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PortfolioSilvia Andrea Robertson

TABLE

OF

CONTENT

Mountain View Cemetery Chapel | Oakland, CA | Arch 101 | Spring 2011 | 5

Berkeley Aquatic Park Storm Water Remediation | Berkeley, CA | Arch 100A | Spring 2010 | 9

UC Berkeley, Design Studio | Berkeley, CA | Arch 101 | Spring 2011 | 1

Academic Work

Professional Work410 Lovell Ave. | Mill Valley, CA | Kevin Stephens Design Group | March 2012 | 15

TABLE

OF

CONTENT

Personal WorkCasa Neiva | Neiva, Colombia | Personal Project | August 2012 | 18

SCALE: 1" = 1'-0"

4'-812"

1'-6"

12'-012" 5'-81

2"

SCALE: 1" = 1'-0"

2'-2"

FORM BOARDSLEAVE WOOD GRAIN IMPRESSIONS

5'-412"21

2"

2'-1112"

This country house is inspired by the landscape in this part of the world, colonial archi-tecture (common in Colombia), and sustainable techniques use in tropical hot /hummed places. By creating a half courtyard in the entrance area, the house embraces the well, celebrating the water as the most important element of the house. The materiality and the location with respect to the sun’s path are also very important for the design of the house. The roof facilitates the flow of air with openings at the highest points of the pitched roofs. And lastly, the heat transfer is minimized by using cement block and an insulation layer for the ceiling underneath the metal panels.

CA

SA

NE

IVA

, HU

ILA

, CO

LOM

BIA

PLA

NTA

P-1.0

ACADEMIC

WORK

UC Berkeley Dance Studio

2

This dance studio presents possibilities of freedom and duality of indoor and outdoor spaces recreating in one building the sensation of isolation and belonging. Nature and more specifically insects as well as microorganisms was the focus and source of inspiration. The perfect balanced form of various insects served as a medium to inspire the overall shape, skin, and function of the Dance Studio. My subject of inspiration in particular was the ant and in its shape I saw its body functions separated in the different parts of its body. At the same time I saw the legs as instruments for movement. The separation of program into individual forms allows for privacy of function. Transitional spaces between the program, which differ in material and form, create unexpected sensations as dancers, employees, and visitors discover the unique nature of this new Dance Studio.

1

2

7

5

6

12

9

4

10

11

1. Alluminium panels2. Centrally fixed alluminium panel3. Aluminium mesh insect screen4. Alumunium rainwater gutter5. Expansion joint6. Wall construction: Palstic Sealing coat7. Steel channel beam with anchor bolts for fixing concrete element above 8. firebreak9. bracket10. Stainless-steel section11. stainless-steel panel12. Aluminium bracing strip

3

TABLE

OF

CONTENT

Section B-B

Section A-A4

TABLE

OF

CONTENT

Section B-B

Section A-A4

This is a non-denominational chapel in which procession starts with a land-scape that brings visitors inside the spaces by breaking and shifting the building’s planes creating a courtyard that o�ers both an inside and outside area. The courtyard becomes a space for inner celebration as well as social gatherings. However, more importantly it becomes a space that signi�es support and strength that comes from the community and oneself.Through the duality of open and close spaces nature enters the chapel expos-ing the interior simplicity and privacy of the building to the beauty and serenity of nature.

N

120 6 24

Mountainview Cementary Chapel

5

6

Existing

House

Construction in Progress

6

This is a proposal for the remediation and treatment of rain water in the city of Berkeley. Through extended technology research on the subject and a focus on educational awareness for to the visitors of the Berkeley aquatic park, I designed a water treatment plant that connects the city to the bay, it becomes part of the bay, part of the landscape of the park, and is a place where bicyclists, pedestrians, and even drivers are exposed to the remediation process of water.

Berkeley Aquatic Park Storm Water Remediation

Mitigation of rain water by redesig-neing planters on main streets of the city to rerout and reuse water before it gets to the bay.

C I T Y OF B E R K E L E Y

6

6

--

7

METAL TREATMENT

UV TREATMENT

OIL TREATMENT

8

PROFESSIONAL

WORK

8

2'-2"

GAS LINE

2'

2"

FIRE PIT KEY IN POLISHED CHROME

This is a project in Mill Valley where I was involved from the design phase through the drawing of construction documents. I designed and created construction documents for the main path to the entrance of the house, South and West facade remodeling, and the deck, which includes the Metal Siding, BBQ and Fire Pit, and the furniture selection.

Existing

House

SCALE: 1" = 1'-0"

GAS LINE


GAS LINE


410 Lovell West Facade

Entrance Path

BBQ and Fire Pit

Construction in Progress

STAINLESS STEEL BARBECUE UNITFISHER & PAYKEL (888-936-7872)

STAINLESS STEEL SURFACE

SLATE BLUE STONEBUILD DIRECT (877-631-2845)

4'-812"

POURED IN PLACE CONCRETE BASE

FIRE PIT

1'-6"

2"

12'-012" 5'-81

2"

STAINLESS STEEL DOORS

2'

2'

BLACK MEXICAN COBBLE (3/4" - 112" DIA.)

LOOSE SEATING CUSHIONS

2'

PLANTER WITH SPECIMEN SUCCULENTS(RELOCATED FROM SITE)

5"

2'-3"

2" 2"

4'-1112"

BARRIER



1'-5"2'BLACK MEXICAN COBBLE

SAND

GRAVEL 3/4 DIA.

GAS LINE

SOIL

BLACK MEXICAN COBBLE

SECTION CUT B: PLANTER

SECTION CUT A: FIRE PIT

1'

1'-6"

5'-412"21

2"

2'-1112"

R=3/4" (TYP.)

#4 BAR @ 12" O.C.

2"X4" KEYWAY

COMPACTED SUBGRADE TO 95% R.C.

CONCRETE FOOTING

#4 BAR AT 8" O.C. W/2 @ TOP OF WALL CONT.

3"

R=3/4" (TYP.)

#4 BAR @ 12" O.C.

2"X4" KEYWAY


CONCRETE FOOTING


3"

BBQ and Fire Pit Detail




4'-812"


FIRE PIT

1'-6"

2"

12'-012" 5'-81

2"

SCALE: 1" = 1'-0"

2'-2"

STAINLESS STEEL DOORS

2'

2'



2'

2'


5"

2'-3"

2" 2"

4'-1112"

BARRIER




SAND

GRAVEL 3/4 DIA.

GAS LINE

SOIL




5'-412"21

2"

2'-1112"

R=3/4" (TYP.)

#4 BAR @ 12" O.C.

2"X4" KEYWAY


CONCRETE FOOTING


3"

R=3/4" (TYP.)

#4 BAR @ 12" O.C.

2"X4" KEYWAY


CONCRETE FOOTING


3"





FIRE PIT

2"STAINLESS STEEL DOORS

2'

2'



2'

2'


5"

2'-3"

2" 2"

4'-1112"

BARRIER



SAND

GRAVEL 3/4 DIA.

GAS LINE

SOIL




2'-111"

R=3/4" (TYP.)

#4 BAR @ 12" O.C.

2"X4" KEYWAY


CONCRETE FOOTING


3"

R=3/4" (TYP.)

#4 BAR @ 12" O.C.

2"X4" KEYWAY


CONCRETE FOOTING


3"

10

SCALE: 1" = 1'-0"SCALE: 1" = 1'-0"

SCALE: 1" = 1'-0"

PERSONAL

WORK

Casa Neiva

This country house is inspired by the landscape in this part of the world, colonial archi-tecture (common in Colombia), and sustainable techniques use in tropical hot /hummed places. By creating a half courtyard in the entrance area, the house embraces the well, celebrating the water as the most important element of the house. The materiality and the location with respect to the sun’s path are also very important for the design of the house. The roof facilitates the flow of air with openings at the highest points of the pitched roofs. And lastly, the heat transfer is minimized by using cement block and an insulation layer for the ceiling underneath the metal panels.

2

1

34

5

7

8

11 12

13

13

10

14

1414

14

10

12

14

1414

1414 14 14 14 14 14

14

141414

14

14

9

HABITACION CHABITACION BHABITACION A

BANO 2BANO 1

ESTUDIO

SALA

COMEDOR

COCINA

PATIO

HORNO

PARQUEADERO 2PARQUEADERO 1

NORTE

ALMACENAMIENTO

12

12

12

3 3

POZO

DUCHA

LIMITE DE LOTE

11.003.80 1.60

7.03

3.30 3.603.300.20 0.20 0.200.200.20

0.203.602.83

0.20 0.20

7.95

0.20

0.20

4.34

0.20

0.20

3.60

7.71

0.20

2.40

4.41

4.74

3.36

0.20

10.42

1.70

11.88

1.56

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