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Preliminary planning ass 13

Date post: 25-May-2015
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PRELIMINARY PLANNING BY:HELEN RIANNE MARIA MARISHA
Transcript
Page 1: Preliminary planning ass 13

PRELIMINARY PLANNING

BY:HELEN RIANNEMARIAMARISHA

Page 2: Preliminary planning ass 13

PLANNING CHECKLIST

For planning we must have:

Idea exploration

Location photographs

Timeline

Overhead plan

Storyboard

Script

Shot list

Photograph of group

Music (optional)

Costume/props (optional)

Page 3: Preliminary planning ass 13

IDEA OF EXPLORATION

Page 4: Preliminary planning ass 13

LOCATION PHOTOGRAPHS

`

Page 5: Preliminary planning ass 13

TIMELINE

0-5 seconds

Student walks down the stairs.

6-9

Opens the door

Crosses the room to the teacher

10-13

Dialogue

14-23

Dialogue

24- 30

Dialogue

31-35

Dialogue

32-40

Dialogue

41- 46

Page 6: Preliminary planning ass 13

OVERHEAD PLAN

This is the overhead plan Marisha & Helen drew.

Page 7: Preliminary planning ass 13

STORYBOARD

This is the story board Rianne drew.

Page 8: Preliminary planning ass 13

SCRIPT

Teacher: "do you know why you are here ?"Student: "no"Teacher: "sit down & let me explain then"Teacher: "right you turned up 20 minutes late to my lesson' you have no explanation and you have no homework"Student: "I told you I lost my note which explained why I was late & I lost the homework too"Teacher: "next time you will be more responsible"

Page 9: Preliminary planning ass 13

SHOT LIST

Close up door knob

Extreme close up door knob

Reverse shots ‘’dialogue’’

Match on action ‘’dialogue’’

180 rule across the table/talking

Eye line match

Cross cutting

Continuity editing same props/costume

Establishing shot

Low/high angle walking downstairs

POV walking downstairs

Over shoulder shot (two shot) -talking

exchange of dialogue

Page 10: Preliminary planning ass 13

PHOTOGRAPH OF GROUP

Page 11: Preliminary planning ass 13

LIST OF MOVEMENT

Track student walking

Tilt arrives at room

Pan across the room

Zoom dialogue

Page 12: Preliminary planning ass 13

COMPOSITION

Rule of thirds the room

Deep focus most of shots

Focus pulls dialogue


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