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The installation is a piece of alp meadow which is cut out and moved to the center of Utrecht. From the urban environment, the visitor enters a panoramic landscape. A steep path leads the visitor along a number of houses, in which Mosk has asked several artists to refresh the weary hikers with their work.
concept and design Theun Mosk in collab. with Jos Blom (FLATarchitects)
composersDe Veenfabriek: Bo Koek,Rik Elstgeest
video Joris Hoebe
cookinglabAnna Pleiter
technical productionJeroen van Heijningen
photo / Jochem Jurgens
Algemeen DagbladIrene de Zwaan
“From the landscape to the city! For the curious people a challenge to discover themselves, because that is what this mountain stands for: discover and enjoy!”
Walking 2008 / Robert Wilson in collab. with Theun Mosk & Boukje SchweigmanSite-specific theatre for Terschellings Oerol Festival
‘Walking’ is a slow walk in which the boundaries between time and space will disappear. From the quiet nursery, the Wadden Sea, the visitor hikes inland towards the turbulent North Sea. On the way one will pass architectural installations. By a game with delay and observation not only the landscape reveals itself in all its facets, but the walker is also confronted with his personal experience. A four hour, intense journey.
directed by Robert Wilson in collab. with Theun Mosk and Boukje Schweigman
technical productionJeroen Henstra
productionAndrea Astbury
costumesMai Marie Dijksma
sound designDennis Slot
student coachesSwantje Schäuble, Toon Kuijpers, Anna van Diepen
studentsHKU Theatre Designsecond grade
photo / Anne Z
orgdrager
Trouw Willemijn Rinnooy Kan
“Experiencing a timeless moment during a walk at Oerol.”
ParoolSimon van den Berg
“A pilgrimage in slow motion’’
Friesch DagbladEllen Stikkelbroeck
“The ultimate way to relax”
‘Licht is de machine’ (Light is the machine) is a cross-over between a huge visual installation and a musical theater production. The presentation shows the beauty of light, but also her dazzling reverse. The audience is taken on a journey through utopian worlds, old and new, bitter personal desires and dreams: sometimes in the form of an intimate concert, sometimes in a visual environment where spectators, engineer, musician and actor share the floor together. The theories of special utopian philosopher Charles Fourier were used as key principles.
directed by Paul Koek
composerMartijn Padding
lighting and set designTheun Mosk, Joost Rekveld
dramaturgy Paul Slangen
costumesArien de Vries
withRik Elstgeest, Bo Koek, John van Oostrum, Lizzy Timmers, Reinout Bussemakers, Yonina Spijker, Joep van der Geest,Maarten Altena Ensemble
technical productionLykle Hemminga
photo / Jochem Jurgens
TheatercentraalJudith Blankenberg
“Theun Mosk signed up for the scenography and this combination makes ‘Licht is de Machine’ a fantastic site-specific performance”
2009 / Museum La Venaria Reale / Producer Change Performing Arts - Italy Exhibition
Egypt’s Sunken Treasures
‘Egypt’s Sunken Treasures’ is a traveling exhibition in which a unique collection of treasures, emerged from three sunken cities (Alexandria, Canopus and Herakleion) in Egypt, are exhibited. For the exhibition in Turin (It) Mosk provided the styling, together with Wilson. Each room had its own soundscape, composed by Laurie Anderson.
curatorFranck Goddio
conceptRobert Wilson
designRobert Wilson in collab. withTheun Mosk
composerLaurie Anderson
co-designMatteo Massocco,Valentina Tescari
artistic coördinationChange Performing Arts:Elisabetta Di Mambro,Franco Laera
lightingAJ Weissbard
production/architectsStudio Salvatore Simonetti
sound designPeter Cerone
photo / Matteo M
assocco
Press release Italy‘‘...in the first 63 days it had almost 110.000 visitors, in a constant growth. After the long Eastern weekend, the exhibition has been the most visited venue in Italy”
In ‘Een cowboy met zijn handen hoog juicht waar- schijnlijk niet’ (A cowboywith his hands up probablydoesn’t cheer), the actors are being challenged immensely. Powerful observations of lifelike behavior, absurd situations based on clumsiness and slowness, captured in a clear visual language and an unparalleled consistency. A show about people in panick. Sadism out of love for things. Understandably poking where it hurts. A show about people who surrender themselves.
directed byJetse Batelaan
lighting and set designTheun Mosk
dramaturgyTobias Kokkelmans
costumesKarin van der Leeuw
withHerman Gilis, An Hackselmans,Gijs Naber, Lukas Smolders,Mijke Werkema
photo / Leo van V
elzen
Trouw Hans Oranje
“The scenery of Theun Mosk is a small miracle: you look deep into the store, but you know it’s a trompe l’oeil of perspectival perfection”
In ‘Wiek’ (Rotor) Three female dancers find themselves sharing a circular area with the horizontally rotating blades of a wind turbine. The seated audience surrounds the space, allowing no chance of escape; the dancers have no other choice but to confront their situation. Feeble humans are compelled to enter into combat with forces far greater than their own, and the audience is made complicit in the inevitable outcome.
directed by Boukje Schweigman
lighting and set designTheun Mosk
composer Douwe Eisenga
dramaturgy Alex Mallems
costumes Edith Ordelman
sound design Dennis Slot
technical productionJeroen van Heijningen
productionAndrea Astbury
management and organisationTheaterzaken Via Rudolphi:Marc Meijer
photo / Anne Z
orgdrager
de Groene Amsterdammer Loek Zonneveld
“The release is enchanting and at the same time a shock into reality. What remains is quivering for so much beauty”
Volkskrant Vincent Kouters
“Wiek is a majestic tribute to the cyclical movement”
TrouwSander Hiskemuller
“When at the end a gull screeches and skims above the arena, I am deeply moved”
‘Orlando’ is a stage adaptation of Virginia Woolf’s novel about the approximately thirty-year-old Orlando, who tries to comprehend life in more than 300 years and for that purpose among other things transforms from a young man into a young woman.With Orlando Virginia Woolf tries to do the impossible by writing the life story of the person you’re in love with. On the one hand there are facts and figures, on the other hand there is this rainbow of feelings, moods and experiences - how the life of your loved one feels.
novel Virginia Woolf
stage adaption Joeri Vos
directed by Marcus Azzini
set design Theun Mosk
lightingStijn van Bruggen in collab. with Theun Mosk
costumes Klavers van Engelen
dramaturgy Joris van der Meer
composerFons Merkies
photo / Jochem Jurgens
NRC HandelsbladKester Freriks
“In the monumental, sober setting, designed by Theun Mosk, the dynamic Maria Kraakman dances, flies and runs”
De Telegraaf Esther Kleuver
“... even transparent costumes by Klavers van Engelen romantically contrast with the bare, dark “scenery” of Theun Mosk, that radiates an almost impalpable timelessness”
This portfolio consists a selection of the work of Theun Mosk. For more information about him and his work, go to www.theunmosk.nl
Theun [email protected]
management and organisationTheaterzaken Via RudolphiMarc [email protected]+31(0)20 - 627 75 55
publicityLeonie [email protected]+31(0)6 - 180 977 78
graphic designJohan Nijhoff
photo / Anne Z
orgdrager16-08-2010