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Presentation Psychoacoustics and the MP3 Codec

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Presentation Psychoacoustics and the MP3 Codec
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Psychoacoustics and the MP3 Codec Presentation By: Rami Botros Supervisor: Rob Opdam
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  • PsychoacousticsandtheMP3Codec

    PresentationBy:RamiBotrosSupervisor:RobOpdam

  • Purpose:GiveanintroductionaboutPsychoacoustics,thenshowapplicationsofitintheMP3codec

    PsychoacousticsandtheMP3Codec 2

  • Introduction

    FromtheofficialhomepageoftheMovingPictureExpertsGroup

    PsychoacousticsandtheMP3Codec 3

  • Outline

    Psychoacoustics Perceptualcodecs Masking

    TemporalMasking SimultaneousMasking

    MP3codec Encodingscheme

    OutlookandConclusionPsychoacousticsandtheMP3Codec 4

  • Psychoacoustics

    Therelationbetweenphysicalaspectsofacousticeventsandtheresultinghumanauditoryperceptions[2].

    PsychoacousticsandtheMP3Codec 5

  • Psychoacoustics

    PsychoacousticsandtheMP3Codec 6

  • Psychoacoustics

    Examples: Sensitivitytorangesofamplitudesorfrequenciesloudness

    Indisguinshablity betweencertainwaveforms Soundlocalization

    PsychoacousticsandtheMP3Codec 7

  • Psychoacoustics

    Psychoacousticsdealswithsubjectiveperception

    Sometimesreliesonsurveyinghumansubjects

    PsychoacousticsandtheMP3Codec 8

  • PerceptualCodecs

    Codec:Algorithmtoconvertinformationtocodeandviceversa.

    Humansdonotprocessalldatatheysense Perceptualcodecneglectsdatathatcannotbeperceived

    Perceptualcodecsarelossy. Upto90%compression

    PsychoacousticsandtheMP3Codec 9

  • MaskingEffect

    Afainter,butdistinctlyaudiblesignal(themaskee)becomesinaudiblewhenacorrespondinglyloudersignaloccurs.

    PsychoacousticsandtheMP3Codec 10

  • TemporalMasking

    Similarfrequencyconsecutivesoundscanmaskeachother

    PsychoacousticsandtheMP3Codec 11

    [2]

  • TemporalMaskingDemonstration

    PsychoacousticsandtheMP3Codec 12

    Forwardmasking 100msdelay 10msdelay

    BackwardMasking 100msdelay 10msdelay

  • SimultaneousMasking

    Forsignalswithsimilarfrequencies Total:24frequencybands[4]

    PsychoacousticsandtheMP3Codec 13

    [2]

  • FrequencyMaskingDemonstration

    Singlereferencetonefollowedbytwotones Thehigherfrequencytoneisreducedinamplitudebystepsof5dB.

    Sequencerepeatedwithlargerfrequencyseparation

    PsychoacousticsandtheMP3Codec 14

  • FrequencyMaskingDemonstration2

    Largeramplitudemasksbroaderrangeoffrequencies

    Puretonesmaskhigherfrequenciesbetterthanlowerfrequencies.

    PsychoacousticsandtheMP3Codec 15

  • MP3Encoding

    PsychoacousticsandtheMP3Codec 16

  • MP3Encoding

    Signalbrokendownintotimeframes Conversiontofrequencydomain Spectralenergydistributiondeterminedandbitratedistributedaccordingly

    Frequencydistributioncomparedwithpsychoacousticmodelandbitratesloweredaccordingly

    Huffmanencoding(lossless)

    PsychoacousticsandtheMP3Codec 17

  • MP3Decoding

    Straightforwardreconstructionofbitstream Nofreemodels

    PsychoacousticsandtheMP3Codec 18

  • Successor

    AACisthedefaultorstandardaudioformatfor YouTube, iPhone, iPod, iPad, NintendoDSi, iTunes, DivXPlusWebPlayerandPlayStation3.

    Features: Morechannels Variablebitrateandframelength Moreflexibility Highercodingefficiencyandaccuracy

    PsychoacousticsandtheMP3Codec 19

  • Conclusion

    Humanperceptionofsoundnotstraightforward

    Maskingeffect:Onesignalcomponenthidestheother

    MP3useslossy compressionbasedonpsychoacousticmodelofimperceptiblesignals.

    PsychoacousticsandtheMP3Codec 20

  • References

    1. M.Kahrs,K.Brandenburg,ApplicationsofDigitalSignalProcessingtoAudioandAcoustics,KluwerAcademicPublishers,2000

    2. S.Hacker,MP3:TheDefinitiveGuide,OREILLY,2000

    3. http://mpeg.chiariglione.org/standards/mpeg2/audio,Retrievedon07Mar13

    4. R.Raissi,TheTheoryBehindMp3,2002

    PsychoacousticsandtheMP3Codec 21

  • Questions

    PsychoacousticsandtheMP3Codec 22


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