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Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500...

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Poetr y-pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tasti c Ro- manti c SNI PD! Symbols , You Say? What You Say? Say What, Again ?
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Page 1: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Poetry-pa-

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mantic

SNIPD!

Symbols, You Say?

What You Say?

Say What,

Again?

Page 2: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Poetry-pa-looza – 100

This is the idea being praised or criticized in the following lines of poetry.

Page 3: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Poetry-pa-looza – 100

“Beneath it rung the battle shout, And burst the cannon’s roar; — The meteor of the ocean air Shall sweep the clouds no more.”

Page 4: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is love of the past OR valuing the

past?

Page 5: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Poetry-pa-looza – 200

This is the idea being praised or criticized in the following lines of poetry.

Page 6: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Poetry-pa-looza – 200

“No more shall feel the victor’s tread, Or know the conquered knee; — The harpies of the shore shall pluck The eagle of the sea!”

Page 7: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is distrust of civilization/ government?

Page 8: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Poetry-pa-looza – 300

This is the idea being praised or criticized in the following lines of poetry.

Page 9: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Poetry-pa-looza – 300

“Oh, better that her shattered hulk Should sink beneath the wave; Her thunders shook the mighty deep, And there should be her grave”

Page 10: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is love of nature?

Page 11: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Poetry-pa-looza – 400

This is the idea being praised or criticized in the following lines of poetry.

Page 12: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Poetry-pa-looza – 400

“When I sitting heard the astronomer where he lectured with much applause in the lecture-room,How soon unaccountable I became tired and sick”

Page 13: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is distrust/ criticism of civilization

or society?

Page 14: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Poetry-pa-looza – 500

This is the idea being praised or criticized in the following lines of poetry.

Page 15: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Poetry-pa-looza – 500

“Till rising and gliding out I wander'd off by myself, In the mystical moist night-air, and from time to time, Look'd up in perfect silence at the stars.”

Page 16: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is love of nature?

Page 17: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Fantastic Romantic – 100

This is one of the qualities of a hero from the Romantic era.

Page 18: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is:

•driven by instinct/intuition

•rugged/ tough

•solitary/ reflective

•emotional

•connected to nature

Page 19: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Fantastic Romantic – 200

This is the Romantic era attitude toward religion.

Page 20: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is strong and connected

to love of nature?

Page 21: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Fantastic Romantic – 300

This is something the Romantics wanted to celebrate and found to be inspirational, believing that it holds a higher

place than reason or logic.

Page 22: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is emotion?

Page 23: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Fantastic Romantic – 400

This is something the Romantics celebrated for its

power and mystery and something they saw as very closely connected to God.

Page 24: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is nature?

Page 25: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Fantastic Romantic – 500

This is the name of the poem we studied that helped us draw

many comparisons between the Age of Reason and the

Romantic era.

Page 26: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is “The Learn’d

Astronomer”?

Page 27: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

SNIPD! – 100

This is S.

Page 28: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is fondness or celebration of the

supernatural and the unexplained and

mysteries?

Page 29: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

SNIPD! – 200

This is I – in opposition to deciding something based

on evidence.

Page 30: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is intuition?

Page 31: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

SNIPD! – 300

This is D.

Page 32: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is distrust of society or of

civilization?

Page 33: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

SNIPD! – 400

This is why the Romantics like the Past.

Page 34: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is like the ideals or the virtues

of people in the past or great deeds

of the past?

Page 35: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

SNIPD! – 500

This is I – to do with a rejection of conformity.

Page 36: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is independence?

Page 37: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Symbols, You Say? – 100

This is what Prince Prospero represents.

Page 38: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is wealthy people, trying to hide from reality

and death?

Page 39: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Symbols, You Say? – 200

This is what the clock represents in “Masque of

the Red Death.”

Page 40: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is time and fears about the end of life?

Page 41: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Symbols, You Say? – 300

This is what the seven rooms represent in Prince

Prospero’s abbey.

Page 42: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What are the various stages

of life?

Page 43: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Symbols, You Say? – 400

This is what the abbey represents in “Masque of the

Red Death.”

Page 44: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What are the restrictions that keep poor people

away from wealthy people OR a false sense of safety

that the wealthy have in their success to hide from

life’s problems?

Page 45: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Symbols, You Say? – 500

This is what the people at Prince Prospero’s abbey

represent.

Page 46: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What are the people who blindly follow others in

society rather than thinking for themselves OR the

people who pretend together that they can cheat death or

avoid pain in life?

Page 47: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What You Say? – 100

This is the Romantic connection Gavin DeGraw is making in the statement: “I

don’t wanna be anything other than what I’ve been tryin’ to be lately”.

Page 48: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is a connection to

independence?

Page 49: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What You Say? – 200

This is what Emerson is praising or criticizing in the statement: “To be

great is to be misunderstood”.

Page 50: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is criticizing conformity OR

praising independence?

Page 51: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What You Say? – 300

This is what Thoreau is specifically angry that the US government is doing

when he discusses: “That government is best which

governs the least”.

Page 52: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is slavery OR the

Mexican War?

Page 53: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What You Say? – 400

This is how Emerson’s idea that “Envy is

ignorance” is connected to the Romantic concept of

the supernatural.

Page 54: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is his belief that when humans want to be different than who or what

they are made to be by God, they are displaying

their foolishness?

Page 55: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What You Say? – 500

This is the reason Emerson’s statement

“Nothing is at last sacred but the integrity of your own mind” would be seen as

controversial.

Page 56: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is because he suggests that what religions call sacred may not actually be

sacred?

Page 57: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Say What, Again? – 100

This is the person who wrote about a “happy and dauntless and sagacious” person with “eccentric yet

august taste”.

Page 58: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Who is Edgar Allan

Poe?

Page 59: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Say What, Again? – 200

This is the person who wrote: “It matters not how small the beginning may seem to be: what is once

done well is done forever.”

Page 60: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Who is Henry David

Thoreau?

Page 61: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Say What, Again? – 300

This is the person who wrote: “To be great is to be misunderstood.”

Page 62: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Who is Ralph Waldo

Emerson?

Page 63: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Say What, Again? – 400

This is what readers should understand is Poe’s purpose

for the unknown masked figure’s clothes being

“untenanted by any tangible form” in the end of his story.

Page 64: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is because it death is not

tangible OR cannot be stopped by human efforts?

Page 65: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Say What, Again? – 500

This is the criticism inherent in Poe’s idea

from the courtiers that “the external world could take

care of itself.”

Page 66: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

What is a criticism of selfish leaders

OR greedy people OR of the wealthy?

Page 67: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

FINAL JEOPARDY

Page 68: Poetry- pa- looza 100 200 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 200 100 300 400 500 Fan- tastic Ro-

Make a Jeopardy question from our readings to stump your opponents.


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