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Arch. & Comport. / Arch. & Behav., Vol. 9, no. 2, p. 191 -204 (1993) Pilgrim Cathedral - Santiago de Compostela: Sketches and notations on the legacy of cultural interchange Kingsley K. Wu Department of Visual & Pelforming Arts Purdue Universiv 13.52 CA-t Building West Lafayette, Indiana 47907-1352 U.S.A. Summary Since the discovery of apostle James's burial ground early in the 9th century, his supposed remains have been the object of pilgrimage. Kings and queens, rich and poor, healthy and sick, saints and criminals have made the hazardous pilgrimage to Santiago de Compostela at the western end of the European continent, leaving behind a rich legacy of fine Romanesque and early Gothic structures. With the incorporation of or- nate Spanish Renaissance and Baroque, these buildings are signposts of the passing of diverse cultural influences which make up the modem Spanish mien. The following drawings are informative in the manner of medieval manuscripts to enhance the imagery of an historical legend, for the pilgrimage to Santiago de Compostela remains a popular journey today. The entire route has been declared a cul- tural heritage by the Council of Europe: a recognition that the various cultures of the continent are historically intermingled. If affirms the notion that ethnicity, cultural be- haviour and social mores of different countries are intrisically related in spite of national borders and the passage of time. Resume Depuis leur decouverte au debut du 9bme sibcle les restes prCsumCs de I'apBtre Jacques ont fait l'objet d'un pilerinage. Reines et rois, riches et pauvres, pClerins malades ou en bonne sand, saints et criminels ont entrepris le pClerinage risquC vers Saint Jacques de Compostelle, B I'extrCmitC ouest du continent europken, nous lkguant toute une sCrie de belles constructions de styles roman et gothique prCcoce. Ces biiti- ments, auxquels ont Cte incorporCs des ClCments dkcoratifs des styles Renaissance et baroque espagnol, marquent le passage des diffkrentes influences culturelles qui ont form6 le caractkre espagnol moderne. Les dessins ci-dessous veulent informer comme le font des manuscrits mCdi6vaux et apporter une contribution B l'imagerie like B une lCgende historique. Le pelerinage de Compostelle a conservC sa popularit6 jusqu'k nos jours et son itinCraire a CtC dCclarC hCritage culturel par le Conseil de 1'Europe: ce faisant, ce dernier a reconnu les inter- dependances historiques qui lient les diffkrentes cultures du continent. La demarche du Conseil confirme la notion selon laquelle ethnicitC, comportement culturel et normes sociales des diffdrents pays sont Ctroitement parents, ceci malgrC les frontikres les d- parant et le passage du temps.
Transcript
Page 1: Pilgrim Cathedral - Santiago de Compostela: Sketches and ... · Pilgrim Cathedral - Santiago de Compostela: Sketches and notations on the legacy of cultural interchange Kingsley K.

Arch. & Comport. / Arch. & Behav., Vol. 9, no. 2, p. 191 -204 (1993)

Pilgrim Cathedral - Santiago de Compostela: Sketches and notations on the legacy of cultural interchange

Kingsley K. W u Department of Visual & Pelforming Arts Purdue Universiv 13.52 CA-t Building West Lafayette, Indiana 47907-1352 U.S.A.

Summary

Since the discovery of apostle James's burial ground early in the 9th century, his supposed remains have been the object of pilgrimage. Kings and queens, rich and poor, healthy and sick, saints and criminals have made the hazardous pilgrimage to Santiago de Compostela at the western end of the European continent, leaving behind a rich legacy of fine Romanesque and early Gothic structures. With the incorporation of or- nate Spanish Renaissance and Baroque, these buildings are signposts of the passing of diverse cultural influences which make up the modem Spanish mien.

The following drawings are informative in the manner of medieval manuscripts to enhance the imagery of an historical legend, for the pilgrimage to Santiago de Compostela remains a popular journey today. The entire route has been declared a cul- tural heritage by the Council of Europe: a recognition that the various cultures of the continent are historically intermingled. If affirms the notion that ethnicity, cultural be- haviour and social mores of different countries are intrisically related in spite of national borders and the passage of time.

Resume

Depuis leur decouverte au debut du 9bme sibcle les restes prCsumCs de I'apBtre Jacques ont fait l'objet d'un pilerinage. Reines et rois, riches et pauvres, pClerins malades ou en bonne sand, saints et criminels ont entrepris le pClerinage risquC vers Saint Jacques de Compostelle, B I'extrCmitC ouest du continent europken, nous lkguant toute une sCrie de belles constructions de styles roman et gothique prCcoce. Ces biiti- ments, auxquels ont Cte incorporCs des ClCments dkcoratifs des styles Renaissance et baroque espagnol, marquent le passage des diffkrentes influences culturelles qui ont form6 le caractkre espagnol moderne.

Les dessins ci-dessous veulent informer comme le font des manuscrits mCdi6vaux et apporter une contribution B l'imagerie like B une lCgende historique. Le pelerinage de Compostelle a conservC sa popularit6 jusqu'k nos jours et son itinCraire a CtC dCclarC hCritage culturel par le Conseil de 1'Europe: ce faisant, ce dernier a reconnu les inter- dependances historiques qui lient les diffkrentes cultures du continent. La demarche du Conseil confirme la notion selon laquelle ethnicitC, comportement culturel et normes sociales des diffdrents pays sont Ctroitement parents, ceci malgrC les frontikres les d- parant et le passage du temps.

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Kingsley K. Wu

Pilgrim Cathedral - Santiago de Cornpostela

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Kingsley K. Wu

Pilgrim Cathedral - Santiago de Compostela

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Kingsley K. Wu

Pilgrim Cathedral - Santiago de Compostela

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Kingsley K. Wu

Pilgrim Cathedral - Santiago de Compostela

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202 Kingsley K. Wu

BIBLIOGRAPHY

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ARRIBAS BRIONES, P. (1982), "El Camino de Santiago en Castilla y Leon" (Consejo General de Castilla y Leon, Burgos).

BARCELO VERDU, J. (1972). "Santiago y la Fiesta de Moros y Cristianos: Calendario del Festero" (Graficas Diaz, Alicante).

BARREIRO SOMOZA, J. (1987). "El Sefiorio de la Iglesia de Santiago de Compostela (siglos IX-XIII)" (Editorial Diputacidn Provincial, La Corufia).

BARRET, P. (1978). "Priez pour Nous B Compostelle" (Hachette, Paris).

BENNASSAR, B. (1970), "St. Jacques de Compostelle avec plans et dessins B la plume de Pierre Valette" (Julliard, Paris).

BOTTINEAU, Y. (1964), "Les Chemins de Saint Jacques" (Anhaud, Paris).

BROOKE, R. & C. (1984), "Popular Religion in the Middle Ages" (Thames and Hudson, London).

CASTRO, A. (1958). "Santiago dc Espaiia" (EmecCe Editores, Buenos AIres).

CHARPENTIER, L. (1971). "Les Jacques et Le Mystkre de Compostelle" (Robert Laffont, Paris).

"Codex Calixtinus; Liber Quintus; Libro de la Peregrenacion del Codex Calixtinus" (1971) (Joyas Bibliograpficas, Madrid).

CONP.NT, K. J. (1983). "Arquitectura Romanica da Catedral de Santiago de Compostela" (Colexio Oficial de Arquitectos de Galicia, Santiago de Compostela).

COX, I. (1957). "The Scallop: Studies of a Shell & its Influence on Mankind" ("Shell" Transport and Trading Co., London).

DAVIES, H. & M. (1982), "Holy Days and Holidays: The Medieval Pilgrimages to Compostela" (Bucknell University Press, Lewisberg, PA).

"El Camino de Santiago: Estudio Historica-Juridico" (1971) (Consejo Superior de Investigaciones Cientificas, Madrid).

"El Portico de la Gloria: musica, arte y pensamiento" (1988)(Servicio de Publicaciones da Universidad de Santiago, Santiago de Compostela).

FERNANDEZ ARENAS, P. & HUARTE ARANA, P.P. (1965), "Los Caminos de Santiago" (La poligrafa, Barcelona).

FLETCHER, R.A. (1984), "Saint James's Catapult" (Clarendon Press, Oxford).

GALABERT GONZALEZ, J.E. (1982). "Santiago y la Tierra de Santiago de 1500 a 1640" (Edicio de Casuo, La Coruiia).

GIL DEL RIO, A. (1982), "La Ruta Jacobea" (Editorial Algar, Madrid). "Guia del Peregrine" (1982) (Ministerio de Transportes, Turismo y Comunicaciones, Madrid).

HUIDOBRO SERNA, L. (1949-1951), "La Peregrinaciones Jacobeas" (Publicaciones del Instituto de Espaila, Madrid).

JACOBS, M. (1991). "The Road to Santiago de Compostela" (Viking Press, London). LABORDE-BALEN, L. & D. & R. (1990), "Le Chemin d'Arles vers Saint Jacques de Compostelle"

(RandonnCes PyrCnBennes, Tarbes).

LAYTON, T.A. (1976). "The Way of Saint-James: The Pilgrim's Road to Santiago" (Allen & Unwin, London).

"Libro de Castilla Y Leon" (1986) (Junta de Castilla y Leon, Oficina del Portavoz, Valladolid).

MICHENER, J.A. (1968). "Iberia" (Random House, New York).

NELLANDS, R. (1985). "The Road to Compostela" (Moorland, Ashbourne, Derbyshire).

PEINDRO, F.L. (Ed.) (1984). "Catedrales de Espafia: Lleida, Burgos Oviedo, Granada" (Editorial Everest, Madird).

PORTER, A.K. (1923). "Romanesque Sculpture of the Pilgrimage Roads" (Marshall Jones, Boston).

RAMON POUSA, X. (1982). "Guia del Camino de Santiago" (La Voz de Galizia, La C o r n ) .

REVILLA VIELVA, R. (1971). "El Camino de Santiago a Su Paso por Palencia" (Academic0 de la Institution "Tello Tellez de Meneses", Palencia).

STARKIE, W. F. (1957). "The Road to Santiago: Pilgrims of Saint James" (Dutton, New York).

STOKSAD, M. (1978), "Santiago de Compostela: in the Age of Great Pilgrimages'' (University of Oklahoma Press, Norman, OK).

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Pilgrim Cathedral - Santiago de Compostela 203

TATE, B. & M. (1987). "The Pilgrim Route to Santiago" (Phaidon Press, Oxford).

TORRENTE BALLESTER, G. (I984), "Compostela y Su Angel" (Destine, Barcelona).

VAZQUEZ DE PARGA, L. & LA CARRA J.M. & URIA RIU, J. (1948). "Las Peregrinaciones a Santiago de Compostela, Tomo I, 11, In" (Consejo Superior de Investigaciones Cientificas, Escuela de Estudios Medievales, Madrid).

VIELLIARD, J. (1984), "Le Guide du Pklerin de St. Jacques de Compostelle" (5. ed.)(Librairie Philosophique J. Vrin, Paris).


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