PINK LABEL SECTION

M. MURRAY-DAVEY (Bass) Pogner's Address Wagner c Act I., Scene 3 "Die Meistersinger." In German A n,Y24 1'� CIAQui sdegno non s'accende Mozart

(Within these sacred bowers). "Il Flauto Madico." In Italian With The Aeolian Orchestra

T says much for Murray-Davey that in spite of his British patronymic I he has long been one of the most popular artists at the Paris Grand Opera. He is in point of fact British by descent-he was born in

Guernsey in 1877-but French by training and adoption, since he studied in Paris and had the rare distinction of making his first appearance on any stage in the Paris opera house.

But then such a voice as his-a bass of the finest quality and the most extensive compass-especially when backed by consummate vocal art and rare powers as an actor, was bound to win speedy recognition, and from the very first Murray-Davey has been reckoned in the first flight of contemporary operatic singers.

His actual debut he made as Kaspar in "Der Freischiitz" and since then he has appeared with unvarying success in all the principle bass roles. To London opera-goers he is well known through his many appearances at Covent Garden, where he received his first engagement in 1909, and where, it is pleasant to note, he is singing again this summer in the current season.

Great days indeed were those for opera when Murray-Davey first came among us and no-one who recalls them will forget his many memorable impersonations, in company with Melba, Caruso and other great ones of the past, as Mephistopheles, as Leporello in "Don Giovanni,"

as the Landgrave in "Tannhäuser" and in other famous parts.

But Murray-Davey, though best known in opera, has not confined his attention to the stage by any means. On the contrary he is one of the greatest of living concert singers, in which capacity his magnetic personal- ity and brilliant interpretative gifts serve him no less happily than on the stage. But "the proof of the pudding," etc., and for evidence of Murray-Davey's powers one need want nothing more than the two magnificent records with which he has just enriched our catalogue.

Operatic & Ballad

BLUE LABEL SECTION

11.1I_C0I_\I \ICI:.aCHY:I2ý ý"ý"ý"°ý'`

MALCOLM McEACHERN (Bass) The Mighty Deep W. H. Jude

Piano Accompaniment Stanley chapple - K- 05171 12" 4/6 From Oberon in Fairyland D. D. Slater ) Orchestral Accompaniment

HERE are two more splendid records showing off that mighty basso, Mr. Malcolm McEachern, once again to the finest possible effect. Lucky indeed is the composer who jets this wonderful singer on his side! For even the humblest ballad he makes a

thing of wonder and delight in virtue of the amazing wealth and sonority of gorgeous vocal tone with which he invests its simplest phases. Take as an instance of his powers that astonishing bottom note which he touches-the lowest vocal tone, we believe, which has ever been recorded (bottom B-flat)- in the first of the two songs above listed. "The Mighty Deep" indeed !

FRANK TITTERTON (Tenor) Costanza, Costanza Mozart

"Il Seraglio." In Italian K-05172 12" 4/6 Where'er you Walk. "Semele" Handel With The Aeolian Orchestra

T WO immortal classical numbers are here presented in faultless style by a singer who has long since established himself in the good graces of ' Vocalion" lovers. As a concert-singer Mr Titterton is perhaps better known in the Provinces than in London

though he has made many appearances on Metropolitan platforms, as for instance at the Promenades and at the Ballads, with great success.

In the beautiful number from Mozart's "Il Seraglio" he displays to particular advantage his fine declamatory style, while the lovely air from "Semele," a delicious example of Handel in his noblest and most expressive vein, he has also most artistically interpreted.

Ballads & Instrumental

BLUE LABEL SECTION

AI)ILA P'CHIRI I:IH1:1. HtI11F

ETHEL HOOK (Contralto) Ships of my dreams T. Wilkinson Stephenson I DaVby and Joan J. L. Molloy j X 9570 10' 3ý-

Piano Accompaniments Edith Page

A LTHOUGH the public reputation of Miss Ethel Hook has almost inevitably been over- shadowed to some extent by that of her more famous sister, Dame Clara Butt, it needs only to hear either of the two records of which particulars are given above to realise

that she also is the happy possessor of a voice of the most beautiful quality, which she uses moreover in the most tasteful and artistic manner. It may be noted further that her voice is one of those which "record" particularly well, as both of these numbers indicate.

Clerical song-writers are not very numerous but 11 Ships of my Dreams" is, it may be noted, by a member of the cloth, Canon T. Wilkinson Stephenson, who has several other popular ballads to his credit, while "Darby and Joan" is of course a very old favourite of earlier days.

ADILA FACHIRI (Violin) Spanish Dance Granados-Kreisler

Violin Solo. Piano Accompaniment Ivor Newton K-05173 12" 4ý6 Sarabande. From B minor Suite Bach Violin Solo. Unaccompanied

A sister of Miss jelly d'ATanyi and a grand-niece of Joachim, Mme Adila Fachiri supplies yet another instance of fine musicianship running in the blood. Of the two delightful records by Mme. Fachiri herewith presented one is an effective arrangement

by Kreisler of a charming Spanish Dance by the ill-fated Enrique Granados-he went down in the sub-marined Sussex, it will be remembered, during the Great War- while the other is a familiar example of Bach, both exhibiting her powers to the finest advantage.

Especially noticeable in the case of the latter is the breadth and dignity of theinterpre- tation while squally conspicuous in both is the superb quality of the tone-in which latter connection it may be of interest to mention that Mme. Fachiri plays on a magnificent Strad which belonged to Dr Joachim.

BLUE LABEL SECTION

ALBERT SAMMONS (Violin), LIONEL TERTIS (Viola), ETHEL HOBDAY (Piano)

Trio No. VII., Op. 16 Mozart, arranged Tertis ' 3rd movement : Alle,,rettoK-05174 12" 4/6

LIONEL TERTIS (Viola) Barcarolle. viola solo Tchaikovsky,

Piano Accompaniment Ethel Hobday arranged Tertis THIS Trio was one of several written by Mozart for Piano, Violin and 'Cello, but in

the present example the viola takes the place of the deeper toned instrument and the connoisseur will not fail to notice with what masterly skill Mr. Tertis has adapted

Mozart's original scoring. With what perfect sympathy and understanding the work has been interpreted needs

no pointing out, while the fine quality of the recording is not less noticeable. It may be added that the first and second movements of this trio were issued on a previous record (I1-02150) so that the whole delightful work is now obtainable complete.

BY common consent Mr. Lionel Terris stands facile princeps among viola players-or violists as they are sometimes called-of the present day and those who would learn how he has acquired this commanding reputation cannot do better than possess them-

selves of this tine record and draw their own conclusions. The explanation is of course simple enough. Mr. Tertis is not only a superb executant, who can do things on his viola which even violinists can hardly accomplish on the infinitely nimbler fiddle, but also a Areal musician whose marvellous technique goes hand in hand with the finest in"erpretative powers. Truly exquisite is his playing in this delicious Barcarolle of Tchaikovsky, alike in the perfect finish of the execution and the deep expressiveness with which the lovely music is charged.

BLUE LABEL SECTION

THE AEOLIAN ORCHESTRA Puck's Minuet Herbert Howells

X-9571 10 3)- Conducted by Stanley Chapple

Berceuse Jarnefelt Conducted by Percy Fletcher

T HE first of these two numbers is a delightful early example from the pen of one of the cleverest of our younger British composers who, it may be noted in passing, has recently produced a composition so

startling and original in character that it actually provoked a staid Philharmonic audience to vocal protests ! But that was a "serious" work, in the shape of a pianoforte concerto, whereas this is only a vivacious trifle which the least learned music-lover can understand and enjoy without the smallest effort or mental reservation-especially when played so brilliantly -and it may be added reproduced so perfectly-as it has been in this case.

Jiirnefelt's well known and always-popular Berceuse comes out admirably also, thanks again to the finished playing of the Aeolian Orchestra-though this time, it will be noticed, under a different conductor, namely, Mr. Percy Fletcher, who divides the honours accordingly of this double-sided record with Mr. Stanley Chapple.

THE BAND OF H.M. LIFE GUARDS Under the direction of Lieut. H. Eldridge

Capriccio Italien, Op. 45 Parts I. & II. " 'chaikovsfy } K-05175 12" 4/6

T HIS is a very fine record of one of the most attractive of Tchaikov- sky's smaller orchestral works, in

which the famous Russian master paid eloquent tribute to his love of Italy by reproducing in a work of his own some of the more familiar characteristics of her national music. Both parts are full of interesting features all of which have been wonderfully reproduced - the brilliant instrumentation showing off most effectively the resources of the superb Guards Band, no less in the rich mellow quality of the general tone than in the delicacy and finish of the exe- cution

I , I I , t '"'L I ̀""^^

Light Vocal ¬? Orchestral

BLUE LABEL SECTION

WINIFRED DALLE (Soprano)

I look into your Garden Haydn Wood I X-9573 The reason why Ella Lemon 1

Piano Accompaniments

T HIS clever young comedienne, whose initial "Vocalion" recordings (No. X-9546), called forth such favourable

comment has now departed for Australia

where she is to play in "No, No, Nanette." Before leaving London. however, she was prevailed upon to pay another visit to our studios and the results are indicated in these two charming records which display again to perfection the bright pure quality of her

voice and her easy unforced vocal methods Both of the songs which she has chosen are of the lighter order, whose simple mission is to please, but they will probably prove none the less acceptable on this account to unexacting hearers if. indeed, shocking though it be to hint it! they do not find them all the more attractive for this very reason.

1"SWRO, nAm.f.

THE REVUE ORCHESTRANo, No, Nanette. Selection

Parts I. & II.N O-ON E-certainly no-one who follows the course of matters theatrical and musical in

London-will need to be told anything at this time of day concerning No, No,

Nanette!" which has long since established itself as one of the most conspicuous suc- cesses of the current season. But it may perhaps be just worth mentioning for the inform-

ation of those interested that the record herewith presented comprises a particularly good

selection from the charming music of the piece. Add that it has all been "put over" in the

most unexceptionable style by the very capable Revue Orchestra and no less effectively reproduced through the agency of the "Vocalion" recording department, and nothing further need be said to convince the discerning reader that this is eminently a record to be

obtained without delay.

BLUE LABEL SECTION

Dance Records for June

10" DOUBLE-SIDED 3/-

AMONG an nnusally lively and attractive selection of dance records presented this month attention may be called

particularly to those made by Geoffrey Goodhart and His Orchestra, who, now record exclusively for "Vocalion." Those who have heard this fine band at the Piccadilly Hotel, will need no assurances as to their exceptional quality.

Other taking records, full of "pep" and go and every other lively ingredient, are those of the two American orchestras-Ben Selvin's and Ben Bernie s-while not a whit behind these in any respect are those of the fine London Band, directed by Emlyn Thomas, in popular numbers from "Katja" and "Rose-Marie."

I'll see you in my Dreams. Fox-trot Kahn-Jones . J What a Life (When no one loves you). Fox-trot Little- X-9574

Goodwin-Shay Geoffrey Goodhart and his Orchestra, at The Piccadilly Hotel, London

You're so near and yet so far. Fox-trot Spier-Schloss Who takes care of the Caretaker's Daughter? Fox-trot X-9575

Chick Endor Geoffrey Goodhart and his Orchestra, at The Piccadilly Hotel, London

Me Neenyah. Fox-trot Brown-Spencer The Ambassadors . X-9576 Lovely Lady. Waltz Mood-Terriss-Rupp Miami Marimba

Band

Alabamy Bound. Fox-trot De Sylva-Green-Henderson X-9577 Oh ! Mabel. Fox-trot Kahn-Fiorito Ben Selvin and his

Orchestra

Keep smiling at trouble. Fox-trot Jolson-De Sylva-Gensler Ben Bernie and his Hotel Roosevelt Orchestra . - X-9578

Sun-kist Cottage in California. Fox-trot Hirsch-Kilfeather- Gress-Olsen The Ambassadors

Leander (from "Katja"). Fox-trot Jean Gilbert Totem Tom-Tom (from "Rose-Marie") Fox-trot Riulolph X-9567

Friml The London Band, under the direction of Emlyn Thomas

Alphabetical List of Titles

Reprint of Titles published in March, April and May, 1925

Title Artist No. Price Air No. 1) Andante Maestoso (from Jelly d'Aranyi, Violin K-05I68 12" 46

"Deux Air Celebres'") and Sarabande andTambourin

All Alone Melville Gideon X-9539 10" 3- and Loving the wrong girl

Allegro Appassionato, Op. 43 H. Bliss.'Cello K-05156 IT 4:6 (Saint-Satins)and

Romance, Op. 51 (Saint-Sa(ns) Animals came in Two by_Two,The The London Band X-9532 10" 3 -

Fox-trot. and Pelota. Tango Ayres un Reve O. Haley, Mezzo-Soprano X-9528 IO" 3-

and Die Forelle At Grendon Fair M. Morgan, Baritone X-9542 10" 3-

and Rolling down to Rio Ball-room Meeting, A O. Haley Mezzo-Soprano X-9561 10" 3-

and Who is Sylvia? Battle Eve, The (Duet) F. Titterton, Tenor & K-05153 IT 4;6

and Flow Gently, Deva! (Duet) M. McEachern. Bass Boutique Fantasque, La. Parts I & 2 Band H.M. Life Guards K-05159 IT 4;6

(Rcssini-Respighi) By the Lake S. Hamilton,'Tenor X-9545 10" 3/-

and Haunting Melody Cavatina (from "Romeo et Juliette") Vladimir Rosing. Tenor A-0233 IT' 516

In French and M'appari tutt' amor "Marta"

Childhood's Memories. One-step The London Band X-9547 10' 3:- and Shanghai. Fox-trot

Come not, when I am dead John Coates, Tenor A-0232 12' 516 and Sigh no more, Ladies

Dance Bizarre A. Cammeyer, Banjo X-9544 10" 3)- and Marche en Passant (Assisted by B. Sheaf()

Day Dreaming. Waltz Ben Selvin & his Orch. X-9551 10" 3/- and Where's my sweetie hiding? Bernie & his Roosevelt Orch. Fox-trot

Die Forelle O. Haley, Mezzo-Soprano X-9528 10" 3i- and ApnPs un Reve

Doc Weeks Doe 1. Patricola, Comedienne X-9531 10" 3,- and Me and the boy friend

Down where the South begins Carlton Hotel Dance X-9536 10" 3'- Fox-trot. and In Shadowland. Waltz Orch.

Emerald Isle The Band H.M. Life Guards K-05169 12" 4,6 Selection-'arts 1 and 2

Erl King, The Roy Henderson, Baritone K-05167 12' 416 and Serenade (Schubert)

Fair Spring is returning (From "Samson Constance Willis, Contralto K-05166 12s 416 and Delilah") and Here am 1 in Beauty's Room ("Mignon')

Flow Gently, Deva! (Duet) F. Titterton, Tenor & K-05153 12' 416 and The Battle Eve (Duet) M. McEachern, Bass

Gotta Cette Girl. Fox-trot The Ambassadors X-9537 10" 3- and Haunting melody. Waltz Ben Selvin and his Orch.

Haunting Melody S. Hamilton Tenor X-9545 10" 31- and By the Lake

Haunting Melody. Waltz Ben Selvin and hisOrcb. X-9537 10" S- and Gotta Getta Girl. Fox-trot The Ambassadors

Hawaiian Memories. Waltz Fen'era-Franchini Qtte X-9530 10" 31- and Ukulele Lou

Heart bow'd down The J. C. Thomas, Baritone A-0227 12' 516 The Bohemian Girl"

and Nocturne (Curran)

Alphabetical List of Titles

Reprint of Titles published in March, April and May 1925

Title Artist No. Price Here am I in Beauty's Room (Gavotte Constance Willis, Contralto K-05166 12" 41

song from "Mignon") In English

and Fair Spring is returning ("Samson and Delilah")

He's the kind of a man, Fox-trot London Band X-9563 10" and My Daddy's Dreamtime Lullaby, Fox-trot

I don't want to get married Carlton Hotel Dance X-9535 10" Fox-trot. and Lonely and Blue. Fox-trot Orch.

I like Pie, I like Cake, Fox-trot Geoffrey Goodhart and X-9566

and The Only, Only One, Fox-trot his Orchestra I love you so Melville Gideon X-9541

and i rehis oric MaidI Iove zomeone in Zommerzet M. McEachern, Bass X-9543 10"

and Out on the Deep II Sogno. ' ;Manon" G. Lenghi-Cellini, Tenor K-05152 12"

and Salve dmora. "Faust" Indian Dawn. Fox-trot London Band X-9564 10"

and Rose-Marie. Fox-'rot Indian Love Call from "Rose Marie") Geoffrey Goodhart and X-9568 10"

Fox-trot his Orchesra and Rose-Marie (from'Rose-Marie') London Band

Fox-trot In Shadowland. Waltz Carlton Hotel Dance

and Down where the South begins. Fox-trot Orch. In the Chimney Corner E. Hook, Contralto

and Longin' for you Irish Medley. One-step

and An Operatic Medley. Fox-trot I want to be Happy (from "No, No,

Nanette") Fox-trot and Rose of the Moonlight, Fox trot

I wonder what's become of Sally? and They catch 'em young

Je dis que i ren ne m'epouvante Carmen (In French)

and Vissid'arte. "LaTosca (In Italian)

X-9536 10" 31-

X-9538 1 0" 3!-

The London Band X-9533 10" 3!-

GeoBcy Goodhart and X-9565 10" 3i- h:s Orchestra

Melville Gideon X-9540 10" 31-

K. Destournel. Soprano K-05154 12" 416

Just like a beautiful story The London Band X-9534 10" 3- Fox-trot. and Peter Pan. Fox-trot

Katja. Selection Parts I & 2 The Revue Orch. X-9552 10" 31- L'Agreable (Marais) H. Bliss. Cellist X-9529 10" 31-

end Sonate in G major 3rd. mov.: Vivace L'Alouette (Glinka-Balakirew) Sapellniko0, Pianist B-3116 10" 4!-

and Polka-Miniature, Op. 6. No. 2 Linden Lea J. Coates. Tenor B-3118 10' 41-

and The Pretty Creature Lonely and Blue. Fox-trot Carlton Ho"el Dance X-9535 10" 3'-

and I don't want to get married. Fox-trot Orch. Longen' for you E. Hook, Contralto X-9538 10" 3'-

and In the Chimney Corner Loving the wrong girl Melodie Gide :n X-9539 10" 31-

and All Akne M'appari tutt' amor (from "Marta") Vladimir Rosing. Tenor A-0233 12" 516

In Italian and Cavatina (Romeo et Juliette,

Marche en Passant A. Cammeye-. Banjo X-9544 10" 31- and Dance Bizarre (Assisted by B. Sheafl)

Me and the boy trind I. Patr cola. Comedienne X-9531 10' 31- and Don Wacka 1) -xi

My Daddy's Dreamtime Lullaby London Band X-9563 10" 1- Fox-trot and He's ihr kind of .' min. Fox-trot

Alphabetical List of Titles

Reprint of Titles published in March, April and May, 1925

My Sunshine came on a rainy day W. Dalle, Soprano X-9546 10" 3- and Sometime-

Nancy. Fox-trot (Vocal Refrain) Ben Selvin &his Orch. X-9548 10" 5 and Titina. Fox-trot The London Band

Nocturne (Curran) J. C. Thomas, Baritone A-0227 IT 56

and The heart bow'd down "The Bohemian Girl"

Only, Only One, The, Fox-trot Geoffrey Goodhart and X-9566 10' s- and I like Pie. I like Cake. Fox-trot his Orchestra

On the way to Monterey, Fox-trot Ben Selvin & his Orch. X-9550 10" s- and Toodles. Fox-trot Bernie & his Roosevelt Orch.

Operatic Medley, An. Fox-trot The London Band X-9533 10' s- and Irish Medley. One-step

Out on the Deep M. McEachern, Bass X-9543 10" 5/- and I love zomeone in Zommerzet

Pelota. Tango The London Band X-9532 10" 31- and The Animals came in Two by Two. Fox-trot

Peter Pan. Fox-trot The London Band X-9534 10" 3/- and Just like a beautiful story. Fox-trot

Polichinelle (Rachmaninov) York Bowen, Pianist X-9562 10" S-

and A Romp (from 2nd Suite) (Bowen) Polka-Miniature, Op. 6. No.2 Sapellnikofl. Pianist B-3116 10" 4-

(Sapellnikoff)and L Alouette (Glinka-Balakirew)

Prehistoric Maid Melville Gideon X-9541 ID" 31- and I love you so

Pretty Creature, The J Coates, Tenor B-3118 10" 4/- and Linden Lea

Quartet in D major, Op. 64, No. 5 Spencer Dyke String Otte (Haydn)Ist

mov. Parts I & 2 X-9554 10" 3/- 2nd may. Parts I & 2 X-9555 10" 31- 3rd & 4th movts. X-9556 10' 5/-

Quartet in F major Op. 96 Spencer Dyke String Otte The Nigger' (15vorhk)

ist mov.: Parts I & 2 K-05132 12' 41 2nd mov.: Parts I & 2 K-05133 12" 4/6 3rd & 4th moots.: K-05134 12" 4/6

Revenge! Timotheus Cries M. McEarhern.Bass X-9560 10' 3/- (from "Alexander's Feast") Parts I & 11 (To complete aria replay Part 1)

Rollin down to Rio M. M,:gan, Baritone X-9542 10' 3- At

Grendon Fair

Romance, Op. 51 (Saint-Satins) H. Bliss,'Cello K-05156 IT' 4:6 and Allegro Appassionato. Op. 43 (Saint-Satins)

Romp, A (from 2nd Suite) (Bowen) York Bowen, Pianist X-9562 10" 3'_ and Polichinelle (Rachmaninov)

Rose-Marie (From "Rose-Marie") London Band X-9564 10" 3/- Fox-trot and Indian Dawn. Fox-trot

Rose-Marie from "Rose-Marie") London Band X-9568 10" 3- Fox-trot and Indian Love Call, Fox-trot Geoffrey Goodhart and

Rose of the Moonlight, Fox-trot and I want to be Happy, Fox-trot

Salve dimora. "Faust" and II Sogno. "Manors"

Sarabande and Tambourin (from Sonate No. 3) and Air (No. I)

Seines Napolitaines (Massenet) PansI &2

his Orchestra Geoffrey Goodhart and X-9565 10" 31-

his Orchestra G. Lenehi-Cellini. Tenor K-05152 I2" 4;6

Jelly d'Aranyi, Violin K-05168 12" 46

Band H.M. Life Guard. K-05151 17' 4'6

Alphabetical List of Titles

Reprint of Titles published in March, April and May, 1925

Title Artist No. Price Serenade (Schubert) Roy Henderson, Baritone K-05167 12" 4/6

and The Erl King Shanghai. Fox-trot The London Band X-9547 10" 3/-

and Childhood's Memories. One-step Siegfried Idyll Modern Chamber Orch. K-05157 12" 46

Parts I and 2 (Wagner) Siegfried Idyll Modern Chamber Orch. K-05158 12" 46

Parts 3 and 4 (Wagner) ' Sigh no more, Ladies John Coates. Tenor A-0232 12' 5/6

and Come not when I am dead Since first I saw your face J. Coates, Tenor A-0229 12' 516

and Speak, Music Sometime from "Sometime" W. Da116, Soprano X-9546 10" 3-

and My sunshine came on a rainy day Sonata in A, Op. I. No. 3 (Handel) A. Sammons, Violin & K-05155 12" 4/6

Parts 1 and 2 E. Hobday, Piano Sonate in G major H. Bliss, Cellist X-9529 10" 3-

(Sammartini-Salmon)3rd mov.: Vivace

and L'Agr6able (Marais) Song of the Volga Boatmen V. Rosing, Tenor A-0230 12' 56

and Volga Lullaby (In Russian) Speak, Music J. Coates, Tenor A-0229 12' 56

and Since first I saw your face Symphony, No. 4 (Italian) Op. 90 Aeolian Symphony Orch.

(Mendelssohn)lit mov.: Parts. I & 2 K-05148 12' 4,6

2nd mov.: & 3rd mov.: Part I K-05149 12" 416 3rd mov.: Part 2 & 4th mov.: Parts I & 2 K-05150 I2' 416

Take a little One-step. Fox-trot Bar Harbor Society Orch. X-9549 I D" 3'- (from' No. No. Nanette") and Tea for Two. Fox-trot Bernie & his Roosevelt Orch. (from "No, No, Nanette')

Tea for Two. Fox-trot Bernie & his Roosevelt Orch. X-9549 10" 3/- (from "No, No. Nanette") and Take a little One-step. Fox-trot Bar Harbor Soc. Orch. (from "No, No. Nanette')

They catch 'em young Melville Gideon X-9540 10' 3/- and I wonder what's become of Sally?

Thou'rt passing hence H. Stevens. Bass-Baritone K-05147 12' 4/6 and The Windmill

Titina. Fox-trot The London Band X-9548 10" 3/- and Nancy. Fox-trot Be. Selvin & his Orch.

Toodles. Fox-trot Bernie & his Roosevelt Orch. X-9550 10" 3!_ and On the way to Monterey. F'-trot Ben Selvin & his Orch.

Ukulele Lou Ferrera-Franchini Qtte X-9530 10" 3:- and Hawaiian Memories. Waltz

Valse in E flat (Sapellnikoff) Sapellniko8, Pianist A-0231 12' 56 and Waldesrauschen (Liszt)

Vissi d'arte. "La Tosca" In Italian K. Destoumel, Soprano K-05154 12" 4/6 and Je dis que rien ne m'6pouvante "Carmen' (In French)

Volga Lullaby V. Rosing, Tenor A-0230 12" 56 and Song of the Volga Boatmen (In Russian)

Waldesrauschen (Liszt) Sapellnikoff. Pianist A-0231 12' 511 and Valse in E flat (Sapellnikoff)

Where's my sweetie hidingP F'-trot Bernie & his Roosevelt Orch. X-9551 10" 3,'- and Day Dreaming. Waltz Ben Selvin & his Orch.

Who is Sylvia P O. Haley, Mezzo-Soprano X-9561 10" 3- and A Ball-room Meeting

Windmill, The H. Stevens, Baas-Baritone K-05147 12' 4/6 and Thou'rt passing hence

` VOCALION ' RECORD BULLETIN

PLEASE send me the undermentioned ` 7jocalion qZecords and charge to my account.

(Kindly strike out the numbers not required)

A-0234 K-05173 X-9573 X-9576

K-05171 K-05174 X-9572 X-9577

K-05172 X-9571 X-9574 X-9578

X-9570 K-05175 X-9575 X-9567

If you require selections from previous issues please fill

in numbers on form below.

No . ............... .....................--...............-..........

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