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Pietro Cavallini: St. Cecilia-in-Trastevere: Last Judgment ... · Memling: Tommaso Portinari 1470,...

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useful terminology: patron and patronage buon fresco grisaille foreshortening icon and iconography maniera greca ("Greek manner" but refers to the Byzantine style) humanism Concept questions: Why do classical concepts of art become more appealing than the Byzantine and Medieval examples? Where and when do we see a transition? is there an early Renaissance style? what are the sources of this style? What do we mean by style? Maniera greca vs the "Roman" style Pietro Cavallini: St. Cecilia-in-Trastevere: Last Judgment: det.: St. James the Younger; fresco, c. 1290 Berlinghieri: Saint Francis and Scenes from His Life 1235 altarpiece tempera on panel 5' x 3' x 6' byzantine Goals for this chapter: • to understand and reconcile the existence of more than one stylistic influence on Renaissance art and architecture • recognize reasons for the rejection of medieval elements and the increasing interest in the natural world • become familiar with the revival of humanism and its influence on art • develop familiarity with elements of the patronage system • recognize the technique known as a fresco and the problems with its stability over time more classical? more Gothic? Ch. 14: late medieval or proto-Renaissance? Italy in the 13th-14th c. ART216-01 Spring 2012 Art History Survey: From the Renaissance to the 21st century Dr. Barris www.radford.edu/rbarris This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes. ImagePage 1 of 7 Proto renaissance 14th cent Italy.prs
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Page 1: Pietro Cavallini: St. Cecilia-in-Trastevere: Last Judgment ... · Memling: Tommaso Portinari 1470, Oil on wood 17 3/8 x 13 1/4 in. Maria Portinari 1470, Oil on wood 17 3/8 x 13 1/4

us

efu

l te

rmin

olo

gy:

pa

tro

n a

nd

pa

tro

na

ge

bu

on

fre

sc

og

ris

ail

lefo

res

ho

rte

nin

gic

on

an

d i

co

no

gra

ph

ym

an

iera

gre

ca

("G

ree

k m

an

ne

r"

bu

t re

fers

to

th

e B

yza

nti

ne

sty

le)

hu

ma

nis

m

Co

nce

pt

qu

es

tio

ns

:

Wh

y d

o c

lass

ica

l co

nc

ep

ts o

f a

rt b

ec

om

e

mo

re a

pp

ea

ling

th

an

th

e B

yza

nti

ne

an

d

Me

die

va

l ex

am

ple

s?

Wh

ere

an

d w

he

n d

o

we

see

a t

ran

sit

ion

?

is t

he

re a

n e

arl

y R

en

ais

sa

nc

e s

tyle

? w

ha

t a

re t

he

so

urc

es

of

this

sty

le?

Wh

at

do

we

m

ean

by

sty

le?

Ma

nie

ra g

reca

vs

the

"Ro

ma

n"

styl

e

Pie

tro

Ca

valli

ni:

St.

Ce

cilia

-in

-Tra

ste

vere

: L

ast

Ju

dg

me

nt:

d

et.

: S

t. J

am

es

the

Yo

un

ge

r; f

resc

o, c

. 12

90

Be

rlin

gh

ieri

:S

ain

t F

ran

cis

a

nd

Sc

enes

fr

om

His

Lif

e

12

35

alt

arp

iec

e

tem

pe

ra o

n

pa

ne

l5

' x 3

' x 6

'

by

zan

tin

e

Go

als

fo

r th

is c

ha

pte

r:•

to u

nd

ers

tan

d a

nd

re

co

nc

ile t

he

ex

iste

nc

e

of

mo

re t

ha

n o

ne

sty

listi

c in

flu

en

ce

on

R

en

ais

sa

nc

e a

rt a

nd

arc

hit

ec

ture

•re

co

gn

ize

re

as

on

s f

or

the

re

jec

tio

n o

f m

ed

iev

al e

lem

en

ts a

nd

th

e in

cre

as

ing

in

tere

st

in t

he

na

tura

l wo

rld

•b

ec

om

e f

am

ilia

r w

ith

th

e r

ev

iva

l of

hu

ma

nis

m a

nd

its

infl

ue

nc

e o

n a

rt•

de

ve

lop

fa

mili

ari

ty w

ith

ele

me

nts

of

the

p

atr

on

ag

e s

ys

tem

•re

co

gn

ize

th

e t

ec

hn

iqu

e k

no

wn

as

a f

res

co

a

nd

th

e p

rob

lem

s w

ith

its

sta

bili

ty o

ve

r ti

me

mo

re c

las

sic

al?

mo

re G

oth

ic?

Ch

. 14:

late

med

ieva

l or

pro

to-R

enai

ssan

ce?

Ita

ly in

th

e 13

th-1

4th

c.

AR

T21

6-01

Sp

rin

g 2

012

Art

His

tory

Su

rvey

: F

rom

th

e R

enai

ssan

ce t

o t

he

21st

ce

ntu

ry

Dr.

Bar

ris

ww

w.r

adfo

rd.e

du

/rb

arri

s

Thi

s im

age

and

the

text

cor

resp

ondi

ng to

this

imag

e m

ay o

nly

be u

sed

for

nonc

omm

erci

al, e

duca

tiona

l, an

d sc

hola

rly

purp

oses

.Im

ageP

age

1 of

7

Pro

to r

enai

ssan

ce 1

4th

cent

Ita

ly.p

rs

Page 2: Pietro Cavallini: St. Cecilia-in-Trastevere: Last Judgment ... · Memling: Tommaso Portinari 1470, Oil on wood 17 3/8 x 13 1/4 in. Maria Portinari 1470, Oil on wood 17 3/8 x 13 1/4

La

me

nta

tio

nP

ac

t (L

. sid

e o

f c

ha

nc

el)

Vis

ita

tio

n (

R.

sid

e)

Ca

iph

as

Ir

eV

irtu

es

of

Te

mp

era

nc

e a

nd

Ju

sti

ce

Gio

tto

di B

on

do

ne

fre

sc

oe

s f

or

the

Sc

rov

eg

ni C

ha

pe

l (a

lso

c

alle

d t

he

Are

na

Ch

ap

el a

nd

th

e P

ad

ua

Ch

ap

el)

pa

tro

n:

En

ric

o S

cro

ve

gn

i (fo

r h

is f

ath

er,

an

in

fam

ou

s u

su

rer)

loca

tio

n:

Pa

du

a, I

taly

Thi

s im

age

and

the

text

cor

resp

ondi

ng to

this

imag

e m

ay o

nly

be u

sed

for

nonc

omm

erci

al, e

duca

tiona

l, an

d sc

hola

rly

purp

oses

.Im

ageP

age

2 of

7

Pro

to r

enai

ssan

ce 1

4th

cent

Ita

ly.p

rs

Page 3: Pietro Cavallini: St. Cecilia-in-Trastevere: Last Judgment ... · Memling: Tommaso Portinari 1470, Oil on wood 17 3/8 x 13 1/4 in. Maria Portinari 1470, Oil on wood 17 3/8 x 13 1/4

Te

mp

tati

on

on

th

e

Mo

un

tain

Th

e P

ac

tth

e B

etra

yal o

f C

hri

st :

Du

ccio

an

d G

iott

o

Lif

e o

f J

es

us

(re

ve

rse

sid

e o

f M

ae

sta

a

lta

rpie

ce

)

Vir

gin

an

d C

hild

En

thro

ne

d w

ith

Sa

ints

, te

mp

era

/pa

nel

, 7

x

13

' (c

en

tra

l pa

ne

l)

Du

cc

io d

i B

uo

nin

se

gn

a

Ma

es

ta A

lta

rpie

ce

13

08

-11

"th

e r

ela

xe

d B

yza

nti

ne

sty

le"

14

th c

en

tury

Ita

ly:

rep

ub

lics

(V

enic

e, F

lore

nc

e, S

ien

a)

so

ve

reig

n s

tate

s (

Na

ple

s, M

ilan

an

d a

fe

w

oth

ers

)p

ap

al s

tate

s (

Ro

me

an

d a

fe

w o

the

rs)

Thi

s im

age

and

the

text

cor

resp

ondi

ng to

this

imag

e m

ay o

nly

be u

sed

for

nonc

omm

erci

al, e

duca

tiona

l, an

d sc

hola

rly

purp

oses

.Im

ageP

age

3 of

7

Pro

to r

enai

ssan

ce 1

4th

cent

Ita

ly.p

rs

Page 4: Pietro Cavallini: St. Cecilia-in-Trastevere: Last Judgment ... · Memling: Tommaso Portinari 1470, Oil on wood 17 3/8 x 13 1/4 in. Maria Portinari 1470, Oil on wood 17 3/8 x 13 1/4

Am

bro

gio

Lo

ren

zett

i:

Th

e A

lle

go

ry a

nd

Eff

ec

ts o

f G

oo

d a

nd

Ba

d G

ove

rnm

en

t in

th

e C

ity

an

d t

he

Co

un

try

13

38

-39

Sa

la d

ell

a P

ac

e i

n t

he

Pa

lazz

o

Pu

bli

co

Ma

rtin

i: A

nn

un

cia

tio

n w

ith

SS

. An

san

us

an

d J

ulit

ta

(alt

arp

iece

) 13

33, t

emp

era

on

wo

od

, 10'

1 x

8'8

-3/4

Inte

rna

tio

na

l sty

le:

furt

he

r re

lax

ati

on

of

the

B

yza

nti

ne

str

on

ge

r G

oth

ic in

flu

en

ce

gre

ate

r e

leg

an

ce

a m

ore

"c

ou

rtly

" s

tyle

term

: tr

ac

ery

Thi

s im

age

and

the

text

cor

resp

ondi

ng to

this

imag

e m

ay o

nly

be u

sed

for

nonc

omm

erci

al, e

duca

tiona

l, an

d sc

hola

rly

purp

oses

.Im

ageP

age

4 of

7

Pro

to r

enai

ssan

ce 1

4th

cent

Ita

ly.p

rs

Page 5: Pietro Cavallini: St. Cecilia-in-Trastevere: Last Judgment ... · Memling: Tommaso Portinari 1470, Oil on wood 17 3/8 x 13 1/4 in. Maria Portinari 1470, Oil on wood 17 3/8 x 13 1/4

Ro

gie

r v

an

de

r W

ey

de

n:

De

po

sit

ion

(D

es

ce

nt)

fro

m t

he

Cro

ss(c

en

ter

pa

ne

l of

trip

tyc

h)

oil

on

pa

nel

, 86

1/2

x 1

03

in

ca

. 14

35

Hu

go

an

d J

an

v

an

Ey

ck

:

Gh

en

t A

lta

rpie

ce

,1

43

2

oil

on

wo

od

7'7

x 1

1'6

(c

lose

d)

14

'5 x

11

'6 (

op

en

)d

on

ors

: Ja

n V

yd

an

d

Isa

be

l Bo

rlu

ut

Co

nc

ep

t q

ue

sti

on

s:

Ho

w d

oe

s t

he

co

urt

an

d w

ea

lth

y m

erc

ha

nt

pa

tro

na

ge

sh

ap

e t

he

co

nte

nt

an

d

ap

pe

ara

nc

e o

f re

ligio

us

an

d s

ec

ula

r a

rt?

Wh

y d

oe

s t

he

po

rtra

it –

ab

se

nt

in a

rt f

or

ne

arl

y 1

00

0 y

ea

rs –

re

turn

in t

his

pe

rio

d?

dif

fere

nc

es

be

tw. N

ort

he

rn E

uro

pe

an

d It

aly

:

relig

iou

s p

rac

tic

es

in N

E n

ot

do

min

ate

d b

y

the

Ch

urc

h a

s t

he

y a

re in

Ita

ly:

the

y a

re

mo

re p

riv

ate

an

d in

div

idu

aliz

ed

NE

art

ists

be

gin

to

us

e o

il-b

as

ed

pig

me

nts

in

ste

ad

of

tem

pe

ra

NE

art

sh

ow

s g

rea

ter

inte

res

t in

su

rfa

ce

d

eta

il; b

y t

he

mid

-15

th c

en

t., I

talia

n a

rt w

ill

be

mo

re in

tere

ste

d in

a r

ea

listi

c s

pa

tia

l s

ett

ing

(a

s o

pp

os

ed

to

na

tura

listi

c d

eta

il)

Go

als

:U

nd

ers

tan

d t

he

eff

ect

of

po

litic

al p

ow

er

in

the

dev

elo

pm

en

t o

f N

ort

he

rn E

uro

pe

an

art

.

Ex

am

ine

th

e v

ari

ety

an

d t

yp

es

of

me

dia

u

sed

in a

rt in

th

is p

eri

od

.

Ide

nti

fy s

pe

cif

ic a

rtis

ts, t

hei

r re

sp

ec

tiv

e

sty

les

, an

d t

he

ir k

ey

wo

rks

of

art

.

Un

de

rsta

nd

th

e in

teg

rati

on

of

sa

cre

d a

nd

s

ecu

lar

po

wer

an

d w

eal

th, a

lon

g w

ith

its

re

su

lta

nt

dis

pla

y in

art

.

No

rth

ern

Eu

rop

e i

n t

he

15th

C

en

tury

Thi

s im

age

and

the

text

cor

resp

ondi

ng to

this

imag

e m

ay o

nly

be u

sed

for

nonc

omm

erci

al, e

duca

tiona

l, an

d sc

hola

rly

purp

oses

.Im

ageP

age

5 of

7

Pro

to r

enai

ssan

ce 1

4th

cent

Ita

ly.p

rs

Page 6: Pietro Cavallini: St. Cecilia-in-Trastevere: Last Judgment ... · Memling: Tommaso Portinari 1470, Oil on wood 17 3/8 x 13 1/4 in. Maria Portinari 1470, Oil on wood 17 3/8 x 13 1/4

Ro

be

rt C

am

pin

: T

he

Me

rod

e A

lta

rpie

ce

; c

a.

14

25-1

428

, te

mp

era

, oil/

pa

ne

l, 2

5 x

24

-7/8

"

(win

gs

= 1

1")

the

do

me

sti

c a

lta

rpie

ce

Ro

gie

r: P

hili

pp

e d

e C

roy

, c

. 14

59,

20

x 12

"R

og

ier:

Po

rtra

it o

f a

La

dy

ca

. 14

60,

14

x 11

"

Me

mlin

g:

Dip

tyc

h o

f M

aa

rte

n v

an

N

ieu

we

nh

ov

e, 1

48

7, o

il o

n w

oo

d

Me

mlin

g:

To

mm

aso

Po

rtin

ari

14

70

, Oil

on

wo

od

17

3/8

x 1

3 1/

4 in

.

Ma

ria

Po

rtin

ari

14

70,

Oil

on

wo

od

17

3/8

x 1

3 1

/4 in

.

Ja

n v

an

Ey

ck:

M

an

in a

Re

d

Tu

rban

, 14

33

oil

on

oa

k, 1

0 1

/4x

7 1

/2"

Ro

gie

r v

an d

er

We

yd

en

:

St.

Lu

ke

D

raw

ing

th

e

Vir

gin

ca

. 14

35

-40

Oil

an

d t

em

pe

ra

on

pa

ne

l5

4 1

/8 x

43

5/8

in.

Thi

s im

age

and

the

text

cor

resp

ondi

ng to

this

imag

e m

ay o

nly

be u

sed

for

nonc

omm

erci

al, e

duca

tiona

l, an

d sc

hola

rly

purp

oses

.Im

ageP

age

6 of

7

Pro

to r

enai

ssan

ce 1

4th

cent

Ita

ly.p

rs

Page 7: Pietro Cavallini: St. Cecilia-in-Trastevere: Last Judgment ... · Memling: Tommaso Portinari 1470, Oil on wood 17 3/8 x 13 1/4 in. Maria Portinari 1470, Oil on wood 17 3/8 x 13 1/4

Sa

int

An

tho

ny

T

orm

en

ted

by

D

em

on

s

Ma

rtin

Sc

ho

ng

au

er

En

gra

vin

gc

a.

148

0s

11 1

3/1

6 x

8 9

/16

in.

co

mp

are

w:

Ass

um

pti

on

o

f th

e V

irg

in, c

entr

al p

an

el

Ho

ly B

loo

d

Alt

arp

iec

e

Tilm

an

R

iem

en

sch

ne

ide

r

15

01-1

50

5

wo

od

Th

e H

oly

Ro

ma

n E

mp

ire

(to

da

y:

Ge

rma

ny

)J

an

va

n E

yc

k:

Arn

olf

ini D

ou

ble

P

ort

rait

14

34

, oil

on

oa

k;

32

1/4

x2

3 1

/2"

Thi

s im

age

and

the

text

cor

resp

ondi

ng to

this

imag

e m

ay o

nly

be u

sed

for

nonc

omm

erci

al, e

duca

tiona

l, an

d sc

hola

rly

purp

oses

.Im

ageP

age

7 of

7

Pro

to r

enai

ssan

ce 1

4th

cent

Ita

ly.p

rs


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