+ All Categories
Home > Documents > Photo Drama of Creation Newspaper Articles from 1914

Photo Drama of Creation Newspaper Articles from 1914

Date post: 07-Aug-2018
Category:
Upload: sirjsslut
View: 218 times
Download: 0 times
Share this document with a friend

of 12

Transcript
  • 8/20/2019 Photo Drama of Creation Newspaper Articles from 1914

    1/27

    ^ 5

    mm mmm

    siai^nKrwsT^

    THE EVENING TELECrRAM—NEW YORK, SUNDAY, TANTJAITH

      IT, Ml*

    a

    OTO DRAMA

    PHOTO DRAMA

    EX HIBITION .

    h

      N e w s p a p e r a r t o o n s

      a n d

    M o t i o n P i c t u r e s R e c e i v e

    I n t e r n a t i o n a l R e c o p i t i o n

    International Bible Student*

      In-

    a n g iwle

      a

      Wortd Wide Phi

    lanthropy

     by

      Offering Free

    Exhibitions of the Bible

    in Picture.

    MMMWM

    P HOTO D R A MA .

    F HOTO D R A MA .

    u L

    P HOTO D R A MA .

    T YPI CAL PI CT URE S

    From Social  and  Educational Section—Photo-Drama  of  Creation.

    P H O T O - D R M M   O F  C R I A T I O H

    Tastor Russell. World Famed  aa

    "Ant i4Wl.Firo" Preacher ,  U to

    Pilot  the  "Photo-Drama  of

    Creation"  in the Leading

    Citiea of tho W orld .

    fc

    *The widespread discussion of the value

    of moving pictures as a means of  educating

    tse m asses la most Interesting. There Is n o

    question  as to the popularity  of  moTlng

    picture show nouses, and the leading teach-

    era In every line are agreed, that vritbln a

    fear years moving pictures and stereoptlcon

    elides will be used In  every country In or

    der  to quickly hrlns; all people to an accu-  . ^

      n c

    ^

    i

      ^ ^

      ^ ^

      o |

      ^

      k e

      ^

      t h e

    P o U r

      ^ ^ ^ , ^ ^ , 4

    rate knowledge

     of the

     truth

     In

     the general rfecrets hidden from

      su a

      s ince

      the

      flood.

    tranches of education. Reports say that a

    movement

     Is now on

      foot

     on the

     part

     of

    educators In many cities to secure moving

    picture houses during the forenoon to. or

    der to show pictures on  certain topics to

    high school classes.  To  make, this work

    successful manufacturers  are  producing

    films under

      the

      direction

      of

      educators

    which In an hour's tune will convey to the

    student's mind

      the

      same lessons -which

    hitherto necessitated many hours ct  hard

    study.

    Cartoons Receive Recognition.

    "For many years newspaper editors have

    realized t he value of  pictures as a  means

    of moulding public opinion and havo taken

    advantage  of the  situation,  as  evidenced

    hy  the cartoons or caricature sketches on

    the front pages of their papers. Many edi

    tors claim that a properly drawn cartoon Is

    -worth more than many pages of  reading

    matter on

     the

     same subject.

    "Another strong Indorsement of the use

    of pictures

     Is the

      fact that

      the

      principal

    advertisers of the world use  highly Illus

    trated announcements

     In all of the

     leading

    periodicals and newspapers.  In  fact, very

    few advertisements of any kind arc put out

    by successful business people unless Illus

    trated by pictures showing th e desirability

    and usefulness of the thing advertised.

    "However,  we should not get the thought

    that pictures are a modern invention.  The

    ' ever changing vicissitudes

      of the

     genera

    tions of the  remote past  are recoroed In

    pictures

      on

      obelisks, walls, buildings,

    sepulchres and the like, and we remind you

    that many important lessons  of the Old

    Testament Scriptures are set forth In vivid

    word pictures; and. further, that the Lord

    and tho Apostles have given to us In the

    writings of the New Testament many beau

    tiful lessons  in  word pictures, which are

    peculiarly adaptable  to  Illustration  by

    present day methoda

    Meviaat sHcturea Lauded.

    1

     •

    "While In Singapore and  other Oriental

    cities the managers of public halls called

    attention  to the  Tact' that  the  tents and

    halls used

     for

     moving picture exhibitions

    were  the  only places where t he  rich and

    poor people of all  castes gathered at the

    same t ime  to witness  the  same perform

    ance. The films used

     in

     Japan, China,

     Af

    rica  and  India were almost entirely  of

    French manufacture, and the reading mat

    ter accompanying  the  pictures  was In

    French. Scarcely any one in  these coun

    tries could read the descriptive matter, yet

    all were receiving similar impressions and

    were being educated along certain lines by

    the pictures. Thhi emphasises  the  fact

    that It Is the pictures principally that talk

    and «hat pictures constitute the only Uni

    versal Language

     of the

     day.

      The

     nearest

    approach tha t we have in  America to the

    Oriental moving picture-audiences

     are the

    cosmopolitan crowds that assemble  to

    hear Pastor Rassell deliver his  public lec

    tures, which invariably  are  delivered  In

    public halls or auditoriums, where Catho

    lics.

      Jews* Christians, skeptics. Infidels—

    id —aisjmble  in  common  to  consider the

    lliblo iliecutscd upon  its  merits.  The

    PhoTO'Drama of Creation Is to be conduct

    ed

      by the

      International Bible Students'

    Association'In  the largest auditoriums In

    the various cities

     of

      this

     and

     other coun

    tries, bringing an accurate knowledge of

    the Bible tw the people: and It Is easily be-

    lUnrable that it win be possible for them to

    Icini from pictures In a few  hours' time

    more than'ihe average Bible student could

    previously Itarn

      by

      years

      of

      arduous

    study.**

    The .Hovlas Picture Resolution.

    The International Bible Students' Asso-

    Utlon in its  jstt conventions, which we're

    ttended  by  about seven thousand dele

    aves, adopted the  following resolution In-

    orslng moving picture.*:—

    B

      "Resolved. That  tho unprecedented sue-

    ress of tl,e newspapers In moulding public

    • •;i:iion

     by

     the aid

     of

      cartoon* and iiloslra*

    tions In their r.r.ws and m ag.izir.? sections,

    together with the wonderful popul irity and

    adaplaMIi'.y movIr«g pictures ,  .-.as fully

    rfemoniiralcd literr worth, and we believe

    fatly Justifies as.

    ;

    «« nrogresstvi  ;.

    :

    . ,  hers

     I

    and BibTe class t

  • 8/20/2019 Photo Drama of Creation Newspaper Articles from 1914

    2/27

    S U E E Y E X I X G T E L -E G R AM — X E T T Y O R K , S U N D A Y , J A N U A R Y 1 8 , 1 0 14 .

    PHOTO- D R A MA .

    PHO TO - D RA JU .

    PHOTO -URAML .

    r l K X H I B i n O X .

    F H O T O - D R A X A .

    P f l O T 0 4 > RAKA .

    raorojmAXA.

    M M

    D I V I N E

    P L A N

      O F

    C R E A T I O N

    I N P I C T U R E S

    7 2   JUDGME NT FAVORED TEACHING BY

      PICT-

    URES--HE

      GAVE THE PEOPLE MANY  PICT

    URES AND MORE PICTURES-THEY CAME

    t

    THEY  SAW, THEY  MARVELLED,  THEY

    AUDED,

      AND BY DAILY \

    ^ S E S   MANY WERE

      GREAT.

    OIFIED AND TH US   W A S  PA

    T O R   RUSSELL INDORSED

    A N D   ENCOURAGED

    THIS HAN

    IS BACK

    OF THE

    PHOTO-DRAMA

    OF CBEATION

    \

    THE PRESENTATION

    L^'Sunday afternoonand erening/uYthe.

    New York Tfenple;̂ on :63d.street, jus t:o ff

    Broadway, Pastor Russell personally pre-

    tented to the

     public

     t he  Photo Drama of Cre-j

    at o n ;  and a daily afternoon and evening pro-;

    gramme has been inaugurated to last indefi-;

    nitely. Many ^visitors returned jduring the

    week^to'seeithe.ibrama'.thejsecond.and third

    time.

    The* Public were taken hy "surprise/as ;very

    few anticipated a.spectacular Exhibition. A n

    understanding of the Divine Plan of Creation;

    including at least a cursory knowledge.of the

    Bible, has been brought within the

    reach o f t h e  busiest m a n o n  Earth, I

    who no longer has a good excuse

    /or indifference or ignorance,

    v The presentation was startling,*

    fascinating and instructive. Mo

    tion and colored pictures were

    •used, sho wing .theVWorl&'sJCrea-.

    tion and preparation, including

    Edenic Scenes and-Adam's,

     trans

    gression,  a n d , ,  stepjby, step> trav

    ersed  t he  Ages, a nd   incaptlvating .

    language and marvellous imag

    inary pictures, based on Bible

    prophecies,'portrayed the Perfect

    Man of the future in full posses

    sion,

     and full enjoyment: of'th e

    promised unending^earthly Par

    adise.

    ACRE AT FUTURE IN PROSPECT

    FOR THE PHOTO-DRAMA OF

    CREATION

    »»

    ADMISSION FREE-TO BE'-SHOWN

    IN ALL CITIES

    See Coupon i

    BC OVJ

    N L ^ •'- •:  v

    n - ' - v

      * •. - :.: i

      •* ::•/ -

      -

    -*--*

     

    - , ,-.

    - . - . -r« . - .

    . V .

    1

    < ^ S r

    »s> ^

    BR INS

    Vorld famed

      a s

      BditoiT

    y e a r s 0 9 > b e p u b l i c p la f rn r m .  .

    fl

      p ro fo o ud B i b l e S c a l a r ;

      i

    ] f w o r l d s n j o s t f a m o u s

    A 7 t i - f i e l I

     -

     R

     re -

     f V e a e b c r .

    ]

  • 8/20/2019 Photo Drama of Creation Newspaper Articles from 1914

    3/27

    f J U

      OSWJfiOO

      OAJLLX  JfAULiAOIIJM,  8ATUKDA.*,

      JANUARY 3t-l»A  had stolon out as u sual, l-wrote*

    a   note—In French, and in the boy's

    unadorned, dependable handwriting,,

    an d   tucked it behind their mall-box^

    It   was ju st a sentence or two, but I'

    ended It with the phrase that had end-

    ed Mercy's note to him. I had an Idea

    that It was a sun of pass -woW

    theirs, and I was right

    From   the window, I saw Mercy

    come in. There was a pause In the*

    vestibule, then the heavy door opened

    an d   Mercy stumbled up the  stairs.  Ii

    watched her through the half-open

    door, and her young face waa allgbtt

    with  joy almost too great to bear. A

    moment later the door opened and she'

    flew

      out again. I knew Bert waa to.

    have his answer.

    T he   next day waa warm, so warm';

    that windows were open ev erywhere;

    a s 4 ~s e - tt comes ifiat sitting

    heard  the end of the s tory. Oh* the>

    sound ot that young voice again For

    me and one other, there waa no sound

    like It on earth. Then there waa

    daet ot voieoa. Tt

    _   .

    ar m   around her. I had no doubt.

    Aftei a mumcul

      vl

      sileuua, the eul

    sode of the note was reache d. In then

    boy's voice I heard incredulltr,

    lshment. Then Mercy's voice cam *

    clear and convinced. .

      B u i ,  Bert, deares t It was in your

    dear,  funny writing, and in French-,

    And oh, Bert it «HMWT

     year. -

    "Boston

    Quite Simple.

    Tvo^ear~Oia=-F*tter, "what

    I  hoped fervently that thej'd be as

    is the exact meaning, of the verse be-

    ginning, "Jack  Sprat could eat no

    f a t r  . .

    Father—In simple terms it U i t

    follows:

    Jack

     Sprat could assimilate*

    no adipose tissue. His  wife,  on thai

    other hand, posse ssed an aversion-

    tor tho more muscular portions of

    epithelium. And so

      between

      them,

    4»otfc  yttt  aee,  they  removed all th*

    foreign substan ces from tho

    face of that utilitarian utensil eosa-

    monly

      called a platter. Doos Chat

    arnke

     It clear, son?

    Beaton FIvo-TearOl*—Perfectly, fn-

    thar. Tho lack of lucidity lahappy as

      they

      deserved

    Then in April something happened.

    heard

      them

      at the door one li ght*

    listened teUkcratair far th« |

    http://www.artspdf.com/arts_pdf_stamper.asp

  • 8/20/2019 Photo Drama of Creation Newspaper Articles from 1914

    4/27

      m m

    P H O T O - D R A M ^ O f

    W O R L D S C R E A T I O N

    F o r m a l l y O p e n e d

      In

      C l e v e l a n d

    b y P a s t o r R u s s e l l .

    G O D S K I N G D O M P I C T U R E D .

    o v e r t h r o w "o V " T \ fi i 5 " Z e d e k i n h T r u e .

    I W a e l b a d t h e M o c o a b e n n k i n g s u n d e r

    G e n t i l e s ( i s 4 r n U i t y . a n d l a t e r t h e y h a d

    t h e H o t w e o f H e r o d .

      4

    -  B u t * n o W b * ^ o f

    J . t h e s e l i n e s w a s  ot  t h e H o u s e o Q p n v i d :

    t f r f t. K in g

    M e s s i a h W a s t o B e of D a v i d ' s L i n e a g e .

    G o d ' s T y p i c a l K i n g d o m — O v e r t u r n e d .

    6 0 6 B . C — O n e L o n g L i n e o f W o r l d -

    E m p i r e s — " T h e T u n e s o f t h e G e n

    t i l e s

    0

    — I s r a e l ' s " S e v e n T i m e s "   oj

    ' " • " " A r i f c t e t a i n t - ^ T h o t v / o '- P e r f t d a S y n

    c h r o n o u s A b o u t t o E x p i r e N o w .

    T h e F i f t h U n i v e r s a l E m p i r e — J e r u

    s a l e m a n d M e s s i a h .

    C l e v e l a n d , O .,

    J a n . 2 5 - P a s t o r

    L l u s o c l l j o s t e r d a y

    a t t e i n o o u i n t h e

    I  11.  S . A . T e m p l e ,

    c u r i H T o f P r o s p e c t

    an d I£a«?t  22ud

    S t r e e t , p e r s o n a l l y

    e o r . d u c t e d th e

    o p e n i n g e x h i b i t i o n

    m t h i s ( i i y o f t h e

    P h o t o - D r a m a o f

    C r e a t i o n T h i s

    b i a u m i s a c k n o w l

    e d g e d b y a r t c r i t

    ics to b e b. v f a r th e l i t ie s t p r o d u c t io n

    o f m o v i n g p i c t u r e s a n d s h d t s e \ e r p r e

    s e n t e d , a n d i s t o b e > l i o n n , l i v e t o t h e

    p u b l i c , i n a l l d u e s a n d h i n d , t h r o u g h

    o u t t h e w o ' I d . u n d e r t h e a u s p i c e s o f

    t h e I n t e l t w r i i o n a l P i b i o S t u d e n t s A s s o

    c i a t i o n , o l w h i c h P a s t o r K u s s e l l i s

    P r e s i d e n t .

    I n N ew \ o i k O t . v iu in s n ew . V. iO O ,-

    0 0 0 T e m p l e , t w o w e e k s i m o . P a s t o r

    R u s s e l l p r e s e n t d t h e D r a m a f oi t h e

    first ti me 1o h  I M > S  i i o w d e d t i o m p i t

    t o d o m e 1 i s t S u n d ' i v i n t i e f a m o u s

    M u s h - H u l l i n C i m t n i i u t i h e p e r s o n a l l y

    c o n d u c t e d t h e o p e n i n g o i t h e P h o t o

    D r a m a of ( ' n a t i o n t h e r e

    T h e P h o t o D i a n i a o f C i e i t h m i s p r o

    d u c e d i n c o n i m u t i o n w i t h r e m a r k a b l y

    c l e a r p h o n o " i a p h i e d s c o u t s ^ w h i c h

    h a v e b e h i n d t h e m t h e f o r t. v j e a r s o f

    B i b l e s t n d \ b y N e w Y o r k ' s f a m o u s

    P a s t o r . B y s o m e p r o c e s s n e v e r b e f o r e

    a t t a i n e d t h e p h o n o g r a p h s u s e d i n t h i s

    p r o d u c t i o n h a v e b e e n r e l i e v e d o f t h e

    m e t a l l i c s o u n d a l t o g e t h e r , t h u s p r o

    d u c i n g t h e v e r y f i ne s t o r a t o r i c a l e f

    f e c t s . I t I s t h e w o n d e r t o d a y o f t a l k

    i n g - m a c h i n e d e a l e r s i n t h e m e t r o p o l i s .

    T h e v o i c e i s r e s o n a n t , c l e a r , f u ll a n d

    * e s t f u l , a n d a u d i e n c e s r a r e l y d e t e c t i t

    a s t h e v o i c e o f t h e t a l k i n g m a c h i n e .

    o f t h e

    " s e v e n ( s y m b o l i c ) t i m e s " o f c h a s t i s e

    m e n t a t t l i e h a n d s of H i m w h o s e r i g h t

    i t i s

    H i s t e x t • a d d i s c o u r s e f o l l o w :

    " l i i ' i n o i u t h e d h d o m , a n d t a k e o f f

    t h e ( i o \ \ n - tl u -f s h a l l n o t b e t h e s a m e .

    * * * I w i l l o v e r t u r n , o v o i t u r n o v e r

    t u r n i t u n ' i l H e t o m e v . h o s e r i g h t i t

    is ;  a n d I w i l l g i v e it u n t o l i n n " l E / e

    k ie l 2 1  'J*, '1 )  H e s . i 't l -

    Co d  e o p l e V b r . i h u n I s a a i ,

    J a co b an d th e P r o p h e ts h< 111L- I D u k

    1)I1U( es i, i il, (h "  <   .1 tu as J) onir er |

    T h e P r o p o t D a n u l ' s , F o r e v i e w .

    G o d t l u o u . ' I i t h e I M ' o p l i e t D . u d t l s u p

    p l i« s r - g tw o .   [n <   t i in - s o t t h e S e e r

    T i m e R * o t G ' e n t i l e d o u i i n t t i o u o f t i n

    w o i l d O n e o f t h e s e p n ' t u i e - * w a s ; i \

    e n b j v i - i o n t o I ' m - ; . N e b u c h a t l n i / a i

    w n o o \ e i t L i i 'V v t h e d o w n o l K m

    / e d v kj a. bv P f n e i l y . i t i r i v e s t h e   vn  d

    i> v ie w Q f G t .y i i tjLe g m o i iy n e n t s l l ie

    v v b o le i ) f e r l«t l w as * iep , ev en t ed I n

    g l u u o u s l u j u g e ,

      t

      w i i tu je h e ad w as o i

    g o ld , I n s b i< 1 s t an d h is ^ a^ u u s i t s iv e ,

    h is b e ' lv an u b is th ig h ' s o f

    f i r o n , h is te i ' t o t

    x

    i

    m i iu cd

    h,

    h ea d o f * g o id , an j ' s v h o o ] b u v V o u ld I

    s h o w t h a t t l i e ' n e x t U u n e ' r s a l E n f p j i

    H e

    s h o u l d b e e n a b l e d t o a s s i s t e v e r y

    w o r t h y s o n o f A b r a h a m f le e in g f r o m

    R u s s i a n p e r s e c u t i o n . H e s h o u l d b e

    p r e p a r e d t o a d v a n c e m o n e y t o e v e r y

    s e t t l e r t o p u r c h a s e e v e r y f o o t o f l a n d

    i n P a l e s t i n e t h a t i s o f f e r e d f o r s a l e . H e

    s h o u l d " b e e n a b l e d t o - s u p p l y a l l w i t h

    t o o l s , e t c H e s h o u l d h a v e a f r e e h a n d

    t o - d̂ o e x p l o i t s i n t h e n a t n e o f G o d a n d

    o f H i s C h o s e n P e o p l e .

    Z i o n i s m w i l l p r o s p e r , w h e t h e r o r n o t

    M e s s i a h ' s K i n g d o n r w i l l b e s e t u p . B u t

    L w h o w i l l h a v e t h e h o n o r o f h a v i n g

    m a n i f e s t e d h i s f a i t h b y h i s w o r k s a n d

    b y h i s m o n e y ? T h e l o v e of m o n e y i s

    a r o o t o l a l l e v i l a m o n g s t a l l p e o p l e ,

    a n d t h e J e w l i a s n o t e s c a p e d i t . B o t h

    J e w s a n d C h r i s t i a n s n e e d t h e e x h o r

    t a t i o n n o t t o w o r s h i p t h e G o l d e n   Calf,

    b u t t h e t r u e G o d I c a n t h n s r e p r o v e

    a n d e x h o r t J e w , G e n t i l e a n d C h r i s t i a n

    t h e m o r e f r e e l y b e c a u s e i t i s w e l l

    k n o w n t h a t I n e v e r s o l i c i t m o n e y f o r

    m y s e l f o r t h e w o r k e n t r u s t e d t o m e

    b y t h e L o r d — n o t e v e n C h u r c h c o l l e c

    t i o n s — n o t e v e n I n s i n u a t i o n s t h a t m o n

    e y i s s c a r c e a n d d e s i r a b l e I d o , h o w

    e v e r , e x h o r t J e w s i n p i o s p e r o u s c i r

    c u m s t a n c e s t o b l e s s t h e i r o w n h e a r t s

    b y h e l p i n g t h e i r o w n c o u n t r y m e n t o

    f u l f il t h e h o l y p r o p h e c i e s

    G o d ' s G r e a t K i n g d o m a t H a n d .

    T h e f a u l t o f C h r i s t e n d o m h a s b e e n

    t h e r e j e c t i o n o f t h e D i v i n e P l a n a n d

    t h e a c c e p t a n c e i n s t e a d o f a h u m a n

    p l a n o f s a h a t i o n . T h e C h u r c h , i t w a s

    a s s e i t e d , w a s t o c o n v e r t t h e w o r l d f o r

    J e s u s a n d p r e s e n t i t t o H i m a s a t r o

    p h y A l a s , w e h a v e n o t b e e n a b l e t o

    c o n v e r t o u r s e l v e s , w h i c h i s t h e p a r t i c

    u l a r w o r k t h e M a s t e r g a v e u s t o d o

    G r e a t e r h u m i l i t y w o u l d h a v e s h o w n u s

    lM

    i i \ e d G i v e U v j U e p g i n U ' U t h t „ N e l a j .

      h a s b e 0 1

    /

    u d n e z z a r s k i n g d o m l e p i e s ,

      1Jk M

    , \ '

     t o

    - b e r e s t

    w a s M e d o - P e r s i a , t h e t h u d G r e e c e a n d '

    t h e f o u r t h l i o m e . — t h e ' f e e t r e p i e s e n t I

    i n g R o m e , e c c l e s i a s t ic a l , _ w U h ^ h e i

    d a u g h t e r s d o m i n a t i n g E u r o p e t o d a y

    W e c a n n o t " " " he r e g o i n t o d e t a i l s e x

    c e p t t o n o t e t h a t " i n t h e d a y s o f t h e s e

    k i n g s " r e p r e s e n t e d b y t h e t o e s , t h e

    G o d o f H e a v e n p r o m i s e d t o s e t u p H i s

    K i n g d o m — M e s s i a h ' s K i n g d o m . T h i s Is

    s y m b o l i z e d a s a s t o n e c u t o u t o f — a

    m o u n t a i n , w h i c h s t r u c k t h e i m a g e o n

    i t s f e e t a n d d e m o l i s h e d I t c o m p l e t e l y .

    T h e n t h e s t o n e b e c a m e a g r e a t M o u n

    t a i n , o r K i n g d o m , a n d f i ll e d t h e w h o l e

    e a r t h — M e s s i a h ' s E m p i r e . — D a n . 2 : 3 1 - 4 5 .

    P i c t u r e d a s B e a s t l y .

    T i j e v i s i o n o f N e b u c h a d n e z z a r r e p r e

    s e n t e d G e n t i l e d o m i n a t i o n a s g o r g e o u s .

    B u t w h e n a v i s i o n w a s g i v e n t o D a n i e l

    h i m s e l f i t s h o w e d m a t t e r s i n a d i f f e r

    e n t l i g h t A l l G e n t i l e k i n g d o m s t o

    h i m w e r e p i c t u r e d a s b e a s t l y . T h e

    g o l d e n h e a d o f N e b u c h a d n e z z a r ' s v i s

    i o n , p i c t u r i n g t h e B a b y l o n i a n E m p i r e .

    w a s r e p r e s e n t e d a s a f e r o c i o u s l i o n ;

    t h e M e d o - P e r s i a u E m p i r e a s a b e a r ;

    t h e G r e c i a n E m p i r e a s a l e o p a r d ; a n d

    t h e R o m a n E m p i r e o f t h e C a e s a r s a s a

    n o n d e s c r i p t , g r e a t a n d t e r r i b l e b e a s t

    f e r o c i o u s a n d d e s t r u c t i v e , a s t h e p a g e s

    o f h i s t o r y c o r r o b o r a t e .

    I n c o n t r a s t w i t h t h e s e G e n t i l e g o v

    e r n m e n t s , t h e c o m i n g K i n g d o m o f

    M e s s i a h w a s r e p r e s e n t e d a s   human

    " O n e l i k e u n t o t h e S o n o f M a n " t o o k

    d o m i n i o n u n d e r t h e w h o l e h e a v e n s , i n

    t h e n a m e o f G o d a n d a s H i s K i n g d o m

    T h e b e a s t l y f o r m s o f g o v e r n m e n t d i s

    a p p e a r e d , b u t t h a t o f t h e S o n o f M a n

    e n d u r e d — a c c o m p l i s h i n g t o t h e f u ll t h e

    D i v i n e p u r p o s e s . — D a n i e l 7 : 1 - 1 4

    W h e r e A r e W e N o w ?

    A s b e f o r e s u g g e s t e d , t h e k e v t o o u r

    p r o b l e m l i e s i n t h e S e v e n T i m e s t h e

    p e r i o d o f I s r a e l ' s c h a s t i s e m e n t a n d t h a t

    o f G e n t i l e l e a s e o f p o w e r T h e m e a s

    u r e m e n t m b o t h c a s e s b e g i n s a t t i n

    t i m e o f K i n g Z e d e k , a l l ' s d e t h r o n e m e n t

    G OG B C A Tu n e i s o n e je . u . I I M '

    t h e S e v e n T i n a " - a i e s e v e n v e n s v i

    j n o t l i t e r a l v e a i - . b u t s v m b o ' i c i n d '

    G o d d e c l a i e d t h r o u g h t h e P r o p h - M . a n '

    f u l f i l led , t t e i i d n v i s s . v mb o ' ic o i a

    j ea r ( E / ek i e l 4 ( J ) i ' h e . v ear i s lu n a r

    - 3 0 0 d a v s , h e n c e e - i e h o f t h e S e v e n   (

    T i m e s i s

      ?>(',   e s u t b l l & h -

    m e n t o l t h e K i n g d o m o l H e a v e n o n

    t k e i i m i n s . W e i e m t m b i i t h e J u b i l e e

    p i c t u r e r e p e a t e d b .v t h e I s < t i l e s e v e r y

    f if ti e th > e a r , p r o c j a i m h i g a S e i t y a n d

    r e s t o r a t i o n o f p r o p e r t. v f o r t h e p e o

    p l e a n d t v p i f y i i i s i c s t i t ' i t i o a o f a l l t h a t

    l o s t t h t o u g h ' i n « m d t h a t i s

    i & t o re d t h r o u g h M e s . i h s K i n g

    d o m .

    B i b l e s t u d e n t s a r e m o r e a n d m o r e

    c o m i n g t o s e e t h a t t h e G o s p e l A g e i s

    t h e . t i m e i n w

    r

    h i c h M e s s i a h i s s e l e c t i n g

    f r o m a m o n g s t m e n a s a i n t l y c l a s s / a n d

    i s p r o v i n g a n d t e s t i n g t h e i r l o y a l t y t o

    G o d a n d t o r i g h t e o u s n e s s T h e s e a r e

    t o b e M e s s i a h ' s a s s i s t a n t s — " t h e B r i d e ,

    t h e L a m b ' s W i f e . " B i b l e s t u d e n t s a l l

    k n o w t h a t t h e N e w T e s t a m e n t a b o u n d s

    w i t h r e f e r e n c e s t o t h e K i n g d o m . N e a r

    l y a ll t h e p a r a b l e s t h a t o u r L o r d g a v e

    w e r e i n i l l u s t r a t i o n o f s o m e t h i n g c o n

    n e c t e d w i t h t h e K i n g d o m o r w i t h t h e

    c l a s s b e i n g c a l l e d o u t o f t h e w o r l d t o

    i n h e r i t t h e s p i r i t u a l K i n g d o m a s j o i n t -

    h e i r s w i t h M e s s i a h . A l l . s u c h k n o w ,

    t o o ,

      t h a t t b* > G r e a t T e a c h e r p r o c l a i m e d

    t h a t K i n g d o m , a n d t a u g h t H i s f o l l o w

    e r s t o p r a y f o r i t , " T h y K i n g d o m c o m e ;

    T h y w i l l b e d o n e o n e a r t h , a s i t i s d o n e

    I n H e a v e n . "

    B i b l e s t u d e n t s a l l k n o w t h a t t h e

    A p o s t l e s r e f e r r e d t o t h a t K i n g d o m a n d

    p o i n t e d t h e C h u r c h t o i t s e s t a b l i s h

    m e n t f o r t h e r e a l i z a t i o n o f h e r h o p e s -

    H i e t i m e w h e n t h e M a r r i a g e o f t h e

    L a m b w i l l t a k e p l a c e — t h e t i m e w h e n

    G o d ' s N e w L a w C o v e n a n t w i t h I s r a e l

    w i l l g o i n t o e f f e c t — t h e t i m e w h e n H e

    w h o s c a t t e r e d I s r a e l w i l l a l s o g a t h e r

    t h e m , a n d w h e n t h e L a w w i l l g o f o r t h

    f r o m M o u n t Z i o n , t h e C e l e s t i a l K i n g

    d o m , a n d t h e W o r d o f t h e L o r d f r o m

    J e r u s a l e m , t h e c a p i t a l o f t h e e a r t h l y

    p r i n c e s . M e s s i a h ' s K i n g d o m I s j u s t

    w h a t h u m a n i t y I s c o m i n g t o r e a l i z e

    t h a t i t n e e d s I n i t s e s t a b l i s h m e n t , a s

    t h e S c r i p t u r e s d e c l a r e , " t h e d e s i r e o f

    a l l n a t i o n s s h a l l c o m e . " — H a g g a l 2 . 7

    T h e S c r i p t u r e s t e a c h t h a t M e s s i a h ' s

    K i n g d o m i s n o t o n l y t o b l e s s t h o s e l i v

    i n g a t t h e t i m e of i t s e s t a b l i s h m e n t .

    b u t g r a d u a l l y t o a w a k e n t h e d e a d f r o m

    t h e t o m b , a n d t o g i v e a l l o f A d a m ' s

    r a c e a f u l l o p p o r t u n i t y f o r a t t a i n i n g

    l i f e e v e r l a s t i n g o r d e a t h I n d e e d , t h e

    B i b l e a s s u r e s u s t h a t e v e n t u a l l y t i n

    w h o l e w o r l d s h a l l r e c e i v e n e w l i fe

    f r o m M es s i ah , m o f f s e t to th e l i f e r e

    c e i v e d f r o m P a t h e r A d a m , f o r f e i t e d

    t h r o u g h s m T h u s a m o n g s t t h e v a n

    o u s t i t l e s o t M e s s i a h m e n t i o n e d b j

    t h e P r o p h e t s i - t i n t of " t h e E v e r l a s t

    i n g F a t h e r " I s a i a h 0 G

    _

    t

      Saturday -January * 1

     

    1914

    U n d e r g r o u n d V e g e t a b l e C a r d e n

    I n S p n n g f i c  hi  t h e i e i s a w o i d e i l n

    c u e g a r d e n , v v h e i e m u s h i o o m s , i h u

    l a t h a n i o t J i e r \ e ̂ C ' t a l i l e s a i e : i o w u

    at a d ep th o l 7~> lo o t u n d e r g to u n d

    T h e c a v e c a n o n l v b e u a c h e d , o >

    s n j s ti i e B o s t o n T i a n s o i p t '

      T_,

    o i t i n -

    ' m i p o s e a s p e c i a l b o a t l i a s b e e n b u i H

    an d a t th e n to i t t i o l t n e m< is i

    v v h a i t w h o l e t h e h o a f c a n b e m o o r e d

    w h e n n o t m u ^ e

    X o e

    u t d o n

    • be

    . t n . i t  l ' u i b a i '

    . b e - io

    M U M I S

    Grfv«ifll(Jf^5ea**|

    ru

    ^rate(l tu

    State AgricuitujtffcSoetctyv-

    r e a c e a n d J a c q u e s C a r t i e r r i v e r s ,

    a b o u t 3 0 m i l e s ^ j w ^ a t s f Q u e l b e ^ ,

    A l r e a d y a . l a j j g e n j u m t i e r ' o f . j t i t g ^ a

    <

    pn

    :

    .

    e r a n e a r « C & a s m F a l L s a r e u s i n g " e l e c

    t r i c i t y - a n d w i l l i n t i a e f u t u r e b e c u s

    t o m e r s o f t h e c o m p a n y . " I ( h a v e a l -

    v

    t

    j w a y s , . c o n t e n d e d , " , s a i d C h a r l e s E 7

    E a t o p o f l h ^ , ^ f i r m j Q f . ^ t Q n * & B r c yy -

    n e l l , " t h a t . t h e f a r m e r s s h o u l d u s e

    e l e c t j r i £ ^ K > w e r a n d t h e y w o u l d i f i t

    w e r e ' a v a a j a b l e * I t . c a n * ' b e u s e d t o

    o p e r a f̂ p s e p a r a t o r s T ^ c i r c u l a r s a w s a n d

    ' c o u n t l e s s t h i n g s . a b o u t  the  f a r m t h a t

    n o w h a v e t o b e d on e " b y h a n d o i g a s o

    l i n e e n g i n e p o w e r A l e w l i g h t s n t h e

    b a r n s m a ' k e s i t u n n e c e s s a i y t o c a i r >

    a L u t e i n a n d m i l t h e d a n g e r o i t i p

    p i n j ;

      i t " o v e r a n d b u r n i n g u p ' a u u i i J

    I t W a s P o i n t e d O u t T h a t P r e c e i t

    S y s t e m o f B a n k i n g W a s N o t A d a p t e d

    t o P u r p o s e s o f t h e F a r m e r a n d U r g

    e d T h a t B a n k s C o n t r o l l e d b y A g r i

    c u l t u r i s t s T h e m s e l v e s S h o u l d B e

    E s t a b l i s h e d .

    A g r i c u l t u i a l c r e d i t s a s f a v o r e d b y

    G o v e r n o r _ G l v n n w a s e x p l a i n e d

    b e f o r e t h e a n n u a l m e e t i n g o f t h e

    S t a t e A g i i c u l t u i a l s o c i e t y b y R J i .

    V a n C o i t i a n d , Ke v v \ o r k C i t y a t A l

    b a n y .

    H e p o i n t e d o a t t h a t t h e p r e s e n t s j s -

    t e m o i * a n K i i i g w a s n o t a d a p t e d t o

    t h e p u r p o s e s o t t h e t a r n i d a n d u i t , ^ 1

    t h a t b a n k s c o n t i o i l e d b y a g r i c u l t u t i ->

    t h e m s e l v e s t h o u l d b e> e s t a b l i s h e d  V

    t h o u g h t t h e l a i i t i c s w o u l d h a v e t o

    l e a r n b u s i n e s s w c h o d s t o s o m e e ^ t u i t

    b e f o r e b e i n g p e i u i i t t e d t o b o n o w

    C o n d i t i o n s M n o u n d i n g t h e s a l e of

    m i l k m t h i s s t ^ t e w d l i m p o v e r i s h t h

    d a i r y m e n , i n t h e o p i n i o n o f C I l t d

    B o a h a r t o f

      Jn

      s o c i e t y s c o m m i t t e e o i

    l e g i s l a t i o n , u n l e s s a  s^tate  c o m m i s s i o u

    i s e s t a b l i s h e d t o f i x t h e p i i c e o f H U ' K

    H e d e c l a r e d t h a t a t p r e s e n t c o r d i t i o n o

    i n N e w Y o i k c i t y c a u s e d t h e ° e l b n g

    o f m i l k a t a l o s s m a i n l y t h i o u g h t h e , , , „

    e f f o r t s o f t h e d e a l e r s t o k e e p

      d o

      n

      | c a b l e t o t h

    e i

    e l t c f c o m m t t t e .

    t h e p r i c e o f m i l k w h i l e r e a c h i n g o u t

    f o r n e w m a i k e t s [

    H e t h o u g h t a s t a t e m i l l ' p « i c e c o m - j

    m i s s i o n c o m p u t i n g t h e s t a t e c e m m t s - '

    s t o n e r o f a g t t c u ' t u i e a n d a r e p r e - o n t a -

    t i v e o f t i i e s a t o , i a n ^ e , t l i e N e w Y o r k

    citv .  miVt  d ' a i e i s n d t l i e X e vv Y o r k

    c i tv b o a id o i h < . h h s r i ip ul 1 h av e p o w

    er t o f i\ rh pi n o ol in ilk

    R e d C r o s s W o n e y f o r R e l i e f

    T h e \ m e i i c a n R e d C r o s s '

    Jl t

    s i c -

    m i t t e c t  S_l, atO  t o r t h e r e b e r " o i h u m a n

    s u f f e r in g to h v e v v u leb , ' s p a

    1

      ai.ee 

    p a r t s o r i

    1

      e g l o b e

    I n t h e n o r t h e r n s e c t i o n Q ^  j,&  >   a

    f a p i m e o f n u >c - h s e v e n t y e x i s t s , v f i

    a s p e c i a l e i t o i t 1 3 e m g m a d e i n T o k i o

    t o i c h e v e t h e s i t u a t i o n F i v e t h o

    1

    & a n d d o l l 1 - w a s a p p i o p r a t c d a n d

    ca I c I to l^ e \ m p i t c a n a n i l a s s a d o *

    a t i o k i o t o  UQ  t i m e d o v e r J J h i m t o

    t h e c o m m i t t e e w a t a i K a - 3 1 st b e e n

    o i g a ' U ' c u t o c a . i ' e û t i h e p r o p o s e

    l e h c f o p e i a t i o n s

    T h e d i s t r e s s i n g c o n d i t i o n s m C u l

    g a n a , a o a l e s u ' t o t t h e U a k a n v a i s

    W H I C H   v v ei e b o u ^ h t t o t h e a L t e n t i ^ o

    o f t h e R e d C i o s s r e c e n t l y h . , Q u e r n

    E l e a n o i a , w e i e c n o i d e r c d L j t ' n

    3

      .e

    1

    t r a l c o i n n i i t e e e a n d a n a p i o j i t i a u o i

    o t Tn .O Oi ) t r o m t h e R e d C i o s c o i t i .

    ^ e n t e h e i f u n d w a s l O . v u u i c .

    a t

    o f w l h i c h t h e q u e   MI   '-

    [

      m a n

    TH AT BUSINESS |

    STATIONERY I

    A fine, cn«p sbept of dural i lo   l

    )0

    nd

    p a p e r , w i t h a p p ro p r i a t e t y p e a n d i n k

    f o r t h e c b a i a c t e i o f t h e b u s m e n , m a k e s

    a  £4CK d i n i p i x s

    c

      ion o i the ov> m i ' s ju dg

    me n t . Th o o w n e r ' s j u d g m< n t w i l l b e

    b e s t e x e i u ' s e d i n b e t i d in g  ^ h

      U O j

    k to

    tb ib office. W e   1  a r e

      ttie

      pap< r. the ink ,

    a n d t l i e h p e . M o s t i m p o i t m t o f al l v \ e

    ki .ow hovv to put the m tog< : l ie i effec-

    t i \ c l y . J u s t t i y  u%  ai d see wh at fine

    l e su l t s 3 01 1 g e t i o r a j fa -o n a l ) Ie p i i c e .

    ENVELOPES, RULED AND PLAiN CILL HEADS

    AND STATEMENTS, CARDS AND CIRCULARS,

    SPECIAL BLANKS

      OF

      ALA.OST

      ANY

      CHARACTER,

    BOOKS  AND  PAMPHLETS-GENERAL PRINTING.

    O n D e c  27,

    i ce tv e d a iu   1

    t a m m o c o n d n

    r i i i a lo a , \   v  \

    1 p u t  y,\  1  i

      1

    th e   <

    p a p e . a i e a s t ot i t b h i n g ' I ^ a t \ v e h a v e

    p a p d o i d p a p e r b c l w l c s , p a ) o r r j o v t s ,

    p a p e r h o ' s ^ s ( u i T a p a n i , p a p e r C J I

    l a r s , a n d b a p e r - c u ^ ' s I s w e l k n o ' v n ,

    b u t h o w m a «n v- p e o p l e h a v e h e a r d o f

    p a p e r s c r e w s , p a p e r W i n d o w p i n e s , p a -

    M r s J u l i a n H e a t h o f N e w Y o r k c i t y , ] p e r z a i n c o a t * , p a ; e r h e n c o o p s o r p a -

    p r e s i d e n t o f t h e N a t i o n a l H o u s e w i v e s ' ' p e i s a i l i o i ' s n i p s ? T h e s e a r e o n l y a

    l e a g u e , d e c l a r e d t h e l e a g u e t o b e a ^ e v v o f t h e q u e e r d e v e l o p m e n t s o t t lt <

    n e w f a c t o r i n e c o n o m i c l i f e i n t h a t b y ' p a p e r i n d u s t r j d e s c r i b e d b y a w i i t e r

    i n t e l l i g e n t p u r c h a s i n g ' i t i n f l u e n c e d '

    i n

      t i a e " S c i e n t i f i c A m e r i c a n , " w h o

    Hosiery

    t h e m a r k e t . T h e h o u s e w i v e s , s h e

    s a i d , w a s l e a r n i n g t o b u y i n s e a s o n .

    T h e r e p o r t o f t h e s t a n d i n g c o m m i t

    t e e o n c o - o p e r a t i o n w a s r e a d b y J o h n

    J . D i l l o n o f N e w Y o r k , e d i t o r o f t h e

    R u r a l N e w Y o r k e r . H e u r g e d t h e l a n d

    o w n e r s t o f o rm t h e m s e l v e s i m > l o c a l

    o r g a n i z a t i o n s u n d e r t h e s a v i n g s a n d

    l o a n l a w s . A b i l l t o p e r m i t t h i s , h e

    s a i d , w a s b e i n g p r e p a r e d b y t h e s u

    p e r i n t e n d e n t of b a n k s . T h e o r g a n i

    z a t i o n s a r e t o h " v e a u t h o r i t y t o i s s u e

    b o n d s , t h e p r o c e e d s o f w h i c h a r e t o b e

    l o a n e d t o t h e l a n d o w n e r s f o r s h o r t o r

    l o n g t e r m s a n d a t a t e s n o t d i c t a t e d

    b y c o n d i t i o n s . H e a l s o u r g e d t h a t t h e

    l a w b o n d i n g c o m m i s s i o n m e r c h a n t s b e

    a m e n d e d s o a s t o p r o h i b i t a d e a l e r

    f r o m b u y i n g t h e c o n s i g n m e n t a n d r e

    q u i r i n g a r e c o r d o f s a l e s .

    TYPHOID FEVER CURBED

    D e a t h R a t e f o r S t a i e 1 0 . 5 P e r 1 0 0 , 0 00

    I n h a b i t a n t s , L o w e s t In 2 9 Y e a r s .

    A n n o u n c e m e n t o f t h e l o w e s t d e a t h

    r a t e f r o m t y p h o i d f e v e r t h a t N e w

    Y o r k s t a t e e v e r h a d w a s m a d e a t

    A l b a n y b y H e a l t h C o m m i s s i o n e i E u

    g e n e C P o r t e r o t t h e s t a t e h e a l u i

    d e p a r t m e n t T l i e r e t u r n s t o r l y i .S

    h a v e b e e n c o m p i l e d a n d t h e j s h o w .

    t y p h o i d d c a U i n t t e f o r t h e w h o l e o f

    th e s ta te o i o n lv 1 0 5 p er 1 0 0 , 0 0 0 i r

    h a b i t a n t s , t h e lo w e s t t a t e d i n i n g t h e

    2 9 j e a i s d u i m . - , v I n c h d e a t n 1 a •

    h a v e b e e n l e c o i d c d

    I t i s o n e . h a l t t a t t h e i a t e a < e i a

    &

      n

    y e a r a t t e i j e a ^ 1 1 0 1 t o t h e t i m e w h e n

    U r P o i t u t u O l e n  1

      v

      ot t h e t i c a i l

    m e n l , an d i t ' ^ i c s

      m-,

      a  s

    t U l l l o 0

    f

    o \ t i l , -

    (

    0 l i v e eh< g t i e \ e a i r > l ' ,

    a s c o m p a r e d t o ' . e . \ n d , e t v p n o t j

    r a t e p i i o i t o 1 ) ' . ) , v h e n D i   1'oitei

    w a s a p p o n t u 0

    1

      G ov t m o i l i t e m s

    t e l l s u s a l s o o f t h e e x t e n t o f t h e w o o e t

    p u l p m a n u f a c t u r e r s :

    " A t f i r s t w o o d - p u l p w a s u s e d e n t l i '

    1

    l y i n m a k i n g p a p e r , T û t t o - d a y i t u

    e m p l o y e d fo r m a n i f o l d p u r p o s e s . I t s

    u s e b i d s f a i r t o b e l a i ' g e i o r m o l d i n g s ,

    f n c t i o n - c l m t c h e s , b e l t - p u l l e y s , g e a r

    w h e e l s , b a r r e l s ( r e i n f o r c e d w i t h w i r e ) ,

    t u b s , p a i l s , w a s h b o a r d s , v v a t e r p i p e s ,

    c o n d u i t s , c a s k e t s , ' b a t h t u b s , c a r r i a g e

    b o d i e s , f lo or c o v e r i n g , e l e c t r i c i n s u ' a -

    t o r s , u m b r e l l a s t a n d s , f u r n i t u r e , i m i t a

    t i o n o f l e a t h e r , c l o t h a n d s i l k . C l e a i l y

    t h e e m p l o y m e n t o f w o o d - pu l p i s p r a c

    t i c a l l y u n l i m i t e d .

    " T h e g r e a t c o n s u m e r s o f w o o d -< p u l p

    t o - d a y a r e t h e p a p e r m a n u f a c t u r e r s ,

    w h o u s e n e a r l y 9 0 p e r c e n t , o f t h e e n

    t i r e p r o d u c t i o n . A c c o r d i n g t o t i h e b u

    r e a u o f s t a t i s t i c s , t h e r e a r e a t p r e s e n t

    a b o u t 2 5 0 m i l l s w h i c h m a n u f a c t u r e

    w o o d - p u l p i n t h i s c o u n t r y T h e c a

    p a c i t y o f t h e s e m i l l s i s o v e r 2 , 5 0 0 , 0 0 0

    t o n s o f p u l p a n n u a l ] } , v a l u e d a t m o i e

    t h a n $ 3 2 , 0 0 0, 0 0 0 I n a d d i t i o n t o t h i s

    a m o u n t , m o r e t h a n 4 0 0 , 0 00 t o n s a r e

    i m p o r t e d f r o m C a n a t l a a n d v a r i o u s

    c o u n t r i e s o f E u r o p e T h e v a l u e o f t h e

    m a t e r i a l f r o m a b i o a d i n 1 91 1 w a s

    n e a r l y $ 1 5 ,0 0 0 , 0 0 0 T h e s e f i g u r e s s h o w

    a n i n c r e a s e i n t h e b u s i n e s s o f o v e r 5 0 0

    o er cen t in t lh e p a s t 1 0 \ e a i s e n d t h e

    s a m e t i m e i n t h e U i t u i e p i o n u s e s e v e n

    •ii  e a t e r s t n d e s "

    V vi? K"

    v - • ^

    "-Kscv I?e>;. Mor-c v^ v; ;^ -e nt ir e f_ ^

    #

     Y/omzv^ rLdCliiiu c  *

      ' . - j - .

     v > ^ -

    ?:

      . *

    **J.

     tiie

      <

    Qjuy:o iu

    b u n n n e i i t w t 1 ] e

    ^ j $27 .50

    /   ;   V ) * f >

    I

     " 2 3

      G 2 i i ^ F r o m f r c r - t Sf g "

    M

    t

      i c

    i .  , -:

    tr;:[

    "

    J.   S^Eibr.S

      AiMS

      A ^ l L CO ;.r t f £ '

    j P O B tx 5 0 ^ 5   B

    D e v o e ' s P a i n t d o ^ s n o t

    p e e l . F a r g a l e b y H o m e r *

    7

    .  LI

    P o p u l a r M e c h a n i c s

    M a g a z i n e

    WRITTEN SO YOU CAN UNDERSTAND IT

    A

    G R EA T C o n t in u ed S to r y o f th e W o r ld ' s

    Progress which you may begin reading

    at any tune, and which will hold yo ur

    interes t forever. You are living in the best

    year , of the most w onderful ag e, of what is

    doubtless the greatest world in the universe.

    A resident of Mars would gladly pay—

    $1

    0 0 0

      f ?^-^

    1

    ^?-?

    S U B S C R I P T I O N

    to th is mag azme . ln o r d er to k eep I n f o rmed o f

    Our progress in Engineering and Mechanics.

    Are you reading it  ?   Two millions of your

    neighbors are , and it is the fav onte maga

    zine in thousands of the best American

    homes. I t appeals to aU classes  —   old and

    y o u n g —men an d w o men

    Uheful ait'de u ioi iiome.mel -hop, lopa  i -.,. to.

    " Amateur Mechanics " (10 rn

     T

    ?"-

    1

    i to U '->w*o

    mik eM iw o n tmn iu i« v i t   I  -,i* i-. ). u 

    eu^ine'* , mi^ie, and  11

     

    I e

     f

    l.iiij:-.

     -  b

      \ Io \ -3 , ' 

    $i,50 PER YEAR. SfNGLE COP.ES 15 CESTJ

    WRITL FOR  F9£E ^.ttPiC  C O PY 7 - ^ 4 /

    P O P U L U » L R   M E C H A N I C S C O .

    31b  V V . V ,

      „i i.d^n

      it., CHiC VGO

    co o c I

      It

      w i l l b e p u t d u d a l

    - o r i s o t th e v ea r , < iv - th e

      l

    l \ c - j u u l r caa l i s 1 i M I O

    u n i t t o be n o i c k s s ,  d  s( i

    t

    b s- lb thl s t  >   I ' c s e t l i i i - ,

    ' ' t i n - , b u i l t 1 J o h n V i . i

    1

    <  I U ' p lan t o l u e i l , p i

    3-i i Ons   •>   J.  M 'T t , P ^ ' ' - o i l  c^  i-

    1 t h a t n t v c i  ia  , . m- 0 ic l i b n . . t s

    .x

    (J

    m . « .h i t s, i. ' c c v/ r t ' . b . u ' ^ A

      T

      t , .

    3— /

    1, ,

      , -> ,  L u r 11 )  ->ui - i

    v

      o  O L ™

    ^ ' V . . i  (  - o -» U b  *   l o ' j -

    http://localhost/var/www/apps/conversion/tmp/scratch_2/gie.ithttp://localhost/var/www/apps/conversion/tmp/scratch_2/th.ithttp://localhost/var/www/apps/conversion/tmp/scratch_2/tli.ithttp://localhost/var/www/apps/conversion/tmp/scratch_2/tn.ithttp://meiican/http://localhost/var/www/apps/conversion/tmp/scratch_2/ai.eehttp://mpitcan/http://localhost/var/www/apps/conversion/tmp/scratch_2/t-ia.trhttp://eais/http://io/-3,'http://io/-3,'http://io/-3,'http://eais/http://localhost/var/www/apps/conversion/tmp/scratch_2/t-ia.trhttp://mpitcan/http://localhost/var/www/apps/conversion/tmp/scratch_2/ai.eehttp://meiican/http://localhost/var/www/apps/conversion/tmp/scratch_2/tn.ithttp://localhost/var/www/apps/conversion/tmp/scratch_2/tli.ithttp://localhost/var/www/apps/conversion/tmp/scratch_2/th.ithttp://localhost/var/www/apps/conversion/tmp/scratch_2/gie.it

  • 8/20/2019 Photo Drama of Creation Newspaper Articles from 1914

    5/27

    http://x77vmtfvti/http://localhost/var/www/apps/conversion/tmp/scratch_2/thr.ee

  • 8/20/2019 Photo Drama of Creation Newspaper Articles from 1914

    6/27

    m

      I M O R R U SS EL L 'S

    R 1 2 T 0 - B R A M A

    H :   : < • .•

      0 , : - e J  In  B o s t o n

    \ c M

      S u n d a y .

    S U G G E S S E S E V E R Y W H E R E .

    I n S e r m o n P a s t o r R u s s e l l ' s S u b j e c t

    W a s " S a t a n s G r e a t L i e — W f i a t H a r m

    I t D i d " — T h e F i r s t L i e — W h e r e I t W a s

    T o l d — W h y I t W a s T o l d — T o W h o m I t

    W c S T o l d — I t s R e s u l t — I t s R c p c i t o n

    T i w D i 8 « s - i j n s R e s u l t s t o H u m a n u )

    A M M a n n e i o f C n m . j A r e I t s F t t u

    a g e —

      The

      O n l , R e m e d y — W h y ?

    W n e n " — h ' w

    1

    ( p % ^

    ;

    I n ^ * '

    W t &

    ^ ^ g ^   tr

    i'

      / ** ^

    K l ^

    flip

    H j f e ^

    :

    '

    i^msiB tt

    [ f p A S T O R . K i t s

    « 7 $ )

    '•*

    1

    - . - f t

    ^j

    *

    £   ^ 

    •X   ]

    J

    L  i n l p l e s i n d I

    I o I >i \ m o i l i u

    i i ( i n e n l s d e s u n e

    i l l ( , i d s i i i M l n

    i l d

    ol

      \\

      i,

    i i t t

    M (  un d n

    e

      in

    1 t \ i i n ( s

    W i t c h e s , N e c r o n V n c e r s . ' ^

    Of c o m s< , t i m e i m i

    e

    t l o sn u e e di n j

      $

    »  i'  (

    su p p i

    i eonii {< d pi i > i  '

    ; t ol Si t in

    p u s h e d b n

    ' I

    m i t

    l lu

    H i

    id in

    m k i ' i d

    bin i h

    the h 'i i in tin won I a '

    be n (M i in in i f ' d loi \ \ i  I

    po in . ( on 1 u uis that «. 1 p< l n I

    th at (he e ml i \ i s ful l of n ' i c " '

    t h a t t h e t h o u g h t s o f m e n s >n n d s wi <

    o n l n e n d e o ' i d n u i l H ( W o d o n i

    s a w t i n t i t w o u l d b e b e s t

      f>

      b l« l m <

    e n i t n e l n t h a t o l d e r o f t h i n . s a n d tf >

    t a i t a n en n a n a n g e m e n t I h e D e d u c e

    a c c o m p l i s h e d t h i s

    T h e n c e f o r t h t h o s e a n g e l s w h o r o i

    c e n t u r i e s h a d l i v e d i n s i n w e r e r e

    s t r a i n e d f r o m m a t e i i a l l z a t i o n a n d s e p

    a r a t e d f r o m t h e h o l y a n g e l s , b e i n g c o n

    f in ed t o T a i t a i u s — o r e a r t h ' s a t m o s

    p h e r e M e a n t i m e , i n s t e a d o f s t a r t i n g

    a n e w r a c e o f m e n , G o d c a r r i e d o v e r

    N o a h a n d h i s f a m i l y o f s e v e n T h e s e

    c o n s t i t u t e d a n e w s t a r t f o r t h e A d a m l c

    f a m i l y . A n d t h e s t a t e m e n t t h a t t h e y

    w e r e p e r f e c t l y g e n e r a t e d a n d t h a t

    t h e y h m d n o a n g e l i c a d u l t e r a t i o n , a s

    s u r e s u s o f t h e s o l i d a r i t y o f o u r r a c e ,

    a n d t h a t t h e R e d e m p t i o n - p r i c e p a i d

    f o r A d a m i n c l u d e s e v e r y o n e o f u s ,

    u n d e r t h e L o r d ' s a r r a n g e m e n t t h a t

    'As a l l i n A d a m d i e , e n e n so a l l i n

    C h r i s t s h a l l b e m a d e a l i v e "

    S a t a n ' s G r e a t D e f e a t .

    T h i s w a s t h e l i it s t d e l e a t t h a t S a t a n

    h a d m e t w i t h — t h e i i r b t g i e a t m a n i f e s

    t a t i o n o f D i v i n e P o n n e r m o p p o s i t i o n

    t o h i m B u t s t i l l i t o n l n i a i t i a l l y

    s t o p p e d h i s p r o g r a m T h e b b e i t i e s o f

    h i m b e l f a n d h i s a s s o c i a t e f a l l e n a n g e l s

    w e r e t h e u c e l o i t h r e s t r i c t e d l i m i t e d , t o

    e a r t h N o l o n g e r h a d t h e y p r i v i l e g e t o

    r o a m t h e u n i n e i ' s e F u i t h e r m o i e n o

    l o n g e r w e r e t h e y p e r m i t t e d t o a s s u m e

    h u m a n f o r m b y m a t e r i a l i z a t i o n

    T h e y s t il l , h o w e \ e i , h a d t h e i i o i i g i n i l

    T s r f e c t l o n o t o r g a n i s m a n d t h e i r

      gun

    e r a l l i b e r t y S a t a n t h u s h a d o p p o i t u

    n i t y f o r a s s u m i n g t h a t G o d h a d c l o n e

    a l l t h a t H e w a s a b l e t o d o m t h e w a j

    o f r e s t r a i n i n g a n d o p p o s i n g h i m

    A d a p t i n g h i m s e l f t o t h e n e w c o n d i

    t i o n s , S a t a n a n d h i s f a l l e n h o s t a t

    t a c k e d m a n k i n d i n a n eA \ w a j a f t e r

    t h e D e l u g e T h e y w o u l d p o is o n t h e

    m i n d s o f h u m a n i t y a g a i n s t G o d T h e y

    w o u l d d e c l a i e t h a t S a t a n s o r i g i n a l l i e

    w a s t h e t i u t h , a n d t h a t G o d ' s s t a t e

    m e n t w a s t h e h e T h e y w o u i 1 se e k t o

    p r o v e t o m a n k i n d t h a t t h e d e a d a r e

    n o t d e a d — t h a t t h e y h a \ e m e i e l y

    c h a n g e d t h e n c o n d i t i o n f i o m a l o w e r

    to

      a h i g h e i o n e a n d t i n t t h e y a r e

    m o r e a l i v e t h a n e n o r W h o e n e r w o u l d

    l o m e u n d e r t h e i n f l u e n c e o f t h i s t h e i i

    t e a c h i n g w o u l d d i s c i e d i t G o d ' s s t a t e

    m e n t - w o u l d ' b e l i e v e t h e h e , ' w o u l d

    t h i n k o f a d e a d m a n a s i c a l l v a d n a n c

    e d t o a h i g h e r s i i t i o n , i n s t e a d o f b a n

    i n g f a l l e n i n t o d e a t h

    M e n , p e i ^ u a d e d t i n t t h e d e a d a i e

    a l i v e , c o u l d c a s i l . n , o n t h e b i s i s o t

      \

    t h a t e r r o r l e l e d t o b e l i e n e t i n t t h e j

    d e a d n n e i e  su l i u i n f ,  t e n m e n N a n d t h e

    t h o u g h t t h a t G o d w o u l d i n t h o i i / e m d

    p e r m i t s u c h t o i i n c u t s   nn  o u l d t e n d t o

    b r u t a l i z e m a n k i n d a n d t e n d a l s o t o

    e s t o p t h e m f i o m t h i n k i n g o f ( Jo el a s

    g r a c i o u s , m e i c i f u l m d s n n i p i t h e t i c

    T h u s ,

      a l i e n a t e d f r o m Go d i n f h e l i

    dl

    k Pi 1)1   11

    so u i e o o i t h e e I n s t i u i

    d t m o i i ' - H i t f l i l t n t ) Ul

    t d t o i n n t i j e u i m k i n d

    the ui nio ie c lose In tha n

    •It

    A Mirac le

    Ex p la n a t io n

    d o w n

    sl ip h

    h  >  <

    ;& sh e had so ol tc n *t tho fi .

    of i^u oi i ; a n d su

    H i

    l ( i

    Il ia

    ncrc -, ia no V

    no u

      l c

      a

      i

      ( i ia \ < a t -a

    am   -, K

      au ivl

      ie led m

    n n an i h a p p e n e d t o h o . i

    =i'

      m b s a t t h e t i m e o a

    an 1 a n oun ., 1c io\ \ di 1 i

    a d i t i f lc il (( t ro J un

    to b i o hn n anu 1 \ m

    I n so» K s(.i

    cl

    nj ,i >aj o <

    i b a n e L

    t t c c t r d f e o t h a t h e c a n

    tl

    I i

    -

      I i

    m l i

    ( 1

    i o i U

    i n P a l e s t i n e

    So m e o f t h » .i h o » p a i n s k e d t h

    p e r n i o a n d d i I l c s i d o t h e n a s e n i

    d o m e d b n I m i u S m l s \ , s i t t o t h t

    W i t c h o l I u d o i w h e n h e c h i n e d i o

    ( o m m u n i t a - w d h S i m u e l , t h o P i o p l i

    o t , wh o w d o i d Oi c o u i s o , S i m u e l

    w i s H e i d m d n t i t i u r  S.iul  noi th<

    w l i c h  e  o u l d l t n i n e I n n B u t t h e c n i l

    •  p i n t s c o u l d i m p n s o n a l e S i m u e l , a i d

    t i n t t h e y d i d s o , i s t h e m o i d T h e n

    c a u s e d t h e w i t c h t o c e c o i t a i n t h i n g s

    n v h i c h s h e d e s e n b e d t o t h e k i n g a n d

    w h i c h b e i n t e i p i e t e d t o h i m s e i f f h i ^

    wa s t h o e n o i p i o p i ^a t e d e n e n i n Go d s

    s p e c i a l n a t i o n — s e p a i a t e d f i o m a l l t h e

    o t h e r s o f t l i e wo i l d t o b e Hi s p e o p l e

    J i t s u s C a s t O u t D e m o n s .

    I n t h o d . . n s o i o u r I o l d w e h u d t h i t

    m a n y o f t h e p e o p l e h i d b e e n d i b b l i n g

    i n S p i r i t i s m a n d h i d c o m e u n d e i t h e

    i n f l u e n c e o l t h e t a l i e n a n - a I s t o ( h o e \

    t e n t o f o b s e s s i o n a n d s o m e o i t h e m t o

    t h e e x t e n t o ( b e i n g p o s s e s s e d b j e n i l

    s p i r i t s , w h i c h d i d t h e n t h i n k i n g m d

    t a l k i n g f o i t h o r n m c i c H u s i n g ti n n

    h u m a n oi m i s a s t n c n s c i n a n t s T h i s

    w o u l d s e e m t o b i n e b e e n t h e a I t e n i a

    t i n e t o m a t e n i l l U i o n I f t h e i a l l c n

    a n g e l s c o u l d n o l o n ^e l m i t c n d i / e t h e n

    wo a l d d o ( h e t i n u n o \ t t o t h e n ] >i c l

    e i c i i c i ^ - t h e w o u l d s e t  

      J

      l l u l

    *

      l l a t

      ^

      **•

    i n g d e p i a \ i t y g i e a t e r t h m h e o r s h e

    h a d b e f o r e t h e o b s e s s i o n b e g a n T h e

    t e n d e n c y o f a l l s u c h t h i n g s s e e m s t o

    b e t o w a i d l i c e n t i o u s n e s s I n t h e d a n s

    o f J e s u s a n d H i s A p o s t l e s , a c c o i d m g

    t o t h e S c r i p t u r a l a c c o u n t s , t h e j c a s t

    o u t d e m o n s f r o m m a n y p e o p l e , s o m e

    o f w h o m h a d m o r e t h a n o n e O n e

    m a n h a d a l e g i o n M a n y p h y s i c i a n s

    k n o w w e l l t h a t s o m e w h o a r e a p p a i

    e n t l y i n sa n e a r e n o t r e a l l y s -o a s r e

    s p e c t s a n y b r a i n d i s e a s e T h e y m e c e l y

    a r e o b s e s s e d , p o s s e s s e d o f e Y il s p u i t s

    W h e n b o n e i a l o f t h e s e g a i n c o n t r o l o f

    o n e m a n , t h e y m a k e b i s l i f e u n b e a r a

    b l e b y t h e c o n f li c t s w h i c h t h e y e s t a b

      w a s b e t o i e h e r

    . u n d e r ' h e r c a e , M i n d

    . . . . - . . . . .

      Q

     n rli

      Yinlfo

    . o a u i r d a y , F e b r u a r y 1 4 , 1 9 1 4

    9>

    1 jh ,H.i  £*i

    i r i i

    Hie 1

    oflk »

    up tL

    •soai

    ( , i a

    1 k u ' 'ion

    e I I I  o m t h i j o m

    \ \ e n sh e v i Ue i c

    ni l d n n iui i

    t h i n g s i l o p n d

    v Ml tilt sM

      \

      1  0 (

    b u n t ^ o , l i ' ^o 1

     

      \)

     n o,   n  ah It i i i 1

    l i e u t o* - t

      iiw-d

      do ii -•

    t h e b a n d ? - , <

    j

    b c i>o^in t e_

    c h e e k

    R i ' l h o o e d a n d t u n o h d

    ha

      1

      b-ne s«"en t l lc-^c l ine s ol

    m d c h i n t l o i e '

    ' n o sk o t s t i l l , su i \ i n - , l o

    h t i & c l m d b s i t n t o d i ^ < I L .

    t i o n s o i t l t d j t t o i , i a t

      )

      c i m

    u c i n

      o

      c i m i n . t i i i ^ t

    d J i t o * h a d g o n o a c n o n 1

    i

    T

    o a n u s i t o n e i

      i

      i (

    As t l u d o c c i 1 m a   i

    to

    1

      Mu cut to Ui u to

    (

      L

      IK Cl 1 t Mil U-,1

      t

     

    li _

    l i ht  •

    >

      u \ " ic 1 ,

    f t

    u

    t if be 1, i( the e.

      i' \

      , u i

    i ti

    1

    I

    t   i.

      r

    b  +

    i

    nt e

    i a i

    \ V i l

    m o u t n

    c in a i  I

    m ti i

    i I wa

    I i

    m e

    i d

      >

    1

      , 

    Il

    1

      I

    a

      N

    1U W

    o i s m i h n g

    l O l '  C O ( 1 - / 1

    o n t e i

      i

      th . . in c .

    cno i -,n a a i i  xa e s t o o d u n m o v i n g , s t a l i n g a t t h e

    l a c e u n c o v e r e d s a v e f o r t h e b a n d a g e

    o v e r t h e e y e s a n d b r o w T h e l i p

    0

    m o v e d , a n d t h e m o v e m e n t b r o u g h t

    h e i t o I n e r se l f C a l l i n g i n t o p l a y t h e

    s e l f - c o n t r o l t h a t h a d ' b e e a c q u i r e d a s

    a p a i t o f h e r t r a i n i n g s h e h a s t e n e d

    t o f in i sh , h e r wo r k

    1 W l a e n s 'h e h a d c o m p l e t e d i t , sh e sa t

    c d o wn m t h e r o o m h e , i e y e s f a s t e n e d

    u p o n t h e i o i m b e l o i e h e i I n a n n av

    t h e s i t u a i o n se e m e d t o h e r l i l e a

    d i e a m i b h e h a d n e n e i e x p e c t e d t o s e e

    h i m a g a i n a l t e r t h o s e b l u e r n n o i d s

    • Ih e c o u d l e m e m b t i

    t h e h i r t 111 h & l a c e a s s a c c a l l e d t u r n

    t n h a t s h e l n m l j b e l i e v e d h i m t o t e -

    a C on n a r c Sh e i c m e m b e c d , n o nv h o n

    e a g e n i y h e ' i i a d s t i

      \cn

      t o c p ' a i n ,

      .v\

    £C

    H i s h a n d u ' e n s

    I h c i e 1 1 c h n g

    o u o \ e m e o

    t

    1

      u»ce to n

    rt

    n< u

    ( ) o r o

    0

    ive i u

    }

      die

      n n l i i sp o i c i

    eme&tioiifctl

    Oh ,  nn   a n e a ' \ a s t n e o n h v n o d

    h e i ' i & c o u l d f o i m

    I h e d o o i s r t i m ^ o p e n a n d D i R a n

    I o n s t e p p e 1 , s t u i n g , h i s l a c e e x p r e s s

    i n g a s m u c h a s t o n i s h m e n t a s a h u m n

    f a c e c o u l d * W h a t u n d e i t h e s m '

    h e e j a c u ' a t e d

    J ^ a n e u n d e r s t o o d t h e s i t u a t e ,

    h e a n s e i e d , i hi s v o i c e g r o w i n g b i i o n ,

    e r a s h e n v e n t o n t o t e l l t h e d o c t o r

    3 11 st w h a t t h e c i r c u m & t a n ^ e b e r e

    T h e d o c t o * w a s s m i l i l n g

      nn

     h e . i

      L

     ^

    f in is h ed ' T h a t e x p l a i n s m y m n a c l e ,

    t l h e n , i t a s

      \\

      r o u g h t b y a k i s s U n d e r

    i t s t o u o h Y O U w e r e h e a l e d N o w , j o u

    a r e g o i n g t o s e e a n d t h e n

    1

    — . b u t 1 1 1

    l e a v e  Y O U   a l o n e a l i t t l e l o n e r "

    ' H e s m i l e d a n d c l o s e d t h e d o o r

    Onyx 'jil*  Hosiery

    T R i r o *

    ' ' V >

    v

    *r*K£  Best Hose for Ihe c. -Ir: ;,..

    -

     Y'

     r .ncn ajd Chi ^r

      \

      e n

      ,T

    v^_ -*

    . j .  tb e

      u

     Gryx''  Brand /

    -pOR Qua'df-y, Style and Wear, get a   -  , -.

    -  Onytf*'  Hose in Cotton, I^isle, Silk  j^i^ic

    or Pure Silk, from 3 5c to #5.00 per pair- *   * * -

    genuine wi thout  trade mark  stamp** „

    every  pair .  Sold by all dealers.

    Lord & Tay l o r   - - New York

    Wholesale Distributors

    G u m D i g g i n g

    G u m d i g g i n g i n N e w Z e a l a n d o f f e r s

    o n e o f t h e m o s t u n u s u a l a n d i n t e r e s t

    i n g f o r m s o f l a b o r O r i g i n a l l y t h e

    g u m n n h i ch i s n o w b r o u g h t t o l i g h t

    c a m e f r o m t h e k a u r i t r e e n n h i ca i s

    n o w s c a r c e , b u t a g e s a g o s i e a t * o i

    e s t s o f i t p r o b a b l y c o n e r e d m o s t o f

    t h e n o r t h e r n p a r t o f t h e n o i t h i s a n d

    T h e se f o i e & t s we r e sn n e p t a n v a v b >

    f ir es a n d t o d a y t h e l a n d s c a p e i s m o s t

    l y l o w h i o wn b i l l s   nn  i t h o c a - a o n 1

    s w a m p s G u m b u r n t , v t i v e a s i l \ , b u

    s u c h a s w a s c o v e i e d I b y t h e l a n k

    f o r e s tt d e b r i s e s c a p e d t h e h i e H a i d

    e n e d a n d p i o s c m e d t h r o u

    a

    h u n c o u n t

    h on n a i h e i h a l s t a > e d h i m l \ r n a p s ,

    h e h a d g o o d   1 e a y o n p e r h a ' ^ , e  nn  a

    n o t a c o n a i d T h e n c a m e t i e u m a i k

    di

      t h e d o c t o i s T t u n g i i ô n h e h a d

    b e e n i n j u r e d

    Ac t r n lg . o n t h e h i s t t h o u g h   1,  s u e

    w e n t d o v v n t o t n e r e a d i n g 1 0 0 m i o

    t h e m u s e s j i f d u t > i n t h e h o p i t a l ]

    a n d h u n t e d t h r o u g h t h e f i le s o t U i e i

    p a p e i s I t \no-s n o t d l f h c u ( t o a n d a e |

    a c c o u n t , f o i i t h a d b e e n i c a t u i e d j

    T h e fi r e h a d b e e n m a s

      B

    o f t h e g r e a t c i t y , b u t n

    )t

    ,

      , o

      sin d

    p l a y e d u n d e r d e s p e r a t e c i i i _u m

      3

    ta i c °

    w a s b i g e n o u g h t o m e n t t h e t i l l t .

    t a i l s a n d tfl i iou-.l i a l l r a t i n e n a n T

    1

    o f W a n e n L a n e

    S h e w e n t b a c k t o h e i u u a e s w i t h

    s 'o w f e e t , b e r m i n d r e a l i z i n g t i l ie e m

    d e n t t r u t h , t h a t i n t h o s e l a s h m o

    m e n t s j e a r s a gx >, s h e h a d m i s j u d g e d

    h i m A s a l e s u l t 0 1 t n o s e l i a s i n m o

    m e n t s , s h e h a d b e e n f o r c e d t o t e c k

    so m e wa j t o f o i g e t h i m , t o i sh e d i d

    l o n e h i m — t h a t t h e w e e k s , a n d m o n t h s ,

    h a d p r o v e d s i n c e t h e n p ^ u 1

    \

    v

    h e n i h e i o u t s . d e w 0 1 k w a s c o m

    p l e t e , s h e w e n t b a c k t o t h e r o o m

    e n t e r i n g s o i t l v u n t i l s h e l e a l i e d n n u h

    a q u i c k p a a - r t h a t h e c o u l 1 n e i t h e i

    l i e a i n n e e I h c i e m t h e q u i e t w h i t e

    1 0 0 m n a t c h n - , e = i l e iH , L i n . l a g e d

    ' a c e ,  sh e t h e a r n e d o n e r o l d l a }  &   w i t h

    d i e a r n e d u n ti l t h t t c a i s c a n u

    t P i b o ' 1 1 J : I 1 1 n d l o i u i n - , ^h t

    h i m ,

    P r i c e s O n e H u n d r e d Y e a r s A g o

    ( T o l e d o B l a d e )

    A su b s f c r i ' b e r o f t h e W e e k l j

    B l a d e , ' l i v i n g in P e n n s y ' v a n i a , h a s

    se n t u s a n a c c o m t o f a d a v i b o o k k e p t

    m 1 8 1 4 b y o n e o t h i s f o i e b e a r s , t h e

    k e e p i n g o t a g e n e r a l s t o r e i n A m i t y

    t o w n s h i p B e i k s c o u n t } F i o m t h i s

    d a y b o o k o n e c a t c h e s a g l i m p s e n o t

    o f w h a t 1 0 0 y e a r s a g o i t c o s t t h e

    P e n n s y l v a n i a c i t i z e n s t o l i v e , b u t a l

    so a g l i m p se o i h o n v h e l i n e d Fo r i n

    s t a n c e ' n v i th n e a r l y e \ e r v b i l l o

    t

    g o o d s c h a r g e d w o u l d h^ « t t ac h e d T P

    g a l l o n o t w h i s k e y , r u m o r b n n l v

    p n t e e 2 5 c e n t s ' H o m e s n e i e l i g ' t e l

    w i t h c a n d l e s c o s t i n g a n j w a e i e t r c m

    J7 1 2 t o 8 7 1 2 c e n t a p o u n d '

    'C a l i c o n v dt , ' 7 1 2 c e n t s t o 7   >  c e n t s

    p e i v a r d

    T e a wa s a d o l ' a r a j 0 m d

    I n o n e c h a i s e , a m m b o u g h t o n e

    q u a i t e i o i \ e a l a t l o i n c e n t p e i

    p o u n d

    " E g g s w e r e n e v e r m o r e t h a n 1 0

    c e n t s p e r d o z e n , w i t h s i x t o e i g h t

    c e n t s t h e c o m m o n e r p r i c e s

    ' C h l i c k e n s , 1 2 1- 2 c e n t s t o 1 8 c e n t s

    a p i e c e , g e e s e , 2 5 c e n t s t o 1 7 1 2 c e n t s

    a p i e c e

    Beef,  t h r e e t o f o u i c e n t s , w o o l , U

    c e n t s t o 1 2 1 2 c e n t s p e r p o u n d 111 i s

    l i n , 5 0 c e n t s p e r y a r d

    " T h e c l i m a x w a s r e a c h e d 111 o n e

    c h a r g e — o n e b u & l a el o i s a l t $ l b

    W e s e e m t o h a v e 'o o x e d t h e c o m

    p a s s i n t h e m a t t e i o i t h e c o s t s o i l i v

    i n g C n e h u n b e d v e a i s a g o , i t > n as

    n i a n u l a c U l e d - , o o d s a n d c o m m o d i t i e s

    i~

    0

    am

      f

      \ \ h i t h t  a n s p j r t a t i i o n c o s t s

    w e i e c h a i g e d  nn  h u h w e r e h i g h , t o o '

    t n a t w a s c h e a p T o d a \ t a o t o r y p r o d

    u c t s a i e c h e a p , f o o d d c a i W e w o n d e r

    ' it t a m g s w i l l e v e r b e s o c o m d o r t a b l y

    a r i a n ^ e d t h a t t o o d m d i n a n u l i c t i  1 *   I

    g o o d s a n d c o m n o d i t u s u -0 1 l a i t h

    t m c e s w i l a l t t a a n

    SI

    , R r 1 3   U  TC - O L C O K f f t N Y  j

    P O Bo„SC05 I

    CHIC0PEE FALJ.3, MASS. J

    De-v

    t

    x>el

    o e ' s F a i n t d o e s n o t c - n c k o r

    F a r « a l e b y H o m e r

      F. Rice

      A d v

    Po p u l a r M e c h a n i c s

    M a g a z i n e

    "WRITTEN SO YOU CAN UNDERSTAND IT"

    A GREAT Continued Story of Ae Wo rld's

    *"* P rogress which  y ou may begia reading

    at any

      timej,

      and which wil l hold your

    meerestforever. You are hvmg in the best

    year, of the most wonderful age, of what is

    doubt less the greatest woi ]J m tne universe .

    A resident of Mars wo^'d gladly pay—

    $1,000

    FOR ONE YEAR'S

    S U B S C R I P T I O N

    to this magazine in order to keep informed o f

    our progress in Lngineering and Mechanics.

    Are you reading i t? Two mil l ions of your

    neighbors a ie , and i t i s tne favonte maga

    zine m

      f

    hc asanas of the bebt Am erican

    homes It appeals to a l l c lasses—old and

    young—men and women

    The "Shop Notes" Department (20 pages)

    gives easy ways to do tiling—how to mufce

    useful art ic les for home and -hop, repal is,

      etc

    Amateur Mechanics " (10 pn.jes) tells how to

    make Mission furniture , wiieh -s outfats boata,

    engines, magic, and all the tilings a boy loves.

    $1.50 PER YEAR. SINGLE COPIES IS CENTS

    Aak your Newsdealer to show jou ooe or

    WRITE FOR FREE SAMPLE COPY TODAY

    POPUL R MECH NICS

      CO.

    318 W. Washington St, CHICAGO

    3 - i n - 0 n c i s a l i f h t , p u r e o i l c c - i -

    g ^ p ^u r d t h a t n e v e r g u , b . J - i n On e l u b i i ^

    p e ^ ^ t ^ y s e n v i n g m a c h i n e s, t n p e n . T i t er s , b i c n J c 3 , lu C i . , .

    ns." -"

      i n o n v e r s — ^ ' ^ ' / ' j ^ t h a t e v e r r i ec J s o ^ ' n s i '

    1

      v

    ino\vers-~eve~vt _

    T '^ g i c i se . ^o a c l d . A 1 * - tl s 3 - i i -

    r

      n j

    http://localhost/var/www/apps/conversion/tmp/scratch_2/14h.llhttp://no-s/http://localhost/var/www/apps/conversion/tmp/scratch_2/tfliiou-.lihttp://localhost/var/www/apps/conversion/tmp/scratch_2/outs.dehttp://hith/http://hith/http://localhost/var/www/apps/conversion/tmp/scratch_2/outs.dehttp://localhost/var/www/apps/conversion/tmp/scratch_2/tfliiou-.lihttp://no-s/http://localhost/var/www/apps/conversion/tmp/scratch_2/14h.ll

  • 8/20/2019 Photo Drama of Creation Newspaper Articles from 1914

    7/27

  • 8/20/2019 Photo Drama of Creation Newspaper Articles from 1914

    8/27

    http://essel/http://essels/

  • 8/20/2019 Photo Drama of Creation Newspaper Articles from 1914

    9/27

    R u n n i n g

      In

      M a n y C i t i e s

      N o w ;

    4 0 , 0 0 0

      In  A t te n d a n c e .

    C H U R C H

      A

      R O Y A L

      D I A D E M

    I;

    ,

    Pastor  Russell Personally Conducted

    "

      Opening Exhibitions —In Discourse

    V ,  Ms Outlined Divine Purpose In  C a l l -

      Ing the Church—- A Peouliar   P e ople ."

    ^

      *Not Many Rich — Not Many  L e a r n -

    ^d*— Not

      Many Noble —Chjefly the

    Poor  of This  W o r l d " — Rich In

    Faith —Hear t  Condition the Basis of

    Selection

     —  C u t t i n g ,  Polishing and

    •Mounting  the  J e w e l s — God's  Work

    manship  to Be Manifested—Leesons

    -yto Angels—Leesons to  M a n k i n d .

    Providence, It.

    I., April 19.-Pas

    tor Russell per

    sonally conducted

    the opening ex

    hibitions of his

    now famous Pho

    to-Drama of Cre

    ation at the Colo

    nial Theatre here

    today.

    It was given out

    that there is a

    ch ai n of these

    Dramas now ex-

    froni coast to coast and from

    ^ittie Great Lakes to the

      Gulf.

      Todays

    attendance was estimated at 40,000.

    i Pas tor Russell's discourse was based

    the text: "Thou shalt also be a

    iwn of glory in the hand of the

    rd, and a royal diadem in the hand

    Of thy God." (Isaiah 02:3.) He said:

    •'•'* God has provided a salvati on for t he

    :  World In the next Age. But the call

    1

      6f this Gospel Age is something unique

    ^ —-separate and a part from th e salva-

    *ton of mankind. During this Age God

    ?%&  been gath ering out of the world

    S*Ome of those who have a hearing of

    /^tftith and a respons e of heart. These

    |5r$Ee calls His peculiar treasure, His

    Je we ls . In our text He declares that

    t-i this cla ss shall be a royal diadem in

    >I be hand of their God—not on His

    %«ad, as if an added glory, but in His

    ,^M iid, representative of power. In His

    "^JWer Jehovah

    x

     will show forth the

    H&'

    '.

      Church; and by thus manifesting what

    • ^ J K * has been able to do with the

    I

    1

      tfcurch, He will show forth His own

    5"

    %

      fftaises, in that He will reveal feat ures

    [j/   if His glorious character .which have

    E|&V£te?er before been exhibite d. What a

    B|p,* aeS3ed thing this will be for those who

    •"^•$0*11 be the jewels and who will reflect

    Lffre glory of the Infinite One who de

    signed this diadem-

    ,;  The permission of sin has given op-

    ^ Jwrt nnit y for God to develop His great

    fijjjrlfta for the eradic ation of evil. He

    £v#WHd ' easily -hav e prevente d Satan

    Njrom brmging sin into the Universe.j

    |  itt e did not, however, exercise His

    f' ra re r to restrain Satan; for He fore-

    •a w the glorious resul ts which He will

    -  fventuaHy accomplish through the per-

    .  mission of evil. For the same reaso n

    •fie did not interfere when Satan

    '.tempted our first parents, but permit-:

    J£ ted the whole race of mankind to be

    Jtt rn int0 the world in an Imperfect

    tn d sinful condition. He could have

    •arranged otherwise, bat He foresaw

    Ibat He could work out still more

    glorious purposes by letting matters

    take their own course for a time.

    "The Wages of $in Is Death."

    The Bible declares that all trans-

    ^  tresBlon of the Divine Law is sin, "andI

    " t h a t all siii is punishable with the

    same penalty—death. Thus Adam's

    disobedienc e in eating the forbidden

    fruit brought upon him the curse of

    death, which by the laws of heredity

    ae has transmitted  to  his posterity—

    the human ra ce. (Romans 5:12, 19.)

    Although men may multiply the trans-

    :  gressions , they cannot inc rease t he

    penalty; for the Divine Law has only

    one penalty for sin—death.

    But Divine Mercy arranged for hu-

    mau redemption by providing that Je

    sus should pay the penalty for Adam'*

    sin. This He did when He offered

    Himself and died, "the Just for the

    nnjus t." The unforfeited life of Je

    s u s ,  as a correspondi ng price for the

    forfeited life of Adam, guaranteed the

    cancellat ion of Adam's penalty. A dam's

    deliverance will mean the deliverance

    •f all humanity, the removal of the

    sentence for Original Sin from every

    member of Adam's race. Then the

    Messianic Kingdom will be inaugurat

    ed for the very purpose of helping

    mankind out of the sin and death con

    ditions resulting from the fall of our

    first parents.

    God could have associated with our

    Redeeme r ..some of the angelic host to

    assist in blessing humanity during tlu»

    thousand years of the Messianic King

    dom; but He purposed to .select from

    • amongst mankInd\soiue to be sharers

    stateme nt is the Apostle's Injunction

    that the Church "do good unto all men.

    eHjHHiall.v unto them who are of the

    Household of Hutli."- Cnlatlans 0:10.

    Blessed

      Your

      E y e s ,

      For They See.

    The Household of Faith includes all

    who are trusting in the precious blood

    of Christ for their redemption. These

    the Church will serve on every occa

    sion. The greatest possible good that

    can be done will be that of serving

    them with the Truth. The Glad Tid

    ings of great joy which shall be to all

    people is the very best Message that

    can be brought to any one- not only

    speaking peace through the blood ol

    Jesus, but also Inspiring the glorious

    hope of joint-helrship with Christ in

    the Messianic Kingdom. The Bible

    tells us that the time Is coining when

    all the blind eyes shall be opened and

    all the deaf ears shall be unstopped.

    That l ime Is during the nex t Age.

    Meantime. (Jod is doing a wonderful

    work. He Is gather ing here and there

    the saintly ones—those who have an

    ear   to  hear Ills call. Of this class our

    Lord said. "Blessed are your eyes, for

    they see; and your ears, for they bsar."

    In gathering this special class. God

    B   looking, not at the outward appear

    ance, but at the heart. He desires

    those whose hearts are right. This

    does not mean, as once we thougkt.

    that all whom God does not select, or

    elect, are to be thrown to devils and

    roasted to all eternity . W hat a change

    comes over everything when we real

    ize that God is not premeditating evil

    against even those who may be His

    enemies through wicked works, but is

    merely calling out a class now which

    He will use later to assist the Redeem

    er in blessing all the families of the

    earth I-Galat ians 3:16, 29.

    The Scriptures declare that in choos

    ing this special class, the Church, God

    Is calling "not many wi se men after

    the flesh, not many mighty, not many

    noble," but "the poor of this world,

    rich in faith"—those whom the world

    would consider the mean things, the

    weak, the ignoble. The Bible tells us

    that.the rich have plenty to satisfy

    their hearts and therefore do not feel

    their need.

    It is the same with the intellectual.

    They rather look down upon the aver

    age humau being, and say that poor

    people do not know any better than

    to believe the story of the fall of man

    and all the rest of the Bible stories.

    Thus in what .they think \s wisdom

    they ignore the Word of God, in which

    His whole Plan for man's recovery

    from degradation, sin and death Is

    shown as connected with the story of

    Adam and Eve, their fall and the re

    demption effected by the dea th of Je

    sus ou Calvary. Whoever leaves out

    this part of the Bible loses the con

    necting link, and cannot perceive the

    Plan of God for man's salvation.

    Therefore the wise according to the

    course of this world cannot understand

    tho Divine Program.

    The Bible says that not many noble

    are called. One may be poor and un

    educated, and yet have a very noble

    mind. This class know that they are

    morally above the average . Therefore

    they often have a self-satisfied feeling

    which does not permit them to recog

    nize that they are sinners. And so

    they ate not ready to see that they and

    all other human beings need a Savior.

    "Y» Are His Workman ship."

    Those whom God has accepted and

    forgiven through the blood of His Son.

    our Redeemer, are no longer under the

    former sentence of sin. These still

    have weaknesses of the flesh and are

    striving against them, although they

    may never be as successful as some

    other persons who were better born.

    But the Heavenly Father knows to

    what extent each is striving against

    sin, seeking to put down the old na

    ture. Others may misjudg e us; but He

    knows us.

    Of this class the Apostle Paul says,

    "It is God that worketh in you both

    to will and to do His good pleasure."

    He has given us exceeding great and

    precious promises, that by these work

    ing in us, showing us the course to

    take and the result of faithfulness, we

    may gradually attain the Divine na-

    fcsre. This is the consummation, and

    comes to us by Divine Power—"chang

    ed in a moment, in the twinkling of an

    e y e . "  Whethe r we shall be grante d

    that glorious change depends upon the

    zeal with which we love righteousness,

    and hate iniquity, and seek to do the

    will of God- ,

    No matter how mean this class may

    have been accord ing to nature,- the

    transforming work of the Holy Spirit

    goes on in their hearts; and they be

    come noble charac ters. Although they

    may never be able to control their flesh

    so that they will seem as noble as

    some of the. world, yet the nobility of

    heart is what God is looking for. If in

    the heart He sees true nobility—loyal

    ty to Him, to righteousness, to truth,

    to the brethren—then they have the

    evidence that they are His, and that

    His providences are working together

    for their good.

    In some respects the Lord's work in

    this class resembles that of a lapidary.

    The lapidary will not pick up cobble

    stones or ordinary pieces of quartz and

    put them on the wheel for polishing,

    although these stones lie about every

    where. But a real jewel he puts on

    the wheel. So it is with the Lord's

    nal weight of glory, let us take them

    thankfully, joyfully, gladly, realizing

    that our Heavenly Father knows bet

    ter than we do what we need; and

    that He has promised that His grace

    will be sufficient, that He will not per

    mit us to be tempted above what w

    T

    e

    are able to bear, but will with the

    temptati on provide a way of escape.

    This is the message that we would

    leave with you today—that the Church

    is in the Lord's hands, and that He Is

    preparing each individual member to

    be a jewel in His royal Diadem. When

    this piece of workmanship is finished,

    He will show it to the angels as the

    basis of one of the greates t lessons

    they have ever had. The angels who

    remained loyal to God have never

    known sin in the sense of experiencing

    It personally. They have alway s been

    holy, happy, obedient to Him. They

    have seen how the redemption of man

    kind manifests God's Love; and His

    willingness to exalt those of mankind

    who are obedient to Him now will be

    a furth er less on to them. *

    In that Day, when they shall see

    how the Lord's blessing has eventual

    ly brought the Church to glory, the

    angels of God will all rejoice, even

    though the Church will be on a still

    higher plane than they—far above an

    gels, principalities and powers, and

    Joint-heir with her Lord. The angels

    are in full harmony with God, and

    therefore will be ready to sing praises,

    as the Scriptures set forth, saying, "At

    the name of Jesus every knee shall

    bow, of things in Heaven and things

    in earth ." When the Bride shall be

    glorified with her Bridegroom, all the

    angelic hosts will bow the knee; for

    the Church will be on the highest plane

    of existence, associated with her Lord.

    Whoever of the angelic hosts are loyal

    to the Father and to the Son will also

    be loyal to the Bride, the Lamb 's Wife,

    in that glorious Kingdom.

    "Born In Zion."

    The Psalmist foretells that "of Ztou

    It shall be said, This and that man

    was born in her; and the Highest Him

    self shall establis h her." (Psalm 87:5.)

    Zion represents the Kingdom in glory.

    The Church in her glorified condition

    will be Zion, anil every faithful saint

    of God will be born in her. According

    to the flesh, the Lord's people were be

    gotten and born; according to the Spir

    it they have been begotten again. But

    until they experience their change

    from earthly to Heavenly nature they

    are not born again. This second birth,

    the spirit birth, is the First Resurrec

    tion. We have the begetting of the

    Spirit now, but the process is not yet

    completed; when it is, we shall be born

    again. Then the record will be made

    that this one and that one was born in

    her, born in Zion.

    In due time the world will get the

    record. Then they will get the expla

    nation of what


Recommended