36
paraclete press Chorale Voluntaries Based on Familiar Hymn Tunes C. Griffith Bratt 1914–2014 for Organ General PPM01547 $18.00 DO NOT COPY
p a r a c l e t e p r e s s
p a r a c l e t e p r e s sP.O. Box 1568, Orleans, MA 02653 1-800-451-5006 www.paracletesheetmusic.com
ChoraleVoluntaries
Based on Familiar Hymn Tunes
C. Griffith Bratt1914–2014
for Organ
GeneralPPM01547
$18.00
Selected Organ Works Published by Paraclete Press
Bedford, Michael Fantasia on Victimae Paschali Laudes—PPM00611 for Organ and brass
Bratt, C. Griffith Noel~Carillon—PPM01426
Fantasy on “Ein Feste Berg”—PPM01424
Seven Days of Easter—PPM01331
Farrell, Robert Once in Royal David’s City—PPM01428
Guinaldo, Norberto Communion (Two Pieces for Organ)—PPM01432
Thanksgiving and Harvest (Four pieces for Organ)—PPM01431
Lau, Robert Toccata on ‘Nun Danket Alle Gott’—PPM01437
Nagy, Zvonimir Vocalise—PPM01422
Verset—PPM01423
Powell, Robert Five Advent Preludes—PPM00531
Harvest Festival: Four Organ Preludes on Thanksgiving Hymns—PPM01239
Three Palm Sunday Preludes on Gregorian Chant Melodies—PPM01330
Two Processionals—PPM00711
Shackelford, Rudy Charles Wesley Organbook—PPM01507
Trumpet Voluntary—PPM01508
Weidner, Raymond Four Fantasies on English Carols—PPM01458
DO NOT C
OPY
C.Griffith Bratt [1914–2014]
C.Griffith Bratt [1914–2014] was born and raised in Baltimore, Maryland, developing his musical skills at an early age in piano, choral singing and composition. His love of music led him to attend the Peabody Conservatory of Music where he obtained four diplomas: the Organists Certificate, the Teachers Certificate in Harmony, a Masters of Music, and the distinguished Peabody’s Artist Diploma. In 1967 a DMA was granted him from Northwest Nazarene University. Dr. Bratt began his career as a concert organist in1938, and performed all across the USA from Boston, New York, Washington DC, Chicago, Seattle, Portland to San Francisco (AGO Convention). His last organ recital was at the age of 95 in Boise, Idaho. He was married to his best friend and constant companion Mary for 76 wonderful years. Griff, as he was warmly called, was a member of the American Guild of Organists since 1934 and an A.A.G. O. member since 1936. In 1947 he was the founder/Dean of the “Les Bois” chapter of the American Guild of Organists. The Boise Idaho Chapter remains very active to this day. For 52 years Griff was organist/choirmaster at St. Michael’s Episcopal Cathedral, Boise, Idaho (1946-1998), while serving concurrently as Chair of the Music Department at Boise Junior College/Boise State University. During his years at the college he served as the Composer-in-Residence, Choral Director, Professor of Organ and Music Theory. Dr. Bratt composed many works for organ, voice, choir, opera, symphony, and chamber groups. The majority of his works display a man of deep faith. In the early morning of April 20, 2014, Easter morning he rose to meet his eternal home with his Lord and Savior. His remaining few years were spent preparing his composi-tions for publication.
Works of C. Griffith Bratt Published by Paraclete Press
Humbly I Adore Thee/Adoro Devote—PPM0803 SA or TB and Organ
Mysteriosa Rosa Est/Rose of Mystery—PPM09319 SATB a cappella
Come, O Come, Emmanuel—PPM00428 SA and Organ
A Centone on Two Carols: Processional for the 12 Days of Christmas—PPM01229 Treble voices and men a cappella
Bread of the World—PPM01305 SATB and Organ
Seven Days of Easter—PPM01331 for Organ
Chorale Voluntaries for the Church Year Christmas—PPM01332 for Organ
Fantasy on ‘Ein Feste Burg’ / A Might Fortress is Our God—PPM01424 for Organ
Noel ~ Carillon—PPM01426 for OrganDO N
OT COPY
C.Griffith Bratt [1914–2014]
C.Griffith Bratt [1914–2014] was born and raised in Baltimore, Maryland, developing his musical skills at an early age in piano, choral singing and composition. His love of music led him to attend the Peabody Conservatory of Music where he obtained four diplomas: the Organists Certificate, the Teachers Certificate in Harmony, a Masters of Music, and the distinguished Peabody’s Artist Diploma. In 1967 a DMA was granted him from Northwest Nazarene University. Dr. Bratt began his career as a concert organist in1938, and performed all across the USA from Boston, New York, Washington DC, Chicago, Seattle, Portland to San Francisco (AGO Convention). His last organ recital was at the age of 95 in Boise, Idaho. He was married to his best friend and constant companion Mary for 76 wonderful years. Griff, as he was warmly called, was a member of the American Guild of Organists since 1934 and an A.A.G. O. member since 1936. In 1947 he was the founder/Dean of the “Les Bois” chapter of the American Guild of Organists. The Boise Idaho Chapter remains very active to this day. For 52 years Griff was organist/choirmaster at St. Michael’s Episcopal Cathedral, Boise, Idaho (1946-1998), while serving concurrently as Chair of the Music Department at Boise Junior College/Boise State University. During his years at the college he served as the Composer-in-Residence, Choral Director, Professor of Organ and Music Theory. Dr. Bratt composed many works for organ, voice, choir, opera, symphony, and chamber groups. The majority of his works display a man of deep faith. In the early morning of April 20, 2014, Easter morning he rose to meet his eternal home with his Lord and Savior. His remaining few years were spent preparing his composi-tions for publication.
Works of C. Griffith Bratt Published by Paraclete Press
Humbly I Adore Thee/Adoro Devote—PPM0803 SA or TB and Organ
Mysteriosa Rosa Est/Rose of Mystery—PPM09319 SATB a cappella
Come, O Come, Emmanuel—PPM00428 SA and Organ
A Centone on Two Carols: Processional for the 12 Days of Christmas—PPM01229 Treble voices and men a cappella
Bread of the World—PPM01305 SATB and Organ
Seven Days of Easter—PPM01331 for Organ
Chorale Voluntaries for the Church Year Christmas—PPM01332 for Organ
Fantasy on ‘Ein Feste Burg’ / A Might Fortress is Our God—PPM01424 for Organ
Noel ~ Carillon—PPM01426 for OrganDO N
OT COPY
PPM01547
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32
28
32
24
ChoraleVoluntaries
C. Griffith Bratt1914–2014
for Organ
DO NOT C
OPY
PPM01547
20
16
12
8
31
Chorale VoluntariesBased on Familiar Hymn Tunes
Table of Contents
Preludes
1. Come, Holy Ghost 3
2. Praise to the Lord (Trio) 5
3. Praise to the Holiest in the Height (Trio) 8
Offertories
4. Praise the Lord of Heaven 10
5. O salutaris Hostia 12 (O Saving Victim, Opening Wide)
6. Father, See Thy Children 14
Communion
7. Humbly We Adore Thee 16
8. Let All Mortal Flesh Keep Silence 18
9. O Bread of Angels 20
10. Pange lingua gloriosi 22 (Praise We Christ’s Immortal Body)
11. Pange lingua gloriosi 24 (Praise We Christ’s Immortal Body) Alternate Version – manuals only
Postludes
12. Holy, Holy, Holy Lord 26
13. Praise, My Soul, the King of Heaven 28
14. O Holy Lord, by All Adored (Trio) 30
DO NOT C
OPY
PPM01547
4
Flutes 8', 4', 2'Flutes 8', 2 2/3', 1 3/5'
gifts we bring, Our songs of praise, the prayers we raise; And grant us, Lord, thy bless ing.
thee this day thy chil dren pray, Our ho ly Faith pro fess ing! Ac cept, O King, the
O ho ly Lord, by all a dored, Our tres pass es con fess ing, To
30
Postlude
14. O Holy Lord, by All Adored (Trio)Traditional version, alt. Bohemian Brethren’s Kirchengesang, 1566
I
II
Joyfully
III
Ped: Reed 8'
PPM01547
Copyright © 2015 by Paraclete Press, Orleans, MA 02653All rights reserved.
6
Ilegato III
Soft 8', 4'8'. 2 2/3',1 3/5'
Ped: Soft 16', 8'
Gently, but steadily
Come with thy grace and heav’n ly aid To fill the hearts which thou hast made.
Come, Ho ly Ghost, Cre a tor blest, And in our hearts take up thy rest;
Veni creator SpiritusRabanus Maurus, 776-856 (?)Tr. Edward Caswall, 1849, alt.
1. Come, Holy GhostTrio on Veni creator Spiritus
Prelude
Louis Lambillotte, S. J.
3
II:I:
DO NOT C
OPY
PPM01547
22
16
10
29
rit.
II
4
PPM01547
più rit.
11
16
21 DO NOT C
OPY
PPM01547
5
Full Foundations, Mixtures,
Reeds, Mixtures, II to IPed: I to Ped., II to Ped.
Quintaten 16'
With breadth
Ev er more his prais es sing: Al le lu ia! Al le lu ia! Praise the ev er last ing King.
Praise, my soul, the King of heav en; To his feet thy tri bute bring; Ran somed, healed, re stored, for giv en,
28
Postlude
13. Praise, My Soul, the King of Heaven
Based on Psalm 102H. F. Lyte, 1834, alt.
John Goss, 1869
I
I.I.II.
PPM01547
10
5 I
II
I:II:Ped:
Principal 8', 4', 2', MixtureReeds 8', 4', Mixture
16', 8', 4', Mixture
With joyful dignity
va tion. All ye who hear, Now to his al tar draw near, Join ing in glad ad o ra tion.
Praise to the Lord, the Al might y, the King of cre a tion; O my soul, praise him for he is thy health and sal
J. Neanser, d. 1680Tr. C. Winkworth, d. 1878, alt.
2. Praise to the Lord (Trio)Prelude
Stralsund Gesangbuch, 1665
5
DO NOT C
OPY
PPM01547
17
3
15
12
9
27
più rit.
PPM01547
6
31
26
20
15
DO NOT C
OPY
PPM01547
6
3
Principals 8', 4', 2', Mixture
With lyricism
and arch an gels sing, Prais ing ev er last ing ly The most bless ed Trin i ty.
Ho ly, ho ly, ho ly Lord God of Hosts, e ter nal King, By the heav’ns and earth a dored; An gels
Postlude
12. Holy, Holy, Holy Lord
Christopher Wordsworth, 1862, alt. Genevan Psalter, 1562
26
PPM01547
più rit.( )
51
46
41
36
7
DO NOT C
OPY
PPM01547
rit.
20
16
13
10
25
PPM01547
4
(pedal canon slightly stressed)
I
II
Tune reprinted from the WESTMINSTER HYMNAL by permission of Burns & Oates, an imprint of Bloomsbury Publishing Plc.
Ped: 16', 8', 4'
I:II:
Solo Reed 8',8', 4', 2' (Mixt.ad lib.)
With mystery
In all his words most won der ful, Most sure in all his ways.
Praise to the Ho liest in the height, And in the depth be praise,
J. H. Newman, 1801-1890
8
3. Praise to the Holiest in the Height (Trio)inverted canon at octave
Prelude
R. R. Terry, 1865-1938
DO NOT C
OPY
7
4
I
I: Soft 8'II: Flutes 8', 4'
With mystery
II
FruDy
ctusing
venonce
tristo
gesave
neall na
ró sitions,
RexEv
efer more
fú dithe
gènwins our
tipraise!
um.
SanBorn
guiof
nísroy
queal
previr
tigin Moth
ó si,er, He
Quemshall
in munreign
difor
préend
tiless days!
um
PanPraise We
geChrist’s
lin guaim
glomor
rital Bo
ódy,si Cór
Andpohis Pre
ris myscious Blood
té riwe praise:
um,
24
St. Thomas Aquinas, 1227-1274
11. Pange lingua gloriosiPraise We Christ’s Immortal Body
Communion
Chant
PPM01547
Alternate Version - manuals only
A men
PPM01547
più rit.
14
10
7
9
DO NOT C
OPY
PPM01547
rit.
19
15
10
23
PPM01547
4
II
Flutes 8', 4', 2'Soft Reed 8', Flute 4'
Ped: Flutes 16', 8', 4'
I
all ye skies; When his word com mand ed, all things did a rise.
an gels; praise him, stars and light; Praise him, earth and wa ters, praise him,
Praise the Lord of Heav en, praise him in the height; Praise him all ye
Offertory
4. Praise the Lord of Heaven
Thomas Briarly Browne, 1805-1874, alt.14th cent.
German processional melody
With dignity
10
(canon at the 9th)
I:II:
DO NOT C
OPY
PPM01547
5
II: Flutes 8', 4', 2 2/3'Ped: Soft 16', 8'
FruDy
ctusing
venonce
tristo
gesave
neall na
ró sitions,
RexEv
efer more
fú dithe
gènwins our
tipraise!
um.
SanBorn
guiof
nísroy
queal
previr
tigin Moth
ó si,er He
Quemshall
in munreign
difor
préend
tiless days!
um
PanPraise We
geChrist’s
lin guaim
glomor
rital Bo
ódy,si Cór
Andpohis Pre
ris myscious Blood
té riwe praise:
um,
22
Communion
10. Pange lingua gloriosi
St. Thomas Aquinas, 1227-1274 Chant
With mystery
Praise We Christ’s Immortal Body
I
II
Spitzfloete 8' or Gemshorn 8'
menA
I.
PPM01547
16
12
8
11
dim. et rit.
DO NOT C
OPY
PPM01547
16
12
8
21
più rit.
PPM01547
5
I: Flutes 8', 4'II: Flutes 8', 4' (Trem. ad lib.)
Gedeckt 16', 8'
BelOur foes
la prepress
munton from
ho stíev ’ry
liside:
a,ThineDa
aidro bur,
sup ply,fer
thyau
strengthxí
beli
stow.um.
OO
Savsa
inglu
Victá
tim,ris Hó
ostipening wide
a,TheQuae
gatecae
ofli pan
heav’n todis
manó
besti
low!um,
5. O salutaris HostiaOffertory
O Saving Victim, Opening Wide
St. Thomas Aquinas, 1227-1274tr. E. Caswall, 1814-1878 Samuel Webbe, 1782
Expressively
I
II
12
Ped.
DO NOT C
OPY
PPM01547
4
Manual: Flutes 8', 4', 2'Ped: 16', 8', 4'
With motion
For thou art Christ, the liv ing God, And in thy grace we find our might.
O Bread of an gels, Lord of love, Give us the strength that is thy Light,
20
Michael Gannon
9. O Bread of AngelsCommunion
J. Klug’s Geistliche Lieder, 1543
PPM01547
più rit.
2424
19
14 3
9
13
DO NOT C
OPY
PPM01547
più rit.
23
18
Flute orVoix Céleste 8'
12
19
PPM01547
4
Ped:Manual: Voix Céleste 8' or Flute Céleste 8'
all his dy ing love, As he pleads it ev er in the courts a bove.
Pas sion of thine on ly Son, Plead ing here be fore thee
Fa ther, see thy child ren bend ing at thy throne, Plead ing here the
14
Prayerfully and expressively
Offertory
6. Father, See Thy Children
W. H. Jervois, 1852-1905Melody of Adoro te
as given by Canon Van Damme
Soft 16', 8'
DO NOT C
OPY
PPM01547
6
I: Quintaten 8'Reed 8'
Ped: 16', 8'
for with bless ing in his hand Christ, our God to earth de scend eth, our full hom age to de mand.
Let all mor tal flesh keep si lence, and with fear and trem bling stand; Pon der noth ing earth ly mind ed
18
Communion
8. Let All Mortal Flesh Keep Silence
Gerard Moultrie, 1864 France, 17th cent.
Mysteriously
II.
II
very legato
I
PPM01547
14
10
7
15
più rit.
DO NOT C
OPY
PPM01547
19
14
9
17
PPM01547
5
Manual: Céleste 8'Reed 4' (Trem. ad lib.)
Mysteriously
legato
God, the Might y, thou hast come, bear ing gifts of grace; Son of Ad am still thou art: Sav ior to our race.
Hum bly we a dore thee, Christ, Re deem er King; Thou art Lord of heav en, thou to whom we sing.
Melvin Farrell, S. S.
16
7. Humbly We Adore TheeCommunion
1st pub. Paris Processional, 1697
1. 2.
Ped.
* Editor’s note - This piece is based upon the chant Adoro te devote in its original form,in contrast to the tune noted in #6 "Father, See Thy Children."
*
DO NOT C
OPY
PPM01547
19
14
9
17
PPM01547
5
Manual: Céleste 8'Reed 4' (Trem. ad lib.)
Mysteriously
legato
God, the Might y, thou hast come, bear ing gifts of grace; Son of Ad am still thou art: Sav ior to our race.
Hum bly we a dore thee, Christ, Re deem er King; Thou art Lord of heav en, thou to whom we sing.
Melvin Farrell, S. S.
16
7. Humbly We Adore TheeCommunion
1st pub. Paris Processional, 1697
1. 2.
Ped.
* Editor’s note - This piece is based upon the chant Adoro te devote in its original form,in contrast to the tune noted in #6 "Father, See Thy Children."
*
DO NOT C
OPY
PPM01547
6
I: Quintaten 8'Reed 8'
Ped: 16', 8'
for with bless ing in his hand Christ, our God to earth de scend eth, our full hom age to de mand.
Let all mor tal flesh keep si lence, and with fear and trem bling stand; Pon der noth ing earth ly mind ed
18
Communion
8. Let All Mortal Flesh Keep Silence
Gerard Moultrie, 1864 France, 17th cent.
Mysteriously
II.
II
very legato
I
PPM01547
14
10
7
15
più rit.
DO NOT C
OPY
PPM01547
più rit.
23
18
Flute orVoix Céleste 8'
12
19
PPM01547
4
Ped:Manual: Voix Céleste 8' or Flute Céleste 8'
all his dy ing love, As he pleads it ev er in the courts a bove.
Pas sion of thine on ly Son, Plead ing here be fore thee
Fa ther, see thy child ren bend ing at thy throne, Plead ing here the
14
Prayerfully and expressively
Offertory
6. Father, See Thy Children
W. H. Jervois, 1852-1905Melody of Adoro te
as given by Canon Van Damme
Soft 16', 8'
DO NOT C
OPY
PPM01547
4
Manual: Flutes 8', 4', 2'Ped: 16', 8', 4'
With motion
For thou art Christ, the liv ing God, And in thy grace we find our might.
O Bread of an gels, Lord of love, Give us the strength that is thy Light,
20
Michael Gannon
9. O Bread of AngelsCommunion
J. Klug’s Geistliche Lieder, 1543
PPM01547
più rit.
2424
19
14 3
9
13
DO NOT C
OPY
PPM01547
16
12
8
21
più rit.
PPM01547
5
I: Flutes 8', 4'II: Flutes 8', 4' (Trem. ad lib.)
Gedeckt 16', 8'
BelOur foes
la prepress
munton from
ho stíev ’ry
liside:
a,ThineDa
aidro bur,
sup ply,fer
thyau
strengthxí
beli
stow.um.
OO
Savsa
inglu
Victá
tim,ris Hó
ostipening wide
a,TheQuae
gatecae
ofli pan
heav’n todis
manó
besti
low!um,
5. O salutaris HostiaOffertory
O Saving Victim, Opening Wide
St. Thomas Aquinas, 1227-1274tr. E. Caswall, 1814-1878 Samuel Webbe, 1782
Expressively
I
II
12
Ped.
DO NOT C
OPY
PPM01547
5
II: Flutes 8', 4', 2 2/3'Ped: Soft 16', 8'
FruDy
ctusing
venonce
tristo
gesave
neall na
ró sitions,
RexEv
efer more
fú dithe
gènwins our
tipraise!
um.
SanBorn
guiof
nísroy
queal
previr
tigin Moth
ó si,er He
Quemshall
in munreign
difor
préend
tiless days!
um
PanPraise We
geChrist’s
lin guaim
glomor
rital Bo
ódy,si Cór
Andpohis Pre
ris myscious Blood
té riwe praise:
um,
22
Communion
10. Pange lingua gloriosi
St. Thomas Aquinas, 1227-1274 Chant
With mystery
Praise We Christ’s Immortal Body
I
II
Spitzfloete 8' or Gemshorn 8'
menA
I.
PPM01547
16
12
8
11
dim. et rit.
DO NOT C
OPY
PPM01547
rit.
19
15
10
23
PPM01547
4
II
Flutes 8', 4', 2'Soft Reed 8', Flute 4'
Ped: Flutes 16', 8', 4'
I
all ye skies; When his word com mand ed, all things did a rise.
an gels; praise him, stars and light; Praise him, earth and wa ters, praise him,
Praise the Lord of Heav en, praise him in the height; Praise him all ye
Offertory
4. Praise the Lord of Heaven
Thomas Briarly Browne, 1805-1874, alt.14th cent.
German processional melody
With dignity
10
(canon at the 9th)
I:II:
DO NOT C
OPY
7
4
I
I: Soft 8'II: Flutes 8', 4'
With mystery
II
FruDy
ctusing
venonce
tristo
gesave
neall na
ró sitions,
RexEv
efer more
fú dithe
gènwins our
tipraise!
um.
SanBorn
guiof
nísroy
queal
previr
tigin Moth
ó si,er, He
Quemshall
in munreign
difor
préend
tiless days!
um
PanPraise We
geChrist’s
lin guaim
glomor
rital Bo
ódy,si Cór
Andpohis Pre
ris myscious Blood
té riwe praise:
um,
24
St. Thomas Aquinas, 1227-1274
11. Pange lingua gloriosiPraise We Christ’s Immortal Body
Communion
Chant
PPM01547
Alternate Version - manuals only
A men
PPM01547
più rit.
14
10
7
9
DO NOT C
OPY
PPM01547
rit.
20
16
13
10
25
PPM01547
4
(pedal canon slightly stressed)
I
II
Tune reprinted from the WESTMINSTER HYMNAL by permission of Burns & Oates, an imprint of Bloomsbury Publishing Plc.
Ped: 16', 8', 4'
I:II:
Solo Reed 8',8', 4', 2' (Mixt.ad lib.)
With mystery
In all his words most won der ful, Most sure in all his ways.
Praise to the Ho liest in the height, And in the depth be praise,
J. H. Newman, 1801-1890
8
3. Praise to the Holiest in the Height (Trio)inverted canon at octave
Prelude
R. R. Terry, 1865-1938
DO NOT C
OPY
PPM01547
6
3
Principals 8', 4', 2', Mixture
With lyricism
and arch an gels sing, Prais ing ev er last ing ly The most bless ed Trin i ty.
Ho ly, ho ly, ho ly Lord God of Hosts, e ter nal King, By the heav’ns and earth a dored; An gels
Postlude
12. Holy, Holy, Holy Lord
Christopher Wordsworth, 1862, alt. Genevan Psalter, 1562
26
PPM01547
più rit.( )
51
46
41
36
7
DO NOT C
OPY
PPM01547
17
3
15
12
9
27
più rit.
PPM01547
6
31
26
20
15
DO NOT C
OPY
PPM01547
5
Full Foundations, Mixtures,
Reeds, Mixtures, II to IPed: I to Ped., II to Ped.
Quintaten 16'
With breadth
Ev er more his prais es sing: Al le lu ia! Al le lu ia! Praise the ev er last ing King.
Praise, my soul, the King of heav en; To his feet thy tri bute bring; Ran somed, healed, re stored, for giv en,
28
Postlude
13. Praise, My Soul, the King of Heaven
Based on Psalm 102H. F. Lyte, 1834, alt.
John Goss, 1869
I
I.I.II.
PPM01547
10
5 I
II
I:II:Ped:
Principal 8', 4', 2', MixtureReeds 8', 4', Mixture
16', 8', 4', Mixture
With joyful dignity
va tion. All ye who hear, Now to his al tar draw near, Join ing in glad ad o ra tion.
Praise to the Lord, the Al might y, the King of cre a tion; O my soul, praise him for he is thy health and sal
J. Neanser, d. 1680Tr. C. Winkworth, d. 1878, alt.
2. Praise to the Lord (Trio)Prelude
Stralsund Gesangbuch, 1665
5
DO NOT C
OPY
PPM01547
22
16
10
29
rit.
II
4
PPM01547
più rit.
11
16
21 DO NOT C
OPY
PPM01547
4
Flutes 8', 4', 2'Flutes 8', 2 2/3', 1 3/5'
gifts we bring, Our songs of praise, the prayers we raise; And grant us, Lord, thy bless ing.
thee this day thy chil dren pray, Our ho ly Faith pro fess ing! Ac cept, O King, the
O ho ly Lord, by all a dored, Our tres pass es con fess ing, To
30
Postlude
14. O Holy Lord, by All Adored (Trio)Traditional version, alt. Bohemian Brethren’s Kirchengesang, 1566
I
II
Joyfully
III
Ped: Reed 8'
PPM01547
Copyright © 2015 by Paraclete Press, Orleans, MA 02653All rights reserved.
6
Ilegato III
Soft 8', 4'8'. 2 2/3',1 3/5'
Ped: Soft 16', 8'
Gently, but steadily
Come with thy grace and heav’n ly aid To fill the hearts which thou hast made.
Come, Ho ly Ghost, Cre a tor blest, And in our hearts take up thy rest;
Veni creator SpiritusRabanus Maurus, 776-856 (?)Tr. Edward Caswall, 1849, alt.
1. Come, Holy GhostTrio on Veni creator Spiritus
Prelude
Louis Lambillotte, S. J.
3
II:I:
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Chorale VoluntariesBased on Familiar Hymn Tunes
Table of Contents
Preludes
1. Come, Holy Ghost 3
2. Praise to the Lord (Trio) 5
3. Praise to the Holiest in the Height (Trio) 8
Offertories
4. Praise the Lord of Heaven 10
5. O salutaris Hostia 12 (O Saving Victim, Opening Wide)
6. Father, See Thy Children 14
Communion
7. Humbly We Adore Thee 16
8. Let All Mortal Flesh Keep Silence 18
9. O Bread of Angels 20
10. Pange lingua gloriosi 22 (Praise We Christ’s Immortal Body)
11. Pange lingua gloriosi 24 (Praise We Christ’s Immortal Body) Alternate Version – manuals only
Postludes
12. Holy, Holy, Holy Lord 26
13. Praise, My Soul, the King of Heaven 28
14. O Holy Lord, by All Adored (Trio) 30
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ChoraleVoluntaries
C. Griffith Bratt1914–2014
for Organ
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p a r a c l e t e p r e s s
p a r a c l e t e p r e s sP.O. Box 1568, Orleans, MA 02653 1-800-451-5006 www.paracletesheetmusic.com
ChoraleVoluntaries
Based on Familiar Hymn Tunes
C. Griffith Bratt1914–2014
for Organ
GeneralPPM01547
$18.00
Selected Organ Works Published by Paraclete Press
Bedford, Michael Fantasia on Victimae Paschali Laudes—PPM00611 for Organ and brass
Bratt, C. Griffith Noel~Carillon—PPM01426
Fantasy on “Ein Feste Berg”—PPM01424
Seven Days of Easter—PPM01331
Farrell, Robert Once in Royal David’s City—PPM01428
Guinaldo, Norberto Communion (Two Pieces for Organ)—PPM01432
Thanksgiving and Harvest (Four pieces for Organ)—PPM01431
Lau, Robert Toccata on ‘Nun Danket Alle Gott’—PPM01437
Nagy, Zvonimir Vocalise—PPM01422
Verset—PPM01423
Powell, Robert Five Advent Preludes—PPM00531
Harvest Festival: Four Organ Preludes on Thanksgiving Hymns—PPM01239
Three Palm Sunday Preludes on Gregorian Chant Melodies—PPM01330
Two Processionals—PPM00711
Shackelford, Rudy Charles Wesley Organbook—PPM01507
Trumpet Voluntary—PPM01508
Weidner, Raymond Four Fantasies on English Carols—PPM01458
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