Plural, 2012, 64 pages, Christopher Stackhouse, 1933996323, 9781933996325, Counterpath Press, 2012 DOWNLOAD http://bit.ly/1MH1VtG http://www.barnesandnoble.com/s/?store=book&keyword=Plural Poetry. African American Studies. PLURAL is an experiential immersion in the daily life of an artist, arts critic and poet who weaves and juxtaposes aesthetic ideas, personal circumstances, philosophical questions, and societal situations while aggressively experimenting with poetic form and content. Stackhouse's interest in turning basic descriptions of everyday objects and mental images into caustic, claustrophobic, lyrical address is present in much of this collection. The prose poem "Short," a compressed narrative that recalls a perfunctory day of activity that includes an egg and toast breakfast, pornography, beer, and walking a dog, reveals highly self-aware attention to the dramatic closeness of thought, physical action, language and visuality. PLURAL also comprises poems made from direct transcriptions of notes taken at lectures given by philosophers Alain Badiou and Arthur Danto, as well as text appropriations and references to musicians J. S. Bach, Bill Dixon, and John Cage. PLURAL offers radically individual attempts at human communication and communion. "This is a beautiful book, full of syntactical surprises and verbal juxtapositions such as one only finds in the most adventurous and exciting poetry. If the range of reference in these poems is astonishing, so is the achievement that places this work within that small, but vital company of poets whose visual sensitivity and sublime ears are informed not only by literary convention but also by long practice in creative disciplines in addition to literature. This work s originality is startling, and its artistic context might be hard for some readers to grasp. That s a good thing, but if we must have reference points, let us go to writers like Jean Arp, Pierre Reverdy, Cecil Taylor, or Russell Atkins. If we allow ourselves to think in those terms, we will then discover that, with Christopher Stackhouse, we have a literary artist who draws from a special discipline and toolkit all his own as he works to make the aural and the visual serve the ends of language."—Geoffrey Jacques "Stackhouse's poetry is efficient and particular as the wind, isolated and generous as a mailbox, sloping into a dense beautiful fog, pushed against a painted lense, listing description towards the pleasure of making things, possible as a pair of shoes, planting images inside ordinary transactions, thought as tuning fork, smoking a special cigarette, bound in a line that ascends or descends depending on how you look at it, noting foot traffic, filtering multiple dictions to register heavy sets of conditions...."—Anselm Berrigan DOWNLOAD http://is.gd/MihFRj http://bit.ly/1mWKBZh Balloon Pop Outlaw Black , Patricia Lockwood, Sep 15, 2012, Poetry, 87 pages. Poetry. Even all by themselves, the titles of Patricia Lockwood's poems reveal the sort of surreal, enigmatic, rhetorically-elongated world her sensibility inhabits. Playing Bach in the D.C. Metro , David Lee Garrison, Oct 2, 2012, Poetry, 63 pages. Poetry. PLAYING BACH IN THE D.C. METRO is a new collection of poems by David Lee Garrison, the author of SWEEPING THE CEMETARY, selections of which were read on the radio by. Seismosis , John Keene, Christopher Stackhouse, May 30, 2006, Art, 103 pages. Featuring line- drawings by Stackhouse & poems-as-essays by Keene-handed back and forth and back, written and rewritten, drawn and redrawn-SEISMOSIS penetrates the common ground. Pink Thunder , , Dec 1, 2012, Poetry, 64 pages. Poetry. Music. Art. Book + CD. A collection of free- verse pop art-songs, PINK THUNDER is the result of contributions from 23 poets, three engineers, and a few dozen musicians.
Transcript
Plural, 2012, 64 pages, Christopher Stackhouse, 1933996323, 9781933996325,Counterpath Press, 2012
Poetry. African American Studies. PLURAL is an experiential immersion in the daily life of an artist,arts critic and poet who weaves and juxtaposes aesthetic ideas, personal circumstances,philosophical questions, and societal situations while aggressively experimenting with poetic formand content. Stackhouse's interest in turning basic descriptions of everyday objects and mentalimages into caustic, claustrophobic, lyrical address is present in much of this collection. The prosepoem "Short," a compressed narrative that recalls a perfunctory day of activity that includes anegg and toast breakfast, pornography, beer, and walking a dog, reveals highly self-aware attentionto the dramatic closeness of thought, physical action, language and visuality. PLURAL alsocomprises poems made from direct transcriptions of notes taken at lectures given by philosophersAlain Badiou and Arthur Danto, as well as text appropriations and references to musicians J. S.Bach, Bill Dixon, and John Cage. PLURAL offers radically individual attempts at humancommunication and communion. "This is a beautiful book, full of syntactical surprises and verbaljuxtapositions such as one only finds in the most adventurous and exciting poetry. If the range ofreference in these poems is astonishing, so is the achievement that places this work within thatsmall, but vital company of poets whose visual sensitivity and sublime ears are informed not onlyby literary convention but also by long practice in creative disciplines in addition to literature. Thiswork s originality is startling, and its artistic context might be hard for some readers to grasp. Thats a good thing, but if we must have reference points, let us go to writers like Jean Arp, PierreReverdy, Cecil Taylor, or Russell Atkins. If we allow ourselves to think in those terms, we will thendiscover that, with Christopher Stackhouse, we have a literary artist who draws from a specialdiscipline and toolkit all his own as he works to make the aural and the visual serve the ends oflanguage."—Geoffrey Jacques "Stackhouse's poetry is efficient and particular as the wind,isolated and generous as a mailbox, sloping into a dense beautiful fog, pushed against a paintedlense, listing description towards the pleasure of making things, possible as a pair of shoes,planting images inside ordinary transactions, thought as tuning fork, smoking a special cigarette,bound in a line that ascends or descends depending on how you look at it, noting foot traffic,filtering multiple dictions to register heavy sets of conditions...."—Anselm Berrigan
DOWNLOAD http://is.gd/MihFRj
http://bit.ly/1mWKBZh
Balloon Pop Outlaw Black , Patricia Lockwood, Sep 15, 2012, Poetry, 87 pages. Poetry. Even all bythemselves, the titles of Patricia Lockwood's poems reveal the sort of surreal, enigmatic,rhetorically-elongated world her sensibility inhabits.
Playing Bach in the D.C. Metro , David Lee Garrison, Oct 2, 2012, Poetry, 63 pages. Poetry.PLAYING BACH IN THE D.C. METRO is a new collection of poems by David Lee Garrison, theauthor of SWEEPING THE CEMETARY, selections of which were read on the radio by.
Seismosis , John Keene, Christopher Stackhouse, May 30, 2006, Art, 103 pages. Featuring line-drawings by Stackhouse & poems-as-essays by Keene-handed back and forth and back, writtenand rewritten, drawn and redrawn-SEISMOSIS penetrates the common ground.
Pink Thunder , , Dec 1, 2012, Poetry, 64 pages. Poetry. Music. Art. Book + CD. A collection of free-verse pop art-songs, PINK THUNDER is the result of contributions from 23 poets, three engineers,and a few dozen musicians.
Mayakovsky's Revolver: Poems , Matthew Dickman, Oct 1, 2012, Poetry, 93 pages. The author ofAll-American Poem uses his art to come to terms with his older brother's suicide in a collection ofpoems that explore how to find strength in the face of loss.
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Hider Roser , Ben Mirov, Sep 15, 2012, Poetry, 76 pages. Poetry. "Mirov's poems are like deadsoul dispatches from an emotional robot. Contained in them is the terrible recognition of themere materiality of the universe—and that.
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Government response to the House of Commons Health Committee report on public health (twelfthreport of session 2010-12) , Great Britain: Department of Health, Feb 7, 2012, Political Science, 26pages. Government response to HC 796-I, session 2010-11 (ISBN 9780215562050)A BanishedLand The Turning, Jake Jauch, Jan 12, 2012, Fiction, 316 pages. I have befriended vampires andmade a pact with a dragon. I have fought a war that was not my own, for a city that was not myhome. I have made enemies simply because I am Christopher Stackhouse
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