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Curriculum vitae+

Claire Hoppenreys Loiseau

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CONTACTCLAIRE HOPPENREYS LOISEAU (02/10/1990)

MAIL: clairehoppenreys@gmail.com

ADRESS: 19 strada Jules Michelet, Bucaresti

PHONE: 07.48.29.33.60

2012-2013 University of Architecture and urbanism, Ion Mincu, Bucarest, Student exchange, Master degree

2009-2012 School of architecture Paris Val de Seine, Paris Bachelor in architecture, Graduate cum laude AB

2009 High school diploma in economic and social sciences option arts and political sciences, Graduate cum laude TB

DIPLOMA

February Architecture Office Anorak/ A-Practice, Brussels, Belgium,intern 2012 Conception, drawings, models.1 month

Summer Open air museum of architecture, Pereyslav-Khmeneltsky, Ukraina2010 Reabilitation, intern, 1 month

Summer Young international’s workshop,high school réabilitation, Rabat, Marocco,2009 Volunteer,1 month

SOFTWARE Autocad ++++ Illustrator/Photoshop ++++ Sketchup ++++ Archicad ++++Artlantis ++++ Word/Exel ++++ Imovie ++++

EXPERIENCES PROFESSIONELLES

LANGUAGE French mothertongue English writting and speaking German/ Spanish/ Italian school level Romanian basics skills

INTERSTS Travel Norway,Romania student exchange Germany,Marocco,Ukraina volunteer workshops, United states,Greece,Slovaquia,Croatia,Ireland,Turcia personal Associative Volunteer in Kaps project, with Paris city hall and l’AFEV Renforcement of social cohesion in socials dweelings, Paris 18, 2 years

ContentsARCHITECTURE

06 PUBLIC SQUARE WITH OPEN AIR CINEMA

08 65 DWELLINGS IN PARIS SUBURB

10 WORKSHOP IN IVRY SUR SEINE

12 EARLY CHILDHOOD HOUSE13 MUSIC CULTURAL CENTER14 ARTIST WORKSHOP HOUSE15 CUBE

INTERNSHIP

2O ANORAK / A-PRACTICE STUDIO

PERSONAL

17 WORKSHOP/ ARTS

PLACE CROSSING CALEA GRIVETEI/STRADA BUZESTISECTOR 1 BUCARESTI, ROMANIA

PROGRAM DEVELOP A PUBLIC SQUARE IN AN OFFICEBUILDING AREA TO BECOME, IN THE OLD AXIS FROM THE

PARLIAMENT TO NORTH TRAIN STATION. CREATE A SOCIALISATIONSPACE, AND KEPT THE OLD FACADE FRAME AND MEMORY OF

DESTROY CINEMA GRIVITEI.

PROJECT CREATE A PUBLIC SPACE +A OPEN AIR CINEMA

SURFACE 1100M2

CHOICE THIS PUBLIC SPACE IS A REST AND

RELAXATION SPACEDURING THE DAY. IT

TRANSFORM IN ANOPEN AIR CINEMA

DURING THE NIGHTTHE LIMIT OF THE

SQUARE IS THE

DOBBLE SKIN OF

GLASS WHO

ALSO INSURE THE

INTEGRATION WITH

THE GLASS TOWER

ON THE LEFT. IT

ALLOWs INTIMITY AND

PROTECTION FROM CAR

TRAFFIC. THE STREET

FURNITURE, BENCH AND

TIER OF SEAT ARE LIKE

A FLOOR MOOVING. THE

WOOD COVER EVERY

SINGLE ELEMENT.

PROJECT 65 DWELLINGS

PLACE QUAI DU CHATELIER, ST DENIS, FRANCE

SURFACE 5800 M2

PROGRAM REALISE 65 FLAT FROM THREE TO FIVE ROOMS IN ST DENIS ISLAND, IN PARIS’S SUBURB.

THIS AREA WAS FULL OF CONCRETE INDUSTRIALWAREHOUSE. WE HAVE THE POSSIBILITY TO KEPT

THEM IN OUR DWELLING

DEVELOPEMENT THE MAIN IDEA OF THIS PROJECTIS BUILDING “ UNIFAMILIALS HOUSES IN THE CITY”.GIVE THE FAMILIAL HOUSE QUALITY IN ITS SPIRIT OF INDIVIDUAL SPACE AND GENREOUS OUTSIDE SPACE IN ONE HAND. AND IN THE OTHER HAND KEPT A SPIRIT OF DENSIFICATION WITH PILING

HOUSES UP ON ONE OTHER AND CREATE COLLECTIVE SPACE OF MEETING AND SHARING AROUND A MAIN

INTERIOR GARDEN. THE SECOND SET OFBUILDING ON THE LEFT SIDE IS THE OLDWHAREHOUSE REDISIGN IN LOFT SHAPE.

EACH LOFT HAS HIS OWN PRIVATE GARDEN.

PLACE QUAI HENRY POURCHASSE IVRY/SEINE FRANCE

PROJECT EXPERIMENTAL WORKSHOP FOR ARTAND ARCHITECTURE STUDENT, SCALE 1/1

SURFACE 2200 M2

PROGRAM CONCEPETION OF THIS PLACE OF EXPERIMENTATION FOR ART AND ARCHITECTURE SCHOOL

OF PARIS AS UN CLEAR AND POROUS BUILDING. THE DIFFERENTFUNCTIONS ARE CONCEIVED IN “BLOCKS” PILED ON ONE

OTHER TO DESIGN THIS “LIGHTHOUSE”, THIS CULTURALSIGNAL, VISIBLE FROM “LA SEINE” AND

THE GROUND. THIS BUILDING IS ALSO A PUBLIC ORGANWHO CREAT SOME DYNAMIC IN THE NEIGBOURHOODAND THE CITY. INDEED, OUTSIDE HIS FUNCTIONS OF WORKSHOP DURING THE DAY, IT CAN BE USE AS AN

NEIGBOUR CENTER ON THE NIGHT. CORRIDORS ARE WIDE AND DEVELOP AROUND A CUBE SPACE. THEY CREATE

A SWINGING CIRCUIT OF BANISTERS. THE CORRIDOR’SCOMPLEXITY CREATE A GAME OF VIEW ABOVE “LA SEINE”

PROJECT EARLY CHILDREN HOUSE

PLACE RUE DE PARIS, COMPIEGNE, PICARDIE

SURFACE 600 M2

PROGRAM INSTALL AN EQUIPEMENT WHO GATHER A NUSERY, A CHILD PROTECTION’S CENTER AND A DAYEMERGENCY NURSERY, HAS A SOCIAL IMPACT ON THE

DISTRICT. THIS BUILDING AS TO BE OPEN AND INTEGRATEON THE NEIGBOURHOOD. BUT, DUE TO THE CHILDREN USING,

IT HAS TO BE PROTECTED AND INTERIOR. HERE, THE TWOBRANCH OF THE BUILDING ARE ON STREET AXIS. THE THREE

DIFFERENTS FUNCTIONS ARE DIRECTLY LEAD BY THE MAIN ENTRANCE TO FACILITATE FLUX. EVERY CORRIDOR TURN

AROUND THE OUTSIDE GARDEN, ALSO US AS THE CHILDREN’S PLAYGROUND. WE ALSO TRY TO USE DIFFERENT TEXTUREAND SPATIAL COMPLEXITY TO DEVELOP CHILDREN CURIOSITY.

SURFACE 500M2

PROJECT S.M.A.C

PLACE VIRY CHATILLON

PROGRAM ACTUAL ANDCONTEMPORAN MUSIC ROOM IS

AN OPPORTUNITY OF ATTRACTIONFOR THIS RESIDENTIAL AREA IN PARIS

SUBURB. IT GIVE TO THIS AREA ASPACE OF EXPRESSION CULTURE

AND HOSTING FOR YOUNG PEOPLE AND LOCAL RESIDENTS. THIS BUILDING

IS OPEN WITH A MONUMENTAL ENTRANCE ALL OPEN WHO GATHER

FUNCTIONS OF WELCOMING,EXHIBITION AND SOCIAL SPACE.

RECORDINGS ROOMS ANDADMINISTRATIVE SPACE ARE ON THE

UPPER FLOOR. THEIR POSITION ONMEZZANINE LINK THEM WITH THE

ENTRANCE HALL. IT ALLOWS A FORMOF CONVIALITY AND A SPACE DIALOGUE.

SHOWS AND CONCERT ARE ON THESECOND MAIN VOLUM. INDEED, THEY

IS A CONTINUITY OF CREATION PROCESS.WE ENTER, WE CREATE, WE ENJOY.

THE LAST SOLID IS USE AS BACKSTAGEAND CATERING. EACH SOLID ARE

DISTINCT BUT CONNECTED BY SMALL BUFFER SPACE.

PROJECT ARTIST WHORSHOP+LIFE UNIT

PLACE JARDIN DES PLANTES, PARIS V EME

SURFACE 90 M2

PROGRAMME THE “JARDIN DES PLANTES” HOST AN ARIST IN RESIDENCE DURING 6 MONTH. THE BUILDING IS AT THE SAME TIME HISHOUSE AND HIS WORK’S SPACE. HOW TO LINK AND DISSOCIATE THOSE

TWO SPECIFICS FUNCTIONS? HERE, THE CHOICE IS TO DISSOCIATE THISTWO FUNCTIONS BY USING DIFFENTS FLOORS LEVELS AND HIGH. ALL

FUNCTIUNS ARE ON THE SAME SPACE AND ALL IS OPEN (EXCEPT BATHROOM). THE WORK‘S SPACE IS ON THE MAIN LENGTH. THE SPACE IS

TURN TO A WIDE WINDOW PROVIDING ACCESS TO THE LUXURIOUSWILDNESS OF THE PARK. LIFE PART ARE ON THE OTHER BRANCH. NIGHT

SPACE IS ALSO USE AS APOINT OF VIEW WHO ALLOW TO SEE THEART WORK IN A NEW VIEW. AT LAST THINKING AND DISTRCATION SPACEIS DOWN AND HAVE A PANORIC VIEUW INTO THE GARDEN. THIS SPACE

IS THE SMALLER, ARTIST FEEL LIKE IN A COCOON.

PROGRAM THE AIM OF THIS PROJECT IS TO INTRODUCE NOTIONS OF SPACE, DIVISION AND CONTRAST.

A CUBE OF TWENTY METER ON TWENTY METER IS DIVIDE IN FOUR PART AND ARE ORGANISE AROUND

A SECOND SMALLER CUBE. DIFFERENTS SIDES OF WALLS ARE SLIGHTLY

INCLINED. THIS FACT CREATEA SPACE DYNAMIC. THE USER OF THIS SPACE LEARN GRAVITY. AT

EACH STEP, HE FEEL THE DIFFICULTY TO CLIMB THE FLOOR. THIS SLOPE

ADD SOME STRENGTH TO THE SENSATION OF UNSTEADINESS

CREATE BY INCLINED WALLS AND FLOORS. THE CIRCULATION IS ORGANISE

AROUND A DOUBLE U MOVEMENT.THE USER ENTER BY THE RIGHT SIDEOF THE MODULE AND TAKE THE PASSAGEHIDEN BY THE SMALL CUBE. THEN, HE PASSAGAIN THROUGH THE CUBE TO JOIN THESTAIRS. AS ONES GOES ALONG, WHEN HE

CLIMB, HE DISCOVER THE UPPER SPACE. FROM THERE, HE’S ATTRACT

AGAIN BY THE BACK OF THE BUILDINGBECAUSE OF THE INTENSIVE LIGHT

FENT. THE SMALL CUBE FULFILLIN THIS THIS SPACE HIS LAST FUNCTION: IT USE AS A SEAT.IN THE SECOND TIME OF THE

PROJECT, THIS VOLUME IS DEFINEAS EXHIBITION SPACE. DIFFERENTSCOMPLEXITY OF THIS SPACE IS USE

AS SPACE OF VARIOUS HANGING OF ART. IT CREATE A RICH

DIALOGUE BETWEEN THE ARTIST WORK AND HIS ENVIRONEMENT.

PROJECT SPATIAL ORGANISATIONOF A CUBE

DIVIDE AND ASSOCIATE

PLACE PAPER PROJECT

SURFACE 20MX20M

SATURE DILUE GRIS COLORES RUEBUZELIN PARIS 18

COULEURS EN SOI DOMINANTE ROUGE JAUNE VERTQUARTIER CHINOIS PARIS 18

COULEURS FOIDES RUE BUZELIN PARIS 18

COMPLEMENTAIRES VIOLET JAUNE RUE TRISTAN TZARAPARIS 18

QUANTITE QUALITE RUE TRISTAN TZARA PARIS 18

COMPLEMENTAIRES VIOLET JAUNE RUE TZARA PARIS 18

ROUGE BLEU PARIS 18

COULEURS CHAUDES FROIDES RUE RIQUET 18

CONTRASTE ROUGE ( DEGARADE DE VIOLET) VERTRUE VERGNAUD/PARIS 13

COULEURS PURES ROMPUES QUARTIER CHIONOIS

PARIS 18

COULEURS CHAUDES FROIDES RUE DE TOLBIACPARIS 13

DEGRADE DE COULEURS VERS FONCE VERT VIFRUE DAVIEL/PARIS 13

PICTURES

WORKSHOPTHEME 1 INTENSITY

TRADUCTION OF INTENSITY’SFEELING THROUGH OBJECT

PROLIFERATION AND RED INK INTENSITY. USER TAKE

PART TO THIS INSTALLATION. HIS PRESENCE AND HIS

INTERACTION WITH OBJECT(SHIFTING, ADVOIDANCEDESTRUCTION...)

CHANGE AGAIN INTENSITY.

THEME 2 THE BODY AND MOVEMENT

INSTALLATION OF OBJECTSWHO DISTURB THE BODY IN

USUAL LIVING SPACE.WHAT CHOICE MAKE OUR BODY?

AVOIDEMENT OR FACE OFF?

INTERNSHIP IN ARCHITECTURAL OFFICE

OFFICE ANORAK/ A-PRACTICE

PLACE 121 RUE DE FLANDRES, BRUSSEL, BELGIUM

TASK WORK IN TWO CURRENT PROJECTS OF A PRACTICE (RASKIN ET REUTERS)+PHOTOSHOP

AND HELP TO BUILT THE NEW WEBSITE

PERIOD 1 MONTH

RASKIN RASKIN IS A PROJECT OF EXTENSION ANDMODERNISATION OF AN UNIFAMILIAL HOUSE IN THE

NEIGBOURHOOD OF ANDERLECHT IN BRUSSELS. IN THISPROJECT, I WORK ON LIVING ROOM AND KITCHEN

(REFLEXION ABOUT CIRCULATION SPACE , FURNITURE, MATERIALITY, COST ANS FAISABILITY OF EVERY

SOLUTIONS DISCUSS WITH ARCHITECTS AND CLIENTS).

MEDIUMS USES AUTOCAD (PLAN AND SECSTION), MODEL’S MOSS TRIAL FOR EVERY SOLUTIONS

HANDMADE DRAWING, PHOTOSHOP, REFERENCES

PROJECT REUTERS IS A PROJET OF A MIXTARRANGEMENT OF AN OFFICE AND A FLAT IN A OLDBRICK PRINTING OFFICE BUILDING REABILITATED.

IN REUTERS PROJECT I HAD TO THINK ABOUT THELIVING ROOM AND KITCHEN ARTICULATION.

HOW TO DIVIDE ONE WIDE SPACE AND DISTINGUISHFUNCTIONS WITHOUT WALLS? ( FURNITURE,

PLATFORM?) WHAT KIND OF MATERIALS FOR THE

MEDIUM AUTOCAD, PHOTOSHOP AND MODELS

CREATION OF A-PRACTICE NEW WEBSITE THIS WORK WAS MADE IN TWO TIMES. IN A FISRT TIME, WE HAD TO WORK ON THE PICTURES RENDERING IN ALL THE PROJECTS OF ANORAK AND A-PRACTICE TO MAKE THEM GRAPHICALLY

COMPATIBLE WITH WEBSITE’S SUPPORT. SECONDLY, WE ENCODE THE DIFFERNTS PICTURES ANS TEXT.

MEDIUM USES AUTOCAD, ENCODE SOFTWARE, PHOTOSHOP FOR IMAGE MAKE UP

CLAIRE HOPPENREYS LOISEAU