H O T S P R I N G S , A R

S AV E t h e D A T E

THOMAS & JANE

A R E G E T T I N G

M A R R I E D 01.05.2013

T H O M A S + J A N ES A V E T H E D A T E S

1 2 3 H A M I L T O N L A N E

S E A R C Y , A R K A N S A S

I N V I T E Y O U T O J O I N T H E M I N T H E C E L E B R A T I O N O F

T H E I R M A R R A I G E O N S A T U R D A Y T H E F I F T H O F J A N U A R Y

A T T H R E E O ’ C L O C K I N T H E A F T E R N O O N

T W O T H O U S A N D A N D T H I R T E E N A T “ A N T H O N Y C H A P E L ”

G A R V A N G A R D E N S • H O T S P R I N G S , A R K A N S A S

r e c e p t i o n t o f o l l o w a t T h e R e g e n c y , H o t S p r i n g s , A r k a n s a s

THOMASb u r t o n

ADAMS

JANEann

MESSINA

T O G E T H E R W I T H

T H E I R F A M I L I E S

T H O M A S + J A N EW E D D I N G I N V I T E S

1 2 3 H A M I L T O N L A N E

S E A R C Y , A R K A N S A S

I N V I T E Y O U T O J O I N T H E M I N T H E C E L E B R A T I O N O F

T H E I R M A R R A I G E O N S A T U R D A Y T H E F I F T H O F J A N U A R Y

A T T H R E E O ’ C L O C K I N T H E A F T E R N O O N

T W O T H O U S A N D A N D T H I R T E E N A T “ A N T H O N Y C H A P E L ”

G A R V A N G A R D E N S • H O T S P R I N G S , A R K A N S A S

r e c e p t i o n t o f o l l o w a t T h e R e g e n c y , H o t S p r i n g s , A r k a n s a s

THOMASb u r t o n

ADAMS

JANEann

MESSINA

T O G E T H E R W I T H

T H E I R F A M I L I E S

T H O M A S + J A N EW E D D I N G I N V I T E S

H O T S P R I N G S , A R

S AV E t h e D A T E

THOMAS & JANE

A R E G E T T I N G

M A R R I E D 01.05.2013

T H O M A S + J A N ES A V E T H E D A T E S

A s t a t i o n a r y s e t t h a t w a s

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w e d d i n g .

OLD SETTLERS MUSIC FESTIVALAUSTIN TX APRIL 21

IRON&wine OLD SETTLERS

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OLD SETTLERS MUSIC FESTIVALAUSTIN TX APRIL 21

IRON&wine

OLD SETTLERS MUSIC FESTIVALAUSTIN TX APRIL 21

IRON&wine

OLD SETTLERS MUSIC FESTIVALAUSTIN TX APRIL 21

IRON&wine

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IRON&wine

P O S T E R D E S I G NI R O N & W I N E

A s e r i e s o f t h r e e p o s t e r s

f o r t h e b a n d I r o n & W i n e .

T h e t h r e e w o r k a s a w h o l e

o r s e p r a t e l y .

OLD SETTLERS MUSIC FESTIVALAUSTIN TX APRIL 21

IRON&wine OLD SETTLERS

MUSIC FESTIVALAUSTIN TX APRIL 21

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IRON&wine

CU LTU REkombucha tea

I N G R E D I E N T S

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a l c h o h o l p r e s e n t . .

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G I N G E R R O O T L E M O N

CU LTU REkombucha tea

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a n t i b a c t e r i a l , a n t i - i n f l a m m a t o r y , a n d

a n t i o x i d a n t a v i t i e s . I t i s k n o w n t o t r e a t

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a n d h a s a n a t u r a l � a v o r s w e e t e r t h a n s u g a r

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O R G A N I C B L A C K T E A S ,

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B R A N D I D E N T I T YR O O T S & C U L T U R E

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b e u p t o . 5 % a l c h o h o l p r e s e n t . .

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D A N D E L I O N R O O T M I N T

CU LTU REkombucha tea

Thousands live on lessthan a dollar a day.

feed their families.

Without fertile soil, andan adequete water supply,farmers struggle to

One goat equals change.

Give a goat, and change a life

P S AG I V E A G O A T

A P u b l i c S e r v i c e A n n o u n c e m e n t

p r o m o t i n g G i v e A G o a t I n t e r n -

a t i o n a l . T h e s e t o f t h r e e p o s t e r

d e s i g n s e d u c a t e a n d c a l l t h e

a u d i e n c e t o a c t i o n t o h e l p e n d

p o v e r y a n d h u n g e r .

Thousands live on lessthan a dollar a day.

feed their families.

Without fertile soil, andan adequete water supply,farmers struggle to

One goat equals change.

Give a goat, and change a life THE BLACK KEYS

Itypical Patrick Carney fashion – expressed his continued frustration with the popular music streaming service Spotify.“If it was fair to the artist, we would be involved in it,” Carney told the station. “I imagine if Spotify becomes something that people are willing to pay for, then I’m sure iTunes will just create their own service, and they’re actually fair to artists.”

AGAINST SPOTIFYSTAND

When asked about Napster founder and current Spotify board member Sean Parker's claim that within two years Spotify will be generating more revenue for the music industry than iTunes,

and that's the bottom line. You can't really trust anybody like that.

totally against it. It's just we won't put all of our music on it until there are enough subscribers for it to make sense."

Carney's statement should come as no surprise to Black Keys fans who looked to streaming services like Spotify, Rdio, Rhapsody, and MOG to hear the duo's latest album, El Camino, and found it missing. It was a planned move by Carney and bandmate Dan Auerbach, who withheld the record from such

is "set up to be a little more fair for the labels than the artists."

I imagine if Spotify becomes something that people are willing to pay for, then I’m sure iTunes will just create their own service, and they’re actually fair to artists.

“

““For a band that makes a living selling music, it’s not at a point where it’s feasible for us,” Carney continued.

In the past, the Black Keys famously refused to allow their El Camino album to stream on sites like Spo-tify. And though the debate over Spotify's royalty payments to artists continues, Parker has yet to respond to Carney's barbs.

would have to really churn and burn if it wants to catch iTunes in terms of revenue (iTunes sells individual tracks, and controls roughly 70 per-cent of the U.S. download market). As Spotify currently operates, it takes about 64 streams to equal one 99-cent iTunes purchase, according to a recent Billboard study. Even users who pay for the service with unlimited or premium accounts are still only making up for a fraction of the potential revenue an artist could be pulling in.

Several other artists have sounded

the music industry. Since Spotify launched in the United States in July, Adele, Coldplay, Tom Waits, Kanye West/Jay-Z and a host of other spot-lighted artists have kept their latest

-ed this practice, tweeting, "I'm saying that because of adele, coldplay black keys etc going into next year people are going to think about not allowing streams."

07

M A G A Z I N EISSUE 1

&B L A C K

T H E

K E Y St h e s p o t i f y r e v o l u t i o n

E D I T O R I A L D E S I G NP R O M O M A G A Z I N E

A s e r i e s o f M a g a z i n e c o v e r

a n d s p r e a d d e s i g n s f o r P r o m o

m a g a z i n e .

’

IT MIGHT GET LOUD

ome documentaries will immerse the viewer in the sensory spectacle of a live perfor-mance. Others acqua nt us with the lives and personalities of the performers. “It Might Get Loud,” directed by Davis Guggenheim, is more unusual. It’s a group por-trait of three musicians and also, more intriguingly, a free-form his-torical and philosophical essayon the instrument that unites them.

electric guitar is as durable as anything in rock ’n’ roll. Whenever the power chord or the screaming solo seems destined for oblivion, it’s rescued, either by a new generation of play-ers or, by a video game.

-age of innovators, from

Growing up, all three guitarists real-ized their rebellion through music: Page was attempting to subvert the sugary-sweet pop music of the 1960s, the Edge was hell-bent on making the guitar solos of the 1970s a distant memory, and White used his screech-ing strings to buzz out the droning bass machines of the 1980s

The mystique of the electric guitar is as durable as anything in rock n’ roll.

Chuck Berry to Jimi Hendrix to Bob Mould, and “It Might Get Loud,” rather than surveying the

-tatve power trio made up of JImmy Page of led Zeppelin, the Edge of U2 and Jack White, most famously of the White STripes.

’

IT MIGHT GET LOUD

ome documentaries will immerse the viewer in the sensory spectacle of a live perfor-mance. Others acqua nt us with the lives and personalities of the performers. “It Might Get Loud,” directed by Davis Guggenheim, is more unusual. It’s a group por-trait of three musicians and also, more intriguingly, a free-form his-torical and philosophical essayon the instrument that unites them.

electric guitar is as durable as anything in rock ’n’ roll. Whenever the power chord or the screaming solo seems destined for oblivion, it’s rescued, either by a new generation of play-ers or, by a video game.

-age of innovators, from

Growing up, all three guitarists real-ized their rebellion through music: Page was attempting to subvert the sugary-sweet pop music of the 1960s, the Edge was hell-bent on making the guitar solos of the 1970s a distant memory, and White used his screech-ing strings to buzz out the droning bass machines of the 1980s

The mystique of the electric guitar is as durable as anything in rock n’ roll.

Chuck Berry to Jimi Hendrix to Bob Mould, and “It Might Get Loud,” rather than surveying the

-tatve power trio made up of JImmy Page of led Zeppelin, the Edge of U2 and Jack White, most famously of the White STripes.

W O R K A P P A R E L

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2016JACKSONVILLE

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Commite for 2016 Olympics in Jacksonville

Commite for 2016 Olympics in Jacksonville

JACKSONVILLE

SUMMER2016

ARRIVEC A M P A I G N

A R R I V E J A C K S O N V I L L E 2 0 1 6

A r r i v e J a c k s o n v i l l e i s a n

i d e n t i t y s y s t e m f o r t h e

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O l y m p i c s 2 0 1 6 .

2016JACKSONVILLE

SUMMER

S C R E E N P R I N TW A T E R S