University of CincinnatiBS-Architecture

Portfolio http://issuu.com/margaretfrank/docs/portfolio

MARGARET Address » 1261 Bunts roAdLAkewood, ohio 44107Phone » 44o.829.1906emAiL » frAnkmm@mAiL.uc.edu

Rocky River, OhioGraduated with First Honors3.8 GPA

Education

Cincinnati, OhioSchool of Architecture and Interior DesignBachelor of Science in Architecture

Cleveland, OhioPost Secondary Enrollment3.O GPA

Experience

1100 Superior AvenueCleveland, Ohio 44144

Designed and produced a variety of tasks for a large multinational architectural engineering incorporation including drawings and renderings for a water treatment facility to be built in Flat Rock, Michigan. Worked in Revit 2013, AutoCAD and Photoshop on drawings for government buildings. Went on a site visit and completed necessary Autocad drawings for repairs of existing military facilities. Direct client contact via telephone and email. Worked closely with staff architects and strucutral engineers.

University of Cincinnati » Class of 2O15

FRANK

Cleveland State University 2O1O-2O11»

Magnificat HigH scHool class of 2O11»

Jan. 2013 - present»ARCADIS U.S.,

Westlake, Ohio 4414O

Provided superior customer service and food preparation for club members in a fast paced energetic work environment.Recipient of Lakewood Country Club College Scholarship Award.

Activities

HigH scHool

collegeHabitat for Humanity Cincinnati, Relay for Life 2O12, Lakewood Country Club College Scholarship Award 2O12

summer 2o12»

Skills

Proficient: Revit 2013, CAD 2013, Rhino, Adobe Illustrator, Adobe InDesign, Adobe Photoshop CS.6, Microsoft Excel, Microsoft Office, Adobe After Effects, SpecsIntact, Google Sketch-up, Maya, Grasshopper, 3ds Max

pHysicalModel building with a variety of materials, Drafting, Sketching, Rendering,Sanders, Scroll Saw, Drill Press, Miter Saw, Planer, Jointer, Band Saw, Table Saw

computer

Track and Field Captain 2011, Track and Field 2007- 2011, Cross Country 2010, Facing History and Ourselves 2009-2010

lakewood country club

Experience continued

In relation to the demolition and replacement of the façade to the American Folk Art Museum initiated by MoMA, the objective of this project was to fabricate an original façade that engages the existing through the use of tectonics. The layers and joints between connections in elements, discovered through the constraints in dimensions and types of material, created an understanding of how to achieve a structural solution.

Because the sole function of the façade is to provide a beautiful spectacle the inspiration came from an animal. Similar to the strands in a peacock’s feather, the bands of wood and museum board represent a digital pattern; a combination of many individuals. Formed through a logical method of applied rules, the subtle aesthetic features produce a rhythm and asymmetrical projection through varies in thickness and density. The progression of narrow verticals closely arranged to broader, less concentrated components implies the interior spaces that do not have access to the view the exterior and where the entrance is located.

Adapting and reflecting the façade design composed the entry sequence and plan. While preserving the existing stairs and elevator, the mezzanine and toilets were configured in a fashion that represents the building services and structures and their spatial effects on sequence of movement, as well as its association to the façade.

MoMA FACADE REMODEL

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MoMa Facade Remodel5

The basis of this pavilion design revolves around an enclosure system for carving and displaying an ice sculpture. The concrete base, represented by one half inch thick MDF, was conceived through subtraction. The variation of depths carved out of the base provides seating with consideration to eye level of the exposition, a space designated to support the ice sculpture and clearance for the sculptor to circulate around it, and an apparent, cohesive flow of circulation. A light wood-framed structure stems from the base as an intricate skeleton that expresses and contrasts joints within the pavilion and between the pavilion and the base. After assembling connections between the studs, they were manipulated to fit within the form of the base. Panels that span portions of the skeleton in particular places along the sides and top are a simple skin to prevent accelerated melting.

ICE SCULPTURE PAVILION

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Resembling a vintage luggage lock, the raised and lowered layers engage with each other to enclose the pavilion and suggest paths of movement. The ice sculpture can be easily transported as the back of the platform it sits on slopes downward towards the second opening. This also allows placement for channels to transport water away from the sculpture and occupied space in the pavilion.

ICE SCUPLTURE PAVILION7

Located along a main business street in the Gaslight District in Cincinnati, proposed the idea for a literary center to replace a parking lot. After studying a previous Carnegie Library through producing technical drawings from measurements taken on site, as well as exploring the specific architectural concepts, it became apparent that the program of the library, in order to be relevant in its context today, would need to focus on the rise of technology. This provoked separation of the program by floor. The circulation vestibule, encased in glass, allows patrons of the literary center to quickly navigate to their destination upon entering. Public versus private spaces is distinguished by the circulation vestibule as it wraps around the building and extends to the community space located on the third floor. The vestibule and core of the building are separated by walls allowing certain programs of the literary center to be open at various times.

CLIFTON LITERARY CENTER

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The first floor contains the traditional components of a library, including stacks, reading rooms, and a rare art books collection. The second floor embodies a space for the users who wish to focus their visit using modern technology. The area contains very few enclosed rooms and portable furniture in the open spaces to anticipate the incorporation of technology as it advances. Circulation desks are located along the wall separating the vestibule from the building and allowing librarians to oversee all activity on the floor. The third floor has no barrier between the circulation vestibule and the community space. Within that space is an auditorium, kitchen, café, and lounge room encouraging the public to interact amongst themselves.

CLIFTON LITERARY CENTER9

While the materials used in the façade of literary center contrast the surrounding context, they expose the technological advances in sustainable architecture that aid in diminishing the current problems in the environment. “Biological concrete” is a vegetated façade that uses the natural environment to support its system. This reduces CO2 content in the air, a prevalent issue especially in densely populated cities. It also acts as insulation and a thermal regulator. Another issue solved through the use of material was through sustainable glass that can adjust the amount of sunlight and heat that enters the building. This allows the circulation vestibule to be a comfortable space to occupy year-round.

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ARTIST

COLLEGE/STUDENT

YOUNG PROFESSIONAL

YOUNG COUPLE

FAMILY

ELDERLY COUPLE

SAGE GLASS

BIOLOGICAL CONCRETE

CLIFTON LITERARY CENTER11

A spa intends to relax or stimulate a person’s body. Having a destination in mind, users of the pool house must breakdown mental and physical barriers in order to orient their mind and body and obtain their bliss. These metaphorical layers of are personified through a consistent tectonic element that uses alignment of parallel lines as a guide. Although the main structure is composed of solid segments with void in the middle, where that piece reappears creates an awareness of integration and wholeness. Spaces between the structures establish a rhythm of movement through the program. The plan is devised of tight spaces that direct circulation as it approaches more open spaces when the destination is physically reached.

BATHHOUSE

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1 2 3 4 5

Small Pool

Sauna

Showers

Changing Room

Lounge

1

2

3

4

5

A person is lead through the sequence by the beams, but not forced into any of the spaces, as the location of pools flow out from the core of the foundation. The entry exposes visitors to the focal point being the large pool. The corridor reveals glimpses of the sauna, plunge pool, changing rooms, lounge, and small pool. The circulation weaves around the structures to allow time for reminiscence of the previous space and preparation for the next. Movement alongside and through the spaces is a circular route; bringing the journey back to the start from a different perspective and the option to begin a new one. As the plan diverges out to where the large and small pools are, the structure becomes subtler creating a serene atmosphere to swim, sunbathe, and observe surrounding woodland and river.

BATHHOUSE13

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FLAT ROCK PROPOSAL

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FLAT ROCK PROPOSAL15

Adjacent to a contaminated plot of land in Flat Rock, Michigan a client contacted our company proposing the need for a leachate treatment system. It was requested that the facility resemble a ranch house to disguise it within the neighborhood. Under close supervision of the architect, I was appointed to explore design variations of the roof and façade with respect to the interior layout of the equipment. Modeling the building in Revit, I produced iterations of roof possibilities given the dimensions of the plan. After submitting technical drawings and a rendering, using a site photo and the Revit model, the client approved the design. I configured the final model of the building in Revit and coordinated with the structural engineer to ensure the model was accurate. The final drawings were issued for bid in May 2013.

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FLAT ROCK PROPSAL17

FLAT ROCK PROPOSAL18

University of CincinnatiBS-Architecture

frankmm@mail.uc.edu