1st year.

pandeani liphosa Architecture portfolio

2nd year.

3rd year.

year out.

pandeani liphosa Architecture portfolio

second year

ThiswasaprojectthatenvolvedexploringspatialandpersonalnarrativesthroughthephotographicportritureofNatalStreetinYeoville. ThisprojectwaspartofabroaderYeovillestudioinnitiativeanditsemphasiswasonfindingastrategyonhowtoportraitthestreetoveritswholelengthbychoosingspecificanglesorthemes.Toexplain/maptheunfoldingnarrativeofnatalstreetIdecidedtouse‘Access’and‘Contrasts’asthemesthatranalongthewhole street and demonstrate how they change.AccessandhowitscontroledisadominantpartoftheJohannes-burgreality.whetheritsprovidingaccessintoprivate,exclusiveorholyspacesortheaccessintodifferentsocialstrata’s,thesemovementsarecontrolledandmanagedthroughthedifferentinterfacesthatdevidethemandthisiswherearchitecturemani-festsitself.ThewaypeopleonNatalstreethavedecidedtomanagetheprovisionofaccessbetweenprivateandpublicissomethingtheseimagesexplorethroughcontrastingimagesbetweentheentrancesandexits;lowrisehousingbuildingsanddetachedhouses;andsealedandopenpedestriandoor/gateways.

Project Brief:

We were asked to develop a proposal fro all of 30 sites on 8th street in Vrededorp that deals with middle to high density sub/urban livinig, in the form of semi-detached or row housing.

The aim was to design a contextual update of these resi-dential types and imagine adequate forms on how to live together.

One focus was on how the housing unit and the street , together , can contribute to the neighborhoods identity for the resident.

The project was then developed as a council submission in the in the construction course. Council information on services and infrustructure requirements needed to be obtained and intergrated.

GRAPHICS_PHOTOGRAPHY ELECTIVE:

URBANNARRATIVESINYEOVILE.

Architectural Theory and Design:LIVE

Aproach:

FordsburgisapartofJohannesburgthatisaffec-tionalydescribedasasmile“withmissingteeth.”It’shistoryrangesfrombeingaplacewheredif-ferentculturalgroupsco-existedandthrivedtoaplacethatexperiencedtheforcedremovalsofnon-whitepeoplefromtheirhomesundertheGroupAreasAct.Famousforbeingatradinghubmyapproachtocontributingtotheneighbourhoodsidentitywastodesignrowhousesthatserveastrad-ingout-postaswell.Everythirdrowhousehasashopfacingthestreet-anapproachthatnotonlyrespondstoJohannesburgshousingcrisisbutalsoallowsforsomedwellerstocreatetheirown income.

GROUND FLOOR

FIRST FLOOR

SECOND FLOOR

SOUTH ELEVATION NORTH ELEVATION

SECTION

3DSECTION

pandeani liphosa Architecture portfolio

third year

Project brief:

Theclientrequiresthemuseumanditsactivitiestorevolvearoundhumanmotion,throughhighlyarticulatedspace.Theexperimentalnarrativethatamuseumembodiesisinseparablefromitsphysicalcondition–itsarchitecture.Thearchi-tectureneedstorepresentthemuseum’spublicimage,definetheHumanRightsCommissionsre-lationshipwiththepeopleofthecountryaswellas with the immediate physical context within Braamfontein.ThearchitecturehastodefinetheCommissionsrelationshiptoitslocalandbroad-ersetting,andconstructtheframeworkofthevisitor experience. Themuseumshouldrepresenttheintricatecom-plexityofoursociety,anditsroleasrepositoryofhumandignity,cultureandvalues.Itofferstheopportunitytoaddressthroughthearchitec-tureitsroleaseducationalmedium,contributortodynamiccivicspace,popularentertainmentcentre andtoolforurbanrevitalization.TheHumanRightsMuseumisrootedinthetraditionalroleofthestoryteller,displayingainteractivenarra-tiveforallitsvisitors.Themuseumandresourcecentreisastrikingparadoxofpastachievementstoattainaconsti-tution,andthefuturepossibilitiesandevolutionofthesubjectmatter.Thearchitectureisthusintrinsicallypartofsomethinggreater;culturalambition,civicideals,andtopography.Beingpartofthepublicrealmitisladenwithsocial,politicalandmoralissues.AsalastcommenttheCommissionishopingforanarchitecturethatencouragesdiscoveryandlearning,onethatteleportsthevisitorintoanotherworldandallowsforvarietyofspacesanddifferentusesofthespaces.

ARCHITECTURAL DESIGN AND THEORY 3DESIGN STUDIO PROJECT 3:HUMANRIGHTSMUSEUM,ARCHIVEANDRE-SOURCECENTER.

Approach:

Thedesigndevelopmentphaseofthisprojectusedthestreetasitsstartingpointandcoupledthatwithfind-ingwaystoencouragedicoveryandlearnigthroughthearchitectureforvisitorsandespeciallyforpeoplepassingby.

Mychallangethereforewastotryandremovethemuseumfromtheconfinesofthebuildingandontothesidewalk.Andididthisthroughaseriesofsketchesofthebuildinginsection.

thetransparantappearanceofthebuildinginsectionisastrategytotryandinvitepeopleintothebuildingandalsotogivethemanopportunitytointeractwiththenar-rativeofitsexhibition.

Concept:ThissiteisunfortunatelylocatedinapartofBraam-fonteinthatisseparatedfromthegrowingactivityontheoppositeendofMandelaBridge.Thechal-lengewastofindalternativewaysofattractingpeople to the site.SouthAfricahasarichhistoryofcontributingtothecauseofhumanrightsandthestreetismostlywhere this people present and demand their griev-ances.thisisthereforethereasonwhyistartedthisprojectbyanalysingtherelationshipbetweenthebuildingand the street..

ProjectBrief:

Thisprojecthasitsfocusonavarietyofis-suesconfrontingthearchitectwhenbuildinginthecity.TheCityofGermistonhasbeenselectedbe-causeitrequiresurgentregenerationandspatialintervention.

WeasStudentswererequiredtoinvesti-gatethechallengesfacingtheInnerCityofGermistonacrossallscalelevels,fromthemacrotothemicro,resolvingaspectsofurbanregenerationtoarchitecturalap-propriateness,fromfunctionalitytomaterialandtechno-logicalsuitability.

Thefinaloutcomeof9weeksofintensiveanalysis,design,explorationandwriting,isaprojectdisplayingthestudent’sun-derstandingofarchitectureanddemon-stratehis/herabilitytosuccessfullyfulfilltherequirementsexpectedintheprofes-sional world at this exit level.

Approach

Ekurulheniisnotonlyhometoahostofdiffer-entCBD’sbutitalsoaccommodatestwokeytransport nodes that operate as access points forthemovementofpeopleandgoodsinandoutofthecountry.

O.R.TamboIntenationalAirportisdescribedasthegatewaytothecontinentforfacilitatingtheflowofpeopleinandoutofthecountry,ismirroredbyGermistonwhichhostanimportantrailwaysnodethattransportgoodstoandfromDurbansseaport.

MassinvestmentfromTransnetrevivalofrail-wayinfrastructurewillresultintherevivalofGermistonfrombeingapredominantlyindus-trialtowntobeingafullyfunctioningmixedusecity.

ItisforthisreasonthatIProposethatthisnewcitywillrequireanalternativetypeofculturaloutpost,thatfunctionsforpurposeofdiscover-ingandtellingthelongandcomplicatedstoryofGermiston.

Germiston Film school.

The focus of this study is on President Street Street, the traditional high street of Germiston, housing the greatest variety of functions and buildings. The street is an important link between the initia-tives of the LocalCouncil and those of commercial developers. The Urban Framework aims to re-establish President Street as one ofthe primary public streets in the Germiston Inner City.

The Civic Precinct is the focus of the Ekurhuleni Metropolitan Mu-nicipality (EMM), and its aim to develop Germiston as its Admin-istrative Capital (Metropolitan Headquarters).

The proposed Commercial Precinct is to be developed primarily on the Golden Walk Shopping Centre siteand stretches from Jack/Park Street in the north toGeorge Street in the south, and from Rand Road in the east to Victoria Street.

The success of this project at a regional scale will depend on its abil-ity to intergrate this city and its different pricincts.

ARCHITECTURAL DESIGN AND THEORY 3DESIGN STUDIO PROJECT 4:MajorProject-PresidentStreet,Germis-ton

WalkingalongthehalfbusypavementandlookingintothedifferentshopswhilsttryingtonotattractattentiontomyselfIcannothelp

butlookforthebackdoorthatleadstotheshopkeepersapartment.Itrytopaylessattentiontoalltheshelvedjunkfood,prosthetichair

pieceshangingfromtheceilingandhalfdressedmanikinsstand-inginmywaytotryandfindthedoorthat-forme-markstheendofthepavementandthebeginningoftheBrickfieldsSocialHous-ingPrecinct.Ithenimaginetheshopemptyandpicturethesefourwallsasthebackdroptoaspacethatcanaccommodatearangeofpossibilitiesi.e.aspazashop,bookshop,asalonorevenapub.SoIwouldliketoarguethatthegroundfloorinterfacebetweenstreet

andbuildingisnotjustthefacadeofthebuildingbuttheentireshopfrontandthesamewayaglazedfacadereflectsthegoingsonofthe

street,Ithinktheshop-frontsreflecttheculture.

Brickfieldsbelongstoacitythatishometodisplacedmigrantsfromalloverthecontinentandbeyond.Sotheliveworkunitalmostem-bodiestheidealhometoacityfilledwithmigrants.Theunitsweredesignedona3.3metermodule,theshop-frontisonthegroundfloorandiscoupledwitharentalunit.Thelivingareaisaboveboththeshopfrontandtherentalunitwhereinhabitantshaveaviewintothe street and can diligently monitor people accessing the shop.

Dodd,H.BrickfieldsLegae.Johannesburg,2005(Osman2004:156)

Sowhilstbasingmyselfon the idea that the liveworkunitembod-iestheidealhomeinadenseandmulti-culturalcity Ibegintotakenoteofhowthetension(Segantini2008:7)betweentheprivatedo-main (dwelling) and thepublic (street) ismanaged. “While thepri-vatedomainnaturallybelongstothehumanconditionthepublic isahumancreationthatshouldbe learned.”(Bobis2004:50)Myviewthenisthattheshopisnotonlyabufferzonebutaspacewherethemigrant(theshopkeeper)acquaintshim/herselfwiththestreetandits ever-changingways. The shop thenbecomespart of a series ofinterconnectednetworkswithinthecitythathelpscreateaplaceofinterchangewhere people fromdifferent cultural groups can sharethesamespaceandasonenomadleavesanotheronetakeshis/herplace,consolidatingandsustainingthemselveswithinthecommunitythroughpracticesthatarespecifictotheirownculture.TheSirJJCol-legeofArchitecture(2010:4)inMumbaiexposeshowaonehundredyear old informal settlement by the name of Kumbharwada in thecentreofthecityhousesmigrantsfromtheruralareasthatearnlowwagesandhavethekindofjobthatrequiresadaylonginvolvement.SothepeopleofKumbharwadabuildtheirhouseneartheirplaceofworkandusewhateverskillstheyhavebroughtwiththemorsurvivaltechniques they canquickly acquire to integrate themselveswithintheirnewsetting.

ReaseaRch papeR onJohannesBURGs’shop-FRonT seTTLeMenT

PERSPECTIVES ON BRICKFIELDS GROUND- BUILDING INTERFACE

InformalsettlementKumbharwada

Jacob isashopkeeperthatoccupiesoneofthe liveworkdwellingsfacingTroyestreetandrunsitasaninternetcafe.Hehasbeenthereforalmosttwoyearsnowandhesaysbusinessisgood.HeisaNige-riancitizenandsayshecametoSouthAfricatoescapethepovertyandunemploymentinhismothercountry.Hecametobrickfieldsal-ready knowing that hewould turn the space into an internet cafe.Havingalreadyassessedhowmanyinternetcafeswereintheareaherealisedthatcompetitionwouldnotbeaproblemespeciallybecausehedecidedtohavephotocopyingandprintingfacilitiesthatwouldatleastattractbusinessfrompeoplethat live inbrickfields.Jacobsayshehasdevelopedgoodrelationshipswithneighbouringshopkeepersandwheneverheneedssomethingtheyhappentosellhebuysitfromthem.

ItisclearthatJacobfamiliarizedhimselfwiththeareabeforedecidingonwhattotradeinandalthoughheadmitsthatheisnotpassionateaboutwhatheisdoingitsatisfieshimknowinghecanhelpsupporthisfamily.

ThequestionsIamfacedwithare:wasBrickfieldsshopfrontdesignedto try sustain theeconomic and cultural networks that theexistingbuiltform(buildingsinandaroundthecity)wasmaintaining?

GappArchitects.Brickfields.Johannesburg,2004(Forrester2000:56)

Dodd,h.Brickfields.Johannesburg,20042005(Osman2004:156)

Havingalookatthespatialarrangementatbrickfields,theshopis3300mmwidewiththebackdoorhalfalevelupwhichmakestheentranceintotheapartmentabovethroughtheactualshoporthroughthebackdoorfromtheinternalcourtyard.Throughoutthesidewalktheproducts/servicesbeingsoldinsidetheshopsdonotphysicallyspilloutontothesidewalk.Asteelrollershutterdoorprotectstheshopwhenclosedandimmediatelybehindthatisasteelframedglassdoor.Itisatthisinterfacethatthesplitbetweenstreetandshopoccursandbecausedifferentshopsaresellingdiffer-entthingsshopkeepersusethisinterfacetocommunicatewiththestreet.R.Venturi’s(1972:87)LearningfromLasVegashighlightshow,onabusystreettheshopneedstocommunicate/advertisetodiffer-entaudienceswithinthestreetscape.

.

GappArchitects.NewtonPrecinct.Johannesburg,2004(Forrester2000:56)

Thesearesomeoftheinitialsketchessubmittedasdesignproposalsaround1998whenNewtownwasseenasanareaofviablegrowth.“Thepreliminarydesignconceptsweretohaveaseriesofmixedusebuildingsthatcombinedretailonthegroundfloorwithresidentialabove.”(Forrester2000:57).Thedrawingsclearlyindicatetheinten-tionstohaveapedestriansystemsoasto“...preservethestreetculturethathasalwaysbeentypicaltothiscosmopolitanarea...”(Forrester2000:57).

GappArchitects.Brickfields.Johannesburg,2004(Forrester2000:57)

Soinasensetheshopfrontswereindeedanattemptattryingtocontributetoexistingspatialpractices.SurelyonehastothenfindoutwhatarethespecificdifferencesandsimilaritiesbetweentheshopfrontarrangementatBrickfieldswiththoseinandaroundthecity.

Typicalstreetscapearrangementinurbanarea

Thereisthepedestrianwalkingdirectlyoutsidetheshop,thedriverinsidethecar,thepassengerinsidethecarandthepedestrianontheoppositesideofthestreet.

SomeshopfrontsatBrickfieldstrytoadvertisetoeveryoneacrossthestreetscapewhilesomeonlycaterforthepedestrianwalkingdirectlyoutsidetheshopalone.Almostalltheshopkeepersusetheglassdoortostickposterswithpicturesthatindicatewhatissoldinside.Thesteelcasingthatcoverstherollershutterdooradvertisethenameofthestoreandwhattheysell,communicatingtopeopleintheircarsandacrossthestreet.Itisonlyafewshopsthataredar-ingenoughtofixsteelframedsignage’sontothesunshadingdevicestoexclusivelyadvertisetomotoristsandpeopleacrossthestreet.

EthiopianDistrictJohannesburg.

InacongestedpartofthecityliketheEthiopiandistrict,therearearangeofdifferenttypesofshopfrontsthatvaryinsize,tradingtech-

niquesandtheyspeaktothestreetintheirownspecificway.Ichosetoanalyseasmallshoeshopthatwas1800mmwideand3400mmin length which immediately indicated to me that space in this part ofthecityisextremelyvaluable.Thesidewalkisnotonlyframedbytheshoestorebutalsobyinformaltradersthatsimultaneouslycom-pete for the attentionof thepedestrian. The insideof the store isarrangedtoaccommodateamaximumofmaybe3customers.Twoofthethreeinternalwallsarefilledwithshelvedshoesandthethirdhasafulllengthmirrorattachedtoit.Thethresholdisuptwoflightsofstairsabovepavementlevel,thedoorismadeofsteelandontheinsideofit,ithasnumberoflittlehooksweldedtoitwithaccessorieshangingfromthem.Becausetheinformaltraderisstationedonthesamesidewalkitisalmostimpossibletoadvertisetomotoristbutadiligent pedestrian fromacross the streetmaynotice thenameoftheshoestoreabovethedoor.Whatisparticularlyinterestinginthispartofthecityishowtheshopkeeperstandsoutsidethedooranddrawspeople’sattentioneitherbyshoutingoutwhathe/she’sselling,physicallyspeakingtoindividualpedestriansorhavingaspeakerbythedoorplayingmusic.

ShopinMaiMaiareaJohannesburg.

The lastplace I lookedatwas in theMaiMaiarea towards Jeppestown,wherepeoplepredominantlyselltraditionalmedicinesandinsomecasesliveinsidetheshop.Theinsideofthestoreisevenlylaidoutwiththemiddleareadesignatedforthecustomer.TheMuti(tra-ditionalmedicine) isplacedon theflooradjacent to thewalls, thewallsarebare-withnoshelves,nopaint-andtheshopkeepersitsatthebackwhilethecustomerstrugglestodecideonwhatmutitobuy.Thebackofthestoreiswheretheshopkeeperlives,atalevelhigherthanthatoftheshop.thespaceisdividedbythedifferenceinlevelandbythecurtainthathelpsconcealabed,asmallkitchentableandatwoplatehotstove.Theinterfaceismadeofawoodenframedglasswindow with a door in the middle. This glass window is the only thing painted onwhichmakes the door the only view from the outside

looking in.Thewhitepaintedwindowshavethewords“Dr.Ncalo’sTraditionalMuticontactno.:084...”ThestreetscapeonthispartoftownisnotascongestedastheEthiopiandistrictsomaybesignageisnotmuchofaprioritybutatthesametimeitlooksliketheinterfaceis-inasense-concealingwhatissoldinsidebypaintingthewindowswhite.

Ihaveusedtheseexamplestoshowhowdifferentshopshavediffer-entwaysofcommunicatingtothestreetandhowthethresholdsarethemediumthroughwhichtheyinteract.

Dependingontheauthorashopfrontiseitherclassifiedasasemi-private/semi-publicspace.Myviewisthattheshopfrontiscompletelypublic,thisisastandItakenotonlybecausepeoplearegrantedaccessintoshopbutbecauseinaplaceliketheJohannes-burgCBD,buildingsframepeople’sperceptionofpublicspaceandwithhighpopulationdensitiesitisalmostthedutyofthebuildingtoallowthestreettoshapehowitwouldliketotransformitself.Bobis(2004:49)indicatesthatabuildingthatdoesnotdefineitsedgeturnsthestreetontojustaroadsoIthinkabuildingthatallowsthepublictodefineitsedgeturnsthestreetintoaplacewherethecul-tureofitsinhabitantsisexposedforalltoseeandbecomesa“spacethatiscapableovertimeofabsorbingnewsocialbehavioursandnewcollectiveuses...”(Segantini2008:7).

Bibliography

• BOBIS,M.(2004).Between the Edges: Street building transition as urban interface.Bus-sum:ThothPublishers.

• BRAND,S.(1994).How Buildings Learn, What Happens After They’re Built.PheonixIllus-trated,London.

• BROWN,D.S.;EZINOUR,S.;VENTURI,R.(1972). Learnig From Las Vegas Revised Edition. The MITPress,London.

• CLEMENTE,M.C.(2008).HighDensityCollectiveHousingandUrbanSpace.InSegantini,M.A.Ed. Contemporary Housing.Italy:SkiraEditore:17-23.

• Forrester,K.,2000.AMarketableDevelopment:The Newtown Precinct. Planning,167-172(172),p.55.

• LeadingArchitecturalDesign,2006.Landmarkachievementinaffordablehousing.Leading Architectural Design,2006(Nov/Dec),p.74.

• Osman,A.etal.,2009.10 years 100 buildings.CapeTown:BellRobertsPrintandPublish-ing.

• Platt,R.etal.,2008.Existens Maximum: an investigation of housing design and density in 22 housing projects.Johannesburg:UniversityofWitswatersrand.

• SEGANTINI,M.A.(2008).TheHome:ThresholdsBetweenPrivateandCollectiveSpace.InSegantini,M.A.Ed. Contemporary Housing.Italy:SkiraEditore:7-15.

• SirJJCollegeofArchitecture.(2010,July).Typologies and beyond: Slum settlement studies in Mumbai. Retrieved September 21, 2012, from

• WILKINS,C.L.(2007).Aesthetics of Equity.Minneapolis:UniversityofMinnesotaPress

pandeani liphosa Architecture portfolio

yearout

Abstract.

ThirdPhaseofthehoughtonLuxuryApartmentswasaneightstorybuildingthatsatnexttophasetwo’sfivestorys.Thebuildingisdesignedtoseemlesslyappeartocontinuefromfrompreviousphaseswithafewad-justmenttothenorthandsouthfacadebutnothingfundumentallydifferent.ItsellsitselfasbeingahighrisegolfestatewithviewsoftheLegendaryHoughtonGolfCoarseandtheSandtonskylinebeyond.Fourcentralcoresservicesthebuildingwithdirectelevator access into each apartment.

My envolvement:

-sketchplansandthentookthemtotechnicalworkingdrawings.-constructiondetailing.-shopfrontandwindowscheduling.-compilingdefectslistsforthecontractor

Abstract.

AcrossthehighwayfromKemptonparkwheretheCODESAnegotiationstookplaceisasitejustsouthofthehighwayearmarkedtobecomethelocationfortheCODESAMuseum.TheeggshapedbuildingwillbeusedtodisplayandpreservethememoryofwhenSouthAfricawashatchingitswayoutandintothefuture.

My envolvement:

-modelingtheconceptualsketchesinto3D-helpingwithsketchplanlayouts-co-presentingtotheEkurhuleniCityCouncil

Abstract :

TheDevalandcommunitycenterislocatedinSowe-to,Devland.ThisisaPro-Bonoprojectthatistar-getedtowardsbecomingaplacewherepeoplelivingintheareacanclaimastheirown.Thebuildingisdesignedtohostsmalltolragecrowds,withtwoclassrooms along the northern egde and a hall.

My Invovlement:

Thebuiildingwasdesignedbyanamericanarchitectsoourrolewastoproducecouncilworkingdrawingfitforlocalstandards.

pandeani liphosa Architecture portfolio

UIA STUDENT COMPETITION.

privatework

UIA STUDENT COMPETITION. UIA STUDENT COMPETITION.

Abstract :

The client (Urban Genisis) was looking at trying to bring night-life into Kerk Street Johannesburg, a place designated to licenced street traders during the day. Surrounding buildings have recently been converted from office to residential buildings so an intervention that focused on activat-ing the street for the new tenants was the core of this proposal.

My Invovlement:

At the end of 2013 Nolan O. Dennis and I together with the Keleketla Library (http://keleketla.org/) proposed an intervention that revovled around providing free public wi-fi in a setting designed to be comfort-able enough for an older crowd, with the view that in future various other kinds of projects can develop.

Interconnected - Connect kerk street residents to each other and to RID

Forge a kerk street community via a physical and digital topography`

Adaptable, modular street furniture that can be used for food stalls, games, using laptops etc.

Kerk street forum can become a virtual community of residents, artists, visitors and management.

Adaptable mounting/screening systems that can be used for exhibition purposed or live screenings.

Abstract :

Corner loving, an exhibition on the practice of lovers meeting on street corners, is an ex-ploration of love and ‘black love’ in complex urban settings. Exploring the nature of eve-ryday public practice, MADEYOULOOK is interested in unpacking ordinary acts that may be overlooked as simple and inconse-quential, but through deeper reflection, act as vehicles for multi-layered conversations.

The exhibition features drawings of corners, texts from historical archives and by con-temporary writers, as well as a lecture series that explores the various thematic aspects represented in corner loving. Lectures will be presented by Ashraf Jamal, Danai Mu-potsa and Thembinkosi Goniwe.

MADEYOULOOK is Molemo Moiloa and Nare Mokgotho. The works of MADEYOU-LOOK are, as the name suggests, tongue-in- cheek interventions that encourage a re-observation of and de-familiarization with the ordinary.

http://www.goethe.de/ins/za/en/joh/ver.cfm?fuseaction=events.detail&event_id=20419649

My Invovlement:

My role in this project was to trace over the images on Auto-CAD to an appropriate scale.

Maponya Mall Hillbrow

Johannesburg CBD Hillbrow

sketches

Curriculum VitaePANDEANILIPHOSACONTACTDETAILSTelephonenumbers: (011)8033100(H) 0846762788(cell)Postaladdress: P.O.Box782182 Sandton 2146

E-mailaddress: pande.liphosa@gmail.com

TertiaryEducationInstitution: UniversityoftheWitswatersrand (2010-2012)Coarse: Architecture(BAS)

Institution: UniversityofJohannesburg DoornfonteinCampus (2005-2009)Course: CivilEngineeringQualification: NationalDiploma(N.Dip)

SecondaryEducationHighschoolattended: BishopBavinSchool StGeorgesrd Bedfordview (2002-2004)Leadershiproles: PrefectExtramuralactivities: Basketball,soccer,drama,cricket

EmploymenthistoryNameofEmployer: WreckersCivils.Jan2007-Jan2008Jobdescription: Managingofminorearthworksprojects,

NameofEmployer: ExclusiveBooks(HydePark).Mar2009-July2012Jobdescription: Inchargeofparticularcategories(Art,Architecture) withinthebookstoreandhadtochooseandorder appropriatebooksforthesedivisions.Supervisionin thisareaalsoentailedmonetarytransactions, cashingupandelectronicallyreceivingstock.

NameofcurrentEmployer: ACGArchitects.Nov2010-Feb2011Jobdescription: AsatraineeArchitectIworkedonresidential projectsandmodelbuilding.

NameofcurrentEmployer: Boogertman+Partners.Jan2013-June2014Jobdescription: AsaDraughtsmanIworkedonavarietyof residentialprojects,shoppingcomplexesand schools.

General

Computerskills: CompetentinAutoCAD,Revit,Photoshop, In-Design,MicrosoftOfficesoftware Interests: Art,Literature,Film,musicandHistory.

References

JohnCraig(DirectorofWreckersCivils): 0829011502Nokukhanya(NightstaffmanageratExclusiveBooks): 0824512348HeleenGrimsehl(DirectoratBoogertmanandpartners): 0825600369