79 Digital Mixing Consoles .................................................. 79Analog Mixing Consoles ................................................. 82
MICROPHONES & DI'S
52PERSONAL MONITORS
61 In Ear Monitor System ................................................... 60Personal Monitor System ............................................... 61
LINE ARRAYS
68 Constant Curvature Line Array ...................................... 68 Medium Format Line Array ............................................ 70Large Format Line Array ................................................ 71
Overheads, percussion, acoustic guitars and strings
Cardioid
17Hz - 17 kHz
Switchable pad for high-SPL up to 155dB
Rugged all-metal body and robust design
Includes: Stand adapter
Optional: H30 shock mount
C414XLS
Reference multipattern condenser microphone
Vocals and instruments
Nine polar patterns
20Hz - 20 kHz
Three attenuation levels (-6/-12/-18dB)
Three different switchable bass-cut filters
Includes: Carrying case, pop filter, winsdcreen and shock mount
Optional: SA60 stand adapter
C414XLII
Reference multipattern condenser microphone with classic C12 sound
Lead vocals and solo instruments
Nine polar patterns
20Hz - 20 kHz
Three attenuation levels (-6/-12/-18dB)
Three different switchable bass-cut filters
Includes: Carrying case, pop filter, winsdcreen and shock mount
Optional: SA60 stand adapter
C214
Large diaphragm condenser microphone
Lead vocals and solo instruments
Cardioid
20Hz - 20 kHz
Outstanding dynamic range of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter
Includes: Carrying case, winsdcreen and H85 shock mount
Optional: SA61 stand adapter
AKG MICRO MICROPHONES
AKG DRUM MICROPHONE PACKS
DRUM SET BIG II
For recording & live sound applications
1 X D112 for bass drum
2 X C1000S for overheads
4 X C518M for toms and snare
Includes: 2 x MPA-V-L and rugged metal carrry case
RHYTHMPACK
For live sound applications
1 X D112 for bass drum
2 X C430 for overheads
3 X D40 for toms and snare
Includes: 3 x H440 drum mounts, 2 x SA60 stand adapters, 2 x W23 windscreen and carrry case
GROOVEPACK
Entry level drum kit
1 X P2 for bass drum
2 X P17 (same as P170) for overheads
3 X P4 for tom and snare
Includes: 3 x H440 drum mounts, 2 x stand adapters and carrry case.
DRUM SET PREMIUM
For touring, live and studio applications
1 X D12VR for bass drum
1 X C214 Matched pair for overheads
1 X C451B for hi hat
4 x D40 for snares and toms
4 x Drum clamps
Includes: Rugged metal carry case
C516ML
Condenser microphone
Designed for use on accordions, pianos, guitar speakers and keyboard/organ cabinets
Cardioid
60 to 20 kHz
Includes: MPA-V-L mini XLR to Mini XLR 1.5m phantom power adapter, protective bag, A400 adapter plate, H516 mount plate, W44 windscreen, countersunk bolts, screws, adhesive pads and adapter plates
C518M C518ML
Condenser microphone
Clamp-on microphone for drums and percussion
Cardioid
60 to 20 kHz
Includes: protective bag, H518 bracket and W44 windscreen
C518M: MPA-V-L mini XLR to XLR cable 3mC518ML: mini XLR cable & A400 adapter plate for mounting on PT45/PT450/PT470 transmitters
C519M C519ML
Condenser microphone
Clips gently onto the bell of a trumpet, saxophone, trombone, tuba, didgeridoo or any other wind instrument
Cardioid
60 to 20 kHz
Includes: protective bag, adapter, drum bracket and W44 windscreen
Available as wireless version (ML)
MICROPHONES MICROPHONES
INSTRUMENT MICROPHONES INSTRUMENT MICROPHONES
Accessories Pg 110-113 Accessories Pg 110-113
NEW
NEW
» PORTABLE AUDIO / 57
PORTABLE AUDIO
56 / PORTABLE AUDIO «
PORTABLE AUDIO
MICROPHONES & DI'SMICROPHONES
C520
Lead and Backing Vocals
Cardioid
Condenser
Moisture shield
Includes W44 windscreen
C520: XLR connectorC520L: 3-pin mini XLR for wireless
CM311
Vocals for touring applications
Cardioid
Condenser
Differoid noise-cancelling technology
Internal Shock mount
CM311A: XLR connector & battery/phantom belt packCM311AESH: TA4F connectorCM311L: 3-pin mini XLR for wireless
C555L
Vocal & speech applications
Cardioid
Condenser
Secure and comfortable fit
Includes W444 windscreen and moisture shield
3-pin mini XLR connector for wireless
C544L
Aerobics & speech applications
Cardioid
Condenser
Secure and comfortable fit
Includes W444 windscreen and 4 x moisture shields
3-pin mini XLR connector for wireless
C544L-TA4F: TA4F connectorC544L: 3-pin mini XLR for wireless
C111LP
Theatre & presentation applications
Omnidirectional
Condenser
Ultra lightweight desing
Includes windscreen, protective bag and cable clip
3-pin mini XLR connector for wireless
HC577L
Theatre & broadcast applications
Omnidirectional
Condenser
Omnidirectional
Dual-diaphragm transducer for reduced cable noise
Includes W77 windscreen, PB77 presence boost cap and Teflon moisture shield
3-pin mini XLR connector for wireless
AKG HEADWORN MICROPHONES
DI BOXES
DBX DB10 DB12 BSS AR133
One look at the dB10 Passive and dB12 Active direct boxes will tell you that these are no ordinary direct boxes. With their bullet-proof construction, and extraordinary audio performance to rival their looks, finally there’s a direct box worthy of the dbx name. The highest quality components and meticulous craftsmanship make a difference you can hear.
The audio signal path of the AR-133 is an enhanced designbased upon the long established BSS AR-116, now regarded by many as a reference unit. The sound quality, particularly on acoustic guitar and bass guitar pick-ups, is recognised as outstanding. Can be run on battery or phantom.
AKG LAVALIER MICROPHONES
LAVALIER MICROPHONESHEADWORN MICROPHONES
CK97CL
For theatre & broadcast
Cardioid
Condenser
125° Pickup angle
Includes W97 windscreen, H40-1 tie clip, H41 pin
3-pin mini XLR connector for wireless
CK77WR
For theatre, church & broadcast
Omnidirectional
Condenser
Resistant to moisture, perspiration & salt
Includes W77 windscreen, H40-1 tie clip, H41 pin, adhesive putty, moisture shield, assorted colour windscreens
CK77WR-L: 3-pin mini XLR connector for wireless, blackCK77WRL-P: as above fleshtoneC577WR: external phantom power adapter
C417
Theatre & broadcast applications
Omnidirectional
Condenser
Balanced sound
Includes W77 windscreen, H40-1 tie clip, H41 pin, adhesive putty, moisture shield, assorted colour windscreens
C417L: 3-pin mini XLR connector for wireless, blackC417LP: as above fleshtoneC417PP: XLR connector
WMS470 professional analog wireless microphone system is the best choice for a cost-efficient, high-performance multichannel system. The pilot tone prevents the user from unexpected startup noise and it continuously sends transmitter data including low battery information to the receiver.
The WMS40 Mini wireless microphone system provides crystal clear sound and is a true plug'n'play solution. “Up and running” in a second, it is the optimum wireless solution for small stages, clubs, places of worship, hotels, and gyms.
AKG WMS470 WIRELESS SYSTEMS
AKG WMS40 MINI WIRELESS SYSTEMS
SINGLE CHANNEL SYSTEMS DUAL CHANNEL SYSTEMS
WMS40-INST 1 x SR40 , 1 x PT40, 1 x MKGL WMS40MINI2-INST 1 x SR40DUAL , 2 x PT40, 2 x MKGL
WMS40MINI-VOCAL 1 x SR40 , 1 x HT40 WMS40MINI2-VOCAL 1 x SR40DUAL , 2 x HT40
WMS40MINI2-MIX 1 x SR40DUAL , 1 X HT40, 1 x PT40, 1 x MKGLHT40 PT40 SR40DUAL MKGL
• Up to 30 hours AA battery• Up to 2 channels• 10mW
WMS45 Perception Wireless is a high-performance analog wireless microphone systems which delivers brilliant sound and is easy to use. It is the optimum plug and play wireless solution for small stages, clubs, places of worship, hotels, and gyms.
AKG WMS45 PERCEPTION WIRELESS SYSTEMS
SINGLE CHANNEL SYSTEMS
WMS45-VOCAL 1 x SR45 reciever, 1 x HT45 handheld transmitter
WMS45-INST 1 x SR45 receiver, 1 x PT45 bodypack transmitter, 1 x MKGL instrument cable
WMS45-HEADSET 1 x SR45 receiver, 1 x PT45 bodypack transmitter, 1 x C544L Headworn mic
WMS45-LAPEL 1 x SR45 receiver, 1 x PT45 bodypack transmitter, 1 x CK99L Lapel micHT45 PT45 SR45
• Up to 8 hours AA battery• Up to 6 channels• 10mW
MKGL CK99L
C544L
• Up to 14 hours AA battery• Up to 16 channels• Rack mount kit included• 50mW
SINGLE CHANNEL SYSTEMS
WMS470-D5 1 x SR470 reciever, 1 x PT470-D5 handheld transmitter
WMS470-C5 1 x SR470 reciever, 1 x PT470-C5 handheld transmitter
WMS470-HEADSET 1 x SR470 receiver, 1 x PT470 bodypack transmitter, 1 x C555L Headworn mic
WMS470-INST 1 x SR470 receiver, 1 x PT470 bodypack transmitter, 1 x MKGL instrument cable
WMS470-LAPEL 1 x SR470 receiver, 1 x PT470 bodypack transmitter, 1 x CK99L Headworn mic
WMS470-PRESENTER 1 x SR470 receiver, 1 x PT470 bodypack transmitter, 1 x CK99L Headworn mic and 1 x C555L Headworn mic
HT470 PT470
CU400
SR470 MKGL CK99L
C544L
SINGLE CHANNEL SYSTEMS
CU400 Dual transmitter charging unit. 2 hour charging up to 8 hours battery life
WIRELESS SYSTEMS
MICROPHONES
The WMS4500 analog reference wireless microphone system provides highest channel quantity, maximum reliability and easy setup for large theatre, installed sound and tour sound applications. An optional network remote control allows frequency coordination and monitoring of multi-channel systems via PC software System Architect™, Apple iPhone/iPad/iPod® or via Soundcraft Vi consoles using the HUB4000Q. Includes Pilot Tone transmission for transmitter battery status monitoring and tone code squelch.
AKG WMS4500 WIRELESS SYSTEM
WIRELESS COMPONENTS
SR4500 Diversity wireless receiver, rack mount kit included
HT4500 Handheld transmitter available with either C535, C5, D7 or D5 mic heads
PT4500 Bodypack transmitter
CU4000 Dual charging unit. I hour quick charge.
PS4000 Central power supply unit for charging up to 12 receivers or 3 charging units
HUB4000Q HiQnet Ethernet interface. Connects up to 8 wireless devices. iPhone app for HiQnet remote contol.
• Up to 15 hours AA battery• Up to 70 channels• Rack mount kit included• 50mW
AKG’s revolutionary DMS700 V2 has been designed for theater, conference, live-production and tour-sound applications. Offering bandwidth of up to 155MHz. The state-of-the-art 512-bit audio encryption offers the highest security available for courtroom, boardroom and other confidential meeting environments. An optional network remote control allows frequency coordination and monitoring of multichannel systems by PC software System Architect™, Apple iPhone/iPad/iPod® or Soundcraft Vi consoles using the HUB4000Q.
AKG DMS700 V2 DIGITAL WIRELESS SYSTEM
DIGITAL WIRELESS COMPONENTS
DSR700 V2 Dual diversity digital wireless receiver including graphic spectrum analyzer & dsp
DHT700 V2 Handheld transmitter available with either C5, D7 or D5 mic heads
DPT700 V2 Bodypack transmitter with selectable output power up to 50mW
CU700 Dual transmitter charging unit. 2 hour charging for up to 8 hours battery life
HUB4000Q HiQnet Ethernet interface. Connects up to 8 wireless devices. iPhone app for HiQnet remote contol.
• Up to 8 hours 2 x AA battery• Up to 40 channels• 50mW
Antenna options and accessories Pg 110-113 Headworn and Lavalier options Pg 56-57 Antenna options and accessories Pg 110-113 Headworn and Lavalier options Pg 56-57
SST4500 Wireless transmitter with output settings 10, 20, 50 mW and DSP
IP2 High-performance in-ear headphones
SPC4500 Active UHF antenna combiner for up to 4 x SST4500 transmitters
HUB4000Q HiQnet Ethernet interface. Connects up to 8 wireless devices. iPhone app for HiQnet remote contol.
HUB4000QIP2 SPR4500 SST4500
• Up to 10 hours AA battery• Up to 14 channels• 50mW
IVM4500 IEM is the only wireless in-ear monitoring system featuring an binaural room simulations that provides musicians, vocalists and presenters with a uniquely natural listening experience.
Its high-end radio electronic radio circuitry includes a manual radio signal attenuator for more robust radio reception in crowded environments. An enhanced frequency setup shows the number of free channels. Integrated preset groups support TV channels and allows the operation of up to 14 channels simultaneously within the same frequency band. A quick frequency swap function supports monitor engineers to listen to the audio signals of different channels.
An optional network remote control allows frequency coordination and monitoring of multi-channel systems via PC software System Architect™, Apple iPhone/iPad/iPod® or via Soundcraft Vi consoles.
• Diversity receiver - two matched antennas ensures reliable transmission• Sophisticated, narrow RF filter design - for best radio signal performance• HiQnet network remote control and monitoring using the HUB4000Q - from PC via Harman software System Architect™, Apple
iPhone/iPad/iPod® or Soundcraft Vi consoles• Patented DSP filter technology - for reference sound quality• Quick frequency swap function - to support monitor engineers
WIRELESS SYSTEMS
IVM4500 1 x SST4500 transmitter, 1 x SPR4500 diversity bodypack receiver, IP2 in-ear headphones, 1 x UHF antenna
SPR4500-SET 1 x SPR4500 diversity bodypack receiver with IP2 headphones
Supports up to 60 PMC16s on a Single BLU link Ring
PS6
The dbx PS6 is a road-worthy power supply that can supply AC power for up to six separate PMC16 units. It connects to a PMC16 Personal Monitor Controller via a standard 12-volt DC center-negative cable.
TR1616
16 Channels of Analog I/O
Precision dbx Mic Preamps with Variable Input Gain Control
4-Segment LED Input Level Meter per Channel
80 Hz Low Cut Filter per Channel
20 dB Pad per Channel
Support for up to 16 TR1616s on a Single BLU link Ring
USB Port for Firmware Updates
SPC4500
NEW
Antenna options and accessories Pg 110-113
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PORTABLE AUDIO
LOUDSPEAKERS
JBL EON SERIES
POWERED LOUDSPEAKERS
EON315
15” 2 way loudspeaker
38 Hz – 20 kHz (-10dB)
280W
127 dB (max SPL)
100° X 60° nominal
685 x 438 x 366 (H x W x Dmm)
15.9kg
36mm pole socket, 4 x M10 suspension points and 1 x M10 pull back point
EON510
10” 2 way loudspeaker
58 Hz – 18.5 kHz (-10dB)
280W
121 dB (max SPL)
100° X 60° nominal
490 x 313 x 262 (H x W x Dmm)
7.7kg
36mm pole socket, 3 x M10 suspension points and 1 x M10 pull back point
EON515XT
15” 2 way loudspeaker
39 Hz – 20 kHz (-10dB)
625W (525 + 100)
132 dB (max SPL)
100° X 60° nominal
673 x 406 x 368 (H x W x Dmm)
14.8kg
36mm pole socket, 5 x M10 suspension points
EON518S
18” subwoofer
36 Hz – 130 Hz (-10dB)
500W
129 dB (max SPL)
617 x 569 x 652 (H x W x Dmm)
29.5kg
36mm pole socket on top
The EON500 series delivers more power, portability, and versatility than any other speaker in its class, raising the bar dramatically for advanced powered loudspeaker systems, while retaining that signature JBL sound.
poweredEON515XT EON518S
HEADPHONES
AKG K SERIES
K44
Closed back headphones
Comfortable leatherette ear pads
115 dB Sensitivity
32 Ohms
18Hz to 20kHz
2.5m fixed, straight cable
1/8" jack connector
Includes stereo adapter 1/8" to 1/4"
K77
Closed back headphones with 40mm driver
Comfortable leatherette ear pads
112 dB Sensitivity
32 Ohms
18Hz to 20kHz
3m fixed, straight cable
1/8" jack connector
Includes stereo adapter 1/8" to 1/4"
K171 MKII
Closed back headphones
Comfortable leatherette & velvet ear pads
107 dB Sensitivity
55 Ohms
18Hz to 26kHz
3m straight cable & 5m coiled cable
1/8" jack connector
Includes stereo adapter 1/8" to 1/4"
CLOSED BACK HEADPHONES
» PORTABLE AUDIO / 65
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PORTABLE AUDIO
LOUDSPEAKERS
POWERED LOUDSPEAKERS
JBL PRX SERIES LOUDSPEAKERS
PRX618S
18” powered subwoofer
41 Hz – 130 Hz (-10dB)
600W Continuous
129 dB (max SPL)
686 x 531 x 614 (H x W x Dmm)
32kg
36mm pole mount socket for sub/satellite configuration
Designed from the ground up to perform in the real world of sound reinforcement where challenging audio environments, high ambient noise levels and loud volumes are the norm.
powered
PRX615M
15” 2 way powered loudspeaker
48 Hz – 20 kHz (-10dB)
1000W (2 x 500)
134 dB (max SPL)
90° X 50° nominal
660 x 429 x 414 (H x W x Dmm)
19.7kg
36mm dual-angle pole socket, 8 x M10 suspension points and 1 x M10 pull back point
PRX635M
15” 3 way powered loudspeaker
40 Hz – 19 kHz (-10dB) Flat
1500W (3 x 500)
135 dB (max SPL)
90° X 50° nominal
921 x 424 x 413 (H x W x Dmm)
27.2kg
36mm dual-angle pole socket, 8 x M10 suspension points and 1 x M10 pull back point
PRX625
2 x 15” 2 way powered loudspeaker
40 Hz – 19.5 kHz (-10dB)
1000W (2 x 500)
134 dB (max SPL)
90° X 50° nominal
1053 x 424 x 413 (H x W x Dmm)
27.2kg
8 x M10 suspension points and 1 x M10 pull back point
PRX612M
12” 2 way powered loudspeaker
51 Hz – 20 kHz (-10dB)
1000W (2 x 500)
133 dB (max SPL)
90° X 50° nominal
592 x 353 x 340 (H x W x Dmm)
15.6kg
36mm dual-angle pole socket, 8 x M10 suspension points and 1 x M10 pull back point
LOUDSPEAKERS
POWERED LOUDSPEAKERS
JBL VP SERIES LOUDSPEAKERS
VP7212-95DPC
12” 2 way loudspeaker
55 Hz – 20 kHz (-10dB)
875W Continuous
134 dB (max SPL)
90° X 50° nominal
533 x 358 x 334 (H x W x Dmm)
21.3kg
36mm pole socket, 9 x M10 fittings, 2 x M6 fittings
VP7215-95DPC
15” 2 way loudspeaker
45 Hz – 20 kHz (-10dB)
875W Continuous
135 dB (max SPL)
90° X 50° nominal
613 x 434 x 359 (H x W x Dmm)
24.7kg
36mm pole socket, 13 x M10 fittings
VPSB7118DP
18” subwoofer
29 Hz – 165 Hz (-10dB)
1800W Continuous / 4Ω
129 dB (max SPL)
514 x 702 x 813 (H x W x Dmm)
345kg
8 x standard air-cargo 3” track and 24 x M10 fittings
A/V rental firms, sound reinforcement companies and clubs will find the VP Compact Loudspeakers well-suited to their demanding requirements for tough road-worthy enclosures, robust components, stage-ready sound and array capabilities.
VP7212MDP
12” 2 way stage monitor
55 Hz – 20 kHz (-10dB)
875W Continuous
134 dB (max SPL)
50° x 90° coverage
346 x 565 x 413 (H x W x Dmm)
20.7kg
JBL VRX POWERED SERIES
Designed in conjunction with Crown, the compact high power DPC-2 amplifier module features DBT (Dual Bridged Technology™) digital amplification circuitry and is integrated into the rear of the VRX enclosures.
VRX932LAP
12” 2 way line array speaker
57 Hz – 20 kHz (-10dB)
100° x 15°nominal
875W Continuous
136 dB (1W/1m passive mode)
349 x 597 x 444 (H x W x Dmm)
24kg
Dual 36mm pole socket
Optional accessories:VRX-AF array frameSS3-BK Satellite speaker poleSS4-BK Subwoofer pole
VRX918SP
18” high power subwoofer
31 Hz – 220 Hz (-10dB)
750W Continuous
126 dB (1W/1m passive mode)
508 x 597 x 749 (H x W x Dmm)
38.5kg
20mm threaded pole socket
Optional accessories:VRX-AF array frameSS4-BK Subwoofer pole
Want a passive option?
See pg 68
powered
powered
VRX range offers
versatile mounting
and rigging options
PRX618S-XLF
18” powered subwoofer
30 Hz – 105 Hz (-10dB)
1000W Continuous
133 dB (max SPL)
686 x 531 x 716 (H x W x Dmm)
37kg
36mm pole mount socket for sub/satellite configuration
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PORTABLE AUDIO
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PORTABLE AUDIO
LOUDSPEAKERS
PASSIVE LOUDSPEAKERS
JBL JRX200 SERIES LOUDSPEAKERS
JRX212
12” 2 way loudspeaker
60 Hz – 20 kHz (-10dB)
250W / 8Ω
99 dB (1w/1m)
90° X 50° nominal
572 x 394 x 318 (H x W x Dmm)
19.5kg
36mm dual angle pole socket
JRX215
15” 2 way loudspeaker
38 Hz – 19 kHz (-10dB)
250W / 8Ω
98 dB (1w/1m)
90° X 50° nominal
699 x 460 x 432 (H x W x Dmm)
27.4kg
36mm dual angle pole socket
JRX225
Dual 15” 2 way loudspeaker
36 Hz – 19 kHz (-10dB)
500W / 4Ω
100 dB (1w/1m)
90° X 50° nominal
1099 x 464 x 432 (H x W x Dmm)
42.6kg
JRX218S
18” subwoofer
38 Hz – 300 Hz (-10dB)
350W / 4Ω
127 dB (max SPL)
597 x 516 x 559 (H x W x Dmm)
40.4kg
36mm pole socket on top
Optional: SS3-BK pole
JBL PRX400 SERIES LOUDSPEAKERS
JRX Series delivers the performance and prestige JBL is known for at an affordable price point. Included is a pole mount with two sockets so you have the option of mounting the JRX212 or JRX215 with a 10° down angle.
The STX800 Series was designed to bridge the space between light-duty portable PA speakers and flown full-size line array tour sound systems. Whether you’re in need of ancillary speakers for a full-blown tour sound system, ground-stacking for a live concert performance, installing speakers in dance clubs or performance venues, touring clubs with your band, or you are a performing mobile DJ, STX800 Series is the smart choice.
PRX415M
15” 2 way loudspeaker
55 Hz – 19 kHz (-10dB monitor)
600W (Program)
98 dB (1w@1m)
90° X 50° nominal
2 x NL2 1/4" combo inputs
650 x 429 x 457 (H x W x Dmm)
Dual-angle pole socket, 12 x M10 suspension points
Optional sub pole SS4BK-24
PRX412M
12” 2 way loudspeaker
50 Hz – 19 kHz (-10dB)
600W (Program)
95 dB (1w@1m)
90° X 50° nominal
2 x NL2 1/4" combo inputs
577 x 353 x 400 (H x W x Dmm)
Dual-angle pole socket, 12 x M10 suspension points
Optional sub pole SS4BK-24
PRX400 passive speakers were designed to provide the sensitivity, frequency response and power handling needed for almost any professional audio environment while still being reasonably priced. Comprised of tour tested JBL components in rugged enclosures with professional connectors.
PRX418S
15” 2 way powered loudspeaker
350 Hz – 250 Hz (-10dB)
1600W (Program)
95 dB (1w@1m)
2 x NL2, 2 x 1/4" TS inputs
678 x 356 x 615 (H x W x Dmm)
Optional sub pole SS4BK-24
PRX425
2 x 15” 2 way loudspeaker
48 Hz – 19 kHz (-10dB)
1200W (Program)
100 dB (1w@1m)
90° X 50° nominal
2 x NL2 1/4" combo inputs
1044 x 429 x 521 (H x W x Dmm)
36mm dual-angle pole socket, 8 x M10 suspension points and 1 x M10 pull back point
NEW
NEWNEW
» PORTABLE AUDIO / 69
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PORTABLE AUDIO
LINE ARRAYS
CONSTANT CURVATURE LINE ARRAY
JBL VRX SERIES LOUDSPEAKERS
JBL’s VERTEC® Series Line Arrays lead the industry in large venue sound reinforcement. While intended for smaller venues than VERTEC, the VRX900 Series Constant Curvature Line Arrays are designed and built to the same high standards and uses the same advanced, concert-proven drivers. JBL’s VRX900 Series speakers deliver extraordinary power handling, clarity, flexibility and, of course, stunning JBL sound in an attractive, easy to handle and affordable package.
VRX932LA
12” 2 way line array speaker
57 Hz – 20 kHz (-10dB)
100° x 15°nominal
1600W program / 8Ω
950 dB (1W/1m passive mode)
349 x 597 x 381 (H x W x Dmm)
Dual 36mm pole socket
Optional accessories:VRX-AF array frameSS3-BK Satellite speaker poleSS4-BK Threaded satellite pole
Available in white to order
VRX928LA
8” 2 way line array speaker
70 Hz – 20 kHz (-10dB)
100° x 15°nominal
800W program / 8Ω
90 dB (1W/1m passive mode)
230 x 419 x 267 (H x W x Dmm)
Dual 36mm pole socket
Optional accessories:VRX-SMAF array frameSS3-BK Satellite speaker poleSS4-BK Threaded satellite pole
Available in white to order
VRX915S
15” high power subwoofer
35 Hz – 250 Hz (-10dB)
1600W program / 4Ω
91 dB (1W/1m passive mode)
496 x 420 x 597 (H x W x Dmm)
8 x M10 fittings & M20 socket
Optional accessories:VRX-SMAF array frameSS4-BK Threaded satellite pole
Available in white to order
VRX918S
18” high power subwoofer
31 Hz – 220 Hz (-10dB)
1600W program / 8Ω
95 dB (1W/1m passive mode)
508 x 597 x 794 (H x W x Dmm)
M20 socket
Optional accessories:VRX-AF array frameSS4-BK Threaded satellite pole
Available in white to order
For Powered option VRX932LAP pg 65
For Powered option VRX918SP pg 65
LINE ARRAYS
CONSTANT CURVATURE LINE ARRAY
System Specification:For 4 x VRX932LA Per Side
•Syscoverage:100°x60°(HxV)•SPL:141dB(1W/1m)•FrequencyResponse(±3dB):75 Hz - 20 kHz (no subwoofer)34 Hz - 20 kHz (with subwoofer)•Suspendedat8m•Powerrequirements:2chwithmin 3000W at 4Ω per side
System Specification:For 3 x VRX928LA Per Side
•Syscoverage:100°x45°(HxV)•SPL:131dB(1W/1m)•FrequencyResponse(±3dB):87 Hz - 19 kHz (no subwoofer) 40 Hz - 19 kHz (with subwoofer)•Suspendedat5.5m•Powerrequirements:1chof3,000 - 6,400W at 3Ω per side
4 x VRX932LA Per Side
1000 People SPL: 105 to 111 dB maximum at 30 m
3 x VRX928LA Per Side
700 People SPL: 102 to 108 dB maximum at 20 m
2 x VRX932LA Per Side
500 People SPL: 105 to 111 dB maximum at 14 m
1 x VRX928LA Per Side
300 People SPL: 103 to 107 dB maximum at 11 m
System Specification:For 1 x VRX928LA Per Side
•Syscoverage:100°x15°(HxV)•SPL:126dB(1W/1m)•FrequencyResponse(±3dB):87 Hz - 19 kHz (no subwoofer) 40 Hz - 19 kHz (with subwoofer)•ApplicationHeight:2.3mviaSS2-BK tripod•Powerrequirements:1chof650 - 1,600W at 8Ω per side
System Specification:For 2 x VRX932LA Per Side
•Syscoverage:100°x30°(HxV)•SPL:138dB(1W/1m)•FrequencyResponse(±3dB):75 Hz - 20 kHz (no subwoofer)34 Hz - 20 kHz (with subwoofer)•ApplicationHeight:2.4mviaSS4-BK as pictured•Powerrequirements:1chof3,000 - 6,400W at 4Ω per side
A couple of system examples for the 8-inch VRX928LA and the 12-inch VRX932LA/P have been chosen in order to demonstrate the most asked questions:
1. HOW LARGE of a crowd does a system cover? 2. HOW FAR does it throw? 3. HOW LOUD does it get? The following selections are based on the most common combinations of VRX900 line array systems. The applications shown, although generic, will be satisfactory under most conditions. However it cannot substitute an in depth evaluation based on exact conditions of a specific situation. All examples provide at least 105 dB SPL, which is a common target for general music, and provide a very homogeneous (within 6 dB) coverage for a given audience area per number of speakers.
JBL VRX900 SYSTEM SUGGESTIONS
EYEBOLT SUSPENSION
The following table defines the maximum number of speakers that may be suspended using the two M10 eyebolt attachment points provided on the cabinets. A minimum design factor of 7:1 is main-tained for all speaker configurations at or below those indicated in the table.
Max # of VRX918S in array 5 4 3 2 1 0Max # of VRX932LA in array 0 2 4 5 6 6
Max # of VRX915S in array 4 3 2 2 2 0
Max # of VRX928LA in array 0 2 3 4 5 6EYEBOLT SUSPENSION ARRAY FRAME SUSPENSION
ABOUT V5 PRESETS
For professionals who require the highest performance audio and an intelligent way to control it, V5 DSP is the next step forward in delivering the best sound possible. Superior horizontal coverage, pristine linear phase OmniDriveHD™ sound quality and rock solid LevelMax™ limiting are significant enhancements to VRX's already acclaimed performance. Full system integration is available with Crown ITech HD amplfiiers using HiQnet Performance Manager or Powered by Crown app software for efficient configuration management and control.
With V5, it's like having a new VRX system all over again.
Get your free V5 preset downloads today!
VRX rigged at Bruce Mason Centre, Auckland
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PORTABLE AUDIO
LINE ARRAYS
MEDIUM FORMAT LINE ARRAYS
JBL VT4886 SERIES
JBL VT4887 SERIES
This system has been specifically designed to be one of the most versatile tools in a portable sound rental company’s inventory. VT4886 line-array elements can be suspended or ground-stacked, either standalone or with the VT4883 subwoofer for FOH, offstage fill, center cluster or delay cluster use. Mixed VT4883/VT4886 arrays can be suspended and supplemented with additional ground-stacked VERTEC subwoofers for extended-range FOH use. The VT4886 is ideal for distributed front fill or under-balcony use.
The VT4887A is designed to deliver high-quality reinforcement of music and speech in a variety of applications including concert audio and corporate A/V presentations of all types. HiQNet compatible with optional network modules.
VT4883
Cardioid-arrayable subwoofer
2 x 12” Dual Coil LF
35 Hz – 300 Hz (-10dB)
398 x 579 x 643 (H x W x Dmm)
29.5 kg
VT4886
3 Way Passive Line Array
2 x 6.25” LF, 4 x 2.5” MF, 2 x 1” HF
65 Hz – 20 kHz (-10dB)
110° nominal H x 15° V
197 x 579 x 261 (H x W x Dmm)
15.4 kg
Optional accessories:AF array frame & AF adapter bar, UB under-balcony adapter plate, HB horizontal array bracket, UB2 basic 2 point U bracket, DF Downfill adapters
VT4886 pole mounted
using VT4886-UB2
VT4881
Arrayable subwoofer
18” Dual Coil Ultra-long exursion LF
25 Hz – 160 Hz (-10dB)
569 x 787 x 654 (H x W x Dmm)
50.4 kg
DrivePack ready (amplifier module)
VT4887A
Bi-amplified 3 Way Line Array
2 x 8” LF, 4 x 4” MF, 2 x 1” HF
55 Hz – 22 kHz (-10dB)
100° nominal H x 10° V
281 x 787 x 415 (H x W x Dmm)
30.4 kg
Optional accessories:AF - Array frame, SF - Short frame, ACC - cover and dolly kit
DrivePack ready (amplifier module)
powered
LINE ARRAYS
LARGE FORMAT LINE ARRAYS
JBL VTX SERIES
S28
Full size suspendable subwoofer
2 x 18” Dual Coil LF
24 Hz – 400 Hz (-10dB)
96dB (1w/1m)
4000W
493 x 1222 x 926 (H x W x Dmm)
83 kg
G28
Full size ground stack subwoofer
2 x 18” Dual Coil LF
22 Hz – 160 Hz (-10dB)
95dB (1w/1m)
4000W
493 x 1211 x 1211 (H x W x Dmm)
92.5 kg
VTX-V25
Full size 3 Way Line Array
2 x 15” LF, 4 x 8” MF, 3 x D2 HF
35 Hz – 20 kHz (-10dB)
99 LF, 103 MF, 116HF (dB 1w/1m)
4000W LF, 1400W MF, 600W HF
1222 x 414 x 613 (H x W x Dmm)
82.6 kg
Optional accessories:Array frames, transporters, accessory kits, laser kit + more
With the VTX Series you are not just using a product, you are gaining access to an expert system. Tools for system design and all the components to analyze, configure, set up and control a VTX system are all part of the JBL commitment to total system integration and support. The goal is maximum efficiency and the highest possible level of performance in any venue, anywhere in the world.
• BSS DSP processing with IIR filters and linear phase FIR filters
• Front-panel USB connector transfers presets to/from a USB drive to the amp’s DSP
• LevelMAX™ peak voltage and RMS power limiters communicate with each other, resulting in smooth and accurate response, better sound, higher SPL
• The only product available with analog, AES/EBU, CobraNet, HiQnet and Ethernet connectivity
• Patented, cutting-edge Class-I circuitry gets more power out of an amplifier with less waste
• Rugged construction ensures that all Macro-Techs are built to withstand years of abuse on the road
• Built-in load, line voltage, input and output monitoring• Standard Ethernet networking via System Architect®
lets system operators monitor and control the amplifier from any location
CROWN MAi SERIES
(20Hz-20kHz) 2Ω Dual/ch 4Ω Dual/ch 8Ω Dual/ch
IT5000i 2000W 2500W 1250W
IT9000i 2800W 3500W 1500W
IT12000i 3750W 4500W 2100W
NEW
(20Hz-20kHz) 2Ω Dual/ch 4Ω Dual/ch 8Ω Dual/ch
IT43500HD 2100W 2400W 1900W
CROWN iTECH HD MULTI CHANNEL
• The ultimate utility amplifier• A true 4ch amplifier (inputs routable to any outputs)• 3rd generation proven platform with Drivecore
Technology (allowing you to run more amplifiers off a single distro)
• Market leading DSP (BSS OmnidriveHD with FIR & IIR filters and Levelmax limiters)
• Available with either binding posts or speakons (binding post to order)
• Five year no fault warranty
CROWN VRACK
VRack from Crown is designed for optimum performance and setup simplicity, the VRack gives you a customized, turnkey amplification package, complete with full safety approvals.
MORE POWER• Crown OmniDriveHD™ Digital Signal Processing, including: LevelMax™ Limiters,
Audibly superior FIR Filters, Innovative Power Factor Correction technology• Optimal output at all AC main voltages and frequencies• 5 pin CEE form and 5 pin Hubbell Twist Lock• One amplifier per phase
MORE CONTROL• Innovative software allows:• Monitoring and adjustment on rack-by-rack basis• All changes for all 3 amps made with one interface• Monitors input metering (peak and RMS), output metering (peak and RMS) and
overall gain reduction• Built-in network and AES failover sends network and AES info to the next rack
even if there is an AC failure• Standardized package configurations designed to optimize speaker perfor-
mance• Greater cross-renting options with "go anywhere" capability
CROWN USBX
A built-in Wi-Fi access point allows USBX to become a powerful and convenient tool for managing Crown XTi, CDi, DSi devices via the Powered by Crown iOS application. The primary intended use of USBX is as an interface to Crown USB-enabled amplifiers which connect either directly, or via a downstream USB hub, to a USB port on USBX. Then the amplifiers can be accessed via the RJ45 gigabit Ethernet port on USBX, or wirelessly via the wireless access point which is built into USBX.
NEW
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PORTABLE AUDIO
DBX DRIVERACK260 DBX DRIVERACK4800 4820
The DriveRack 260 was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power.
• Feedback Elimination • 2.7 Seconds of Alignment and Zone Delay • RS-232 PC GUI control • Classic dbx Compression and Limiting • Graphic and Parametric EQ / Auto-EQ Function • Full Bandpass, Crossover, and Routing Configurations • Auto Gain Control • Pink Noise Generator and full time RTA • Setup Wizard with JBL speaker & Crown Amplifier Tunings • Security Lockout • Wall Panel Control Inputs (See page 23)• dbx RTA-M mic sold separately
Designed to provide incredible flexibility, sonic excellence and intuitive control for performance applications, the DriveRack® 4800 is the new flagship of the hugely successful DriveRack family.
• Full Bandpass Filter, Crossover & Routing Configurations • 31-Band Graphic and 9-band Parametric EQ on every input
/ 6-band Parametric EQ on every output • Loudspeaker Cluster and driver Alignment Delays • Selectable DSP inserts on all inputs and outputs
including Compression/Limiting/AFS Advanced Feedback Suppression among others
• dbx ZC wall panel control (see page 23)
SPEAKER MANANGEMENT SYSTEMS
PROCESSING
DBX DRIVERACKPX DBX DRIVERACKPA+
The DriveRack PX Powered Speaker Optimizer has everything you need to get the most out of your stereo powered speaker system. It even includes stereo or mono subwoofer support.
• Optimized for powered speakers• Supports stereo speakers and subwoofer(s)• Supports JBL and other popular powered speakers• Easy-to-use wizards for setup, Auto-EQ, and AFS• Classic dbx compression with graceful PeakPlus™ limiters• Patented AFS Advanced Feedback Suppression• 120A Subharmonic Synthesizer• Auto-EQ optimizes sound quality for any room• Patented dbx Type IV™ conversion system• dbx M2 measurement mic included
From the makers of the world’s most popular loud speaker management system comes the new DriveRack PA+
• Auto Level & Auto EQ Wizard with 28-Band RTA Tunes Your System (with Pink Noise Generator included)
The FCS-960 is a 30-band graphic equaliser featuring Dual Mode switching between Normal and Fine filter width settings on each channel. The Opal FCS-966 graphic features separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response. It also features Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting.
FCS966 rear
Wall controllers Pg 23
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PORTABLE AUDIOPORTABLE LIVE PA
PROCESSING
PORTABLE LIVE PA
PROCESSING
DBX 160A 166XS 266XS
DBX 1046 1066 1074
• 160A Over 60dB of gain reduction available • 166XS & 266XS Stereo or dual-mono operation• 166XS & 266XS Balanced inputs and outputs on 1/4" TRS and XLR connectors
The 1046 and 1066 are designed to provide the audio professional with great sounding dbx compression for a variety of applications. The dbx 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel.
The iEQ series offers state-of-the-art digital EQ performance and specs with an analog look and feel. With 10Hz to 22kHz frequency response, 113dB dynamic range and Feedback Suppression, noise reduction and limiting, the iEQ-31 offers out of this world specifications with a down-to-earth price point.
DBX iEQ15 iEQ31 DBX 223S 223XS 234S 234XS
• Mode switch for stereo 2-way or mono 3-way operation• Low frequency summed (subwoofer) output• Individual level controls on all outputs• 24dB per octave Linkwitz-Riley filters (the professional
standard)
CROSSOVERS
DYNAMICS
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PORTABLE AUDIO
PROCESSING
REVERBS
LEXICON MX200 MX300 MX400
LEXICON PCM92
The MX series adds world-renowned Lexicon reverbs and effects to your studio recordings and your live performance. Multiple processors let you combine different reverbs and effects to suit your needs. Multiple effects routing options (easily configured on the front panel) and MIDI In and Thru make each MX unit a very versatile addition to any rack. All parameters of every reverb, delay and dynamic effect are available inside any VST® or AU compatible DAW program via USB. The included MXEdit ™ Librarian software lets you store and manage your presets from your computer as well. MX processors include dbx® Dynamics such as Compressor and De-Esser tools. They also share a suite of modulated effects that includes Chorus, Flanger, Phaser, Tremolo/Pan, Rotary, Vibrato, Pitch Shift, and Detune.
Studio Standard/Live Sound Reverb and Effects Processor. With 4 decades of experience, Lexicon is regarded as the gold standard in digital audio processing. The PCM92 delivers 28 mono and stereo reverbs, delays, and modulation effects, flexible routing configurations, and a comprehensive collection of over 1200 finely-crafted presets, including recognizable classics from our immense library of sounds. Designed as a single rack space processor with two channels of balanced XLR or 1/4” analog I/O and two channels of XLR AES/EBU digital I/O, along with MIDI, Word Clock, and Ethernet, the PCM92 complements any large scale mixing console or integrates easily in your studio.
MX400 available with XLR or TRS
See pg 98 for the full PCM range
MIXING CONSOLES
DIGITAL MIXING CONSOLES
SOUNDCRAFT Si EXPRESSION
Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft® Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19" rack mount Expression 1 to the mighty Si Expression 3 with its 30+2 faders and 32 mic/line inputs there is a model to meet all needs.
• D.O.G.S. (Direct Out Gain Stabiliser) – Prevents man-ual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
• Security Lockout – Lock the whole console or just selected elements, manage the security with the users and profile settings.
• Assignable Fader Layers – Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
• Copy & Paste – Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
• TOTEM™ – The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
• BSS® GEQ – With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
• 1 Control = 1 Function – With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Expression controls to be labelled on the surface just as they would have been on an analogue mixer.
• Global Mode Controls – A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
• Soundcraft FaderGlow® – Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
• Instant Access Keys – Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen & context menus.
• Function Focus – Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc...
• Everything Everywhere – All channels and busses have a full complement of processing, noth-ing to assign or configure.
• Supports your favourite plug-ins including waves via the Si-Madi Card.
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MIXING CONSOLES MIXING CONSOLES
DIGITAL MIXING CONSOLES DIGITAL MIXING CONSOLES
SOUNDCRAFT Vi SERIESSOUNDCRAFT Si PERFORMER
Direct access to all functions with maximum information and visibility at all times. A unique integration of touch screens and encoders eliminating complex and fatiguing mental mapping. A compact operating surface with a perfectly optimised control density. A pristine audio path with highly acclaimed mic preamplifiers gives possibly the cleanest sound of any digital console available today. The time has come to forget the console and focus on the creativity. The time has come for Soundcraft Vi Series™ digital live sound consoles. All Vi consoles support your favourite plug-ins including Waves via the Si-Madi card.
Drawing on the combined heritage of Soundcraft's acclaimed Si Compact and Vi Series digital live sound mixers, the Si Performer takes mixing out of the dark with powerful digital audio mixing facilities married to a DMX 512 controller allowing for the first time the mixing console to also run the lighting rig! The Si Performer provides a flexible automated lighting controller ideal for schools, churches, touring theatre companies and conference productions.
Optional: 8 Analog returns + 4 AESEBU panel. Other card options CobraNet, Aviom, ADAT and RockNet
CSB Cat5
• D.O.G.S. (Direct Out Gain Stabiliser) – Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
• DMX interface - control sound and light from the same device.
• Security Lockout – Lock the whole console or just selected elements, manage the security with the users and profile settings.
• Assignable Fader Layers – Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
• Copy & Paste – Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
• TOTEM™ – The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
• BSS® GEQ – With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never ‘run out’ of processing.
• 1 Control = 1 Function – With each control dedicated to a given function there is never any ‘layering’ of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
• Global Mode Controls – A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
• Soundcraft FaderGlow® – Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
• Instant Access Keys – Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
• Supports your favourite plug-ins including waves via the Si-Madi card.
Vi6
Vi1
Vi4
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MIXING CONSOLES MIXING CONSOLES
SOUNDCRAFT FXII SERIES
SOUNDCRAFT LXII SERIES
SOUNDCRAFT M SERIES
Great sound quality, professional build quality, flexible 4-bus architecture and a space-saving sixteen mic inputs and direct outputs, new 24-bit Lexicon on-board effects section and universal internal power supply. The FX16ii includes 100mm faders and the frame can be optionally rackmounted. Cables can be conveniently located behind the rack by simply rotating the connector pod.
The LX7ii’s offer an exceptionally open sound and an almost unnervingly low noise floor. The LX7ii can handle both FOH and monitors, making it ideal for live sound applications in small to medium-sized venues. And direct channel outputs allow for simple connection of multitrack recording equipment, making the LX7ii equally at home in the studio.
In a world full of cheap compact mixers, Soundcraft has achieved something exceptional with the Soundcraft M Series. Equally suited to recording and live sound applications, the Soundcraft M Series delivers a great-sounding, reliable performance.
ANALOGUE MIXING CONSOLESANALOGUE MIXING CONSOLES
FX16II
16 Mono ch
1 FX Processors
2 Groups
3 EQ bands
4 Aux sends
5 Returns
Direct Outputs
RMK Included
LXII
16, 24 or 32 Mono ch
2 Stereo ch
4 Groups
4 EQ bands
6 Aux sends
4 Returns
Direct Outputs
M
4, 8 or 12 Mono ch
4 Stereo ch
S/PDIF Digital I/O
3 EQ bands
4 Aux sends
4 Returns
Direct Outputs (pre or post fade)
RMK M8, M12 Included RMK M4 Optional
SOUNDCRAFT GB30 MIC PREAMP
In 2004 Soundcraft’s 30th anniversary, Soundcraft co-founder and Technical Director Graham Blyth developed a new microphone preamp and 4-band EQ circuits of extraordinary clarity and musicality, called the GB30.Totally re-engineered and derived from designs used in Soundcraft’s acclaimed MH Series professional live sound consoles, they gift Soundcraft consoles with an exceptionally open sound and an almost unnervingly low noise floor.
Graham Blyth explains the development of his GB30 designs: “It is particularly important in live applications to have a mic preamp that has a well controlled overload response. Many preamp designs achieve excellent THD figures by wrapping tons of negative feedback around the front end. Unfortunately, these topologies tend to behave badly under overload conditions, creating an untidy and muddy sound.” “The new GB30 preamp achieves excellent performance figures by using local linearisation techniques rather than global feedback, together with a wide frequency response and excellent phase linearity. All these factors result in an exemplary preamp for all applications.”
SOUNDCRAFT EPM & EFX SERIES
Low-cost high-performance mixers. EFX/EPM mixers bring Soundcraft sound quality, performance and value-for-money to a wide range of applications including recording, live sound, install and broadcast. Soundcraft has equipped the EFX/EPMs with all the appropriate features for modern mixing applications, at the same time creating an uncluttered and intuitive control surface that enhances the operator experience.
EPM
6, 8 or 12 Mono ch
2 Stereo ch
0 FX Processors
3 EQ Bands
2 Aux Sends
1 Returns
RMK Optional 8ch, Included 12ch
EFX
8 or 12 Mono ch
2 Stereo ch
1 FX Processors
3 EQ Bands
2 Aux Sends
2 Returns
RMK Optional 8ch, included 12ch
SOUNDCRAFT MPMI & MFXI SERIES
Soundcraft’s MFX/MPM mixers are compact and ideally equipped for live sound applications including fixed installations, houses of worship and portable PA. MFX mixers have built-in 24-bit Lexicon processing, delivering 32 stunning reverb, delay and chorus effects. MPM mixers replace the MFX’s internal FX send with a third Aux send, for operators preferring to use external effects.
