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Liliana Medeiros GuerraPortfolio
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PERSONAL INFORMATION:
NAME: Liliana Sofia Medeiros Guerra
ADDRESS: Entroncamento da Bela Vista, n 3, Lamas de Orelho 5370-152
Mirandela, Portugal.
TELEFONE: 00351 - 936874740
MAIL: [email protected]
NATIONALITY: Portuguese.
BIRTH DATE: 28|12|86
DRIVERS LICENCE: (B) | 758190591
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EDUCATIONAL INFORMATION:
F.A.U.P. [Faculty of Architecture of University of Porto]
MASTER DEGREE IN ARCHITECTURE - conclusion: 08-09-2011
MASTER THESIS CLASSIFICATION: 19 values [0-20].
COURSE CLASSIFICATION: 14 values [0-20].
PROFESSORS AT F.A.U.P.: Nuno Portas, lvaro Siza Vieira, Eduardo Souto de Moura.
CURRICULAR ACTIVITIES:
2010|2011: Master thesis Pompeii, the relation between habitation, commerce and the street.
2009|2010: Tiermes 2010, international workshop Projecting archeological landscape.
2008|2009: Erasmus at University of Parma, Italy.
Urbanism - urban area of the university campus at Parma.
Architectonic Project - collective habitation and public library.
Architectural restoration.
2007|2008: Project IV public building museum at Matosinhos.
2006|2007: Project III Residential building and public space at Porto.
2005|2006: Project II collective habitation for students at Porto.
2004|2005: Project I coffee shop at Parque da cidade do Porto and house for 3 students at
Porto.
EXTRA CURRICULAR ACTIVITIES:
2009|2010: Project of a scenario to Antologia do Fado de Coimbra, at Oportos and
Famalicos main theatres.
2003|2004: Organization and participation at the art exhibition Sentir Arte, at Armindo
Teixeira Lopes museum.
Collective art exhibition at Mirandelas Hospital.
2002|2003: Wall painting at the pediatric rooms at Mirandelas Hospital.
Colective exhibition of glasswork at Mirandelas Hospital.
Collective art exhibition at Reginorde.
PERSONAL SKILLS (SELF VALUATION):
ARTISTIC SKILLS: Painting and scenography
ORGANIZATION SKILLS: Experienced user at organizing events, art exhibitions and trips.
TECHNICAL SKILLS: Models elaboration, technical drawing, graphic edition.
INFORMATIC SKILLS: 2D Drawing: Autocad; 3D Drawing: Autocad, 3D studio.
Experienced Adobe Programs user: Photoshop, Ilustrator, InDesign, Premiere, Microsoft Office.
LANGUAGE SKILLS: Portuguese, English, Spanish, Italian, German.
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PORTUGUESE (main language):
Oral and writing understanding: Experienced user.
Oral interaction: Experienced user.
Writing: Experienced user.
ENGLISH:
Oral and writing understanding: Experienced user.
Oral interaction: Experienced user.
Writing: Experienced user.
SPANISH:
Oral and writing understanding: Experienced user.
Oral interaction: Experienced user.
Writing: Regular user.
ITALIAN:
Oral and writing understanding: Regular user.
Oral interaction: Regular user.
Writing: Low user.
GERMAN:
Oral and writing understanding: learning process.
Oral interaction: learning process.
Writing: Learning process.
ADITIONAL INFORMATION (TRAVELING):
ITALY: Milan, Parma, Ferrara, Venice, Trieste, Modena, Bologna, Florence, Pisa, Perugia, Siena,
Caprarola, Rome , Naples, Pompeii, Herculaneum, Sorrento, Palermo, Catania, Siracusa,
Agrigento, Trapani, Algeria, Oristano, Cagliari.
SPAIN: Santiago de Compostela, Zamora, Salamanca, Madrid, Seville, SanSebastian, valladolid.
SWITZERLAND: Basel, Zurich, Geneve.
FRANCE: Lyon , Firmini.
GERMANY: Berlin, Frankfurt.
BOSNIA: Sarajevo, Mostar.
CZECH REPUBLIC: Prague.
POLAND: Warsaw, Krakow, Auschwitz.
SLOVAKIA: Bratislava.
SLOVENIA: Ljubljana.
CROATIA: Split, Zagreb, Otok Brac.
HUNGARY: Budapest.
PORTUGAL.
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Pompeii. The relation between dwelling, commerce and streets.Master thesis presented at University of Porto - 2011.
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ABSTRACT The present thesis, presented for the finalization of the Master in Architecture, seeks to ponder on the relation between dwelling, commerce
and streets, in the Romanized city of Pompeii. This city lies in the Campania
region, and presents itself as one of the finest examples of Roman culture.
Through the analyses of the urban network of Pompeii, we noticed
that it presents a first center. However, at the time of the eruption of
Vesuvius, 79 AD, the urban grid occupied all the area between walls,
66 acres. The development of the urban network, which culminates
in the structure of the city in 79 AD, was marked by three moments of
reformulations. Romanization, which implied the presentation of this city
in Roman way, representing the grandeur and culture of this society; the
transition to an Imperial City, reflecting one more time increase in new
construction and public buildings; and the earthquake of 62 AD, which
demanded major reforms in the urban area, since most of the town had
been damaged.
The study of urban elements - residences, commerce and streets -
allow us to identify forms of communication between them. The domus,
houses with courtyards, set in depth, according to a longitudinal axis,
presenting itself as closed organisms, which had a single point of contact
with the public space, the entrance. The commerce, regardless of its type,
required a direct relationship with the street, with wide openings to the
outside. The street, presented itself as an accumulation of events. This was
constituted by the buildings that defined it, and the point of connection
with them would be the facade. The degree of constitutedness of the
streets is defined by the occurrence and variation of entrances, presented
at the street.
The relations between urban elements studied are present throughout
the city, however, they presented itself with greater intensity in the main
streets. So, we choose as a study case one of the principal axes of Pompeii,
which connects two of the city gates to the Forum. Observing and
analyzing through drawing, we identify the various types of communication
between the different urban elements, and how the relationships between
them are involved in the design and space environments, in Roman cities.
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Porta de Herculano
Porta do Vesvio
Porta de Cpua
Porta Martima
Restantes tipologias de comrcio Pousadas, Tabernas e Lupanares.Edifcios pblicos.
general plan of pompeii
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Porta de Nola
Porta do Sarno
Porta de Nuceria
Porta de Estabia
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analysis of a porcion of the main street
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Museum in Matosinhos. Project of an art museum for the city by the ocean, near Oporto - 2008.
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This volume presents itself like a massive rock, which has only a moment of rupture, its entrance. The hole
created by the main lobby assumes an important position on the composition, not only by its evident reflex on
the exterior, but also as a conexion element of the two main volumes.
The formal rigidity results in simple spaces which have the capacity of being divided and reformulated
according to what the exhibition needs.
This piece, built of concrete, is organized around the courtyard, the central space. In the courtyard, we
can see screenprinted glass, as well as in the outside fassade. which designs every space a different light
intensity. The whole composition is made with engraved concret, presenting this way an abstrac image.
1 - workshop and conference rooms.
2 - cafeteria.
3 - exhibition rooms.
4 - main lobby.
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South faade
first floor
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North faade
second floor
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longitudinal seccion
East faade
West faade
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Residences in Oporto. Project of a residential complex - 2007. These volumes are implanted in a known neighborhood in Oporto, near Casa da Msica. Buildings are
mainly composed by residencial flats of vertical access, with 2 and 3 bedrooms, but the complex also
has shops in the first floor, and one office building.
main building 3D
general plan
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South faade
North faade
residenctial plane
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Urban planning. Reformulation of Parmas campus area- 2009. This project was realized in Parmas University during Erasmus Program. The
objective was to study and reformulate the urban area between the two
rivers and Parmas university campus.
study area - levels of intervention
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History of Portuguese Architecture. 2008.As everything in Oportos architecture school, History is a very practical
subject. In this project we had to study, analise and document the growth and
development of the urban morfologie of a small medieval city - Castelo de Vide.
city main buildings
city urban structure
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Mogadouros Castel
Coimbras cathedral
Mogadouros Castel
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St. Urraca Cathedral St. Urraca Cathedral
St. Urraca Cathedral
Mogadouros Castel
My drawings.
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St. Cruz Church
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Oportos Cathedral
Oportos Cathedral
Geronimos Monastery
Coimbras cathedral
Liliana Sofia Medeiros Guerra.
00351-936874740 [email protected]