N I C O L A S G R I L L E T S E p T E m b R E ‘ 0 8 - D E C E m b R E ‘ 1 1

T A b L E O F C O N T E N T

> INTERNShIp pERSONAL wORk SAmpLE

> S C h O O L S T u D I O p R O j E C T S A T E S A

> p E R S O N A L wO R k p R I O R & D u R I N G ESA

A N / m A , N I C O L A S m I C h E L I N & A S S O C I A T E S - p a r i sI n t e r n s h i p j a n u a r y - F e b r u a r y 2 0 1 1

T E C H N A L B O O T HS A L O N B AT I M AT 2 0 1 1

p e rs o n a l wo r k :

- st a r te d w i t h te st s fo r t h e fa c a d e s b a s e d o n t h e i d e a s s ketch e s of t h e a rch i te ct .- a l l d et a i le d d o c u m e n t s : s e ct i o n s /e lev at i o n s, p l a n s, 3 D a n d re n d e -r i n g.- m a n a ge d a l l t h e m e et i n g s a n d c o m m u n i c at i o n w i t h t h e c l i e n t .

U R BAN R E HAB I L ITAT I O N I N C H A R T R E S , F R A N C E

p e rs o n a l wo r k :

- u r b a n a n a lys i s

- b i rd ’s v i ew m o d e le d i n R h i n o 3 D, q u i ck re n d e r i n g w i t h S ketch u p a n d p h oto s h o p.

- ge n e ra l s e ct i o n s o n 2 of t h e 3 a re a s.

T h e i m a ge b e low we re re n d e re d by o u t s i d e g ra p h i st s.

h 2 o A R C h I T E C T E S - p a r i sI n t e r n s h i p j a n u a r y - F e b r u a r y 2 0 1 0

E N T R A N C E PA V I L L I O N S I N A PARC

p e rs o n a l wo r k :

> p l a n / s e ct i o n s ( Au to c a d )> 3 D m o d e l ( R h i n o)> p hys i c a l m o d e l

re n d e r i n g s by t h e a rch i te ct .

L O G E M E N T S O C I A U XI N PAR IS (11e)

> PHYS ICAL MODE L :

Sawed and pa in ted woodPlex ig lassPa inted meta l

E . S . A A R C h I T E C T u R E S T u D I O p R O j E C T S

P O I N T A R T ’U R B A N I N S T A L L A T I O N

> Semester 4 - Studio teacher Svenstedt Automn ‘08

Creation of a meeting point, a hang out spot down town, that artists can use the walls of to expose their work.

Internet and phone booths are placed on each side of the structure, allowing people to surf, place order or comment on the exhibition.

R A N C H H O U S E & V I S I T O R C E N T E R

ChESSY - VAL D’EuROpE

> Semester 4 - Studio Teacher SvenstedtAutomn ‘08

Conception of an attraction pole for the town of Chessy and the neighbour villages, as well as a connection between the two riverbanks

The goal is to redefine the site without spoiling it’s nature, preserve the views and opennings, fuse with the nature with an accurate program and buil-ding design.

MARNE

vestiaires+douches

sanitaires

bureau

accueil+salle éxposition

boxes

locaux techniques

atelierréparations location

de vélo

padock

scellerie

grangestockage

A

APlan RDC

MARNE

salle de réunion

club house

Plan R+1

Elévation A-A

H A R M O N I C I N D U LG E N C E T R A D I T I O N A L C H I N E S E S P A

ThE ChINESE LANTERN

> Semester 5 - Studio teacher justin LauSpring ‘09

worked on this project with julien Deffon-taines

Located at the very junction of hong kong’s business Center and Entertainement District, the spa would offer the working men and wo-men a relaxing break, a place to indulge acting as an urban buble protecting them from the outside stressfull city.The research is based on concepts from the chinese lantern:

> light effects from the inside and the outside,> paper, lightness of the structure, suspen-sion, enveloppe,> intimacy, soft atmosphere, chinese tradition

Model Prototype

Uncovered

Uncovered

C I N E - G E N T I L L Y

Couverture de l’Autoroute A6Secteur Gentilly/boulevard périphérique

> S.6 - Studio j.C moreauAutomne ‘09

The first part of this project is the analysis of the site and the developement of urban pro-posals in order to give a solution to the pro-blem of the division of the city of Gentilly by the highway and its lack of connection with paris due to the boulevardpériphérique.This study has anable me to concieve a area of attractivity materialized by the cover of a section of the highway and the boulevard peri-pherique, which would act as a stich to the ur-ban voids. On this structure are different types of housings, services and most of all a movie theatre.The second part is the architectural concep-tion of one of this building: a cinema with 6 theatres represented by 6 cubes of 3 different capacities, many hanging out areas around and on top of these cubes, circulations and access are designed as a trail of rampes and footbridges.

UNDERGROUND SOUND SCAPEberlin

> S.7 - Studio— OSASpring ‘10

The project is a response to the dif-ferent elements and ambiances that can be experienced on the site.The underground feeling and graphiti vi-sible on the site led to a voluntarily very graphic way of designing the landscape and circulation on the surface of the project while the program, a place of musical crea-tion materialized by an underground music studio center and a small concert hall were introduce by the constant music first heard when discovering the site and the presence of famous night clubs around it.

The project is meant to enhance the pre-sence of a key building present on the site, a train workshop station which structure and atmosphere is of great interest to us.

Concert Hall

Recording Studios

D E S I G N I N G S O I L - I N

ESpLANADE DE LA DEFENSE

> S.7 - LANDSCApE uRbANISmStudio j. Ayala

Spring ‘10

urban forms and environmental processes should be highly compatible. The goal here is to suggest a link between the different flows in La Defense with the vertical circu-lations of the building towers as starting point, in order to generate a unique and dy-namic ground promoting it’s ergonomy.This new condition is materialized by a design in the shape of a prototypical fold, offering a series of promenades, pathways and connection with different speeds gi-ving access to the different levels of the enormous slab of La Defense. The proto-type is a tridimensional polygone in torsion that becomes fonctionality and programs.

p E R S O N A L w O R k p R I O R & D u R I N G E S A

ARCHITECTURE DRAFTING

> parsons, NY printemps 2008

Exercices for an evening class once a week for 2 months taught me the bases of end drawingand the tools to represent architecture docu-ments:

1. imagining and drawing 2 sections/eleva-tions based on the plan of a kitchen2. drawing an axonometic view based on the plan of a hotel room3. drawing plans and sections of an existing space and imagine a new proposition for the interior

All drawings were hand made on Rotring on Velum.Colors are either pen or pencil.

1

2

3

HAN D D RAW I N G S K ETC H E S

> 2008 - 2009

Ink and Pencil drawings

P H O T O G R A P H Y

> 2003 -2009

my curriculum wouldn’t have much sense without the travels that came with it.here is a very brief outline of the expe-riences that i have been able to witness.Argentic and Numeric photography

> beijing - 2004

> kyoto - 2005

> New York - 2009

> montana - 2003

> paris - 2009

> beijing - 2004

Exhange program in China - 2004> pékin + hongCun

Field Study with Studio justin Lau - 2009> hong kong

Exchange programs

> New York + boston - 2007/2008

> hawaii - 2005/2006

> paris - 2009

Field Study Studio Svenstedt - 2008> Copenhague

N I C O L A S G R I L L E T - 1 6 R u E S T E C R O I x D E L A b R E T O N N E R I E - 7 5 0 0 4 pA R I S - + 3 3 6 2 6 4 1 8 7 4 7 - N . G R I L L E T@ G m A I L . C O m