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Pop music in britain

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POP MUSIC IN BRITAIN AND THE USA THE 1990s
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Page 1: Pop music in britain

POP MUSIC IN BRITAIN

AND THE USA THE 1990s

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BRIT POP

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♣ TEHNO MUSIC was started by DJs in the USA,where rock music was still popular.

♣BRIT POP was played by two successful bands,BLUR and OASIS,who shared the number one spot for years.

♣Rave,house,trip,hop,garage music-all different kinds of dance music-made their way into British parties.

♣Boys bands and girls bands like The Backstreet Boys,The Spice Girls and ‘N Sync started to appear.

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♣Britpop is a subgenre of alternative rock that originated in the United Kingdom. Britpop emerged from the British independent music scene of the early 1990s and was characterised by bands influenced by British guitar pop music of the 1960s and 1970s.

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♣The movement developed as a reaction against various musical and cultural trends in the late 1980s and early 1990s, particularly the grunge phenomenon from the United States.

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♣British groups such as Suede and Blur launched the movement by positioning themselves as opposing musical forces, referencing British guitar music of the past and writing about uniquely British topics and concerns.

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♣ These bands were soon joined by others including Oasis, Pulp, Supergrass, Sleeper, Elastica and The Verve.

♣Britpop groups brought British alternative rock into the mainstream and formed the backbone of a larger British cultural movement called Cool Britannia. Although its more popular bands were able to spread their commercial success overseas, especially to the United States, the movement largely fell apart by the end of the decade.

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♣Britpop groups were defined by being focused on bands rather than solo artists; having drums/bass/guitar/vocals (and sometimes keyboards) line-ups; writing original material and playing instruments themselves; singing in regional British accents; references to British places and culture in lyrics and image; and fashion consciousness.

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♣In spite of the professed disdain for the genres, some elements of both crept into the more enduring facets of Britpop. Noel Gallagher has since championed Ride. Noel Gallagher stated in a 1996 interview that Nirvana's Kurt Cobain was the only songwriter he had respect for in the last ten years, and that he felt their music was similar enough that Cobain could have written "Wonderwall"

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Happy Mondays in concert

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Blur (band)Blur (band)♣ Blur are an English alternative rock band. Formed in

London in 1988 as Seymour, the group consists of singer/keyboardist Damon Albarn, guitarist/singer Graham Coxon, bassist Alex James and drummer Dave Rowntree. Blur's debut album Leisure (1991) incorporated the sounds of Madchester and shoegazing. Following a stylistic change influenced by English guitar pop groups such as The Kinks, The Beatles and XTC, Blur released Modern Life Is Rubbish (1993), Parklife (1994) and The Great Escape (1995). As a result, the band helped to popularise the Britpop genre and achieved mass popularity in the UK, aided by a chart battle with rival band Oasis in 1995 dubbed "The Battle of Britpop".

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♣In recording their follow-up, Blur (1997), the band underwent another reinvention, showing influence from the lo-fi style of American indie rock groups. "Song 2", one of the album's singles, brought Blur mainstream success in the United States. Their next album, 13 (1999) saw the band members experimenting with electronic and gospel music, and featured more personal lyrics from Albarn.

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☻Its members were signed to independent record label Creation Records and afterwards released their record-setting debut album Definitely Maybe in 1994. The following year, the band recorded (What's the Story) Morning Glory? (1995) with their new drummer Alan White in the midst of rivalry with Britpop peers Blur in the charts. The Gallagher brothers featured regularly in tabloid newspapers for their sibling disputes and wild lifestyles. In 1997, Oasis released their third album, Be Here Now, and although it became the fastest-selling album in UK chart history, the album's popularity tapered off quickly.

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Peak of success♣A chart battle between Blur and

Oasis dubbed "The Battle of Britpop" brought Britpop to the forefront of the British press in 1995. The bands had initially praised each other but over the course of the year antagonisms between the two increased.

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♣Spurred on by the media, the groups became engaged in what the NME dubbed on the cover of its 12 August issue the "British Heavyweight Championship" with the pending release of Oasis' single "Roll With It", and Blur's "Country House" on the same day. The battle pitted the two bands against each other, with the conflict as much about British class and regional divisions as it was about music.

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♣By the summer of 1996 Oasis's prominence was such that NME termed a number of Britpop bands (including The Boo Radleys, Ocean Colour Scene and Cast) as "Noelrock", citing Gallagher's influence on their success.[26] John Harris typified this wave of Britpop bands, and Gallagher, of sharing "a dewy-eyed love of the 1960s, a spurning of much beyond rock's most basic ingredients, and a belief in the supremacy of 'real music'

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♣Starting on 10 August 1996, Oasis played a two-night set at Knebworth to a combined audience of 250,000 people, with one journalist commenting; "(Knebworth) could be seen as the last great Britpop performance; nothing after would match its scale." The demand for these gigs was and still is the largest ever for a concert on British soil; over 2.6 million people had applied for tickets.

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