of Photographic Composition
8/10/2019 Photo 1 Midterm Review 2016
389/406
Principles of Photographic Composition
1. Light
8/10/2019 Photo 1 Midterm Review 2016
390/406
Principles of Photographic Composition
1. Light
2. Rule of Thirds
8/10/2019 Photo 1 Midterm Review 2016
391/406
Principles of Photographic Composition
1. Light
2. Rule of Thirds3. Using the Edges of the Frame
8/10/2019 Photo 1 Midterm Review 2016
392/406
Principles of Photographic Composition
1. Light
2. Rule of Thirds3. Using the Edges of the Frame4 FrameWithin a Frame
8/10/2019 Photo 1 Midterm Review 2016
393/406
4. Frame Within a Frame
Principles of Photographic Composition
1. Light
2. Rule of Thirds3. Using the Edges of the Frame4 FrameWithin a Frame
8/10/2019 Photo 1 Midterm Review 2016
394/406
4. Frame Within a Frame
5. Line
Principles of Photographic Composition
1. Light
2. Rule of Thirds3. Using the Edges of the Frame4 FrameWithin a Frame
8/10/2019 Photo 1 Midterm Review 2016
395/406
4. Frame Within a Frame
5. Line6. Point of View
Principles of Photographic Composition
1. Light
2. Rule of Thirds3. Using the Edges of the Frame4 FrameWithin a Frame
8/10/2019 Photo 1 Midterm Review 2016
396/406
4. Frame Within a Frame
5. Line6. Point of View7. Fill the Frame / Cropping
Principles of Photographic Composition
1. Light
2. Rule of Thirds3. Using the Edges of the Frame4 FrameWithin a Frame
8/10/2019 Photo 1 Midterm R