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Photoshop reference

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Help and tutorials ADOBE ® PHOTOSHOP January 2014
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  • Help and tutorials ADOBE PHOTOSHOP January 2014
  • Contents Whats new 1................................................................................................................................................... Whats New in Photoshop CC 2................................................................................................................................................ Warp perspective | Photoshop CC 18....................................................................................................................................... Print 3D objects | Photoshop CC 24.......................................................................................................................................... Create Smart Objects | CC, CS6 28.......................................................................................................................................... Generate image assets from layers | Photoshop CC 34........................................................................................................... Reduce camera shake blurring | Photoshop CC 39.................................................................................................................. Share your work on Behance | Photoshop CC 45..................................................................................................................... Photoshop getting started tutorials 49....................................................................................................................................................... Workspace and workflow 50............................................................................................................................ Share your work on Behance | Photoshop CC 51..................................................................................................................... Sync settings using Adobe Creative Cloud | Photoshop CC 55................................................................................................ Tool galleries 57........................................................................................................................................................................ Workspace basics 59................................................................................................................................................................. Panels and menus 67................................................................................................................................................................ Preferences 72.......................................................................................................................................................................... Default keyboard shortcuts 74................................................................................................................................................... Using tools 104.......................................................................................................................................................................... Undo and history 108................................................................................................................................................................. Specifying columns for an image 114........................................................................................................................................ Show or hide non-printing Extras 115........................................................................................................................................ Run Photoshop in 32-bit mode (64-bit MacOS only) 116.......................................................................................................... Rulers 117................................................................................................................................................................................. Positioning with the Ruler tool 119............................................................................................................................................ Positioning elements with snapping 121.................................................................................................................................... Placing Photoshop images in other applications 122................................................................................................................ Placing files 126......................................................................................................................................................................... Metadata and notes 129............................................................................................................................................................ Grid and guides 132.................................................................................................................................................................. Companion apps 135................................................................................................................................................................. Customizing keyboard shortcuts 144......................................................................................................................................... Plug-ins 146............................................................................................................................................................................... Productivity enhancements (JDIs) in CS6 148......................................................................................................................... Key shortcuts 152...................................................................................................................................................................... Presets 154................................................................................................................................................................................ Image and color basics 158............................................................................................................................. Resizing images | CC, CS6 159................................................................................................................................................ Image essentials 162................................................................................................................................................................. Image size and resolution 165................................................................................................................................................... Acquiring images from cameras and scanners 171................................................................................................................... Creating, opening, and importing images 174........................................................................................................................... Viewing images 179................................................................................................................................................................... Viewing multiple images 184..................................................................................................................................................... Image information 186............................................................................................................................................................... High dynamic range images 190............................................................................................................................................... Customizing indexed color tables 198.......................................................................................................................................
  • Customizing color pickers and swatches 200............................................................................................................................ Converting between color modes 203....................................................................................................................................... Color and monochrome adjustments using channels 208......................................................................................................... Color modes 211....................................................................................................................................................................... About color 214.......................................................................................................................................................................... Choosing colors in the Color and Swatchespanels 217............................................................................................................ Choosing colors 219.................................................................................................................................................................. Blending modes 226.................................................................................................................................................................. Adding a conditional mode changeto an action 230.................................................................................................................. Add swatches from HTML CSS and SVG 231.......................................................................................................................... Merging images to HDR 232..................................................................................................................................................... Convert an image to Bitmap mode 238..................................................................................................................................... Understanding color management 242...................................................................................................................................... Layers 244....................................................................................................................................................... Layer basics 245........................................................................................................................................................................ Generate image assets from layers | Photoshop CC 250......................................................................................................... Create Smart Objects | CC, CS6 255........................................................................................................................................ Managing layers 261................................................................................................................................................................. Selecting, grouping, and linking layers 265............................................................................................................................... Copy CSS from layers | CC, CS6 268....................................................................................................................................... Nondestructive editing 269........................................................................................................................................................ Moving, stacking, and locking layers 270.................................................................................................................................. Layer opacity and blending 273................................................................................................................................................. Layer effects and styles 277...................................................................................................................................................... Layer comps 287....................................................................................................................................................................... Knockout to reveal content from other layers 290..................................................................................................................... Create and manage layers and groups 292.............................................................................................................................. Combine images with Auto-Blend Layers 295........................................................................................................................... Blending modes 297.................................................................................................................................................................. Applying Smart Filters 301......................................................................................................................................................... Aligning layers 306.................................................................................................................................................................... Load selections from a layer or layer masks boundaries 309................................................................................................... Editing layer masks 310............................................................................................................................................................. Masking layers with vector masks 311...................................................................................................................................... Revealing layers with clipping masks 313................................................................................................................................. Combining multiple images into a group portrait 315................................................................................................................ Masking layers 316.................................................................................................................................................................... Selecting 322................................................................................................................................................... Making selections 323............................................................................................................................................................... Adjusting pixel selections 325.................................................................................................................................................... Moving, copying, and deleting selected pixels 333.................................................................................................................... Saving selections and alpha channel masks 338...................................................................................................................... Selecting with the lasso tools 343.............................................................................................................................................. Selecting with the marquee tools 347........................................................................................................................................ Extract an object from its background 349................................................................................................................................ Duplicate, split, and merge channels 352.................................................................................................................................. Create a temporary quick mask 355.......................................................................................................................................... Channel calculations 358........................................................................................................................................................... Channel basics 361...................................................................................................................................................................
  • Selecting a color range in an image 364................................................................................................................................... Making quick selections 367...................................................................................................................................................... Image adjustments 370................................................................................................................................... Warp perspective | Photoshop CC 371..................................................................................................................................... Reduce camera shake blurring | Photoshop CC 377................................................................................................................ Adjusting image sharpness and blur | CC, CS6 383................................................................................................................. Understanding color adjustments 390....................................................................................................................................... Levels adjustment 397............................................................................................................................................................... Targeting images for press 400................................................................................................................................................. Viewing histograms and pixel values 403.................................................................................................................................. Matching, replacing, and mixing colors 410............................................................................................................................... Making quick tonal adjustments 417.......................................................................................................................................... High dynamic range images 421............................................................................................................................................... Applying special color effectsto images 429.............................................................................................................................. Applying the Color Balance adjustment 432.............................................................................................................................. Apply a Brightness/Contrast adjustment 434............................................................................................................................. Adjustment and fill layers 435.................................................................................................................................................... Adjust color and tone with Levels and Curves eyedroppers 439............................................................................................... Curves adjustment 441.............................................................................................................................................................. Adjusting image color and tone 445.......................................................................................................................................... Adjust shadow and highlight detail 447..................................................................................................................................... Convert a color image to black and white 449........................................................................................................................... Adjusting hue and saturation 450.............................................................................................................................................. Adjust HDR exposure and toning 454....................................................................................................................................... Dodge or burn image areas 456................................................................................................................................................ Camera Raw 457............................................................................................................................................. Whats new in ACR 8.x 458....................................................................................................................................................... Introduction to Camera Raw 460............................................................................................................................................... Automatic perspective correction in Camera Raw | Photoshop CC 466................................................................................... Radial Filter in Camera Raw | Photoshop CC 469.................................................................................................................... Enhanced Spot Removal Tool in Camera Raw | Photoshop CC 472........................................................................................ Make color and tonal adjustments in Camera Raw 476............................................................................................................ Manage Camera Raw settings 482........................................................................................................................................... Rotate, crop, and adjust images in Camera Raw 487............................................................................................................... Adjust color rendering for your camera in Camera Raw 490..................................................................................................... Vignette and grain effects in CameraRaw 492.......................................................................................................................... Navigate, open, and save imagesin Camera Raw 494.............................................................................................................. Correct lens distortions in Camera Raw 497............................................................................................................................. Process versions in Camera Raw 501....................................................................................................................................... Sharpening and noise reduction in Camera Raw 502............................................................................................................... Make local adjustments in Camera Raw 504............................................................................................................................ Repair and restoration 509.............................................................................................................................. Content-Aware Patch and Move 510......................................................................................................................................... Retouching and repairing images 512....................................................................................................................................... Correcting image distortion and noise 520................................................................................................................................ Reshaping and transforming 524..................................................................................................................... Transforming objects 525.......................................................................................................................................................... Adjusting crop, rotation, and canvas 534................................................................................................................................... Crop and straighten photos | CC, CS6 541...............................................................................................................................
  • Warp images, shapes, and paths 545....................................................................................................................................... Vanishing Point 549................................................................................................................................................................... Liquify filter 564.......................................................................................................................................................................... Free transformations of images,shapes, and paths 572............................................................................................................ Create panoramic images with Photomerge 574....................................................................................................................... Content-aware scaling 578........................................................................................................................................................ Drawing and painting 580................................................................................................................................ Modify shapes | CC, CS6 581................................................................................................................................................... About drawing 583..................................................................................................................................................................... Drawing shapes 585.................................................................................................................................................................. Painting tools 590...................................................................................................................................................................... Creating and modifying brushes 593......................................................................................................................................... Managing paths 600.................................................................................................................................................................. Gradients 603............................................................................................................................................................................ Generate a pattern using the Pattern Maker 609...................................................................................................................... Filling and stroking selections,layers, and paths 611................................................................................................................ Drawing with the Pen tools 616................................................................................................................................................. Converting between paths and selection borders 623............................................................................................................... Brush presets 625...................................................................................................................................................................... Blending modes 628.................................................................................................................................................................. Adding color to paths 632.......................................................................................................................................................... Editing paths 635....................................................................................................................................................................... Creating textured brushes 645.................................................................................................................................................. Adding dynamic elements to brushes 647................................................................................................................................. Drawing or painting with a graphics tablet 651.......................................................................................................................... Painting with the Mixer Brush 652............................................................................................................................................. Painting with a pattern 654........................................................................................................................................................ Painting stylized strokes with the Art History Brush 655............................................................................................................ Erasing parts of an image 656................................................................................................................................................... Managing pattern libraries and presets 659.............................................................................................................................. Creating patterns 661................................................................................................................................................................ Text 662........................................................................................................................................................... Formatting Characters 663........................................................................................................................................................ Formatting paragraphs 669....................................................................................................................................................... Line and character spacing 676................................................................................................................................................. Fonts 679................................................................................................................................................................................... Editing text 683.......................................................................................................................................................................... Creating type effects 689........................................................................................................................................................... Creating type 695...................................................................................................................................................................... Asian type 700........................................................................................................................................................................... Arabic and Hebrew type | CC, CS6 708.................................................................................................................................... Video and animation 712................................................................................................................................. Video editing | CC, CS6 713...................................................................................................................................................... Editing video and animation layers 716..................................................................................................................................... Previewing video and animations 722....................................................................................................................................... Painting frames in video layers 726........................................................................................................................................... Importing video files and image sequences 729........................................................................................................................ Creating timeline animations 733.............................................................................................................................................. Creating images for video 740...................................................................................................................................................
  • Creating frame animations 745.................................................................................................................................................. Video and animation overview 754............................................................................................................................................ Saving and exporting video and animations 760....................................................................................................................... Filters and effects 769..................................................................................................................................... Filter effects reference | CC, CS6 770....................................................................................................................................... Add Lighting Effects | CC, CS6 780........................................................................................................................................... Photographic blur gallery 785.................................................................................................................................................... Adaptive wide angle filter 788.................................................................................................................................................... Oil Paint filter 790...................................................................................................................................................................... Layer effects and styles 791...................................................................................................................................................... Filter basics 801......................................................................................................................................................................... Applying specific filters 806....................................................................................................................................................... Smudge image areas 810.......................................................................................................................................................... Add Lighting Effects (CS5) 811................................................................................................................................................. Saving and exporting 816................................................................................................................................ Supported file formats 817......................................................................................................................................................... Saving PDF files 819................................................................................................................................................................. Saving images 827.................................................................................................................................................................... Saving files in graphics formats 832.......................................................................................................................................... File formats 837......................................................................................................................................................................... Digimarc copyright protection 844............................................................................................................................................. Printing 847...................................................................................................................................................... Print 3D objects | Photoshop CC 848........................................................................................................................................ Printing from Photoshop | CC, CS6 852.................................................................................................................................... Printing with color management 856......................................................................................................................................... Contact Sheets and PDF Presentations 859............................................................................................................................. Print photos in a picture package layout 860............................................................................................................................. Printing spot colors 864............................................................................................................................................................. Printing images to a commercialprinting press 868................................................................................................................... Duotones 873............................................................................................................................................................................ Printing with color management | CS5 877............................................................................................................................... Printing from Photoshop CS5 881............................................................................................................................................. Automation 885................................................................................................................................................ Scripting 886.............................................................................................................................................................................. Processing a batch of files 887.................................................................................................................................................. Playing and managing actions 892............................................................................................................................................ Creating data-driven graphics 896............................................................................................................................................. Creating actions 902.................................................................................................................................................................. Adding a conditional mode changeto an action 907.................................................................................................................. About actions and the Actions panel 908.................................................................................................................................. Adding conditional actions | CC, CS6 910................................................................................................................................. Recording tools in actions | CC, CS6 911................................................................................................................................. Web graphics 912............................................................................................................................................ Copy CSS from layers | CC, CS6 913....................................................................................................................................... Working with web graphics 914................................................................................................................................................. Slicing web pages 917............................................................................................................................................................... Modifying slice layout 921.......................................................................................................................................................... HTML options for slices 926...................................................................................................................................................... Creating web photo galleries 930..............................................................................................................................................
  • Optimizing images 939.............................................................................................................................................................. Output settings for web graphics 944........................................................................................................................................ Web graphics optimization options 946..................................................................................................................................... 3D and technical imaging 955......................................................................................................................... Print 3D objects | Photoshop CC 956........................................................................................................................................ 3D painting | CC, CS6 960........................................................................................................................................................ 3D panel enhancements | Photoshop CC 965.......................................................................................................................... Essential 3D concepts and tools 968......................................................................................................................................... 3D workflow | CC, CS6 973....................................................................................................................................................... Adjust HDR exposure and toning 977....................................................................................................................................... Photoshop and MATLAB (Photoshop Extended) 979............................................................................................................... Measurement (Photoshop Extended) 983................................................................................................................................. Image Stacks (Photoshop Extended) 991................................................................................................................................. DICOM files (Photoshop Extended) 994.................................................................................................................................... Counting objects in an image (Photoshop Extended) 998......................................................................................................... Combining and converting 3D objects 1000.............................................................................................................................. 3D texture editing 1002.............................................................................................................................................................. Creating 3D objects and animations 1006................................................................................................................................. 3D rendering and saving 1012................................................................................................................................................... 3D panel settings 1017.............................................................................................................................................................. Color management 1030................................................................................................................................. Understanding color management 1031.................................................................................................................................... Keeping colors consistent 1033................................................................................................................................................. Color settings 1036.................................................................................................................................................................... Working with color profiles 1039................................................................................................................................................ Color-managing documents for online viewing 1043................................................................................................................. Color-managing documents when printing 1044....................................................................................................................... Color-managing imported images 1046..................................................................................................................................... Proofing colors 1048.................................................................................................................................................................. System requirements 1051.............................................................................................................................. Memory and performance 1052.................................................................................................................................................
  • What's new 1
  • What's New in Photoshop CC To the top Adobe Photoshop CC ships with several new features and enhancements that enrich your digital imaging experience. Read on for a quick introduction to new features and links to resources offering more information. Note: If you're upgrading from Photoshop CS5, see What's New in Photoshop CS6 for an overview of new features in Photoshop CS6 and Photoshop 13.1 for Adobe Creative Cloud. Photoshop CC | January 2014 Photoshop CC | September 2013 Photoshop CC | June 2013 Photoshop CC | January 2014 Warp perspective New in Photoshop CC | January 2014 Photoshop lets you easily adjust perspective in images. This feature is particularly useful for images having straight lines and flat surfacesfor example, architectural images and images of buildings. You can also use this feature to composite objects having different perspectives in a single image. For more information, see Warp perspective. A. Define planes in the Layout mode B. Adjust perspective in the Warp mode Print 3D objects 2
  • New in Photoshop CC | January 2014 With Photoshop, you can print any compatible 3D model without worrying about 3D printer limitations. In preparation for printing, Photoshop automatically makes 3D models watertight. Photoshop also generates the necessary support structuresscaffolding and raftsto ensure that your 3D prints are successful. For details, see Print 3D objects. Printing a 3D model A. 3D model B. Print plate C. Printer volume overlay 3D imaging Enhanced in Photoshop CC | January 2014 You can now share 3D layers using Sketchfab, a Web service to publish and display interactive 3D models. In Photoshop, select 3D > Share 3D Layer On Sketchfab. You can now regenerate UV maps for objects and materials in the selected 3D layer. This option is particularly useful for reparameterizing 3D objects downloaded from the Internet. In Photoshop, select 3D > Regenerate UVs. You can now easily group all objects in a scene. In Photoshop, select 3D > Group All Objects In Scene. You can now apply a cross section to a 3D model. For details, see this FAQ. The 3D menu now features a handy option to unify all elements of a 3D scene and make the scene watertight. Select 3D > Unify Scene For 3D Printing. Linked smart objects 3
  • New in Photoshop CC | January 2014 You can now create linked smart objects whose contents are referenced from external image files. The contents of a linked smart object are updated when its source image file changes. With linked smart objects, you can use a shared source file across multiple Photoshop documents. Linked smart objects are particularly useful for teams or in cases where assets must be reused across designs. Linked smart objects are displayed in the Layers panel with a link icon ( ). For more information, see Create linked smart objects. A linked smart object in the Layers panel Adobe Camera Raw Enhanced in Photoshop CC | January 2014 Adobe Camera Raw now offers the following enhancements: Automatic straightening of an image through one of the following three interactions: Double-click the Straighten tool ( ) in the toolbar. With the Straighten tool selected, double-click anywhere in the preview image. With the Crop tool selected, press the Command key (on Mac) or Ctrl key (on Windows) to temporarily switch to the Straighten tool. Now, double-click anywhere within the preview image. Whites and Blacks now support Auto Levels-like functionality when you double-click the sliders while keeping the Shift key pressed (Shift- double-click). Auto Temperature and Auto Tint functionality. Shift-double-click within the image preview to invoke this functionality. Option to choose a background color for the work area and toggle the visibility of the hairline frame around the image. Right-click outside the image in the work area and select an option from the popup menu. Option-click shortcut support for the Synchronize, New Preset, Save Settings, and Copy/Paste (Bridge) dialog boxes. When you option-click a checkbox, it is selected exclusively. You can option-click again to toggle to the previous checkbox state. See What's New in ACR 8.x. Other enhancements Improved font transformations Stability improvements to the Photoshop Generator feature Improved selection of shapes using the Direct Selection tool ( ) A single click on the Lock icon ( ) now unlocks a background layer You can now set a custom background color in the New Document dialog Better negative number support while making curve adjustments You can now see recent colors in the Swatches panel Clear All option for the Color Sampler tool 4
  • To the top 10 color samplers instead of 4. You can now change all color samplers in the Info palette at the same time The Missing Fonts dialog has a Do Not Show Again option now Share On Behance is now available for more languages Improved history states for editing text, and editing and applying character/paragraph styles Mercury Graphics Engine performance boost (Smart Sharpen on GPU) Enhanced scripted patterns and fills (trees, previews, and other improvements) Photoshop Generator can now export padding in image assets using layer masks Layer names can now be as long as 255 characters Narrow Options Bar for small displays Bug fix: Photoshop Generator now rescales Adobe Illustrator smart objects exported after scaling up Photoshop CC | September 2013 Generate image assets from layers New in Photoshop CC | September 2013 You can generate JPEG, PNG, or GIF image assets from the contents of a layer or layer group in a PSD file. Assets are automatically generated when you append a supported image format extension to a layer name or a layer group name. Optionally, you can also specify quality and size parameters for the generated image assets. Generating image assets from a PSD file is particularly useful for multidevice web design. For more information, see Generate image assets from layers. Image assets generated from layers/layer groups Camera shake reduction improvements Enhanced in Photoshop CC | September 2013 User interface enhancements for productivity gains Option to disable artifact suppression HiDPI preview support for retina display Improved performance on large screens 5
  • To the top For more information, see Reduce camera shake blurring. Camera shake reduction UI improvements Other enhancements Increased stability while saving files to network locations Photoshop-Behance integration is now available for several languages. See Share your work on Behance. Native read-only PSDX file format support New controls to modify the range and fuzziness for Shadows, Highlights, and Midtones Improved performance and stability while using content-aware features Increased limit for number of measurements: 700 to 10,000 Improved anchor point selection: Clicking a selected anchor point now selects that anchor point and deselects other anchor points 32-bit support for 24 filters. See Filter effects reference. Crash prevention through improved GPU detection and disabling New option to select All Layers/Active Layers for Path and Direct Selection tools Isolation mode changes: Custom keyboard shortcut support for entering/exiting the Isolation mode Option to enter the Isolation mode by double-clicking is now unavailable in the Active Layers mode Instead of turning filtering off, exiting the Isolation mode now resets the Layer Filter to default values New option in the Properties panel flyout menu to control the display of the panel during shape layer creation Path point selection is now no longer retained while switching between layers Photoshop CC | June 2013 Reduce camera shake blurring New in Photoshop CC 6
  • Photoshop features an intelligent mechanism to automatically reduce image blurring caused by camera motion. If necessary, you can adjust advanced settings to further sharpen the image. The camera shake reduction feature can reduce blurring resulting from several types of camera motion; including linear motion, arc-shaped motion, rotational motion, and zigzag motion. Camera shake reduction | A before/after example Images suitable for camera shake reduction The camera shake reduction feature works best with decently lit still camera images having low noise. The following types of still images are particularly suitable for shake reduction: Indoor or outdoor images captured using a lens with a long focal length Indoor images of a static scene taken with a slow shutter speed and no flash In addition, shake reduction can help sharpen blurred text in images affected by camera motion. For more information, see Reduce camera shake blurring. Image resizing improvements Enhanced in Photoshop CC The Image Size command now includes a method to Preserve Details and provide better sharpness while enlarging images. In addition, the Image Size dialog box has been updated for ease of use: A window displays the preview image from the resizing parameters. Resizing the dialog box resizes the preview window. The Scale Styles option is turned on and off from inside the gear menu in the upper right corner of the dialog box. From the Dimensions pop-up menu, choose different units of measurement to display the dimensions of the final output. Click the link icon to toggle the constrain proportions option on and off. The resample menu options are arranged by usage, including the new edge-preserving method. For more information, see Resizing images. 7
  • Original uncropped image Sharp resized image with details preservation Share your work on Behance New in Photoshop CC 8
  • Note: Note: You can upload your creative images as work-in-progress to Behance directly from within Photoshop. Behance is the leading online platform to showcase and discover creative work. Using Behance, you can create a portfolio of your work and broadcast it widely and efficiently to get feedback. You can upload fresh images as well as revisions of images you've uploaded earlier. Behance integration with Photoshop CC is not available in France and Japan for now. Uploading revisions to Behance... Share your work from within Photoshop in one of the following ways: With a document open, select File > Share On Behance. With a document open, click the Share On Behance button ( ) in the lower-left corner of the document window. You can either start a new Behance portfolio using your Adobe ID or link your existing Behance account with your Adobe ID. For more information about Photoshop-Behance integration, see Share your work on Behance. For more information about using Behance, see this FAQ. You must be 13 years of age or older to sign up for Behance. You can share images of dimensions 320 x 320 pixel or higher. Sync settings using Adobe Creative Cloud New in Photoshop CC When you work on multiple computers, managing and syncing preferences across the computers can be time-consuming, complex, and prone to error. The new Sync Settings feature enables you to sync preferences and settings via Creative Cloud. If you use two computers, the Sync Settings feature makes it easy for you to keep those settings synchronized across the two computers. The syncing happens via your Adobe Creative Cloud account. Settings are uploaded to your Creative Cloud account and are then downloaded and applied on the other computer. Choose Edit > Sync Settings and then select the relevant options. For more information, see Sync Settings Using Adobe Creative Cloud | CC. 9
  • Note: 3D imaging Enhanced in Photoshop CC Also see 3D features | Creative Cloud-only for Creative Cloud-only features added to Photoshop CS6. These features are also available in Photoshop CC. 3D painting Photoshop CC features several enhancements that let you paint 3D models with finer control and greater accuracy. When you paint in the default Live 3D Painting mode, you can see your brush strokes update in real time in both the 3D model view and the texture view. The Live 3D Painting mode also offers significant performance gains and minimizes distortion. Projection Painting, the default 3D painting method in Photoshop CS5 and CS6, remains available in Photoshop CC. You can switch to this 3D painting method by selecting 3D > Use Projection Painting. Besides Live 3D Painting, Photoshop CC features the following enhancements to 3D painting functionality: When you target different texture types for painting, you can see the paint target in both the 3D model and the target texture view. You can choose to paint your 3D objects in the unlit mode. This mode ignores any lighting in your scene and wraps raw texture data of the appropriate type around your 3D objects. Painting in the unlit mode lets you paint without shading and with greater color accuracy. Available 3D painting methods Different painting methods are appropriate for different use cases. Photoshop CC provides the following 3D painting methods: Live 3D Painting: (Default in Photoshop CC) Brush strokes made in the 3D model view or the texture view are reflected in real time in the other view. This 3D painting method offers high performance and minimum distortion. Layer Projection Painting: (Enhanced in Photoshop CC) The Gradient tool and filters use this painting method. The Layer Projection Painting method involves merging a painted layer with the underlying 3D layer. During the merge operation, Photoshop automatically projects the paint onto the appropriate target textures. Projection Painting: (Only method in Photoshop CS6) Projection Painting is suitable for painting multiple textures simultaneously or for painting the seam between two textures. However, in general, it is a lower-performance painting method and may result in cracks when youre painting complex 3D objects. Texture Painting: You can open the 2D texture and paint it directly. For more information, see 3D painting. Live 3D Painting in Photoshop 10
  • 3D panel Photoshop CC features a revamped 3D panel that makes it easier for you to work with 3D objects. Modeled after the Layers panel, the redesigned 3D panel is structured as a scene graph/tree having root objects and child objects. You can interact with 3D objects in the scene graph in several ways: Delete objects Reorder objects Reverse object order Insert objects Duplicate objects Make instances of objects (linked instances or decoupled instances) Group objects You can access these interactions from the context menu associated with a 3D object. Right click an object to access its context menu on Windows. To access the context menu on Mac OS, click the object with the Control key held down. Some interactions are not available for certain types of 3D objects. For more information, see 3D panel enhancements | Photoshop CC. Linked instance: Changes made to the object reflect on the instance Instance decoupled from the original object Filters Enhanced in Photoshop CC Smart Sharpen filter enhancements The enhanced Smart Sharpen filter empowers you to produce high-quality results through adaptive sharpening technology that minimizes noise 11
  • and halo effects. The streamlined UI design for this filter offers optimized controls for targeted sharpening. Use the sliders for quick adjustments and advanced controls to fine-tune your results. For more information, see Filter effects reference and Adjusting image sharpness and blur. Smart Sharpen dialog box Minimum and Maximum filter enhancements The Maximum and Minimum filters have been updated. You can now choose from the Preserve menu to favor squareness or roundness as you specify the radius value. Radius values can now be entered as decimals. For more information, see Filter effects reference. Preserve squareness or roundness Adobe Camera Raw as a filter New in Photoshop CC In Photoshop CC, Adobe Camera Raw is available as a filter as well. When you process an image in Photoshop, you can choose to apply the Camera Raw Filter (Filter > Camera Raw Filter) on images that are already open in Photoshop. This means that you can apply Camera Raw adjustments to more file types like PNG, video clips, TIFF, JPEG, and more. The images processed with the Camera Raw Filter can be on any layer. 12
  • Camera Raw Filter (Shift + Ctrl/Cmd + A) in Photoshop For more information, see this video on using Camera Raw as a filter in Photoshop. Adobe Camera Raw For information on the recent improvements in Camera Raw, see the video overview of Adobe Camera Raw 8. JPEG and TIFF file-handling preferences New in Photoshop CC New preferences are available to determine how Photoshop handles JPEG and TIFF files. These settings are particularly useful if your workflows include the use of Camera Raw each time you process an image, or would like to call Camera Raw selectively. For example, a photographer may want to process each image with the Camera Raw dialog before opening it in Photoshop. However, a retoucher or a compositor may want to open the Camera Raw dialog only for images that have previously been processed using Camera Raw. To modify the preferences in Photoshop, click Preferences > File Handling > File Compatibility section > Camera Raw Preferences > JPEG and TIFF Handling section. You can choose if opening a JPEG or TIFF automatically calls the Camera Raw dialog or not. For example, choose from the JPEG dropdown: Disable JPEG support. When you open a JPEG file in Photoshop, the Camera Raw dialog does not open. Automatically open JPEGS with settings. When you open a JPEG file in Photoshop, the Camera Raw dialog is opened only if the JPEG file has previously been processed using Adobe Camera Raw Automatically open all supported JPEGS. The Camera Raw dialog is opened each time you open a JPEG file. Use the TIFF dropdown to make a similar choice for TIFF files. Spot Removal tool Enhanced in Photoshop CC 13
  • The new behavior of the Spot Removal (Camera Raw dialog > Spot Removal tool, or keyboard shortcut B) tool is similar to the Healing Brush in Photoshop. Use the Spot Removal tool to paint over an element in your photo, select a source area that could be used on your selected area, and the tool does the rest for you. You can press the forward slash (/) key to let Camera Raw pick the source area for you. A zip-line that needs to be cleaned up (left), is identified, selected, and matched with a source area (center), and then removed (right) While the Spot Removal tool enables you to remove visible imperfections, some flaws in the photo may not be visible in the normal view (for example, sensor dust, or spots or blemishes on a portrait). The Visualize Spots option in the Spot Removal tool enables you to see smaller and less-visible imperfections. When you select the Visualize Spots checkbox, the image appears inverted. You can vary the contrast levels of the inverted image to see imperfections more clearly. You can then use the Spot Removal tool in this view to remove any imperfections. For more information, see the article on the enhanced Spot Removal tool in Photoshop CC. Radial Filter New in Photoshop CC The new Radial Filter tool (Camera Raw dialog > Radial Filter tool, or keyboard shortcut J) enables you to define elliptical marquees, and then apply localized corrections to these areas. The corrections can be applied within or outside the marquee areas. You can place multiple Radial Filters on an image, and apply a different set of adjustments to each Radial Filter. The image as shot (left), and the subject brought into focus using a vignette-like effect using Radial Filters (right) For example, a vignette-like effect has been simulated in the image above. Two overlapping Radial Filter areas were defined over the face of the subject, one slightly larger than the other. Using the larger Radial Filter area, adjustments were made to subdue the regions behind the face. The second, smaller Radial filter area was adjusted to brighten and highlight the face. For more information, see the article on the Radial Filter tool. Upright modes New in Photoshop CC 14
  • The Upright feature (Camera Raw dialog > Lens Correction > Manual tab) in Camera Raw enables you to automatically straighten image content. The Upright mode automatically corrects the perspective of the elements in a photograph. The feature has four settings that you can choose from: Auto: Balanced perspective corrections Level: Perspective corrections are weighted toward horizontal details Vertical: Perspective corrections are weighted toward vertical details Full: Combination of Level, Vertical, and Auto perspective corrections You can apply one setting, cycle through the others, and then choose the setting that is best for your photograph. Sample image before applying perspective correction (left) and after using the Auto setting in the Upright feature (right) Also, a new slider - Aspect has been to the existing set. The Aspect slider lets you modify the aspect of the image horizontally or vertically. Sliding the control left modifies the horizontal aspect, and sliding it right modifies the vertical aspect of the photo. For more information, see the article on Automatic perspective correction in Camera Raw. Multiple selection of paths Enhanced in Photoshop CC New enhancements in Photoshop CC let you work with multiple paths. You can apply commands to multiple paths from the Paths panel menu. Specifically users will be happy to hear they can select more than one path and delete them all at once. You can now perform the following actions: Shift-click to select multiple paths in the Paths panel Ctrl-click (Windows) or Command-click (Mac OS) to select non-contiguous paths Drag either the Path Selection tool and the Direct Selection tool over multiple paths to manipulate them, even if the paths are on different layers. Alt-drag (Windows) or Option-drag (Mac OS) a path in the Paths panel duplicates it Reorder a path by dragging in the Paths panel. You can only reorder paths that are not shape, type, or vector mask paths. Delete multiple selected paths at once. For more information, see Editing paths. Modify rectangles and rounded rectangles Enhanced in Photoshop CC 15
  • Note: You can adjust dimensions, placement, and the corner radii of a rectangle or rounded rectangle shape after it has been created. Each corner can be adjusted independently and adjustments can be simultaneously made to rectangles on multiple layers. For more information, see Modify shapes. Support for Indic languages New in Photoshop CC You can now type text in 10 Indic languages into your Photoshop documents: Bengali, Gujarati, Hindi, Kannada, Malayalam, Marathi, Oriya, Punjabi, Tamil, and Telugu. To enable Indic language support, select Preferences > Type > Middle Eastern And South Asian. Changes take effect for the next document that you create. When you enable Indic support, two additional composers are enabled in the flyout menu of the Paragraph panel: Single-line Composer Every-line Composer You can enable either Middle Eastern And South Asian support or East Asian support in a document. System anti-aliasing option for type Enhanced in Photoshop CC The new system anti-aliasing option for type gives you a realistic preview of how your type will appear on the web. This new option closely matches the anti-aliasing options in popular browsers for both Windows and Mac-based rendering. Other enhancements Significantly improved performance for the Blur Gallery. The Blur Gallery now uses OpenCL for previews as well as the final result. Several enhancements to the preset migration functionality: Presets are now migrated from the user library folder as well as the application presets folder Active presets are now migrated along with non-loaded presets Only presets for the immediate past version are migrated. For example, CS6 presets are migrated while CS5 presets are ignored from a migration standpoint. A system restart is not required after migrating presets. Changes to Windows Open/Save dialog boxes: Changes to the ordering and placement of some controls The Use Lower Case option has been removed. You can change file extension upper/lower case setting in the Preferences dialog box. Warning icons and the warning text info box have been replaced with the Warning button appearing next to the Save and Cancel buttons. When you click this Warning button, Photoshop displays a message capturing the reason for the warning. If a document has no warnings, the Warning button is hidden. The Warning button An angle control widget for brushes is now available from the options bar as well as the context menu. 16
  • Twitter and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy The View Print Size option has been restored. The gamma value for text is now automatically set for new system options. Improved performance when you save your work to network shares on Mac OS X Metadata and ICC profiles are now included when you save a document as PNG. You can now export CSS (Cascading Style Sheet) code directly from layers or groups. Select Layer > Copy CSS. Copy CSS improvements: Copy CSS units are now always pixel (px) Copy CSS transparency now works in gradients Improved placement of transformed text Width is no longer generated for non-paragraph text You can now select and delete multiple type styles You can now use the Shift key modifier while creating paths. Product-level changes All features in Photoshop Extended CS6 are now available in Photoshop CC. Photoshop CC does not have a separate Extended offering. The following applications are no longer installed by default with Photoshop CC: Bridge CC; to see a list of new features, see What's New in Adobe Bridge CC Extension Manager ExtendScriptToolkit Note: To download Bridge CC, Extension Manager, or ExtendScriptToolkit; log in to Adobe Creative Cloud, navigate to Apps, and then download the desired application. New system requirements for Photoshop CC: Support for Mac OS X 10.7 (Lion) and 10.8 (Mountain Lion) Mac OS X 10.6 (Snow Leopard) is not officially supported. In particular, you cannot work with video files on Mac OS X 10.6. You can create a timeline with stills and add effects like transitions. However, you can export this work only using the File > Export > Render Video > Photoshop Image Sequence option. The Lighting Effects filter (Filter > Render > Lighting Effects) works only with 8-bit RGB images in Photoshop CC. 17
  • Warp perspective | Photoshop CC Introduced in version 14.2 To the top To the top To the top Background Prerequisite: Enable the graphics processor Adjust perspective FAQ Photoshop lets you easily adjust perspective in images. This feature is particularly useful for images having straight lines and flat surfacesfor example, architectural images and images of buildings. You can also use this feature to composite objects having different perspectives in a single image. Background Sometimes, an object may look different in an image from how it appears in real life. This mismatch is due to perspective distortion. Images of the same object captured from different camera distances and angles of view exhibit different perspective distortion. Perspective distortion in images of the same object captured from different distances and angles (Creative Commons image courtesy: SharkD) Prerequisite: Enable the graphics processor Photoshop requires at least 512 MB of video RAM (VRAM) to run the perspective warp feature. For details, see Photoshop CC GPU FAQ. As a prerequisite to adjusting perspective, ensure that the graphics processor is enabled in your Photoshop preferences. 1. Select Edit > Preferences > Performance. 2. In the Graphics Processor Settings area, select Use Graphics Processor. 3. Click Advanced Settings. Ensure that Use Graphics Processor To Accelerate Computation is selected. 4. Click OK. Adjust perspective 18
  • Define planes Before you adjust perspective, you must define the planes of the architecture in the image. 1. Open the image in Photoshop. 2. Select Edit > Perspective Warp. Review the onscreen tip and close it. 3. Draw quads along the planes of the architecture in the image. While drawing the quads, try to keep their edges parallel to the straight lines in the architecture. Draw the edges of the quads roughly parallel to the lines in the architecture. As depicted in the illustration, you can snap two planes together. Here is a set of planes defined for a building. Manipulate the planes 1. Switch to the Warp mode from the Layout mode. 19
  • Warp mode 2. Manipulate perspective in one of the several available ways: Move around the corners of the quads (pins) as appropriate. For example, you can adjust the perspective of this image, such that the two sides of the building exhibit foreshortening in equal measures. The resulting perspective would approximate a direct view of the building from a corner. Adjusting the perspective, such that the two sides of the building are equally foreshortened Shift-click an individual edge of a quad to straighten it and keep it straight during further perspective manipulation. Such a straightened edge is highlighted in yellow in the Warp mode. You can manipulate the corners of the quads (pins) for finer control while adjusting perspective. Shift-click to straighten an individual edge of a quad and keep it straight during further perspective manipulation. The rightmost selected edge in this image is highlighted in yellow. 20
  • The selected edge is straightened. Also, the straightening of the edge is preserved during further perspective manipulation. Shift-click the edge again if you don't want to preserve its straightening. In the Warp mode, you can click the following icons for automatic perspective adjustment: Automatically level near horizontal lines Level horizontally Automatically straighten near vertical lines 21
  • Arrow keys H L W Straighten vertically Automatically straighten both vertically and horizontally Straighten horizontally and vertically 3. Once you're done adjusting the perspective, click the Commit Perspective Warp icon ( ). Keyboard shortcuts The following keyboard shortcuts make it easier to adjust perspective: Slightly move a corner of a quad (pin) Hides the grid when you're working in the Warp mode Switches to the Layout mode Switches to the Warp mode 22
  • Twitter and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Enter key Shift-click Shift-(drag an edge) To the top In the Layout mode, you can press the Enter key to quickly switch to the Warp mode. In the Warp mode, the Enter key commits the current changes to the perspective. (Warp mode) Straightens an individual edge of a quad and keeps it straight during further perspective manipulation. If you don't want to preserve the straightening of the edge, Shift-click it again. (Warp mode) Constrains the shape of a plane while lengthening it FAQ Can I edit different perspectives in the same image? The onscreen tips are no longer displaying. How do I bring them back? Can I define different sets of planes for the same architecture? 23
  • Print 3D objects | Photoshop CC Introduced in version 14.2 To the top Note: Preparing to print 3D objects Previewing and printing the 3D object 3D print utilities FAQ See also With Photoshop, you can print any compatible 3D model without worrying about 3D printer limitations. In preparation for printing, Photoshop automatically makes 3D models watertight. Photoshop also generates the necessary support structuresscaffolding and raftsto ensure that your 3D prints are successful. Preparing to print 3D objects 1. Select Window > Workspace > 3D to switch to the 3D workspace. 2. Open the 3D model in Photoshop. If necessary, customize the size of the 3D model while opening it. 3. Select 3D > 3D Print Settings. 3D Print Settings 4. In the 3D Print Settings panel, choose whether you want to print to a printer connected to your computer through a USB port (local printer) or use an online 3D printing service, such as Shapeways.com. Shapeways.com is a leading 3D printing marketplace and community. Shapeways.com provides you with various printer profiles that you can leverage while printing your 3D models. See this FAQ for more information. To refresh the list of supported printers or Shapeways.com profiles, select Get Latest Printers from the Print To pop-up menu. 24
  • 5. Select a local printer or a Shapeways.com printer profile. To view estimated prices for printing the 3D model using available Shapeways.com profiles, select Printer > Estimate Price. 6. Select a unit for the printer volumeinch, centimeter, millimeter, or pixel. The unit is reflected in the Printer Volume dimensions as well as the print plate measurements. A. 3D model B. Print plate C. Printer volume overlay 7. Select a Detail LevelLow, Medium, or Highfor the 3D print. The time required to print the 3D object depends on the detail level that you choose. 8. If you don't want to see the 3D printer volume overlaid on the 3D model, deselect Show Printer Volume Overlay. 9. Adjust the Scene Volume dimensions to specify the desired size of the printed 3D object. When you change a value (X, Y, or Z), the other two values are scaled proportionately. As you modify the Scene Volume dimensions, notice that the print plate under the 3D model scales in proportion. You can scrub the value of a Scene Volume dimension by clicking the dimension label (X, Y, or Z) and then dragging the mouse left or right. Hold down the Shift key to make the value scrub faster. 10. Choose Scale To Print Volume if you want Photoshop to auto-scale your 3D model, such that it fills up the available print volume of the selected printer. 11. If the 3D model has normal maps, bump maps, or opacity maps; you can choose to ignore one of more types of these maps while printing the model. You'll notice that the 3D model updates in real time when you change these Surface Detail settings. 12. You may choose to not print the support structures (scaffolds or rafts) required for the 3D object. Use this option with caution, since the printing of the 3D model may fail if you don't print a necessary support structure. 13. If your printer supports multiple materials, choose the material that you want to use for printing the 3D object. 25
  • To the top To the top Previewing and printing the 3D object Once you're done specifying the 3D print settings, follow these steps: 1. Click the Start Print icon ( ) or select 3D > 3D Print. Photoshop unifies the 3D scene and prepares it for the printing process. 2. If you chose to print using a Shapeways.com profile, Photoshop prompts you that the actual cost of printing may differ from the displayed estimates. Click OK. 3. In the preview window that appears, use the 3D camera tools to rotate, zoom, or move the 3D object. Rotate the 3D camera Roll the 3D camera Pan the 3D camera Slide the 3D camera Reset the 3D camera to its original location 3D print preview; notice the support structures 4. If you want to export the 3D print settings to an STL file, click Export and save the file to an appropriate location on your computer. You can upload the STL file to an online service, such as Shapeways.com, or put it on an SD card for local printing. 5. Review the 3D print summary and click Print. You can cancel an in-progress 3D print by selecting 3D > Cancel 3D Print. 3D print utilities Photoshop provides interactive wizard-based utilities that you can use for configuring, calibrating, and maintaining your 3D printer. You can use these utilities only when the 3D printer is powered on and connected to your computer. 1. Select 3D > 3D Printer Utilities. 2. Select the utility that you want to launch. 26
  • Twitter and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Calibrate Print Plate Load Filament Remove Filament Change Filament To the top To the top Helps level the print plate. This utility performs the following broad steps: Prompts you to remove any leftover printing material from the 3D printer Initializes the print head Lets you adjust/finetune the gap between the print plate and the print head for nine nozzle positions You can use this utility in the wizard mode or in the manual mode. Helps load a filament into a fused deposition modeling (FDM) 3D printer. Photoshop initiates the head-heating process and the filament-loading mechanism for easy filament loading. Helps remove a filament from an FDM 3D printer. Photoshop initiates the head-heating process and the filament- loading mechanism for easy filament removal. Helps replace the filament of an FDM 3D printer with a new filament. Photoshop initiates the head-heating process and the filament-loading mechanism for easy filament changing. 3. Follow the onscreen instructions. FAQ What 3D printers are supported? Can I apply a cross section to a 3D model before printing it? Can I apply bump/opacity/normal maps to a 3D model before printing it? Can I print 3D models in two colors? How are 3D models having multiple layers printed? See also 3D Painting | CC, CS6 3D panel enhancements | Photoshop CC Photoshop 3D documentation 27
  • Create Smart Objects | CC, CS6 To the top Note: Understanding Smart Objects Create embedded Smart Objects | CC, CS6 Create linked smart objects | Photoshop CC Filter the Layers panel by smart objects | Photoshop CC Duplicate an embedded smart object Edit the contents of a Smart Object Replace the contents of a Smart Object Convert an embedded or linked Smart Object to a layer Export the contents of an embedded Smart Object Understanding Smart Objects Smart Objects are layers that contain image data from raster or vector images, such as Photoshop or Illustrator files. Smart Objects preserve an images source content with all its original characteristics, enabling you to perform nondestructive editing to the layer. In Photoshop CC and CS6, you can embed the contents of an image into a Photoshop document. In Photoshop CC, you can also create linked smart objects whose contents are referenced from external image files. The contents of a linked smart object are updated when its source image file changes. Linked smart objects are distinct from duplicated instances of a smart object within a Photoshop document. With linked smart objects, you can use a shared source file across multiple Photoshop documents. With Smart Objects, you can: Perform nondestructive transforms. You can scale, rotate, skew, distort, perspective transform, or warp a layer without losing original image data or quality because the transforms dont affect the original data. Work with vector data, such as vector artwork from Illustrator, that otherwise would be rasterized in Photoshop. Perform nondestructive filtering. You can edit filters applied to Smart Objects at any time. Edit one Smart Object and automatically update all its linked instances. Apply a layer mask thats either linked or unlinked to the Smart Object layer. Try various designs with low-resolution placeholder images that you later replace with final versions. You cant perform operations that alter pixel datasuch as painting, dodging, burning, or cloningdirectly to a Smart Object layer, unless it is first converted into a regular layer, which will be rasterized. To perform operations that alter pixel data, you can edit the contents of a Smart Object, clone a new layer above the Smart Object layer, edit duplicates of the Smart Object, or create a new layer. When you transform a Smart Object that has a Smart Filter applied to it, Photoshop turns off filter effects while the transform is being performed. Filter effects are applied again after the transform is complete. See About Smart Filters. Regular layer and Smart Object in Layers panel. Icon in lower right corner of thumbnail indicates Smart Object. 28
  • To the top To the top Note: (Photoshop CC) A linked Smart Object in the Layers panel Create embedded Smart Objects | CC, CS6 You can create embedded Smart objects using several methods: by using the Open As Smart Object command; placing a file (CS6) or placing a file as embedded (CC, CS6), pasting data from Illustrator; or converting one or more Photoshop layers to Smart Objects. Do any of the following: (CC) Choose File > Place Embedded to import files as Smart Objects into an open Photoshop document. Choose File > Open As Smart Object, select a file, and click Open. (CS6) Choose File> Place to import files as Smart Objects into an open Photoshop document. Alt

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