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PORTFOLIO - Palak Choudhary
1. Analysis of current residence
1.1 Aim, Process and learning Outcome 1.2 Plan of current space 1.3 Zoning 1.4 Usage 1.5 Axis and Proximity 1.6 Movement 1.7 Form and Space 1.7.1 Overall 1.7.2 Space wise
2. Case Study of a Residence
2.1 Sun path, Openings and Volume 2.2 Path, Structure and Zoning 2.3 Form and Space 2.4 Materials and nishes
3.6 SchemaQc Zoning 3.7 Design Development 3.8 Final Plan 3.9 REM ApplicaQon 3.10 Concept Sheets
3. Residence Designing
3.1 Project Brief 3.1.1 Design Brief 3.2 Current/ Desired Quality Table 3.3 Desired Proximity Matrix 3.4 Site Analysis 3.4.1 Sun Path Diagram 3.5 Bubble Diagram
CLIENT PROFILE FATHER: Gobind Choudhary Disciplined, business oriented, likes to keep his space very organized. MOTHER: Sunita Choudhary Responsible, cleanliness freak, wants her space neat and clean. ELDER BROTHER: Aman Choudhary Sincere, dedicated towards studies, needs ample book storage ME: Palak Choudhary Messy, organised in my own way YOUNGER BROTHER: Radhesh Choudhary Very messy, not organized at all. Needs an organized space of his own My current residence is divided into public and private spaces verQcally. The rst oor has private spaces wheras the ground has a horizontal gradaQon from public to private. The lobby, which acts as the family lounge, is the most used area. The double height above the lobby has a sky light which provides ample natural light for the whole house. The lobby is close to the kitchen and also has a television. It is used as a dining space as well
AIM: To make a detailed CAD plan of our current residence and to analyze it on the basis of spaQal parameters PROCESS: Studying the usage of each area, dividing it into zones. Also analyzing the furniture of each area on the basis of principles of design. LEARNING OUTCOME: A residence is always divided into public and private spaces. The public spaces are placed near the entry as it is convenient for the guests to use. Usually the kitchen acts as a division between the public and private spaces. A space can be enhanced by using the right principles of design. Clearance plays an important role in the placement of furniture
ANALYSIS OF CURRENT RESIDENCE
CAD PLANS
LIVING ROOM
DINING ROOM
LOBBY
KITCHEN
PUJA ROOM
GRAND PARENTS ROOM
GUEST ROOM
LIFT
LAUNDRY ROOM
MY ROOM
PARENTS ROOM
YOUNGER BROTHERS ROOM
ELDER BROTHERS ROOM
LIFT
PANTRY
LAUNDRY ROOM
MY ROOM
PARENTS ROOM
YOUNGER BROTHERS ROOM
ELDER BROTHERS ROOM
LIFT
PANTRY
LIVING ROOM
DINING ROOM
LOBBY
KITCHEN
PUJA ROOM
GRAND PARENTS ROOM
GUEST ROOM
LIFT
Clear demarcation of public and private spaces both in linear and horizontal terms
On the ground Mloor there is gradation from public to private spaces horizontally
The Mirst Mloor comprises of private spaces
The while house is divided vertically between public and private spaces
PUBLIC
SEMI- PUBLIC
SEMI- PRIVATE
PRIVATE
ZONING
ENTRY
LOBBY
LIVING ROOM
GUEST ROOM
DINING ROOM
PUJA ROOM
GRAND PARENTS ROOM
KITCHEN
USAGE
LIVING ROOM
DINING ROOM
LIFT
KITCHEN
LOBBY
PUJA ROOM
GRANDPARENTS ROOM
GUEST ROOM
LAUNDRY ROOM
ELDER BROTHERS ROOM
YOUNGER BROTHERS ROOM
PARENTS ROOM
MY ROOM
LIFT
PANTRY
The laundry room and my elder brothers room are used more
My room, my parents room and the lift are less frequently used
The pantry and my younger brothers room is not used at all
ELDER BROTHERS ROOM
MY ROOM
YOUNGER BROTHERS ROOM
PANTRY
LAUNDRY ROOM
PARENTS ROOM
The living room is rarely used for formal meetings so is the dining room
The kitchen, the lobby and the guest room are the most used spaces.
The puja room is used very frequently
MOST USED
MODERATELY USED
LESS USED
RARELY USED
KITCHEN
LOBBY DINING PUJA
ENTRY
DINING
AXIS AND PROXIMITY
The entry opens up to the public spaces
The kitchen connects the public and
private spaces
The puja is close to the kitchen
STRONG HORIZONTAL AXIS
LAUNDRY STAIRS
The stairs is close to the laundry.
The pantry is in the middle of the rooms
LAUNDRY ROOM
ELDER BROTHERS ROOM
YOUNGER BROTHERS ROOM
PARENTS ROOM
MY ROOM
PANTRY
LIVING ROOM
DINING ROOM
LIFT
KITCHEN
LOBBY
PUJA ROOM
GRANDPARENTS ROOM1
GUEST ROOM
MOVEMENT
Because of the horizontal there is a clear horizontal movement
There is a similar movement on both the floors
FORM AND SPACE
The over all form is very similar on the ground and first floor
The spaces are placed around the negative space formed in the middle
A clear circulation is formed in the middle and the emphasis is laid on that
There is a sense of rhythm and harmony on the ground floor
The first floor is asymmetrical and imbalanced
OVER ALL
KITCHEN
GRAND PARENTS ROOM
GUEST ROOM
PUJA ROOM
LOBBY DINING
LIVNG ROOM
LIFT
GROUND FLOOR
Living room Symmetrically balanced and poses harmony
There is a clear circulation in the middle
There is no disturbance cause by operational furniture
Dining room clear circulation on one side
There is a great circulation problem cause in
between the console and table
The cabinets on the console cannot be opened if the
table is being used
The size of table corresponds the size of the
room creating balance, but the placement of the console makes it crowded
lobby A balance is being created with the wall of
the puja room, however the console should be in front of the table to create a balance in the lobby
There is a circulation issue between the sofa and the table
Grand parents room Its centrally laid
Has clear circulation
The washing area in the kitchen has space for only one person
There is a sense of movement and harmony in the kitchen
The puja room cannot accommodate more than
2 people but is balanced
Guest room The horizontal axis divides it into 2
Circulation is affected when the study
table is in use.
FIRST FLOOR
Elder brothers room Asymmetrically balanced and poses harmony
There is a horizontal and a vertical axis
Repetition caused by the size of the furniture
Younger brothers room Asymmetrical and imbalanced
Sense of rhythm caused by confusion
Parents room Its centrally laid
Has clear circulation
Asymmetrically balanced
My room Its divided by the horizontal path
Has clear circulation
Sense of rhythm
PROJECT BRIEF
DESIGN BRIEF SPACES TO BE INCLUDED ENTRANCE FORMAL LOUNGE DINING KITCHEN FAMILY LOUNGE
Formal lounge Used for formal guests. Its placed near the entrance so the access is straight. There is a seaQng for 15 and has an opening to the garden. Its on the front faade, so there is ample natural light. Problem: No problem Dining Used when guests come at home its adjacent to the formal lounge and very near to the kitchen. Problem: there is very less movement space and there is no natural light SoluQon: changing the placement of the room and also increasing it.
POOJA ROOM GRANDPARENTS ROOM MASTER BEDROOM ELDER BROTHERS ROOM YOUNGER BROTHERS ROOM STUDY Kitchen
There is a good work triangle and ample space Problem: there is very less natural light SoluQon: adding windows
Family Lounge There a double height space which makes the space look bigger. Its near to the kitchen and is placed in the the centre. Problem: there is a lot of heat because of the the sky light SoluQon: removing the skylight
Pooja room The pooja room is placed near the kitchen Problem: there is a lot of heat because of the the sky light SoluQon: removing the skylight
Master Bedroom The pooja room is placed near the kitchen Problem: there is a lot of heat because of the the sky light SoluQon: removing the skylight
The project was to design a space (residence) in accordance with our family needs. While redesigning, we were supposed to incorporate the learning from the two analysis before. Finally a sketch up model was to be made in the end
S. NO. CURRENT QUALITIES ENTRY DINING
FORMAL LOUNGE FAMILY LOUNGE KITCHEN
MASTER BEDROOM PUJA
1 FEELING/ MOOD FORMAL VERY FORMAL INFORMAL AND RELAXED RELAXING SPIRITUAL
2 IMAGE AND STYLE MODERN CONTEMPORARY MODERN
CONTEMPORARY MODERN
CONTEMPORARY MODERN
CONTEMPORARY MODERN MODERN
CONTEMPORARY TRADITIONAL WITH MODERN WALLS
3 DEGREE OF SPECIAL ENCLOSURE OPEN WALLS ON 4 SIDES ENCLOSED BUT WITH LARGE WINDOWS
DOUBLE HEIGHT ENCLOSED WITHIN WALLS ENCLOSED ENCLOSED WITH NO WINDOWS
4 COMFORT AND SECURITY COMFORTABLE EASY TO USE VERY COMFORTABLE COMFORTABLE COMFORTABLE VERY
COMFORTABLE
NOT SO COMFORTABLE VERY SMALL
5 QUALITY OF LIGHT AMPLE NATURAL LIGHT NO NATURAL LIGHT AMPLE NATURAL
LIGHT
THE NATURAL LIGHT LIGHTS UP
THE WHOLE HOUSE
ALWAYS NEEDS ARTIFICIAL LIGHT
AMPLE LIGHT NEEDS ARTIFICIAL LIGHT ONLY IN THE
EVENING
NO NATURAL LIGHT
6 FOCUS AND ORIENTATION HIGHLIGHTED WALL CABINETS BEHIND
THE TABLE WALL ART WALL TEXTURE CARVED MARBLE
7 COLOUR AND TONE BROWN AND BEIGE BROWN AND WHITE BROWN, WHITE
BEIGE BEIGE AND BROWN SILVER BLACK BRONW GREY
BEIGE WHITE BROWN AND
SILVER WHITE & GOLD
8 TEXTURES AND MATERIALS WOOD UPHOLSTERY
WOOD GLASS AND IVORY
WOOD, IVORY GLASS UPHOLSTERY
GLASS WOOD UPHOLSTERY
GRANITE WOOD GLASS
UPHOLSTERY WOOD GLASS MARBLE, WOOD
9 ACOUSTICAL ENV NOISE NOISE FROM THE FAMILY LOUNGE NO NOISE NOISE FROM EVERYWHERE
CAUSE OF DOUBLE HEIGHT
NOISE FROM THE FAMILY LOUNGE QUIET
NOISE FROM THE FAMILY LOUNGE
10 THERMAL ENV WARM COOL MODERATE VERY HOT COOL MODERATE COOL
11 FLEXIBILITY AND PROJECTED LENGTH OF USE
USED BY EVERYONE, ACCESS TO THE HOUSE AND STAIRS
USED ONLY WHEN GUESTS COME HARDLY USED USED THE MOST
USED BY MOM AND MAIDS
USED ONLY FOR SLEEPING
USED BY THE FAMILY MEMBERS AS WELL AS THE
PANDIT JI
S. NO. DESIRED QUALITIES ENTRY
DINING AND FORMAL LOUNGE FAMILY LOUNGE KITCHEN
MASTER BEDROOM PUJA
1 FEELING/ MOOD WELCOMING FORMAL INFORMAL AND RELAXED COMFORTABLE RELAXING SPIRITUAL
2 IMAGE AND STYLE CONTEMPORARY MODERN CONTEMPORARY MODERN
CONTEMPORARY MODERN MODERN
CONTEMPORARY TRADITIONAL
3 DEGREE OF SPECIAL ENCLOSURE OPEN OPENING TO THE GARDEN OPEN ENCLOSED
WITHIN WALLS
ENCLOSED WITH AN OPENING TO THE BALCONY(FROMT
FAADE)
DOUBLE HEIGHT WITH A SKY LIGHT
4 COMFORT AND SECURITY COMFORTABLE EASY TO USE VERY COMFORTABLE COMFORTABLE VERY COMFORTABLE VERY COMFORTABLE
5 QUALITY OF LIGHT AMPLE NATURAL LIGHT AMPLE NATURAL LIGHT NO DIRECT WINDOW, RECEIVES NATURAL LIGHT FROM OTHER
SPACES
AMPLE AMOUNT OF
NATURAL LIGHT
AMPLE LIGHT NEEDS ARTIFICIAL LIGHT
ONLY IN THE EVENING SKY LIGHT
6 FOCUS AND ORIENTATION PAINTING THE CHANDELIER CONTRAST OF UPHOLSTERY THE ISLAND
COUNTER AND ITS CHAIRS
THE CENTRAL AXIS AND THE PARTITION
WALL
DOUBLE HEIGHT AND PAINTING
7 COLOUR AND TONE WHITE AND SILVER BEIGE WHITE SILVER, NATURAL PALETTE IN CONSTRAST WITH EMERALD GREEN
BEIGE SILVER AND FUSCHIA
BEIGE WHITE SILVER AND FUSCHIA
BEIGE WHITE LIGHT PINK AND SILVER
WHITE SILVER AND BROWN
8 TEXTURES AND MATERIALS WOOD AND MARBLE UPHOLSTERY WOOD GLASS LEATHER UPHOLSTERY STEEL GLASS AND LACQUER
MARBLE LACQUER
WOOD, GLASS
UPHOLSTERY LACQUER WOOD GLASS SUEDE
MARBLE, WOOD
9 ACOUSTICAL ENV NO NOISE DECENTLY QUIET NOISE FROM THE KITCHEN NOISE FROM THE FAMILY LOUNGE
QUIET SOME NOISE
10 THERMAL ENV MODERATE MODERATE COOL MODERATE MODERATE MODERATE
11 FLEXIBILITY AND PROJECTED LENGTH OF USE
USED BY EVERYONE, ACCESS TO THE
HOUSE AND STAIRS
DINING USED MORE FREQUENTLY USED THE MOST
USED BY MOM MAIDS AND FAMILY
MEMBERS
USED ONLY FOR SLEEPING
USED BY THE FAMILY MEMBERS AS WELL AS
THE PANDIT JI
PROXIMITY
SITE ANALYSIS SHEET
SUMMERS
WINTERS
BUBBLE DIAGRAM
Before being given the area of the plot, we were asked to make bubble diagrams. A bubble diagram is the best way to iniQally explore possibiliQes. It does not conne you to four walls and can ow in any direcQon. The bubble diagram helped us to divide the spaces according to levels. It also denes the placement and relaQonship of the spaces. LEVEL WISE DIVISION OF SPACES. GROUND FLOOR: Formal lounge, dining and powder room; kitchen and puja room; family lounge, grandparents room and entrance to the den. FIRST FLOOR: Master bedroom, elder brothers room, younger brothers room and study
PROS A huge buer space at the
entrance The kitchen divides the
informal and formal lounge A good dining, living and
powder room relaQonship Division of zones: public and
private The stairs are near the
private zone
CONS The pooja room is not
placed according to vastu The kitchen and puja
should be closer No dened entry,
entrance directly to the house
PROS Huge buer space which
divides the sibling room and the master bedroom.
The stairs are coming from the courtyard
CONS The buer area covers
more space than the rooms
Less rooms as compared to the ground oor
FINAL BUBBLE DIAGRAM
SCHEMATIC ZONING
Aoer the bubble diagram exercise we received the structural plan of the area we had to re design. The structural grid consisted of predened beams and columns. It also had predened shaos. Our design was supposed to correspond to this grid. We started with hand drawn rough layouts and then proceeded to CAD drawings. The placement and relaQonship of the spaces were decided by the bubble diagram but the axis, movement and principles of design were the main objecQve of this exercise.
STAGGERED ENTRANCE CENTRAL AXIS
DESIGN DEVELOPMENT
One of the layout was nalized and we started pupng furniture in it and applying the principles of design.
The columns in the middle break the alignment
The puja room is not according to the vastu
The puja room is small and is surrounded by the stairs
The space is aligned to the columns. There is not a good relaQon between
kitchen and puja. The puja room is small and is
surrounded by the stairs The beams are not aligned to the
wall parQQons
Alignment with columns and beams The puja kitchen relaQonship is solved
3D PAPER MODEL
GROUND FLOOR
FIRST FLOOR NORTH (FRONT) FAADE WEST FAADE
EAST FAADE SOUTH FAADE
The objecQve of a 3D model was to check the placement of the windows and to see the alignments on both the levels It gave a more realisQc idea of the whole space.The parQQons and treatment of walls became clearer.
FINAL PLAN
FAMILY LOUNGE
GRANDPARENTS ROOM
KITCHEN
DINING
FORMAL LOUNGE
POOJA ROOM
YOUNGER BROTHERS ROOM
MASTER BEDROOM
STUDY
UTILITY
ELDER BROTHERS ROOM
REM APPLICATION
The reasearch that we did on our family for REM played an important part in the nal plan. We had to make use of the characterisQcs of our family in determining the placement of spaces. Vastu plays an important role in my family. The pooja
room is on the east faade in accordance with vaastu. The pooja room is not suppose to have construcQon
on top of it so a double height is created. Being on the East faade it receives good morning light. A sky light is created on the double height. There is also an entry to the exterior which makes the morning puja easier
The kitchen is also supposed to be on the East faade. It is placed adjacent to the puja room as food is oered to God before being eaten by the rest of the family.
GRANDPARENTS ROOM Asymmetrically balanced Central axis Clear circulaQon
A neutral colour paleqe with tradiQonal
furniture.
KITCHEN Balanced Work traingle Central clearance for movement The contrast made with the purple colour makes the space livly
DINING AND LIVING Clear circulaQon Furniture placed according
to path clearance
MASTER BEDROOM Strong central axis Clear circulaQon Symmetrically
balanced
PUJA ROOM AND FAMILY LOUNGE
ENTRY POWDER ROOM AND STAIRS
YOUNGER BROTHERS ROOM AND STUDY
ELDER BROTHERS ROOM, UTILITY AND LOBBY
First oor
Ground oor
FRONT FAADE NORTH
FRONT FAADE SOUTH
EAST FACADE
WEST FAADE (main entrance)
Jaali for railing