Posters

POSTERSSouth Kensington4 June 2015

Sophie Churcher

+44 (0)20 7752 3208

Email: [email protected]

Nicolette Tomkinson

+44 (0)20 7752 3301


Irene Orgaz Garca

+44 (0)20 7752 3206


Film Posters lots 126-136

Emma Luketic

+44 (0)20 7389 2385


EUROPEAN BUSINESS DIRECTOR

Lucy Brown

Tel: +44 (0)20 7752 3167

BUSINESS MANAGER

Georgina Lewis

Tel: +44 207 389 2334

SPECIAL ISTS FOR THIS AUCTION

EMAIL

First initial followed by last name @christies.com For general enquiries about this auction, email should be addressed to

Irene Orgaz Garca, [email protected]

PRIVATE SALES

Christies offers clients the ability to buy or

sell through Private Sales.

For additional information, please contact

the department specialists at

+44 (0)20 7752 3208.

THE POSTER DEPARTMENT

Nicolette Tomkinson

Head of Department

Director

Sophie Churcher

Specialist

Associate Director

Irene Orgaz Garca

Junior Specialist

Emma Luketic Junior Specialist

(Film Posters)

POSTER AUCTION CALENDAR

AUCTION CALENDAR 2015

To include your property in these sales please consign ten weeks before the sale date. Contact the specialists or representative office for further information.

13 OCTOBER 2015

VINTAGE FILM POSTERS

ONLINE SALE

2 NOVEMBER 2015

POSTERS

LONDON, SOUTH KENSINGTON

Subject to change.

17/04/15

AUCTION

Thursday 4 June 2015

at 1.00 pm. Lots 1-199

85 Old Brompton Road

London SW7 3LD

AUCT ION CODE AND NUMBER

In sending absentee bids or making

enquiries, this sale should be referred

to as POS- 10619

V I E W I N G

Saturday 30 May 11.00 am - 5.00 pm

Sunday 31 May 11.00 am - 5.00 pm

Monday 1 June 9.00 am - 7.30 pm

Tuesday 2 June 9.00 am - 5.00 pm

Wednesday 3 June 9.00 am - 5.00 pm

No view on day of sale

A U C T I O N E E R

Nick Martineau and Piers Boothman

POSTERSTHURSDAY 4 JUNE 2015

Please note all lots are sold

unframed unless otherwise

stated in the lots description.

Front cover illustration: Lot 124

ADAGP, Paris and DACS, London 2015.

Back cover illustration: Lot 151

STORAGE AND COLLECT ION

Please refer to the important

notice on page 75. Please note that

Cadogan Tates opening hours are

Monday to Friday 9am to 5pm,

and purchases transferred to their

warehouse are not available for

collection at weekends.

PAYMENT

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CONDITIONS OF SALE

This auction is subject to Important Notices, Conditions of Sale and to Reserves

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[15]

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24

MORRIS KESTELMAN (1905-1998)

LONDONS TRAMWAYS, GREENWICH BEACH AND PIERlithograph in colours, 1925, printed by Waterlow & Sons Ltd., London, condition B+;

backed on linen

59 x 40 in. (151 x 102 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800L I T E R A T U R E :

Tramway Art, p.71v

3

FRANCIS HOWARD SPEAR (1902-1979)

LONDONS TRAMWAYS, POLO AT AVERY HILLlithograph in colours, 1923, printed by Waterlow & Sons Limited, London, condition

B+; backed on linen

59 x 40 in. (151 x 102 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Tramway Art, p.103

2

OLIVER BURRIDGE

LONDONS TRAMWAYS, SOUTHWARK BRIDGElithograph in colours, 1925, printed by Waterlow & Sons Limited, London, condition

B+; not backed, framed

28 x 14 in. (73 x 36 cm.)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :

Tramway Art, p.53

1

MARY I. WRIGHT

LONDONS TRAMWAYS, KENWOODlithograph in colours, c.1926, printed by Vincent Brooks & Sons Ltd., condition B+;

backed on japan

28 x 14 in. (72 x 36 cm.)

800-1,200 $1,200-1,800 1,200-1,700

CONTENTS

London 1 - 14

Shell 5 - 37

British Travel 38 - 45

Aviation 46 - 58

International Travel 59 - 68

European Travel 69 95

H. de Toulouse Lautrec 96 - 98

Events and Exhibitions 96 - 125

Film 126 - 151

Political 152 - 161

Fashion 163 - 168

Ludwig Hohlwein 167 - 171

A.M. Cassandre 172 - 180

Charles Loupot 181 - 1991 2

5

MARY I. WRIGHT

BY TRAMWAY TO CAMDEN TOWN FOR THE ZOOlithograph in colours, 1924, printed by W. & Sons Ltd., London, condition B+; backed

on linen

60 x 40 in. (152 x 102 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100L I T E R A T U R E :

Tramway Art, p.32; Underground to the Zoo, p.31v

6

MARY I. WRIGHT

LONDONS TRAMWAYS, SPEEDlithograph in colours, c.1926, condition B+/A-; backed on linen

60 x 40 in. (152 x 102 cm.)

1,800-2,200 $2,700-3,300 2,500-3,000

36

5

4

3

47

8

*8

EDWARD MCKNIGHT KAUFFER (1890-1954)

WINTER SALESlithograph in colours, 1924, printed by Johnson, Riddle & Co. Ltd., London, condition

B; backed on japan

40 x 25 in. (102 x 64 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Kaufer, pl.19

9

*9


SHOP BETWEEN 10 AND 4lithograph in colours, 1931, printed by Vincent Brooks, Day & Son Ltd., London,

condition B+/A-; backed on linen

39 x 24 in. (101 x 62 cm.)

8,000-12,000 $12,000-18,000 12,000-17,000L I T E R A T U R E :

Ades, p.6

*7


PLAY BETWEEN 6 AND 12lithograph in colours, 1931, printed by Vincent Brooks, Day & Son Ltd., London,

condition B+; backed on linen

39 x 24 in. (100 x 62 cm.)

8,000-12,000 $12,000-18,000 12,000-17,000L I T E R A T U R E :

Kaufer, pl.49; London Transport Posters, pl.27; Underground Art, p.69

510

*10


POWER, THE NERVE CENTRE OF LONDONS UNDERGROUNDlithograph in colours, 1931, printed by Vincent Brooks, Day & Son Ltd., London, condition A-; backed on japan

40 x 25 in. (101 x 63 cm.)

15,000-20,000 $23,000-30,000 21,000-28,000L I T E R A T U R E :

Art For All, p.10; Kaufer, pl.50; Underground Art, p.68

614

MAURICE A. MILES

FOR THE ZOOlithograph in colours, 1934, printed by The Baynard

Press, condition A-; backed on linen, framed

39 x 24 in. (100 x 62 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Underground to the Zoo, p.65

14

13

EDWARD BAWDEN (1903-1989)

KEW GARDENSlithograph in colours, 1936, printed by Curwen Press,

London, condition B; backed on linen

39 x 25 in. (100 x 63 cm.)

800-1,200 $1,200-1,800 1,200-1,700

13

*12

E. L. ANDREWS

SUNSHADES FOR SUNSHINE, DERRY & TOMS, KENSINGTONlithograph in colours, c.1920, condition B+; backed on

linen

58 x 38 in. (148 x 98 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

12

11

FRED TAYLOR (1875-1963)

BY TRAM FROM HAMMERSMITH, WIMBLEDON OR SHEPHERDS BUSHlithograph in colours, 1922, printed by Vincent Brooks,

Day & Son Ltd., London, condition B+; backed on japan

40 x 25 in. (102 x 64 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800L I T E R A T U R E :

London Transport Posters, pl.130

11

717

YUNGE

SHELL FOR ANTI-KNOCKlithograph in colours, 1930, condition B-; not backed

together with Shell by Vic

30 x 45 in. (76 x 114 cm.) (2)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :

Shell, pl.2717 (part)

*16


AEROSHELLlithograph in colours, 1932, printed by Chorley &

Pickersgill Ltd., Leeds, condition B+/A-; backed on linen

30 x 44 in. (76 x 112 cm.)

5,000-7,000 $7,500-10,000 7,000-9,700L I T E R A T U R E :

Shell, pl.35

16

SHELL POSTERS

The following group of Shell posters were

predominantly produced during the 1930s

when Jack Beddington was responsible for the

companys advertising. Under his direction, artists

and designers contributed to innovative poster

campaigns such as To Visit Britains Landmarks

and These People Use Shell.

Shell quickly became a leader in British advertising

during this period, exposing the public to

contemporary British art and design via Lorry Bills

throughout the country.

Lots 17 - 37 are from the personal collection of

the Marketing Director for Shell during the 1960s

and 70s.

15

*15

ALEXANDER STUART-HILL (1889-1948)

YOU CAN BE SURE OF SHELL, MOUSEHOLE PENZANCElithograph in colours, 1932, condition B/B+; backed on

linen

30 x 44 in. (78 x 113 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100L I T E R A T U R E :

Shell, pl.44

818

18

ABRAM GAMES (1914-1996)

SHELL OILlithograph in colours, 1939, condition B+; not backed

30 x 45 in. (76 x 114 cm.)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :

Shell, pl.85

19

19

TERENCE CUNEO (1907-1996)

YOU CAN BE SURE OF SHELLlithograph in colours, 1952, printed by Vincent Brooks, Day & Son Ltd., London,

condition B+; not backed

30 x 39 in. (76 x 101 cm.)

800-1,200 $1,200-1,800 1,200-1,700

20

20

JOHN RATTENBURY SKEAPING (1901-1980)

THE WINNER... SHELLlithograph in colours, 1952, printed by Leonard Ripley & Co. Ltd., London, condition

A-; not backed

30 x 39 in. (76 x 100 cm.)

700-1,000 $1,100-1,500 970-1,400

21

21

ROBERT BUHLER (1916-1989)

FOR HIGH PERFORMANCE, HAWKER HURRICANESlithograph in colours, 1938, printed by Waterlow, condition B; not backed

30 x 45 in. (76 x 114 cm.)

800-1,200 $1,200-1,800 1,200-1,700

922

22

JOHN ARMSTRONG (1893-1973)

THEATRE-GOERS USE SHELLlithograph in colours, 1938, printed by Waterlow,

condition A-; not backed

30 x 45 in. (79 x 114 cm.)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :

Modern British, p.64

23

23

TOM ECKERSLEY (1914-1997) & ERIC LOMBERS (1914-1978)

SCIENTISTS PREFER SHELLlithograph in colours, 1938, condition A; not backed

30 x 45 in. (76 x 114 cm.)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :

Modern British, p.62

24

24

CHARLES GREEN SHAW (1892-1974)

SMOKERS PREFER SHELLlithograph in colours, 1936, printed by The Baynard

Press, condition A; not backed

30 x 45 in. (76 x 114 cm.)

700-1,000 $1,100-1,500 970-1,400L I T E R A T U R E :

Shell 2, pl.70

10

27

R. J. KINNEIR (JOCK, 1917-1994)

THESE MEN USE SHELL, RIDERS TO HOUNDSlithograph in colours, 1938, printed by Waterlow,

condition B; not backed

together with two other These Men Use Shell posters

30 x 45 in. (76 x 114 cm.) (3)

800-1,200 $1,200-1,800 1,200-1,700

27 (part)

26

CHARLES MOZLEY (1914-1991)

THESE PEOPLE USE SHELL, BLONDES AND BRUNETTESlithograph in colours, 1939, hand signed in ink, printed

by Waterlow, condition B+; not backed

30 x 45 in. (76 x 114 cm.)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :

Shell 2, pl.93

26

25

JOHN ARMSTRONG (1893-1973)

THESE MEN USE SHELL, FARMERSlithograph in colours, 1939, printed by Waterlow,

condition B/B+; not backed

together with three other These Men Use Shell

posters

30 x 45 in. (76 x 114 cm.) (4)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :

Shell, pl.82

25 (part)

11

30

BEN NICHOLSON (1894-1982)

THESE MEN USE SHELL, GUARDSMENlithograph in colours, 1938, printed by Waterlow,


30 x 45 in. (76 x 114 cm.)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :

Modern British, p.64; Shell, pl.77

30

29

ZERO (HANS SCHLEGER, 1898-1976)

THESE MEN USE SHELL, JOURNALISTSlithograph in colours, 1938, printed by Waterlow,


30 x 45 in. (76 x 114 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100L I T E R A T U R E :

Shell, pl.79

29

28

RICHARD GUYATT (1914-2007)

THESE MEN USE SHELL, RACING MOTORISTSlithograph in colours, 1939, printed by Waterlow,


30 x 44 in. (76 x 113 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100L I T E R A T U R E :

Shell, pl.83

28

12

31 (part)

31

(MAURICE) DENTON WELCH (1915-1948)

HADLOW CASTLE, KENTlithograph in colours, 1937, printed by Waterlow, condition B; not backed

together with three other You Can Be Sure Of Shell posters

30 x 45 in. (76 x 114 cm.) (4)

800-1,200 $1,200-1,800 1,200-1,700

32

EDWARD BAWDEN (1903-1989)

WALTON CASTLE, CLEVEDON, SOMERSETlithograph in colours, 1936, printed by Waterlow, condition B; not backed

together with three other You Can Be Sure of Shell posters

30 x 45 in. (76 x 114 cm.) (4)

1,000-1,500 $1,500-2,200 1,400-2,100L I T E R A T U R E :

Shell, p.2

33 (part)

33

HAROLD STEGGLES (1911-1971)

BUNGAYofset lithograph in colours, c.1934, printed by Waterlow, condition A-; not backed

together with two other Shell posters

30 x 45 in. (76 x 114 cm.) (3)

800-1,200 $1,200-1,800 1,200-1,700

32 (part) 34 (part)

34


DINTON CASTLE NEAR AYLESBURYlithograph in colours, 1936, printed by Waterlow, condition A-; not backed

together with four other You Can Be Sure Of Shell posters

30 x 45 in. (76 x 114 cm.) (5)

800-1,200 $1,200-1,800 1,200-1,700

13

35

35

PAUL NASH (1889-1946)

KIMMERIDGE FOLLY, DORSETlithograph in colours, 1937, printed by Waterlow,


30 x 45 in. (76 x 114 cm.)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :

Shell 2, pl.85

36

36

GRAHAM SUTHERLAND (1903-1980)

BRIMHAM ROCK, YORKSHIRElithograph in colours, 1937, printed by The Baynard

Press, condition B+/A-; not backed

30 x 45 in. (76 x 114 cm.)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :

Modern British, p.63; Shell, pl.75

37 (part)

37

DUNCAN GRANT (1885-1978)

ST. IVES HUNTINGDONlithograph in colours, 1932, printed by Vincent Brooks,

Day & Son Ltd., London, condition B; not backed

together with three other You Can Be Sure Of Shell

posters

30 x 45 in. (76 x 114 cm.) (4)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :

Shell 2, pl.50

14

n42

HB

BLACKPOOL LIDOlithograph in colours, printed by Ayre & Senior,

Blackpool, condition A-; on ten joined sheets, backed

on linen

116 x 78 in. (296 x 200 cm.)

800-1,200 $1,200-1,800 1,200-1,700

42

*41

ELLIS L. SILAS (1885-1972)

P & O CRUISES, S.S. RANCHIlithograph in colours, printed by Philip Reid, condition

B+; backed on linen

60 x 40 in. (153 x 101 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900

41

*40

ANONYMOUS

B.S.A, MOTOR BICYCLESlithograph in colours, c.1926, condition B; backed on

linen

59 x 39 in. (151 x 99 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

40

39

HENRY GEORGE GAWTHORN (1879-1941)

KNARESBOROUGHlithograph in colours, printed by Adams Bros. &

Shardlow, condition B+; not backed

40 x 25 in. (102 x 64 cm.)

800-1,200 $1,200-1,800 1,200-1,700

39

*38

JOHN EDMUND MACE (1889-1952)

THE CARLYON BAY HOTEL, PAR, CORNWALLlithograph in colours, printed by Garamond Press Ltd.,

London, condition B+; backed on linen

40 x 25 in. (102 x 64 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

38

15

*44

W. BURBIDGE

NEWQUAY, SAFE SURF BATHINGlithograph in colours, printed by S.C. Allen & Co. Ltd., London, condition B+;

backed on linen

38 x 49 in. (98 x 125 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

44

43

TOM PURVIS (1888-1959)

WHITLEY BAYlithograph in colours, c.1935, printed by S.C. Allen & Company Ltd., London, condition

B+; not backed

41 x 51 in. (104 x 130 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

43

16

45

*45

ENOCH A. FAIRHURST (1874-1945)

OVER A CENTURY OF PROGRESS, THE PRINCESS ROYALlithograph in colours, 1933, printed by S.C. Allen &

Company, London, condition B/B+; backed on linen

39 x 48 in. (99 x 124 cm.)

5,000-7,000 $7,500-10,000 7,000-9,700

*47

R. P. HUTCHINSON

B.O.A.C STRATOCRUISER SPEEDBIRDlithograph in colours, printed by McCorquodale & Co.

Ltd., London, condition B+; backed on linen

24 x 39 in. (61 x 99 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

*49

ANONYMOUS

B.O.A.C ARGONAUT SPEEDBIRDlithograph in colours, c.1952, printed by McCorquodale

& Co. Ltd., London, condition B+/A-; backed on linen

24 x 39 in. (61 x 99 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

*46

JAMES GARDNER (1907-1995)

IMPERIAL AIRWAYS, ENSIGNofset lithograph in colours, 1937, printed by Ben

Johnson & Co. Ltd., London, condition A-; backed on

linen

25 x 39 in. (64 x 100 cm.)

2,500-3,500 $3,800-5,200 3,500-4,800

*48

ANONYMOUS

IMPERIAL AIRWAYS, FLUGBOOT / FLYING-BOATofset lithograph in colours, 1937, printed by Ben

Johnson & Co. Ltd., London, condition A-; backed on

linen

25 x 39 in. (64 x 100 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

*50

LSZL MOHOLY-NAGY (1895-1946)

IMPERIAL AIRWAYSlithograph in colours, 1936, printed by The Curwen

Press Ltd., London, condition B+/A-; backed on linen

25 x 39 in. (64 x 101 cm.)

3,000-4,000 $4,500-6,000 4,200-5,500L I T E R A T U R E :

Albers & Moholy-Nagy, 58

17

46 48

47 49

50

18

*56

JUPP WIERTZ (1888-1939)

IN 2 TAGEN NACH NORD-AMERIKA! DEUTSCHE ZEPPELIN - REEDEREIofset lithograph in colours, c.1936, printed by

Eschebach & Schaefer, Leipzig, condition A-; not

backed

33 x 23 in. (84 x 59 cm.)

5,000-7,000 $7,500-10,000 7,000-9,700

55

55

EMMANUEL GAILLARD

K.L.M., LUFTLINIEN - HOLLANDlithograph in colours, c.1931, printed by L. van Leer &

Co., Amsterdam, condition A-; not backed

39 x 25 in. (100 x 65 cm.)

800-1,200 $1,200-1,800 1,200-1,700

54

ALBERT SOLON (1897-1973)

LIGNES FARMAN, PARISlithograph in colours, 1932, printed by Ch. Egler, Paris,

condition B+; backed on japan

39 x 24 in. (100 x 62 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

54

53

RAYMOND SAVIGNAC (1907-2002)

AIR FRANCElithograph in colours, 1956, printed by Gaillard, Paris,

condition B+; backed on linen, framed

together with Paris, 1951 by R. Savignac

39 x 24 in. (99 x 62 cm.) (2)

1,000-1,500 $1,500-2,200 1,400-2,100

53 (part)

*52

ANONYMOUS

QANTAS PRESENTS THE SUPER CONSTELLATIONlithograph in colours, c.1947, condition A; backed on

linen

36 x 24 in. (92 x 61 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

52

*51

FRANK SOLTESZ (1912-1986)

YOU CAN DEPEND ON TWAofset lithograph in colours, c.1948, condition A-;

backed on linen

39 x 24 in. (99 x 62 cm.)

1,200-1,800 $1,800-2,700 1,700-2,500

51

19

*58

ALBERT SOLON (1897-1973)

AIR FRANCE, PARIS-LONDRESlithograph in colours, 1933, printed by France-Af_fiches, Paris, condition A-; backed on

linen

39 x 24 in. (100 x 63 cm.)

2,500-3,500 $3,800-5,200 3,500-4,800

58

57

57

EDMOND MAURUS

CIDNA, ORIENT FLYING ARROWlithograph in colours, 1931, printed by Cration Publix, Paris, condition A-; backed on

linen

39 x 25 in. (100 x 63 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

56

20

59

60

61

62

21

59

LEONARD C. MITCHELL (1901-1971)

NEW ZEALAND, THE ANGLERS PARADISEsilkscreen, condition A-; not backed

37 x 26 in. (94 x 66 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

60

GERT SELLHEIM (1901-1970)

CORROBOREE, AUSTRALIAlithograph in colours, 1934, printed by F.W. Niven Ltd.,

Melbourne, condition A-; not backed

40 x 25 in. (102 x 64 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

61

GERT SELLHEIM (1901-1970)

AUSTRALIA, SURF CLUBlithograph in colours, c.1930, printed by Sands &

McDougall Ltd., Melbourne, condition A-; not backed

40 x 25 in. (102 x 64 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300

*62

M. GUNDLACH

SOUTHERN CALIFORNIA, GO VIA UNION PACIFIC SYSTEMlithograph in colours, c.1920, condition A-; not backed

42 x 28 in. (107 x 71 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

63

*63

HARLEY WOOD

NEW YORK, PENNSYLVANIA RAILROADofset lithograph in colours, condition B+/A-; backed

on linen

40 x 25 in. (102 x 64 cm.)

8,000-12,000 $12,000-18,000 12,000-17,000

22

69

ALEX WALTER DIGGELMANN (1902-1987)

GSTAADlithograph in colours, 1933, printed by Orell Fussli,

Zrich, condition A-; backed on linen

40 x 25 in. (102 x 64 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

*68

ANONYMOUS

VISIT INDIAlithograph in colours, condition B+; backed on linen

39 x 25 in. (99 x 64 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

68

*67

MUNETSUGU SATOMI (1900-1995)

JAPANofset lithograph in colours, 1937, printed by Seihan

Printing Co., Osaka, condition B+; backed on linen

39 x 25 in. (99 x 64 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

66 (part)

*66

SANDY HOOK (GEORGES TABOUREAU, 1879-1960)

LES ILES BALARESlithograph in colours, 1934, printed by Chaix, Paris,

condition A-; backed on linen

together with two other travel posters

38 x 24 in. (98 x 62 cm.) (3)

1,000-1,500 $1,500-2,200 1,400-2,100

65 65

SANDY HOOK (GEORGES TABOUREAU, 1879-1960)

ANTILLES, CENTRE-AMRIQUE, CIE. GLE. TRANSATLANTIQUElithograph in colours, c.1920, printed by F.Champenois,

Paris, condition B/B+; backed on linen

40 x 28 in. (102 x 71 cm.)

1,200-1,800 $1,800-2,700 1,700-2,500

64 (part)

67

64

JACQUES MAJORELLE (1886-1962)

LE MAROC PAR MARSEILLElithograph in colours, 1926, printed by Lucien Serre &

Cie., Paris, condition A; backed on linen

together with Messageries Maritimes by S. Hook

42 x 30 in. (108 x 77 cm.) (2)

3,000-5,000 $4,500-7,500 4,200-6,900

23

73

EMIL CARDINAUX (1877-1936)

LT DANS LES GRISONSlithograph in colours, 1923, printed by Wolfsberg,

Zrich, condition A; backed on linen

40 x 25 in. (103 x 64 cm.)

800-1,200 $1,200-1,800 1,200-1,700

73A

*72

ANONYMOUS

GOLF LAUSANNElithograph in colours, 1936, condition A-; backed on

japan

39 x 25 in. (100 x 64 cm.)

800-1,200 $1,200-1,800 1,200-1,700

72

71

EMIL CARDINAUX (1877-1936)

LT EN SUISSElithograph in colours, 1921, printed by Wolfsberg,

Zrich, condition A-; backed on linen

40 x 25 in. (100 x 62 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

73

*70

MARTIN PEIKERT (1901-1975)

CHAMPRYlithograph in colours, 1938, printed by Paul Ettinger

S.A., Neuchatel, condition B+; backed on linen

40 x 25 in. (102 x 64 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

7169

70

*73A

JOSE MORELL (1899-1949)

CLUB CAMPRODONlithograph in colours, printed by Artes Grficas S.A.,

Barcelona, condition B; backed on linen

42 x 25 in. (108 x 64 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

24

74

74

MARC CHAGALL (1887-1985)

NICE SOLEIL FLEURSlithograph in colours, 1962, printed by Mourlot, Paris,

condition A; not backed

39 x 24 in. (99 x 62 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

75

75

JEAN COCTEAU (1889-1963)

VILLEFRANCHE SUR MER, CHAPELLE ST. PIERRElithograph in colours, 1957, printed by Mourlot, Paris,

condition A-; not backed, framed

29 x 20 in. (75 x 52 cm.)

800-1,200 $1,200-1,800 1,200-1,700

76

*76

JEAN-GABRIEL DOMERGUE (1889-1962)

LHIVER MONTE-CARLO (before letters)lithograph in colours, 1937, condition A-; backed on

linen

39 x 24 in. (100 x 63 cm.)

800-1,200 $1,200-1,800 1,200-1,700

77

77

AFTER PABLO PICASSO (1881-1973)

CTE DAZURlithograph in colours, 1962, printed by Mourlot, Paris,

condition A; not backed

39 x 24 in. (100 x 64 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

25

78

*78

ALBERTO FABIO (FABIUS) LORENZI (1880-1969)

NICElithograph in colours, c.1926, printed by Lclaireur de

Nice, condition A-; backed on linen

23 x 15 in. (58 x 38 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

79

79

J. RAMEL

NICE, 1949lithograph in colours, 1949, printed by A.D.I.A., Nice,


39 x 25 in. (99 x 64 cm.)

800-1,200 $1,200-1,800 1,200-1,700

80

80

EFF DHEY

NICElithograph in colours, 1935, printed by Lclaireur, Nice,


40 x 24 in. (101 x 62 cm.)

1,200-1,800 $1,800-2,700 1,700-2,500

81

81

AFTER HENRI MATISSE (1869-1954)

NICElithograph in colours, 1947, printed by Mourlot, Paris,


39 x 25 in. (99 x 64 cm.)

800-1,200 $1,200-1,800 1,200-1,700

26

*85

ROBERT MALLET-STEVENS (1886-1945)

ST JEAN DE LUZlithograph in colours, 1928, printed by H.Chachoin,

Paris, condition B+; backed on linen

63 x 47 in. (160 x 120 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300

85

84

LEON BENIGNI (1892-1948)

BRIDES LES BAINSlithograph in colours, 1929, printed by Of_fice dditions

dArt, Paris, condition A; backed on linen, framed

39 x 24 in. (100 x 62 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

84

*83

JEAN LUC (JEAN LUCHESI)

AQUARIUM MONACOlithograph in colours, 1939, printed by Sica, Nice,

condition B+/A-; backed on linen

39 x 24 in. (100 x 63 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

83

82

E. PAUL CHAMPSEIX

BANDOLlithograph in colours, c.1930, printed by Art et

Tourisme, Paris, condition A-; backed on linen

39 x 24 in. (100 x 62 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

82

27

88

ROGER BRODERS (1883-1953)

LAC DANNECYlithograph in colours, c.1930, printed by Lucien Serre & Cie., Paris, condition B+; backed on linen

39 x 24 in. (100 x 62 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100L I T E R A T U R E :

Broders, p.68

88

*87


MONTE-CARLOlithograph in colours, c.1930, condition A; backed on linen

39 x 25 in. (100 x 64 cm.)

12,000-18,000 $18,000-27,000 17,000-25,000L I T E R A T U R E :

Broders, p.39

87

86


THE FRENCH RIVIERA FOR PERPETUAL SUNSHINElithograph in colours, 1930, printed by McCorquodale & Co. Ltd., London, condition B+;

backed on linen

40 x 24 in. (102 x 63 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300L I T E R A T U R E :

Broders, p.23v

86

28

89 90 91

91

BERNARD VILLEMOT (1911-1989)

ORANGINAlithograph in colours, 1966, printed by Gaillard, Paris,


62 x 46 in. (158 x 118 cm.)

800-1,200 $1,200-1,800 1,200-1,700

92

89

H. L. ROOWY

PNEU VLO MICHELINlithograph in colours, 1912, printed by Chaix, Paris,


47 x 31 in. (120 x 79 cm.)

800-1,200 $1,200-1,800 1,200-1,700

*92

GEO HAM (GEORGES HAMEL, 1900-1972)

RALLYE MONTE CARLOlithograph in colours, 1939, printed by Mongasque,

Monte-Carlo, condition A-; not backed

16 x 30 in. (40 x 76 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

90

OGALOP (MARIUS ROSSILLON, 1867-1946)

PNEU VLO MICHELINlithograph in colours, 1912, printed by Chaix, Paris,


47 x 31 in. (120 x 80 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

29

93

*93

REN VINCENT (1879-1936)

PEUGEOTlithograph in colours, 1919, printed by Draeger, Paris, condition B+; backed on linen

61 x 46 in. (155 x 117 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300

94

*94

PAUL COLIN (1892-1985)

PEUGEOT 1935lithograph in colours, 1935, printed by Bedos & Cie., Paris, condition B+; backed on

linen

63 x 47 in. (160 x 120 cm.)

5,000-7,000 $7,500-10,000 7,000-9,700

95

*95

PIERRE FIX-MASSEAU (1905-1994)

EXACTITUDElithograph in colours, 1932, printed by EDITA, Paris, condition A-; backed on linen

39 x 24 in. (100 x 62 cm.)

5,000-7,000 $7,500-10,000 7,000-9,700

30

*97

HENRI DE TOULOUSE-LAUTREC (1864-1901)

DIVAN JAPONAISlithograph in colours, 1893, printed by Edw. Ancourt, Paris, condition A-; backed on

linen

32 x 24 in. (84 x 62 cm.)

10,000-15,000 $15,000-22,000 14,000-21,000L I T E R A T U R E :

Adriani, 8; Delteil, 341; Wittrock, P11

Jane Avril and the critic Edouard Dujardin are depicted in the foreground of this poster, with the singer Yvette Guilbert on stage.

97

96


JANE AVRILlithograph in colours, 1893, printed by Chaix, Paris, condition B; backed on linen,

framed

49 x 36 in. (126 x 92 cm.)

8,000-12,000 $12,000-18,000 12,000-17,000L I T E R A T U R E :

Adriani, 11-I; Delteil, 345-I; Wittrock, P6B

A central character in the nightlife of Montmartre, Jane Avril was known for an unique and graceful style of dancing which inspired Charles Zidler to describe her as a rapturous orchid. She was a principal dancer at the Moulin Rouge and at the Jardin de Paris.

96

31

*98


MOULIN ROUGE- LA GOULUElithograph in colours, 1891, printed by Ch. Levy, Paris, condition B; on two joined sheets, backed on linen

67 x 48 in. (171 x 122 cm.)

50,000-70,000 $75,000-100,000 70,000-97,000L I T E R A T U R E :

Adriani 1; Delteil 339; Wittrock P1

Toulouse-Lautrecs remarkable first endeavour into poster design combines vivid imagery and bold typography to promote the risqu performances of one of the Moulin Rouges principal dancers, Louise Weber, more commonly known as La Goulue.

98

32

99

100

99

ALPHONSE MUCHA (1860-1939)

LA TOPAZE (Precious Stones)lithograph in colours, 1902, condition A-; not backed

25 x 11 in. (64 x 29 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Rennert/Weill, 73

*100

ALPHONSE MUCHA (1860-1939)

JOBlithograph in colours, 1898, printed by F. Champenois, Paris, condition B+; backed on

linen

60 x 40 in. (154 x 101 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Rennert/Weill, p.51

*101

THOPHILE ALEXANDRE STEINLEN (1859-1923)

2e. EXPOSITION DES ARTISTES ANIMALIERSlithograph in colours, 1909, signed in crayon M.G. Frichet cordialement Steinlen,


19 x 29 in. (49 x 65 cm.)

5,000-7,000 $7,500-10,000 7,000-9,700

*102


TOURNE DU CHAT NOIRlithograph in colours, 1896, printed by Charles Verneau, Paris, condition B; backed

on linen

55 x 39 in. (140 x 99 cm.)

5,000-7,000 $7,500-10,000 7,000-9,700

*103


PROCHAINEMENT, CHAT NOIRlithograph in colours, 1896, printed by Charles Verneau, Paris, condition B+; backed

on linen

24 x 16 in. (62 x 40 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900

33

101

102 103

34

*106

MARCELLO DUDOVICH (1878-1962)

LIQUORE STREGAlithograph in colours, c.1905, printed by G. Ricordi & C., Milano, condition B+; on two

sheets, backed on japan

82 x 56 in. (209 x 144 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000

105

LE RIRE 1894-1907lithographs in colours, 1894-1907; 677 issues, bound in 13 volumes

each 12 x 9 in. (30 x 23 cm.) (13)

2,500-3,500 $3,800-5,200 3,500-4,800

105 (part)

106

*104

PIERRE BONNARD (1867-1947)

FRANCE-CHAMPAGNElithograph in colours, 1891, printed by Edw. Encourt & Cie., Paris, condition B; backed

on linen

31 x 23 in. (79 x 59 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000

104

35

*109

LEONETTO CAPPIELLO (1875-1942)

MISTINGUETT, CASINO DE PARISlithograph in colours, 1920, printed by Devambez, Paris, condition B+; backed on

linen

62 x 46 in. (158 x 117 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900 109

*108

WEILUC (LUCIEN-HENRI WEIL, 1873-1947)

LE FROU-FROUlithograph in colours, c.1900, printed by Nouvelle, Asnires, condition B; backed on

linen

62 x 43 in. (157 x 110 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900

108

*107

JULES CHRET (1836-1932)

LA LOE FULLERlithograph in colors, 1893, printed by Chaix, Paris, condition B+; backed on linen

48 x 34 in. (122 x 87 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800L I T E R A T U R E :

Broido, p.125 (v.4)

107

36

110

111

110

BERTHOLD LFFLER (1874-1960)

KAISER HULDIGUNGS FESTZUGlithograph in colours, 1908, printed by Christoph Reissers Shne, Wien, condition

B+/A-; backed on japan

41 x 16 in. (106 x 40 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300

112

113

111

FERDINAND LUDWIG GRAF (1868-1932)

KAISER JUBILAEUMS HULDIGUNGS - FESTZUGlithograph in colours, 1908, printed by J. Weiner, Wien, condition B+/ A-; not backed

49 x 37 in. (126 x 95 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

37

112

KOLOMAN MOSER (1868-1918)RICHARDSQUELLElithograph in colours, 1899, printed by Friedr. Sperl, Wien, condition B+; not backed12 x 37 in. (32 x 95 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300

113

KOLOMAN MOSER (1868-1918)LESEN SIElithograph in colours, 1900, printed by Philipp & Kramer, Wien, condition B+/A-; not backed32 x 44 in. (83 x 112 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900

114

*114

HANNAH HCH (1889-1978)FRHLINGS-MESSE DER KUNSTGEWERBE GRUPPElithograph in colours, c.1925, printed by H. Gellert, Berlin, condition B/B+; backed on japan, framed14 x 18 in. (36 x 47 cm.)

8,000-12,000 $12,000-18,000 12,000-17,000L I T E R A T U R E :

Ades, p.122

38

*119


LA BANANEgouache and charcoal on paper, 1925, signed lower right, framed

19 x 25 in. (50 x 64 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000

*118

NATALIA GONCHAROVA (1881-1962)

GRAND BAL DE NUITlithograph in colours, 1926, printed by Josef-Charles, Paris, condition B+; backed on

linen

47 x 31 in. (120 x 79 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300

*117

LONARD TSUGUHARU FOUJITA (1886-1968)

4me BAL DE LAAAAlithograph in colours, 1926, condition B+/A-; backed on linen

47 x 31 in. (120 x 79 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

*116

JEAN DUPAS (1882-1964)

XVme SALON DES ARTISTES DECORATEURSlithograph in colours, 1924, condition A; backed on japan

23 x 16 in. (60 x 40 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300

116

*115

JEAN DUPAS (1882-1964)

LE BAL DE DEMAINlithograph in colours, 1928, printed by H.Chachoin, Paris, condition B+; backed on

linen

23 x 15 in. (59 x 39 cm.)

8,000-12,000 $12,000-18,000 12,000-17,000

115

39

119

118117

40

120

*120


LA TENDRE ENNEMIElithograph in colours, 1930, printed by DOC Publicit, Paris, condition B+/A-; backed

on linen

59 x 38 in. (151 x 97 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

121

*121


SERGE LIFARlithograph in colours, 1935, printed by Bedos & Cie., Paris, condition B; backed on

linen

61 x 45 in. (155 x 115 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800

122

*122


TABARINlithograph in colours, 1928, printed by H. Chachoin, Paris, condition B+; backed on

linen

62 x 47 in. (159 x 120 cm.)

7,000-9,000 $11,000-13,000 9,700-12,000

41

123

*123

JEAN CARLU (1900-1997)

FTES DE PARISlithograph in colours, 1935, printed by Alliance Graphique, Paris, condition B+/A-;

backed on linen

39 x 24 in. (99 x 62 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

124

*124


THEATRE ECLAIRSlithograph in colours, 1931, printed by Courvet, Paris, condition B+/A-; backed on japan

60 x 44 in. (123 x 112 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300

125

*125


PPA BONAFlithograph in colours, 1928, printed by Marcel Picard, Paris, condition B-; backed on

linen

63 x 47 in. (159 x 119 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000

42

129

128

127

126

43

131130

131

REN PRON (1904-1972)

KING KONG1933, R.K.O., France, style B, condition A-; backed on linen

63 x 47 in. (160 x 120 cm.)

10,000-15,000 $15,000-22,000 14,000-21,000

130

REYNOLD BROWN (1917-1991)

CREATURE FROM THE BLACK LAGOON 1954, Universal, U.S. one-sheet, condition A-; backed on linen

41 x 27 in. (104 x 69 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000

129

ANONYMOUS

THE GOLDEN THOUGHT1916, Selig Polyscope Company, U.S. one-sheet, condition A-; backed on linen, framed

41 x 27 in. (104 x 69 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

128

ALBERT KALLIS

INVASION OF THE SAUCER-MEN1957, A.I.P., U.S. one-sheet, condition B+/A-; backed on linen

41 x 27 in. (104 x 69 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

127

BERNARD LANCY (1892-1964)

LA GRANDE ILLUSION1945 re-release, R.A.C., France, condition A-; backed on linen

31 x 24 in. (79 x 61 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

126

ANONYMOUS

REAR WINDOW1954, Paramount, U.S. one-sheet, condition A-; backed on linen, framed

41 x 27 in. (104 x 69 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900

44

132

133

*132

FRANZ LENHART (1898-1992)

MODIANOlithograph in colours, 1935, printed by Grafiche Modiano, Trieste, condition A-; backed

on linen

55 x 39 in. (140 x 100 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

133

BARTOSOV

CABARET/KABARET1972, United Artists, Czech, condition A-; backed on linen

32 x 22 in. (82 x 57 cm.)

800-1,200 $1,200-1,800 1,200-1,700

134

45

134

REYNOLD BROWN (1917-1991)

BREAKFAST AT TIFFANYS1961, Paramount, U.S. insert, condition A-; backed on linen

36 x 14 in. (91 x 36 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

135135

ERIC PULFORD (1915-2005) AND RENATO FRATINI (1932-1973)

FROM RUSSIA WITH LOVE1963, Eon/United Artists, British quad, condition B+; backed on linen

30 x 40 in. (76 x 102 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300

136

136

ROBERT BROWNJOHN (1925-1970)

GOLDFINGER1964, Eon/United Artists, British quad, style A, condition B+/A-; backed on linen

30 x 40 in. (76 x 102 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

137

137

ANONYMOUS

BARNUM AND BAILEY, LES MTORES VOLANTSlithograph in colours, c.1900, condition B+; backed on linen

30 x 40 in. (78 x 102 cm.)

800-1,200 $1,200-1,800 1,200-1,700

46

*140

STENBERG BROTHERS

FRAGMENT OF AN EMPIRElithograph in colours, 1929, condition B+; backed on japan

37 x 24 in. (94 x 61 cm.)

7,000-9,000 $11,000-13,000 9,700-12,000L I T E R A T U R E :

Ades, p.83; Pack, p.143; Stenberg, p.59

140

139

STENBERG BROTHERS

NINICHElithograph in colours, 1927, condition B; backed on japan

39 x 28 in. (100 x 71 cm.)

5,000-7,000 $7,500-10,000 7,000-9,700L I T E R A T U R E :

Pack, p.279; Stenberg, p.65

139

*138

STENBERG BROTHERS (VLADIMIR, 1899-1982; GEORGI, 1900-1933)

GOSSIPlithograph in colours, 1928, condition B-; backed on japan

42 x 27 in. (107 x 70 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000L I T E R A T U R E :

Pack, p.241; Stenberg, p.81

138

47

*143

STENBERG BROTHERS

MILORD MACGREWlithograph in colours, 1927, condition B+; backed on japan

40 x 27 in. (102 x 70 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300L I T E R A T U R E :

Pack, p.84143

*142

STENBERG BROTHERS

MOULIN ROUGElithograph in colours, 1929, condition B; backed on japan

37 x 24 in. (94 x 62 cm.)

12,000-18,000 $18,000-27,000 17,000-25,000L I T E R A T U R E :

Pack, p.160

142

*141

NIKOLAI PRUSAKOV (1900-1952)

STRANGE WOMANlithograph on colours, 1929, condition B+/A-; backed on japan

37 x 24 in. (94 x 61 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Pack, p.87

141

48

144

*144

STENBERG BROTHERS

THE EARTHlithograph in colours, 1930, condition B-; backed on

japan

41 x 28 in. (106 x 73 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800L I T E R A T U R E :

Pack, p.257

145

*145

STENBERG BROTHERS

ANYAlithograph in colours, 1927, condition B+/A-; backed

on linen

42 x 28 in. (108 x 72 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100

146

*146

ANONYMOUS

SOMMERSPORT IN DER UDSSRlithograph in colours, c.1935, condition B+/A-; backed

on linen

40 x 25 in. (101 x 63 cm.)

1,000-1,500 $1,500-2,200 1,400-2,100L I T E R A T U R E :

Intourist, pl.36

147

147

STENBERG BROTHERS

MOSKAUER KAMERNY THEATERlithograph in colours, 1923, condition B/B+; backed on

japan

21 x 14 in. (53 x 35 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000L I T E R A T U R E :

Stenberg, p.40

49

148

*148

STENBERG BROTHERS

DADDYS BOYlithograph in colours, 1927, condition A-; backed on japan

42 x 28 in. (108 x 72 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Stenberg, p.67

149

*149

STENBERG BROTHERS

JIMMY HIGGINSlithograph in colours, c.1929, condition B+/A-; backed on japan

42 x 28 in. (108 x 72 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900

150

150

STENBERG BROTHERS

ROBIN HOODlithograph in colours, c.1925, condition B; backed on japan

39 x 28 in. (99 x 71 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Pack, p.184

50

*155

GUSTAV KLUTSIS (1895-1938)

ANTI IMPERIALIST EXHIBITIONofset lithograph in colours, 1931, printed by Ogiz-Izogiz,

Moscow, condition B+; on two sheets, backed on linen

56 x 41 in. (143 x 104 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000

*154


1 MARCHlithograph in colours, 1931, printed by Ogiz-Izogiz,

Moscow, condition B+/A-; backed on japan

41 x 28 in. (104 x 73 cm.)

8,000-12,000 $12,000-18,000 12,000-17,000

*153


LONG LIVE THE USSRofset lithograph in colours, 1931, printed by Ogiz-Izogiz,

Moscow, condition B; on two sheets, backed on linen

57 x 41 in. (146 x 104 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000

*152


3rd YEAR OF THE FIVE YEAR PLANlithograph in colours, 1930, condition B-; backed on

japan

40 x 27 in. (102 x 70 cm.)

5,000-8,000 $7,500-12,000 7,000-11,000

*151

ANTON LAVINKSY (1893-1968)

BATTLESHIP POTEMKIN 1905lithograph in colours, 1925, condition B; backed on

japan

28 x 42 in. (72 x 108 cm.)

20,000-30,000 $30,000-45,000 28,000-41,000L I T E R A T U R E :

Ades, p.87; Pack, p.169

151

51

155

154

153

152

52

156

156

ANONYMOUS

KEEP CALM AND CARRY ONlithograph in colours, 1939, published by the Ministry of Information, condition A; not

backed

29 x 20 in. (75 x 51 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000

Keep Calm and Carry On was intended to be displayed to the public in order to strengthen morale in the event of a wartime disaster, such as mass bombings of major cities using high explosives and poison gas, which was widely expected within hours of an outbreak of war. As their display was not deemed necessary, most of the posters were destroyed and very few survive today. This is a rare portrait example.

In recent times, the rediscovery of one of these posters in a book store in Northumberland has created a global phenomenon of modernisation and commercialisation of the design and the phrase.

157 (part)

157

FOUGASSE (CYRIL KENNETH BIRD, 1887-1965)

WALL PICTURES FOR GUIDED COMPOSITIONsixteen lithographs, 1957, printed by Chigwell Press Ltd., Essex, condition A-; not

backed

each 24 x 32 in. (62 x 81 cm.) (16)

1,000-1,500 $1,500-2,200 1,400-2,100

158

*158

FOUGASSE (CYRIL KENNETH BIRD, 1887-1965)

CARELESS TALK COSTS LIVESeight lithographs in colours, c.1943, condition A-/A; not backed

each 12 x 8 in. (32 x 20 cm.) (8)

1,500-2,000 $2,300-3,000 2,100-2,800

53

159

*159

LESTER BEALL (1903-1969)

RURAL ELECTRIFICATION ADMINISTRATIONsilkscreen and ofset lithography, 1939, condition B+;

backed on japan

39 x 29 in. (100 x 75 cm.)

12,000-18,000 $18,000-27,000 17,000-25,000L I T E R A T U R E :

American Image, no.30

160

*160

ANNA SOS KORNYI (1870-1947)

CONGRS INTERNATIONAL POUR LE SUFFRAGE DES FEMMESlithograph in colours, 1913, Lengyel Lipt, Budapest,


38 x 25 in. (97 x 63 cm.)

2,500-3,500 $3,800-5,200 3,500-4,800

161*161

ANONYMOUS

A TIME FOR GREATNESS, KENNEDY FOR PRESIDENTofset lithograph in colours, c.1960, condition B/B+;

backed on linen

43 x 28 in. (110 x 72 cm.)

800-1,200 $1,200-1,800 1,200-1,700

162 (part)

162

FRITZ KAHN (1888-1968)

DER MENSCH ALS INDUSTRIEPALASTlithograph in colours, 1926, printed by Fricke & Co.,

Stuttgart, condition B+/A-; not backed

together with one other poster by Kahn and two

accompanying key booklets

37 x 19 in. (96 x 48 cm.) (4)

800-1,200 $1,200-1,800 1,200-1,700

54

166

165

164

163

55

168167

*168

LUDWIG HOHLWEIN (1874-1949)

BURGER & ZIMMERMANNlithograph in colours, 1908, printed by Wolfensberger, Zrich, condition B+; backed

on japan

48 x 36 in. (122 x 93 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900

*167


PKZlithograph in colours, 1911, printed by Wolfensberger, Zrich, condition B+; backed on

japan

51 x 35 in. (129 x 89 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100

*166

HERBERT MATTER (1907-1984)

PKZgouache, pencil and collage maquette on paper, 1928, signed lower right, condition

B+; not backed

49 x 34 in. (124 x 88 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900

*165

OTTO BAUMBERGER (1889-1961)

PKZlithograph in colours, 1923, printed by Wolfsberg, Zrich, condition A-; backed on

japan

50 x 35 in. (128 x 90 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100L I T E R A T U R E :

Ades, p.114

*164

OLSKY

CHAPEAUX MOSSANTlithograph in colours, 1928, printed by Vercasson, Paris, condition A-; backed on linen

63 x 47 in. (160 x 120 cm.)

800-1,200 $1,200-1,800 1,200-1,700

*163

NIKLAUS STOECKLIN (1896-1982)

PKZlithograph in colours, 1934, printed by Wolfsberg, Zrich, condition B+; backed on

japan

50 x 35 in. (127 x 91 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000L I T E R A T U R E :

Ades, back cover

56

169

*169


AUDIlithograph in colours, 1912, printed by G. Schuh & Cie., Mnchen, condition B; backed

on linen

49 x 35 in. (125 x 100 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100L I T E R A T U R E :

Hohlwein, pl. 174

170

*170


MERCEDESlithograph in colours, 1914, condition B; backed on japan

42 x 31 in. (108 x 79 cm.)

5,000-7,000 $7,500-10,000 7,000-9,700

171

*171


KAFFEE HAGlithograph in colours, 1913, condition A-; backed on japan

35 x 23 in. (89 x 60 cm.)

7,000-9,000 $11,000-13,000 9,700-12,000

57

172

172

A.M. CASSANDRE (1901-1968)

AIR-ORIENTlithograph in colours, 1932, printed by Alliance-

Graphique, Paris, condition A; not backed

31 x 23 in. (80 x 60 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000L I T E R A T U R E :

Mouron, no.144v; Suntory, no.57B

173

173


LOISEAU BLEUlithograph in colours, 1929, printed by L. Danel, Lille,


39 x 24 in. (100 x 62 cm.)

1,500-2,000 $2,300-3,000 2,100-2,800L I T E R A T U R E :

Mouron, pl.18; Suntory, no.56

174

*174


LYS CHANTILLYlithograph in colours, 1930, printed by L. Danel, Lille,


39 x 24 in. (100 x 62 cm.)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :

Mouron, no.109; Suntory, no.59

175

175


VENEZIAofset lithograph in colours, 1951, condition B+; backed

on linen

39 x 24 in. (100 x 63 cm.)

800-1,200 $1,200-1,800 1,200-1,700L I T E R A T U R E :


58

178

179177

176

59

*180


GRANDE QUINZAINE INTERNATIONALE DE LAWN-TENNISlithograph in colours, 1932, printed by Alliance Graphique, Paris, condition B ;

backed on linen

62 x 47 in. (158 x 120 cm.)

20,000-30,000 $30,000-45,000 28,000-41,000L I T E R A T U R E :

Mouron, pl.40; Suntory, no.23A

*179


THOMSONlithograph in colours, 1931, printed by Alliance

Graphique, Paris, condition B- ; backed on linen

47 x 30 in. (120 x 78 cm.)

7,000-9,000 $11,000-13,000 9,700-12,000L I T E R A T U R E :


*178


NORMANDIElithograph in colours, 1935, printed by Alliance

Graphique, L. Danel, Paris, condition B+/A-; backed on

linen

39 x 24 in. (100 x 62 cm.)

7,000-9,000 $11,000-13,000 9,700-12,000L I T E R A T U R E :

Mouron, pl.56v; Suntory, no.67B180

177


TOILE DU NORDlithograph in colours, 1927, printed by Hachard & Cie.,

Paris, condition B; backed on linen

41 x 29 in. (105 x 75 cm.)

5,000-7,000 $7,500-10,000 7,000-9,700L I T E R A T U R E :

Ades, p.158; Mouron, pl.11; Suntory, no.48

176


NORD EXPRESSlithograph in colours, 1927, printed by Hachard & Cie.,

Paris, condition B-/B; backed on linen

41 x 29 in. (105 x 75 cm.)

7,000-9,000 $11,000-13,000 9,700-12,000L I T E R A T U R E :

Ades, p.162; Mouron, pl.10; Suntory, no.49

60

181

182

183

184

61

*181

CHARLES LOUPOT (1892-1962)

PKZlithograph in colours, 1921, printed by Wolfsberg,

Zrich, condition B; backed on japan

49 x 34 in. (125 x 87 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300L I T E R A T U R E :

Loupot, pl.45

*182


DURABLElithograph in colours, 1922, printed by Suberlin &

Pfeifer, Vevey, condition A-; not backed

50 x 35 in. (127 x 89 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300L I T E R A T U R E :

Loupot, pl.46C

*183


FOURRURES CANTONlithograph in colours, 1919, printed by Sonor, Genve,

condition B-; backed on japan

51 x 35 in. (130 x 90 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300L I T E R A T U R E :

Loupot, pl.39A

*184


FOURRURES CANTONlithograph in colours, 1924, printed by Sonor, Genve,

condition B-/B; backed on japan

50 x 35 in. (128 x 90 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300L I T E R A T U R E :

Loupot, pl.54A

185

*185


ORELL FSSLIlithograph in colours, 1922, printed by Orell Fssli,

condition B; backed on japan

51 x 36 in. (130 x 92 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Loupot, pl.48

186

*186


VOISIN, AUTOMOBILESlithograph in colours, 1923, printed by Devambez, Paris,


47 x 31 in. (120 x 80 cm.)

7,000-9,000 $11,000-13,000 9,700-12,000L I T E R A T U R E :

Loupot, pl.50

62

*189


STOP-FIRElithograph in colours, 1930, printed by Les Belles Af_fiches, Paris, condition A-; backed on linen

47 x 31 in. (120 x 79 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Loupot, pl.88

189

*188


MIRUS, LE GAZ BLEUlithograph in colours, 1929, printed by Chaix, Paris, condition B+; backed on linen

53 x 47 in. (160 x 120 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100L I T E R A T U R E :

Loupot, pl.79

188

*187


STOP-FIRElithograph in colours, 1925, printed by Les Belles Af_fiches, Paris, condition A-; backed on linen

76 x 49 in. (194 x 125 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300L I T E R A T U R E :

Loupot, pl.60

187

63

*192


ZAHNPASTEN, SRODENTlithograph in colours, 1935, printed by Suberlin & Pfeifer S.A.. Vevey, condition A-;

backed on japan

50 x 35 in. (127 x 89 cm.)

2,500-3,500 $3,800-5,200 3,500-4,800L I T E R A T U R E :

Loupot, pl.94B192

*191


O CAP POUR LES CHEVEUXlithograph in colours, 1928, printed by Les Belles Afiches, condition B+; backed on linen

62 x 47 in. (159 x 120 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300L I T E R A T U R E :

Loupot, pl.76

191

*190


GALERIES BARBSlithograph in colours, 1927, printed by Les Belles Afiches, condition B; backed on linen

79 x 49 in. (200 x 125 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Loupot, pl.72

190

64

193

*193


CAF PRCIAlithograph in colours, 1929, printed by Les Belles Af_fiches, Paris, condition A; backed

on linen

31 x 23 in. (79 x 59 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Loupot, pl.83

194

*194


LA GLACE SCURITlithograph in colours, 1931, printed by Alliance Graphique, Paris, condition B+/A-;

backed on linen

47 x 31 in. (120 x 80 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Loupot, pl.92

195

65

*195


COINTREAUlithograph in colours, 1930, printed by Les Belles

Af_fiches, condition B+; backed on linen

63 x 47 in. (160 x 120 cm.)

4,000-6,000 $6,000-9,000 5,600-8,300L I T E R A T U R E :

Loupot, pl.86B

196

*196


HUILE RAOUL CITRONlithograph in colours, 1925, printed by Les Belles

Af_fiches, Paris, condition B+; backed on linen

62 x 47 in. (158 x 119 cm.)

6,000-8,000 $9,000-12,000 8,300-11,000L I T E R A T U R E :

Loupot, pl.61

197

*197


TWININGlithograph in colours, 1930, printed by Les Belles

Af_fiches, condition B+; backed on japan

63 x 47 in. (160 x 120 cm.)

20,000-30,000 $30,000-45,000 28,000-41,000L I T E R A T U R E :

Loupot, pl.85

66

*199


LE TRACTEUR AUSTINlithograph in colours, 1928, printed by Les Belles Af_fiches, Paris, condition B+; backed

on linen

31 x 46 in. (80 x 118 cm.)

2,000-3,000 $3,000-4,500 2,800-4,100L I T E R A T U R E :

Loupot, pl.74

199

*198


JOUETS, AU BON MARCHlithograph in colours, 1926, printed by Les Belle Af_fiches, condition B+; backed on

linen

38 x 54 in. (97 x 138 cm.)

3,000-5,000 $4,500-7,500 4,200-6,900L I T E R A T U R E :

Loupot, pl.66

198

67

INDEX

A

Andrews, E.L., 12Armstrong, J., 22, 25

B

Bartosov, 133Baumberger, O., 165Bawden, E., 13, 32Beall, L., 159Benigni, L., 84Bonnard, P., 104Broders, R., 86-88Brown, R., 130, 134Brownjohn, R., 136Buhler, R., 21Burbidge, W., 44Burridge, O., 2

C

Cappiello, L., 109Cardinaux, E., 71, 73Carlu, J., 123-125Cassandre, A.M., 172-180Chagall, M., 74Champseix, E.P., 82Chret, J., 107Cocteau, J., 75Colin, P., 94, 119-122Cuneo, T., 19

D

dHey, E., 80Diggelmann, A.W., 69Domergue, J., 76Dudovich, M., 106Dupas, J., 115-116

E

Eckersley & Lombers, 23

F

Fairhurst, E.A., 45Fix-Masseau, P., 95Fougasse, 157-158Foujita, L.T., 117Fratini, R., 135

G

Gaillard, E., 55Games, A., 18Gardner, J., 46Gawthorn, H.G., 39Goncharova, N., 118Graf, F.L., 111Grant, D., 37Gundlach, M., 62Guyatt, R., 28

H

Ham, G., 92HB, 42Hch, H., 114Hohlwein, L., 167-171Hook, S., 65, 66Hutchinson, R.P., 47

K

Kahn, F., 162Kallis, A., 128Kestleman, M., 4Kinneir, R.J., 27Klutsis, G., 152-155

L

Lancy, B., 127Lavinsky, A., 151Lenhart, F., 132Lffler, B., 110Lorenzi, A.F., 78Loupot, C., 181-199Luc, J., 83

M

Mace, J.E., 38Majorelle, J., 64Mallet-Stevens, R., 85Matisse, H., 81Matter, H., 166Maurus, E., 57McKnight Kauffer, E., 7-10, 16, 34Miles, M.A., 14Mitchell, L.C., 59Moholy-Nagy, L., 50Morell, J., 73AMoser, K., 112-113Mozley, C., 26Mucha, A., 99-100

N

Nash, P., 35Nicholson, B., 30

O

OGalop, 90Olsky, 164

P

Peikert, M., 70Pron, R., 131Picasso, P., 77Prusakov, N., 141Pulford, E., 135Purvis, T., 43

R

Ramel, J., 79Roowy, H.L., 89

S

Satomi, M., 67Savignac, R., 53Sellheim, G., 60-61Shaw, C.G., 24Silas, E.L., 41Skeaping, J.R., 20Solon, A., 54, 58Soltesz, F., 51Sos Kornyi, A., 160Spear, F.H., 3Steggles, H., 33Steinlen, T.A., 101-103Stenberg, V. & G., 138-140, 142-145, 147-150Stoecklin, N., 163Stuart-Hill, A., 15Sutherland, G., 36

T

Taylor, F., 11Toulouse-Lautrec, H., 96-98

V

Villemot, B., 91Vincent, R., 93

W

Weiluc, 108Welch, M.D., 31Wiertz, J., 56Wood, H., 63Wright, M.I., 1, 5-6

Y

Yunge, 17

Z

Zero, 29

68

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STENBERGC. Mount, Stenberg Brothers, Constructing a Revolution in Soviet Design, 1997, The Museum of Modern Art, New York, ISBN 0 87070 051 0

SUNTORYSuntory Museum, Every Face of the Great Master Cassandre, 1901-1968, 1995, Japan, (Exhibition Catalogue)

THE ART DECO POSTERW. Crouse, The Art Deco Poster, 2014, London, ISBN 978 0 500 51704 8

TOURISM IN POSTERSK. Ueki, Tourism in Posters, 1997, Tokyo

TOURISM POSTERS OF SWITZERLAND K. Wobmann, Tourism Posters of Switzerland 1880-1940, 1981, Aarau, ISBN 3 85502063 9

TRAMWAY ARTJ. Riddell, Tramway Art, 2010, Capital Transport Publishing ISBN 978 1854143341

UNDERGROUND ART O. Green, Underground Art, 1990, Studio Vista, ISBN 028980037 4

UNDERGROUND TO THE ZOOJ. Riddell & P. Denton, By Underground to the Zoo, 1995, Studio Vista, ISBN 0 289 80133 8

V&A M. Timmers, The Power of the Poster, 1998, London, ISBN 185177 2413

WAR POSTERS J. Aulich, War Posters: Weapons of Mass Communication, 2011, London, ISBN-13: 978-0500288962

WEILLA. Weill, Cassandre, 2005, Paris, ISBN 2 914661 80 0

WITTROCK W. Wittrock, Toulouse- Lautrec: Catalogue Complet des estempes, Volume 1 &2, 1085, Paris, ISBN 28770 014

ZEGA & GRUBERM. Zega & J. Gruber, Travel by Train: The American Railroad Poster 1870-1950, 2002, Indiana, ISBN 978 0253341525

CONDITIONS OF SALE BUYING AT CHRISTIESCONDITIONS OF SALEThese Conditions of Sale and the Important Notices and Explanation of Cataloguing Practice set out the terms on which we offer the lots listed in this catalogue for sale. By registering to bid and/or by bidding at auction you agree to these terms, so you should read them carefully before doing so. You will find a glossary at the end explaining the meaning of the words and expressions coloured in bold.

Unless we own a lot ( symbol, Christies acts as agent for the seller.

A BEFORE THE SALE1 DESCRIPTION OF LOTS(a) Certain words used in the catalogue description have special meanings. You can find details of these on the page headed Important Notices and Explanation of Cataloguing Practice which forms part of these terms. You can find a key to the Symbols found next to certain catalogue entries under the section of the catalogue called Symbols Used in this Catalogue.

(b) Our description of any lot in the catalogue, any condition report and any other statement made by us (whether orally or in writing) about any lot, including about its nature or condition, artist, period, materials, approximate dimensions or provenance are our opinion and not to be relied upon as a statement of fact. We do not carry out in-depth research of the sort carried out by professional historians and scholars. All dimensions and weights are approximate only.

2 OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTSWe do not provide any guarantee in relation to the nature of a lot apart from our authenticity warranty contained in paragraph E2 and to the extent provided in paragraph I below.

3 CONDITION(a) The condition of lots sold in our auctions can vary widely due to factors such as age, previous damage, restoration, repair and wear and tear. Their nature means that they will rarely be in perfect condition. Lots are sold as is, in the condition they are in at the time of the sale, without any representation or warranty or assumption of liability of any kind as to condition by Christies or by the seller.

(b) Any reference to condition in a catalogue entry or in a condition report will not amount to a full description of condition, and images may not show a lot clearly. Colours and shades may look different in print or on screen to how they look on physical inspection. Condition reports may be available to help you evaluate the condition of a lot. Condition reports are provided free of charge as a convenience to our buyers and are for guidance only. They offer our opinion but they may not refer to all faults, inherent defects, restoration, alteration or adaptation because our staff are not professional restorers or conservators. For that reason they are not an alternative to examining a lot in person or taking your own professional advice. It is your responsibility to ensure that you have requested, received and considered any condition report.

4 VIEWING LOTS PRE-AUCTION(a) If you are planning to bid on a lot, you should inspect it personally or through a knowledgeable representative before you make a bid to make sure that you accept the description and its condition. We recommend you get your own advice from a restorer or other professional adviser.

(b) Pre-auction viewings are open to the public free of charge. Our specialists may be available to answer questions at pre-auction viewings or by appointment.

5 ESTIMATESEstimates are based on the condition, rarity, quality and provenance of the lots and on prices recently paid at auction for similar property. Estimates can change. Neither you, nor anyone else, may rely on any estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyers premium or any applicable taxes.

6 WITHDRAWALChristies may, at its option, withdraw any lot at any time prior to or during the sale of the lot. Christies has no liability to you for any decision to withdraw.

7 JEWELLERY(a) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to improve their look, through methods such as heating and oiling. These methods are accepted by the inter-national jewellery trade but may make the gemstone less strong and/or require special care over time.

(b) All types of gemstones may have been improved by some method. You may request a gemmological report for any item which does not have a report if the request is made to us at least three weeks before the date of the auction and you pay the fee for the report.

(c) We do not obtain a gemmological report for every gemstone sold in our auctions. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports will be described in the catalogue. Reports from American gemmological laboratories will describe any improvement or treatment to the gemstone. Reports from European gemmological laboratories will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report.

(d) For jewellery sales, estimates are based on the information in any gemmological report or, if no report is available, assume that the gemstones may have been treated or enhanced.

8 WATCHES & CLOCKS(a) Almost all clocks and watches are repaired in their lifetime and may include parts which are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as associated are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights or keys.

(b) As collectors watches often have very fine and complex mechanisms, a general service, change of battery or further repair work may be necessary, for which you are responsible. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue.

(c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water resistant cases may not be waterproof and we recommend you have them checked by a competent watchmaker before use.

Important information about the sale, transport and shipping of watches and watchbands can be found in paragraph H2(h).

B REGISTERING TO BID

1 NEW BIDDERS(a) If this is your first time bidding at Christies or you are a returning bidder who has not bought anything from any of our salerooms within the last two years you must register at least 48 hours before an auction to give us enough time to process and approve your registration. We may, at our option, decline to permit you to register as a bidder. You will be asked for the following:

(i) for individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of your current address (for example, a current utility bill or bank statement).

(ii) for corporate clients: Your Certificate of Incorporation or equivalent document(s) showing your name and registered address together with documentary proof of directors and beneficial owners; and

(iii) for trusts, partnerships, offshore companies and other business structures, please contact us in advance to discuss our requirements.

(b) We may also ask you to give us a financial reference and/or a deposit as a condition of allowing you to bid. For help, please contact our Credit Department on +44 (0)20 7839 9060.

2 RETURNING BIDDERSWe may at our option ask you for current iden-tification as described in paragraph B1(a) above, a financial reference or a deposit as a condition of allowing you to bid. If you have not bought anything from any of our salerooms in the last two years or if you want to spend more than on previous occasions, please contact our Credit Department on +44 (0)20 7839 9060.

3 IF YOU FAIL TO PROVIDE THE RIGHT DOCUMENTSIf in our opinion you do not satisfy our bidder identification and registration procedures including, but not limited to completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller.

4 BIDDING ON BEHALF OF ANOTHER PERSONIf you are bidding on behalf of another person, that person will need to complete the registration requirements above before you can bid, and supply a signed letter authorising you to bid for him/her. A bidder accepts personal liability to pay the purchase price and all other sums due unless it has been agreed in writing with Christies before commencement of the auction that the bidder is acting as an agent on behalf of a named third party acceptable to Christies and that Christies will only seek payment from the named third party.

5 BIDDING IN PERSONIf you wish to bid in the saleroom you must register for a numbered bidding paddle at least 30 minutes before the auction. You may register online at www.christies.com or in person. For help, please contact the Credit Department on +44 (0)20 7839 9060.

6 BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and Christies is not responsible for any error (human or otherwise), omission or breakdown in providing these services.

(a) Phone BidsYour request for this service must be made no later than 24 hours prior to the auction. We will accept bids by telephone for lots only if our staff are available to take the bids. If you need to bid in a language other than in English, you must arrange this well before the auction. We may record telephone bids. By bidding on the telephone, you are agreeing to us recording your conversations. You also agree that your telephone bids are governed by these Conditions of Sale.

(b) Internet Bids on Christies LiveFor certain auctions we will accept bids over the Internet. Please visit www.christies.com/livebidding and click on the Bid Live icon to see details of how to watch, hear and bid at the auction from your computer. As well as these Conditions of Sale, internet bids are governed by the Christies LIVE) terms of use which are available on www.christies.com.

(c) Written BidsYou can find a Written Bid Form at the back of our catalogues, at any Christies office or by choosing the sale and viewing the lots online at www.christies.com. We must receive your completed Written Bid Form at least 24 hours before the auction. Bids must be placed in the currency of the saleroom. The auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the reserve. If you make a written bid on a lot which does not have a reserve and there is no higher bid than yours, we will bid on your behalf at around 50% of the low estimate or, if lower, the amount of your bid. If we receive written bids on a lot for identical amounts, and at the auction these are the highest bids on the lot, we will sell the lot to the bidder whose written bid we received first.

C AT THE SALE

1 WHO CAN ENTER THE AUCTIONWe may, at our option, refuse admission to our premises or decline to permit participation in any auction or to reject any bid.

2 RESERVESUnless otherwise indicated, all lots are subject to a reserve. We identify lots that are offered without reserve with the symbol next to the lot number. The reserve cannot be more than the lots low estimate.

3 AUCTIONEERS DISCRETIONThe auctioneer can at his sole option:

(a) refuse any bid;

(b) move the bidding backwards or forwards in any way he or she may decide, or change the order of the lots;(c) withdraw any lot; (d) divide any lot or combine any two or more lots; (e) reopen or continue the bidding even after the hammer has fallen; and

(f) in the case of error or dispute and whether during or after the auction, to continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot. If any dispute relating to bidding arises during or after the auction, the auctioneers decision in exercise of this option is final.

4 BIDDINGThe auctioneer accepts bids from:

(a) bidders in the saleroom;

(b) telephone bidders, and internet bidders through Christies LIVE) (as shown above in Section B6); and

(c) written bids (also known as absentee bids or commission bids) left with us by a bidder before the auction.

5 BIDDING ON BEHALF OF THE SELLERThe auctioneer may, at his or her sole option, bid on behalf of the seller up to but not including the amount of the reserve either by making consecutive bids or by making bids in response to other bidders. The auctioneer will not identify these as bids made on behalf of the seller and will not make any bid on behalf of the seller at or above the reserve. If lots are offered without reserve, the auctioneer will generally decide to open the bidding at 50% of the low estimate for the lot. If no bid is made at that level, the auctioneer may decide to go backwards at his or her sole option until a bid is made, and then continue up from that amount. In the event that there are no bids on a lot, the auctioneer may deem such lot unsold.

6 BID INCREMENTSBidding generally starts below the low estimate and increases in steps (bid increments). The auctioneer will decide at his or her sole option where the bidding should start and the bid increments. The usual bid increments are shown for guidance only on the Written Bid Form at the back of this catalogue.

7 CURRENCY CONVERTERThe saleroom video screens (and Christies LIVETM) may show bids in some other major currencies as well as sterling. Any conversion is for guidance only and we cannot be bound by any rate of exchange used. Christies is not responsible for any error (human or otherwise), omission or breakdown in providing these services.

8 SUCCESSFUL BIDSUnless the auctioneer decides to use his or her discretion as set out in paragraph C3 above, when the auctioneers hammer strikes, we have accepted the last bid. This means a contract for sale has been formed between the seller and the successful bidder. We will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by post and/or email after the auction , we do not accept responsibility for telling you whether or not your bid was successful. If you have bid by written bid, you should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of your bid to avoid having to pay unnecessary storage charges.

9 LOCAL BIDDING LAWSYou agree that when bidding in any of our sales that you will strictly comply with all local laws and regulations in force at the time of the sale for the relevant sale site.

D THE BUYERS PREMIUM, TAXES AND ARTISTS RESALE ROYALTY

1 THE BUYERS PREMIUMIn addition to the hammer price, the successful bidder agrees to pay us a buyers premium on the hammer price of each lot sold. On all lots we charge 25% of the hammer price up to and including 50,000, 20% on that part of the hammer price over 50,000 and up to and including 1,000,000, and 12% of that part of the hammer price above 1,000,000.

2 TAXES The successful bidder is responsible for any applicable tax including any VAT, sales or compensating use tax or equivalent tax wherever they arise on the hammer price and the buyers premium. It is the buyers responsibility to ascertain and pay all taxes due. You can find details of how VAT and VAT reclaims are dealt with in the section of the catalogue headed VAT Symbols and Explanation. VAT charges and refunds depend on the particular circumstances of the buyer so this section, which is not exhaustive, should be used only as a general guide. In all circumstances EU and UK law takes precedence. If you have any questions about VAT, please contact Christies VAT Department on +44 (0)20 7839 9060 (email: [email protected], fax: +44 (0)20 3219 6076).

3 ARTISTS RESALE ROYALTYIn certain countries, local laws entitle the artist or the artists estate to a royalty known as artists resale right when any lot created by the artist is sold. We identify these lots with the symbol next to the lot number. If these laws apply to a lot, you must pay us an extra amount equal to the royalty. We will pay the royalty to the appropriate authority on the sellers behalf.

The artists resale royalty applies if the hammer price of the lot is 1,000 euro or more. The total royalty for any lot cannot be more than 12,500 euro. We work out the amount owed as follows:

Royalty for the portion of the hammer price (in euros)

4% up to 50,000

3% between 50,000.01 and 200,000

1% between 200,000.01 and 350,000

0.50% between 350,000.01 and 500,000

over 500,000, the lower of 0.25% and 12,500 euro.

We will work out the artists resale royalty using the euro to sterling rate of exchange of the European Central Bank on the day of the auction.

E WARRANTIES

1 SELLERS WARRANTIESFor each lot, the seller gives a warranty that the seller:

(a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot, or the right to do so in law; and(b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else.

If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph F1(a) below) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expenses. The seller gives no warranty in relation to any lot other than as set out above and, as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller which may be added to this agreement by law, are excluded.

2 OUR AUTHENTICITY WARRANTY We warrant, subject to the terms below, that the lots in our sales are authentic (our authenticity warranty). If, within five years of the date of the auction, you satisfy us that your lot is not authentic, sub

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