Hal 1 eonard Student Piano Lihrary

• 'Fheory

• Technique

Hal Leonard Student Piano Library

Piano Practice Games • Theory • Technique

• Cre::::~: CO!\'TE!\"l'S \ \ \ \~

·.'

=;=~. ::. ___ Noll<n'

_ CJawon1SM~ _l~n

Swil.p1n.m.,.pn..T...,,,

'""" -~~1i,",!':~Prairi<

- ~~ic!;,.~~ Wotom>iot>

_Cin:l<Dano< -~~t'fblllBounce _Gttaito; ...... ! _ 8r.&»F>Df­_Qu.,,~ _A Llttl<~ .. _Sooro.,.,· ..... ... . _ l>U{>t<Ull"llouod. _ B>)OUll""" - Pop~

~fu.Th.Goi<!

. . ' 6 10 12 7 7 11 1~ 8 8 12 16 9

IU 1] 1~ Ili p )4 20 li 14 1$ 22 12 16 1b 24 n IS 18 lb !4 19 1{I zg I~

22 n Jo 16 24 2J .12 17 l~ 24 '.l 18 211 26 _\'! 211 2'1 lJ 40 21 .J0 29 44 ll l2 l2 4R 2j J4 JJ ~ 26 36 36 .'>4 :li JJ J7 ~ 29

~ :~ ~; ;; 40 4<1 fl9 36

~~.:\~].~~~-~-=":.:'~-:.,_

-_._..,,)(,_.,,.., nrd K<nL l'llillip"-

-Rejil!o.Toe,C­B"""'llen·Riclo..i~

Foreword Piaoo l'ractkt! Games bnng> you a m11>iC parmt-rl By coordin:l1ing theory. 1echniquc. and crutivuy ,.-nh lhe acrual music in lhe Piano Le.suiu book, PiallO Games p<~nl> i~inati'e ••a)sto!camandmc:rnorizcca.chpieccfaster.

PianoGameshclpsfoc"'kaming.Tbcflexibloaclivitiesareeasy·to-useforeilhcrpIB<lleor group leMorul. Whctber use.d during lhe lcsson ,,,- at home. Piano r.ames "pl~ys ,..;m~ ea<:h ~auf'll!y,vi...aUy,andphysically

uu.,n&RP<pond lmaglne&Cttaie

• • Tiic: Piano Gam"5" puo.l<:S. musical maps. aod flash card.~ are 111designe<l10 make music M>R}· acliviticslncllldeac:eompamment< lhatcaobc:addedinthcfoll.,...;ng"'11ys·

\fa)·youenjoyllWlyhajJpyhou1sofmusicaldiscoveryandsuccc".

Se..twishcs.

Usten&Rl':'lpond Carmen's Tune (l..c$$Ol'l 6ool<2.P!l- 7)

As you !isien lO Carmrn's TM11~. lap the f<)llQwing thy1hm

f0 .J .J 1 ;H r rr l ,J .J .J 1.J .J L 1

_,J • r •

Tlwl:k:atGoe:s On!

·~'bmlhe mtlod) ptt.cS fromcine h.and lO lhe<>1her.1he bcal 11ocson lll."Wt~l>Oftdpb,..._lheOlhcflwldrc<.1s. l"<i!liYOO•le<soobool<as ........ mld!M ....... ~tolherb)'tbmollhe"""lodyabcw\'..

:1

Us!en&Respond Andantino (Lc<sonBoot.2.pj:.8)

Whcn 1 curved line or slur conn«:!s sc•·eml note... i1 idemif.s a PHRASE -- a musical "'nt~nce.

ape.nyoorlessonbool<.to11lescon:ofil.nd<in1if>O.Asyu.ilis"'n10 lhemusic,!racceachphrascwi1hyoorfinger. Lirtyourwristallhe cndofoachphr-Jse

Beloware1hefirstfoorph~sfromAn<Íllntino

l. Usingyourlessonbool<.a>aguidc.addaolur ~ithcrover....--..orundcr~eachphrase

2. As you lis1en 10 "°""""'"'· smH the ~lody on ""la:· MA.e sune 10 omg cai:b phrasc m onc bnealh.

3.'fov.playthcphrases..lmiiatelhcsmoothandtoMcctcdso.ndof)"OUf~byplly11'1! ach ptnsc 1.LGATO. passu:ig IM ........i $IIl!llll:hly fmm aae l'i!oen" 11> me nn1

Somctimes a phno.c copõcs ibc ooe bcfore il. Using yoor lessClll ~ u a g1.1ide·

1. Wri1e1hl: m1>Singno1csm1bcba.ssdef.

2. Wme 1hl: mis.in& dynamia./<lrtr and puuw.

lmapne&Crea1e

• 1_,.hr DE F G .\

Changelhtrnoodol"Amúm1ino!

1. Pl~)'Ourhand:smthispo.i1ioo1woocra•-csabo\l'moddl('C. Nolclharrhisison<:k•yhigh.er!haorheAndan1inopmitioo

2. Asyour1cacherpl•ysll>eaccompanirnen1bdow.playA11dan<1noin lhis ncw rio>i1ÕO<l. Use: Ih• sarne finger numbcl!l and kttp lhe shape andrll}'thmoflhcnw:lodyWsame.

~::~~1~44iT1~j~. f ! ~~: I.~ 1 t,. ' :~ \' J

~ 1 !f fjb=-ff ~ 7~g!, ~~$"_~ .. e~

~~ :-. .

/~ ""'"',,..,..

Study1hescoreofl'lcaw.No8eu.'inyourlCS>.011bool Counl :;:";,::'X",;' tim~> ~ach e-"•mple nppean anti wrilc thc aflSWer> in

~

Hamionic2nd.> C:=J

~-­!& • •

HarmooicJrd. C:=J

Mclodic2nds~

Jmagine&.Create

li 1:1

-El

Clapping Song (~Bool<2.P1:.ll)

Yoocan=a1cavaria1iooofC/app111J:S011J:byplayingthc molodyinlhcba<sdd

L ln 1hc magnifying gla.~ wri•c lhe nolc namcs

2. Using[]w,arrowsasaguidc.C001~!c[]w, L.H.molodyin

1hcbassclefusingquancrnotcs.

3. Wri1c1hcnamcoreachno1einthcblankbclowi1.

4. As yoo lisicn 10Clapping Son.~. play rhc molody in this L.H.variation.

ru F 1 ~--- - ~---

~---- ~----

M•-.~-·&:i~ > • -~ ~

'1

g

TtthniqutTunes by KathttineGlastt

Hoedown (l.wonB<>C)l:.2.pg. 12)

Join lhe l/o..dm<·n asll>e: fiddl~r byfinding lhe 41hs ineach hand. A~you füLtn tolhr rcompanU....m. play lhe following Technique Tune tJ10<: octa•·e hil;her than wriuen.

T0<,.ppin'

lm~mo&Cttale

• l.:llnyoonamelhls My.rrryTune?

1. lnlhemai;mf}'ifig~lllSSC!',wriu:thel'IO(Cnames.

2. Usifli, the arrows a~ a guuk. ~ompkt< lhe mc:lody u~i"'­quantt notes

3. Wri1ethenamcofeachooteintheblankb<l""'i1.

4. PlaytheMy•1,ryT~n,andwritctlletitle in1hcbl:mkbelow.

Title: _ _ _ _______ _

Sunlight Through The Trees (l..-ooBool.2.pg.13)

• l P11t lhe pittff hllck 1ogethtt ~

Cui OU! lhe canis on lhe next page 111<1arrangc1hem in lhe cor=! ordcr ofthc piece. Sun/1g/JJT,,,.,,.,glrTMTrus

2. Createanew pitte!

Btgin witb the cvd '"'°''' ing lhe clef signs and the time signatu~.

Arrangcthe1roupsofno1c1in anyon.lcryouv."'"·

Pl110tthcr;atdwithlhcdoublcbar1tth<:endofthcp1c<:c.

Sa-·cyourncwpicccbytapingitonapieccofc:irdboard

Usten&Kesponcl Bingo (l.esaoo8"'"'2.pg. 14)

~ Q.. 111

·1 f L.H 4 1

- 1 -'" 11 1 2 213- 1-1 1 1 4 3 3 4 4 -

3- 3 1· 4 4 12- 2-13 3 3 LJ/ 4 4- 3 3 3 ~ 2- 2- 1 1 1 ;

1- 1-12 2 2 í 1 - 1- 1 _ - L, 2 4 3 2 ,_

RtadlngWarm-up

Warm-UJ>'I ~lp yoo lcam l~ challmging parts of a poece. Tlw. ••;ann-up uses ooly lhe fus1 notes of each musurc in musurcs ~

Travelling Along The Prairie (lc$.W11Bool.2.pi.l5)

l.JAen&Respond

' s Y"" hsten IO Tnn..-llin}{lllong Tht Prair1r.1~pand counl the follow1ngrh}lhm:

T«llniqu•Tunf'I' lto"Mlberinr Glastr

.\.< )""' ~ lO lho attomp:mimcm to Trm..-1/út~ A/ong Thr Pmirit . p!ay lho foll°"1ng Ttom.iqlN'T11ntoneocta•·ch1&h<'rlh:mwrinen

lmaginea.C..,ate

• Placc)·oorharids1nlheTro•·tl/ingA.longThtl'rairitpositionandger ..,ady 101mprovista new p~cc titlM Oron~ l/Qri;mt

l. Pr•••Uo:pla)·ing1his..,pca1edacCQ111panim.m(o>1inaco)withyourL.H.

r 1rz?-=TI ~- A~r you can pl3y the acoompanimcm casoly. improvi<e a R.H. mdody " ilh the ~es

D E G A. Try playin,: your mclody ooe OCTave hogher.

lillí{~:1 : Orange Horizon

,.,.,'ben)<JUaR:..,ad)toCnd)"OWpiece . ..,sryoorR.ltandlctlheLll.~m °""""""'-Úfaduall) fatlca""l'bvpia)·io~softcraJld50fter.slooo<crmcl .... CE.

No One To Walk With (Lc,.;;onBoo1:2,pa.16)

1. NoOntToW"lk\1'11hhasfourphra..::s.UsinJ)OUr""'5otlbookas aguide,add.'llun__..,_ovcrcachphf':ISCbc:low.

2- Asyoufollowthcscorcbcl<l". lmcn10thcmusicand 1raCC"3<h phr.>S10withyourftngcr.Liftyourwri~a11hccndofeachphra.~.

- 1:::; lrr, 1.: _,l=!JIJ!l ªC _, l~j-JIJ :ª l :~:~l:J

-· l~·. = ~· ~~~

fapn:o:s:sioni\la rks

Ccnain musical "i"S· such u --=::::: (crr..-~11/Jo) and :=::::=-- (dt(usundo). ieU U• howtoplay1hcooteo1"a"~Y!ha1crca1cslhcmoodof1hcmu>iC.

\. S1nsNoOnrTo\.\<:il.IWúhon"la"usingoncbrearhforeochphrase. Besuretlwyoor•·oice:

riscstoaslipn!y loude<l ..... et

andsofilyfadcs. av.ay•tthccnd

~ p-===•p====- p

2. lmita1e1hiseffec1onthcpianobypas•ing1hcsoondfromonc fmger10thcncx1. cn:al•flia~hghtcrt.snruJoanddecrncmOO"''hincachphrLie

S1ud)andcompan-1hcfourpltrasesandc1rde1hccO!Tcc1an.<wcrs:

l . Whichphrasesarecxactl)&like?

3. Wbochphrascsinc:ludetMmolodicintcrval ofafourth?

!~=~~~d: f..:llhc:ditfereoccsbeN.ttn thcm.

1. Pby ~h of ~ examples·

V.lliche:.amplcbcgin•in1hcRH.?

V.'llodlnamplebasnoBin i1?

V.kti aample uses only lhe L.11.?

V.i.dlnampiesCDdoaG~

Tick Tock The Jazz Clock

Ustcn.liRespond

As you hsten to lhe acrompanimm! !O 7ict Tod TM Ju:: C/oct, play fu. L TWO octa>·~s highcrthan wrinen

I~ Asyooli<tmrotbeoccompani""'ntagain,playE....21wooctavcshigherthanwrinen.

I~

• 1 Usingyourlcs.sonbookasaguide,coml""l'1hc:fir.;t mcasureofeachlmcin7iclTodThtluzzC/od:.

Ut's go on a Measu~ Hun1!

D .. D D..,D

2. TapandcQUnteadlooe-measurtrhythm l>eluw.

êai;h ofthese rhythms appcars in tbe score of Tict Tocl. TM Ja:: Cl«t· How many IÍrTICl is elidi ril)1hm pia~? Wn1c your ;in,;v...,rs in thc: boxes

•• J

D D D

1magh>e&Crea1e

• P,,lhaP"afamilyniemberorafn.ndwould liktolcamho>o.·1vpla)lhe fir.;11inc of Ti<* Tod TM Ja:: Clud:.

1. ToJll'C'p.>ll'forlheles.-.on.cirdelhecorw.·1an,wcrs·

Wh1chllandplaysG'>only? rli:ht

Which handplaysC DE? right

\'.'hichlingcrofthrrigluMndplaysfirs1?

\Vhirh fi~ger of1helcft hMd playslir~?

Wha1kindof1oochshouldyoousc? lrgato

~- NCl"·you=~ymbcgm \\-ithoutloot.ingatlhe5CO<e.sl'lo>ooyoorstud<nt·

\\llER•: 10 plact ho~orher fingcn;on 1he ~C}boanl

WllE.., IOpla)eEbhand

HO\\ O.:poea .... Aac:<.a>orq.<.>J

·=e ~

l.hl:rn &RPspond Watercolors {l.e<SMRook2. pg.22)

Trc:hniqur Tunes

-"- )l.lll lisccn to \\)i1~trolors, play lhe followmi; Trc:hnique Tunr lhree li~:

l)aswri!lcn 21oneoc18,..,higher 3) [Wt!OCl:l\-r<ihig/ler

Dd~dy

\~~~~~~I I·

•••

t, I

Usten&Repond Circle Dance

Techni<t11~ T11ntt

A5 }Oll lisien !O Circl~ /Jan«, f'l•y th~ foll°"ing Technique Tu IM!. Conrtec1thc1,,.-<>-noo:c slu~ by u>1ng one commlll'.lllS arm "'°''cm.ont to P"-" lhe sound from onc finger 10 thc ncxt. Dunng ca.ch rt~t. rtla~ you:rCMlJ.}. k«pin~ yourfin8cr«rt"'1y topl•y thr: nc.<1 noo:rs

Rigln l land

Li•dy

* lf' I@ tdlf1 1122J •f

!Dl '

~·agF• IQ IJ

' ' •P

"" ;/9~=->~~l~tt-"' =s-

Ir 3

•; .. ' "';"'"""'""' ~ Warm-upshelp)ookamtheçh:!llonging~of~pi«c.Once~

çan pl1y this "mn-up e"si\y, yoo will M prqw'td lQ pi~) Ci~ Danu from lhe <rorc m your IC.<."<>l'I book.

c:t=e:e:·-' ' '

Us1en&i Respond Basketball Bounce (1.i1oo;""'1:1oo1;2.n.2.i)

L A~ you li.tm 10 Ba.dnball 81>1Jr!c~. imim~ !he sound of a ba<kctba.11 bouncing back .00 forthbclw~hal>dsb)1apping1hisrhylhm:

'" J J J J 1

'" t , ~ . • 1 r r 1 • ~ • 1 ·-ir

~ Whilcoocllandplay> lhcbcal.11\eotllerh~ndre>.ts. UsingyQUrlcssonbook as a gu1de . .. -n1t:rn1hcm1i.s111srcsi•

Ul'sguonaMtasureHun1?

Uiingyourlcs.onbookasaguidt.writc1hcanswc"in1hcbotcsbclow

1. Howmanyrneasurcshavcanintcrva.lthal!OO'·es i-in1hcLH.? D 2. How many mea~u~• h3VC an incuval that moves ---;"' in lhe LH.? D 3. How many measum; ha•·c chc R.H. and L.H. playing

1hcnrneno1csanoctavcapan(inuni<00)' D

ln lhe aamplc bclow. thc L.H. bccomes a shadow of lhe R.H. and plays along in HAll\10' Y.

Subs11tu1eihi•cxampleforlhelas1lineof&stf1hol/Bout1r~'

~1 ' '

Usten& Respond GreatNews!

TtthnlqlH' Tunrs by KatltttirteG!asn-

·~Jt> A~ you hstcn LO Grtat N"'1·t!. play lhis Ttthniq ut Turte '"'º octa,·e~ hi&hcr 1hao " "nrn.

1 McasiJre lJ usc,1he,arncn01c~ ... ,mca.ure 14. l'nlctice thesc mc&ui"Cs until you can play 1hcm c&MI)

2. CirclclhcC()ITC<'llU1'WCl"J,

Tlicmter>-.lsinmeasurelJ~:

Tlicinterval~innw::a.>urel4:ttC:

ThtLH.pla~·<aointer>alofa

Tbr:RH.pb)-,;ltlmler\-alofa:

U..cen &Respond Brass Fanfare

~ ~ hl A..youlis1en10Bras1fon/a~.i.apandcoontthefollo\o.ingrby1lm

RJfl 1 1 Ir""'-~· • 1 ~~r . ~--------+h

- "' 1 1 1 lmaglnel!Cttale

• ~D, . . -f

2..!Trumpe0 A

\m:i,gi""youandlhra:fricnd•havcformcdabrassquartc!madeup two trumpcts and two tromboocs. Poctu~ bdow is a quanct !iC<n oi 1hela~li,...,of/Jrassfon/u~.

l.Playcachpansepar.11elytoo;c.e.,.,.ha111SOUJ\dshkc

. - ff -== '::' .. .. .. .. . . . . - -f -== ff l"'T/

] -

- 1 'bdT/

ff »r, ___

ff 1 Pla~lbcl..cliineolB.-.wF<lll{anfrom)ourkssontio.»...,·11ha<Tr1re1111<•Ímmf• JT ""*-'ª~--..

Quiet Thoughts (lt!"""'llool2.pa.Z9)

Opm you.r Lcsson book to lhe srore o( Quin Tlwughts. A• you listcn to lhe mu>ic:

1. Trnce1loephra.ses"·ith)'OUrfini;er.rcmcmbcríngtolif1ymuwri•1a11heendof eachphra_..c

2. Wri1cthenumbcrof~inthcbox. D ~. Whichplr..-:~·hoes lheonebcfort=i!? D

1. P~y thi< vcrsiQn Qf Qui~I Thou~h/J " ·uhout lhe!oh:upo (usmgthcwhirel:eysonly).

2. Prac!ia:wri1inJl a sharpinfromofeachDOlebelcw.

Line·f><llthrr< (linecuts •hroogh !hecen1...-of 1he ~)

~----

----0 --

Spa<e·nOlesharps (cemcrof~ fülsthe $pae<:)

J. Add rhe mi~sing sharp$ to lhe~ of Quitl 1'hou~h1s abo>·e. U>lng )'OOr !es-on bool. as aguide .

..1 Tofiadoorifyou-'dcdlllthe<harpl:corm:d).pla)yout'IC'l>ttm~T--,lwlO'«

.. ~w- .. w~inyoorlcs>oobool

A Little Latin (WtooBoo1<2.pg.m

l. AL'1rltl..o1inlose5 .<0meofusappcalwhcnyouplay11""!hout thc~onlhcL.H.PlaythisversionofAU11l<"l.atinw1Lhou1thc fiais (\l'iin& lhe "'ltnc ~cysunly).

~. Praclicc ,.·oiting a flat in frootofeach oocc belo"

?5----o -•• Add lhe mis..mg flauto thc ~ of A Litrlr Larfo above. u~ing your lessoi1 bool; H ·-· .: To fiDd Olll if~·ooaddcdall lhc fla1s~Lly. play youro<corcof A U11/rLatin to<.« ifu .-lo lhe....,. a. IM \"ttSIQll 1n , .our lesllOll book

lmagtnea.c.;~ale

• Lei J'01lr lumd~ 1alk IO oach oll>er'.

O.... way 10c,,,a10 a pi..,c is10 trade phra.'ICS bc1·•,ccn )'Our hanib. playing firstone hand and lhen 1he Olhe•- ~fako up yourov.·n picco using lhe foUowing not<:s in bolh hand>

1 A• you h<!cn !O lhe accornpanimem !O A Lirt/o larm. p!ay aloog as your R.11. ~a

musi<::alquc•1ionand)'OUrL.H.answersbio<l

2. A• your tc:ocher pla)'!l 1he l2·bar bh>e• acrompanirnem bclov.·. makc up your º"''" mclody u>in~ lhe sarne noteS in qucs1100 and answcr ph~ bct"·ccn lhe hand:..

T-l>trA<rompanimtn! ModcrtiolyWI(. • 17(1)

1

' ' k+ ~ • '1 f r r

~ ~ ~ l ~ --

Usten&tRespond Stompin' \lt:MOU l!ool 2, pg. 3~)

1 As you listen 10S1omp;~·. dar lhe top pm and .iomp 1ho: oouom pm with yoorldtfoot.

Eytspy!

t. )) . I ~ ;, li """'· '

Soml: ofthtllOlt:~ in measure< LO aOO 12 are mossing. Us1~ yoor lcMOn boa'; as ªJ!Uldc. foll inthcmi»in_gn~es

Kcepltlt-'

1~3t·:ttt= (rirr/<'011<')

tbeLH play>a bla.::k / whilc ~cy.

(drrl<'l>N<'/

11-w: L.H play• a bl.ack / ,.hlt~ ~<:"}·

lho R.H. pilo~'ª black "hit~ l")

lm aglnelk l.Teate

• 1. ln jazz s1yle. a "'pca!M accomp~rürnc:m p:onem i< callcd a "•mp. Pracuce playing lhc L.H.Vllmpbclow.

! ~ : s 2. Whcnyoucanplay1heL.H.vampeasily.

u"'i1uan1n1f'Qduction10y""r iml"""i ... cion.K""plh<-rampg<)inga.•yoo improvi..,amelody inyourR.H.usin~ ~sCDE~F.

Ir. r 1 rttfªl

Usten .. Respond

TedmiqutTunesby KatherineGl;iso,r

Inspector Hound \l.c'"""Bó<>l2.Pi.36)

Makthel•••o.1101cslurssound~sncaky"bygiving

1hefirs1rK11cofcachslurmorcrn>pl>BSi~than1hcsecond.

Asyouli<ienro/.,~cmrHoulld.play1hc1w<rnQ1c

slurs111onc annmo11emenL

Eytspy!

L>miyourlelSO<lbool<lbaguidc."'Titclhean~wcrsrothefollowing

~in1hebo"""~low.

l . iia<o·llWl)d1ITcren1pilChe<doe.,thcR.H.pla)"? D ! Hc.~diff=nl1"1Cil<':sdoestheLH.pby' D

Us1enl<Respond BayouBlues (LI:"°" Bool; 2. p~. 37•

lmaginehowttwouldf..,l m>"ing in a hammoc~ on a hot sum,,,..,. day. Asyou liMenmHulouHfo~s.play thí1 tw~mc~un: "•mp in lhe LH·

~~I~ • J ' J !

Match the l}lic<s~

BayouB/u~1lwfo11rphrasesinthc R.H. Althoughcachphr:l';Cl1'>C' 1hc<amcthrccr>01CS.cachhas1differemrlt)·thm.

1 PlayeochphrascincolumnA

2. o.a,.. lil!C!I ma1chini Lhe phrn>e< in column A 10 lhe rh)thm oi lbt lyne< moolumn B

11 l;j w l thm~ l"ll slcq:i ali day

~#Jb J24= Oh. ~ !a·z)·

---------~ ~____,, Ju<1<lecpall day

~==e=,;~=:i

tmag1 .... a.erea1e Pop! • (l~»<>n8ook2,f>i.43) ' 1

• 1 • ' ~'1.. li •' Crntr a "'"' pie.:e in A H A form!

I_ A>yw lõsicn 1othcacrompanimem !OM.v0.,.nS<m8t>n GA 8 CD, play rop!from your ~bookoncocta•·eh1ghcr1hanwrinen. Thisis!heA5CClionofyourpi«e

2- LsingthcOOl.,,.GA BCD.mal.cupywro"n B .ec1ioobyimprov1sm11 forcightQr

1 Rt:tlUII tolhe lxginningof Pop'(inja:i:z. tlwfscallcd lheMhead .. J :lnd pl~ylO the'1!d oflhcpicce.

(Lc<sonBool.2.w.45) i:_.·

TKhniqueTunes

Jig f _d, ~ til Asyouhs1rnio}jg.pla)lhc ~ followmg: Tiechniqut Tu11e:

Ll><ly

i~a:::::c= ~· ' i;:::: Ir , :i:: él::l~ 1~1

' ' . ' - -i;., -·-

i...gine&Create

• Staloly\l:m:h

Go For The Gold (U«<l11Jl.ook2.pg.46)

JointM CJo FOl"TlreCJQ/dorche!>lra!

1. As yoo li>tcn !O 1hcxcornpammem mG0ForTh,Gold.1m1tn\C lhc.oundoflhcpicroloparu.Plailhcfoll°"·irtsJIÔCCOlop.m:i 1"'0oc:!a•·eshi~11Crthanwrillcn

---~ 1 : -===----r=i