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Production Package “A Ghost Named Charlie”
Production Package
“A Ghost Named Charlie”
A Ghost Named Charlieby
Wazeerah Williams
Current Revisions byWazeerah Williams, July 12, 2010
WHITE (NUMBERED) 6.23.10BLUE 6.24.10PINK 6.28.10YELLOW 7.12.10
FINAL SHOOTING SCRIPT
INT. AGENT’S OFFICE DAY.1 1
MCU. JOSH LOCKE 35-40 clean-cut male dressed in a power suit. Reclined in his leather desk chair talking on the phone.
JOSH LOCKECallahan, I told you not to worry. General Stocker signed the rights over yesterday. Yeah, yeah he agreed to the bull-shit terms and everything. He made enough money on the book. . . Please, this guy hasn’t seen a movie since Patton, he doesn’t know what the hell is going on. Yeah, he’s happy trust me, he has no idea that he’s getting royally fucked!
CAMERA PULLS BACK TO REVEAL
Josh laughing. He swivels his chair to face front.
JOSH LOCKE (CONT’D)Cool, I’ll see you tomorrow at Cafe Figueroa. How’s 9AM? Great!
Josh hangs up the phone.
CUT TO:
MS. FRANKLIN THOMAS 19-25 Josh’s intern. Stands on the opposite side of the desk awaiting instruction.
FRANKLINSo ‘A Ghost Named Charlie’ is officially ours. I didn’t know you got the option signed.
JOSH LOCKEI didn’t. You are. You need to be at General Stocker’s house at 10:30.
FRANKLINThat’s in less than an hour!
CU. Dirty look from Josh.
FRANKLIN (CONT’D)
(Adjusting his tone) No problem.
JOSH LOCKEThat’s what I thought.
(CONTINUED)
FRANKLIN turns to leave, Josh stops him.
JOSH LOCKE (CONT’D)Hold on a minute, cornhusker. Four things to remember when talking to the old man. (Irritated) Don’t just stand there, write this down.
FRANKLIN grabs a note pad from his back pocket.
JOSH LOCKE (CONT’D)Don’t look directly at his extremely hot grand-daughter. Number two, don’t ask him anything directly, and don’t speak unless spoken to. Three, he’s a little eccentric so just go along with it. And the most important thing, DON’T AGITATE HIM. Got it?
FRANKLINGot it!
Josh stands comes around the desk, he hands FRANKLIN the option agreement and throws his arm around him as if they’re best friends.
JOSH LOCKEListen. You fuck this up, don’t bother showing up tomorrow. But, if you get the old quack to sign his book away, then I’ll promote you to assistant.
FRANKLINHow much of a raise are we talking.
Josh drops his arm.
JOSH LOCKEJust deliver and we’ll worry about that later. Now get the fuck out of my office. And for God’s sake, go home and change, you’re an embarrassment.
CUT TO:
INT. FRANKLIN’S MODEST APARTMENT - BEDROOM - DAY.2 2
FRANKLIN enters in a panic to change his clothes. He’s surprised by his girlfriend
2.CONTINUED:1 1
(CONTINUED)
SARAH 19-22 attractive female. She’s packing a small bag. FRANKLIN doesn’t notice the packing.
He runs into the bathroom. Sarah continues to pack.
FRANKLIN (O.S.)Babe, you’ll never guess what this prick did to me this time. He lies to the EP saying everything is good to go with “A Ghost Named Charlie” and now he expects me to make everything right. He does this to me all the time. It’s not fair. . . Then he has the nerve to tell me if I pull this off I get a promotion but if I don’t, I'm fired. . . And you know what that means. . . I’ll have to go back to Nebraska and live with my dad in that army barracks he calls a house. . . And then I'll have to listen to him tell me what a disappointment I am and ‘why did I come to Hollywood with all those fagots’. . . .
FRANKLIN re-enters the bedroom splashing aftershave on his face.
FRANKLIN (CONT’D)Hey, Sarah, are you even listening to me?
Sarah Zips up her bag.
SARAHYour father’s right. You are a disappointment . I’m leaving you Franklin. I’ll be back later to get the rest of my things.
Sarah exits, slamming the bedroom door in FRANKLIN’s face.
ECU. FRANKLIN is stunned but has no time to deal with this.
CU. Clock reads 10:15AM
FRANKLIN (TO HIMSELF)Shit! Only fifteen minutes.
CUT TO:
3.CONTINUED:2 2
EXT. GENERAL STOCKER’S FRONT DOOR - DAY.3 3
INSERT SHOT. Hand knocking on door.
ANGLE. FRANKLIN’s POV on extremely hot girl who answers.
MUSIC. ‘CRIMSON and CLOVER’ by Tommy James and the Shondells.
CAMERA pushes in on BRIDGET - 19-22 - Beautiful.
FRANKLIN hears Josh’s voice in his head.
JOSH LOCKE (V.O.)Don’t look directly at the extremely hot grand-daughter.
FRANKLIN’s eyes shoot to the sky. Music stops abruptly.
MCU. Bridget gives Franklin a quizzical look.
BRIDGETCan I help you.
FRANKLINGood morning. I’m Franklin Thomas. I have a 10:30 appointment with General Stocker.
BRIDGETYeah, he’s in the kitchen.
CUT TO:
INT. STOCKER’S KITCHEN DAY.4 4
GENERAL STOCKER 55-65. Male. Dressed casually yet neatly, in slacks and a sweater. He’s pouring Jameson into a coffee mug.
GENERAL STOCKERYou want a drink?
JOSH LOCKE (V.O.)Go along with any eccentricities
GENERAL hands FRANKLIN a drink before he can even answer.
FRANKLIN (OVERLY ENTHUSIASTIC)Sure. I’d love a drink!
FRANKLIN sips the whiskey.
4.
(CONTINUED)
GENERAL STOCKERDrink the damn thing. Now what can I do for you?
FRANKLIN downs the whiskey and begins coughing roughly
BRIDGETDo you want some breakfast Granddaddy?
GENERAL STOCKERNo, I’m fine. Thank you sweetheart.
BRIDGET turns to leave.
CAMERA PANS down her lovely curves. FRANKLIN’s POV.
MUSIC. ‘Crimson and Clover’ Plays again.
GENERAL’s voice changes drastically.
GENERAL STOCKER (CONT’D)Watcha looking at son?
CAMERA RACK FOCUS to an elaborate battle reenactment on the counter.
FRANKLINUgh, I was admiring the battle reenactments. Is that the Battle of Bella Woods?
The General flips back to his good-natured self.
GENERAL STOCKERWhy yes, yes it is.
FRANKLINAnd that one must be. . .Waterloo?
GENERAL STOCKERRight again. That idiot Napoleon was no Marine. That’s for damn sure.
Franklin will say anything to win The General over.
FRANKLINYeah, this is clearly a much better strategy.
GENERAL STOCKERSo I see you’re not a moron like your boss?
5.CONTINUED:4 4
(CONTINUED)
The General lets out a hardy laugh.
GENERAL STOCKER (CONT’D)So why did you need to see me.
The General raises the bottle to pour FRANKLIN another drink.
FRANKLINWell you see, I need your signature on. . .
FRANKLIN tipsy now, responds to the bottle with an awkward motion to raise his glass and accidently knocks over the tiny metal army men onto the floor.
CU. SLOW MOTION of tiny army men as they hit the tile floor of the kitchen.
The sound of machine gun fire.
MUSIC. ‘Fortunate Son’ by Creedence Clearwater Revival.
CAMERA PUSHES IN on GENERAL as he responds to actual machine gun fire, sending him into a PTSD episode.
GENERAL STOCKERINCOMING! HIT THE DECK!
ANGLE. GENERAL on the ground. He grabs FRANKLIN and hurls him into FRAME.
GENERAL STOCKER (CONT’D)Secure your positions!
CUT TO:
CAMERA HAND HELD. Follows action.
BRIDGET races back into the kitchen and drops to the ground like a trained Marine.
BRIDGET belly crawls to the windows and closes the curtains
GENERAL barricades the kitchen doorway.
BRIDGET belly crawls back to FRANKLIN and lies down perfectly still next to him.
FRANKLIN tries to get up. BRIDGET pulls him back down.
BRIDGET (SHOUTING ORDERS)Stay down soldier and wait for The General’s orders!
6.CONTINUED: (2)4 4
(CONTINUED)
CU. FRANKLIN on the ground, terrified.
JOSH LOCKE (V.O.). . .And whatever you do, DON’T AGITATE HIM!
CAMERA HAND HELD. Follows action.
GENERAL grabs a sawed-off shot gun from the stove the whiskey bottle from the counter and crouches in the corner of the kitchen with the gun aimed at the barricade.
GENERAL STOCKER Sargent check the ammo dump for extra rounds.
BRIDGETCopy that.
BRIDGET belly crawls to the cabinet under the sink.
INSERT SHOT of cabinet filled with toy guns, knives etc.
She retrieves two more rifles from the arsenal inside and hands a gun to FRANKLIN.
BRIDGET and FRANKLIN speak in hushed tones.
BRIDGET (CONT’D)Just go along with it okay?
FRANKLINHell no! We need to call the cops.
BRIDGETSHHHHHH! No cops. Are you insane.
FRANKLINNo he is. And apparently so are you.
GENERAL STOCKERQuiet!
GENERAL puts two fingers to his eyes silently telling the troops which corner of the kitchen to man. FRANKLIN belly crawls to his corner and looks up at the clock on the wall.
CU. Wall clock 10:50AM
FADE TO:
7.CONTINUED: (3)4 4
INT. GENERAL STOCKER’S KITCHEN - DAY5 5
CU. Wall Clock - 12:30pm
Franklin hears snoring. Franklin stands and peeks over the counter to check. General Stocker has nodded off.
BRIDGETWhat the hell are you doing. Get down before he sees you.
Franklin whips out his phone.
FRANKLINLook, I get that you don’t want to get your Grandfather in trouble but I’m calling the cops.
BRIDGETShhhhh! You can’t call the police.
FRANKLINOh Yes I can. He’s fucking psychotic.
BRIDGETIt’s Post Traumatic Stress Disorder. .. Shell shock, you idiot. He always snaps out of it.
FRANKLINWhen? I need to get this option agreement signed by 9AM tomorrow morning or I’m out of a job!
BRIDGETHow is calling the police going to get your contract signed?
BRIDGET softens her tone.
BRIDGET (CONT’D)Just go along with it and I’ll see to it that you get it signed, okay.
FRANKLINShit, it’s my boss! Do you really expect me to sit around playing fucking Apocalypse Now all day?
INSERT SHOT. Vibrating phone reads Josh Locke in Franklin’s hand.
8.
(CONTINUED)
A larger hand enters frame and grabs the phone.
GENERAL STOCKERGRENADE! COVER ME!
ECU. GENERAL STOCKER.
ANGLE UP on General as he tosses the cell phone out the window and then responds to the loud explosion in his head.
GENERAL STOCKER (CONT’D)Private?
FRANKLIN (TOO BIG)Sir, yes sir, General sir!?!
BRIDGET rolls her eyes.
GENERAL STOCKERBreak out the C-rations.
BRIDGET whispers to FRANKLIN
BRIDGETHe’s hungry. The food is on the bottom shelf of the pantry. Take one of each thing.
FRANKLIN belly crawls to the pantry
CAMERA HOLDS on a large supply of cheeze-whiz, crackers, beef jerky and Jameson.
FRANKLIN reluctantly grabs one of each as instructed.
CUT TO:
CAMERA PANS around the three of them in a circle eating.
CAMERA HOLDS on FRANKLIN as he puts a cheeze-whiz cracker in his mouth, and looks up, rolling his eyes.
CU. Wall clock 1:30PM
FADE TO:
INT. GENERAL STOCKER’S KITCHEN - DAY6 6
CU. Wall clock - 4:00PM
CAMERA HOLDS on GENERAL cleaning his nails with a knife.
9.CONTINUED:5 5
(CONTINUED)
FRANKLINSir? Can you sign this for me?
INSERT SHOT. Franklin gripping the contract in fear.
ECU. The General with crazy angry eyes.
The General snatches the contract balls it up and tosses it accross the room.
GENERAL STOCKERI don’t recall speaking to you Private.
JOSH LOCKE (V.O.). . .don’t ask him anything directly, and don’t speak unless spoken to.
GENERAL STOCKERMan your post Private. Copy?
Franklin looks down at the knife in the General’s hand.
Insert shot of gleaming knife.
GENERAL STOCKER (CONT’D)I said do you copy?
FRANKLIN (FUMBLING)Copy, yes, copy sir, yes sir!
Franklin returns to the corner.
BRIDGETI told you. Just go along with it. I’ll make sure he signs it. I promise.
CAMERA ANGLE Franklin un-crumples the contract then looks up with disgust at
CU. Wall clock 4:30PM
FADE TO:
INT. GENERAL STOCKER’S KITCHEN - NIGHT7 7
CU. Wall Clock - 9:15PM
FRANKLIN and BRIDGET are sitting in their respective corners. GENERAL is asleep.
10.CONTINUED:6 6
(CONTINUED)
FRANKLINWhy do you subject yourself to this?
BRIDGETMy parents died in a car accident when I was three. The General took care of me.
FRANKLINMy Mom died when I was 10. My dad took care of me.
BRIDGETSorry about your mom.
FRANKLINYeah, like wise.
They are silent for a moment.
FRANKLIN (CONT’D)My dad is an Army man. He’s almost as crazy as The General
BRIDGETHe’s not crazy. It’s Post . .
FRANKLINTraumatic Stress Disorder, yeah you told me. Was he always like this?
BRIDGETYes, but when I was a kid it was fun, like make-believe. I always felt safe. I guess that’s why I take care of him now.
FRANKLINWow, you’re loyal.
BRIDGETI’m sure you’d do the same for your Dad.
FRANKLINHell no. My Dad is a prick. Well, then again, if I don’t get this option signed I’ll have to go live him. You know all I ever wanted to do was make him proud, but all he ever does is put me down. He has no idea what I’ve been through trying to make it in Hollywood.
11.CONTINUED:7 7
(MORE)(CONTINUED)
If I don’t get this option signed by 9AM tomorrow morning my boss is going to fire me for making him look bad. Even though he’s the one that lied and backed me in this corner.
BRIDGET (SARCASTICALLY)So, let me get this straight. If you don’t do your job you’re fired.
FRANKLINNo. See, you don’t get it either. The asshole doesn’t give a shit about me.
BRIDGETYour dad or your boss?
FRANKLINMy Boss! In Hollywood it’s every man for himself. My boss would sell me down the river for a buck. And now I’m fucking stuck.
BRIDGETWhat do you mean you’re stuck?
FRANKLINIf I don’t get this option signed I'm fired and have to go home to my asshole dad. If I get it signed then I get to stay in LA with my asshole boss.
BRIDGETShut up Franklin.
FRANKLIN Excuse me?
BRIDGETI don’t know you that well but it seems to me like all you do is complain.
FRANKLINHey, I’m trapped in a kitchen with a psychopath! I think I deserve some credit here.
12.CONTINUED: (2)7 7
FRANKLIN (CONT'D)
(CONTINUED)
BRIDGETThat has nothing to do with it. I get it, your Mommy died and Daddy thinks your career is stupid, and your boss is a dick. (Mocking) ‘Oh I’m trapped in the kitchen, I’m trapped in my life, poor me poor me.’. . .
FRANKLINYou can’t be serious.
BRIDGETLook man, you got it better than most people. Your limitations are in your head.. You’re an American. That means you’re free to do anything you want. My Grandfather fought, so your little punk ass could be free.
FRANKLIN At least that’s what he thought he was doing.
BRIDGETIt’s perception, that’s all I’m saying. Stop being such a pussy.
BRIDGET curls up in the corner and closes her eyes.
BRIDGET (CONT’D)I’m going to get some shut-eye. Man-up Franklin, it’ll all work out.
FRANKLIN looks up at the Wall clock.
CU. Wall clock - 9:00PM
FADE TO:
INT. GENERAL STOCKER’S KITCHEN - NIGHT8 8
CU. Wall Clock - 3:00AM
FRANKLIN sees that BRIDGET is cold and covers her with his jacket. He places her gun gently beside her.
GENERAL STOCKERMarines always have each other’s back. This is your family now, son. Semper Fi!
13.CONTINUED: (3)7 7
(CONTINUED)
GENERAL’s voice shocks FRANKLIN.
FRANKLINSemper Fi!
Camera holds on Bridget. The General’s POV.
GENERAL STOCKERSon, do you know how a boy becomes a man?
FRANKLINExcuse me sir?
GENERAL STOCKERLoyalty. Without loyalty and honor you’re nothing but a flee on a maggots butt. Is that clear Private?
FRANKLINUhhh?????
GENERAL STOCKERI said is that clear Private?
FRANKLINSir, Yes sir, crystal clear, sir.
ANGLE on THE GENERAL as he sweeps his hand across his throat to silence.
THE GENERAL grabs an avocado.
GENERAL STOCKERCover me!
He chucks it out the window as if it were a grenade.
Loud explosion.
FRANKLIN grabs some avocado grenades, The General has his gun and before long FRANKLIN’s having fun ‘playing’ war.
GENERAL STOCKER (CONT’D)It’s quiet. I think we got em.
FRANKLIN (EXCITED)Those Gooks are dead!
General Stocker pulls out a giant cigar.
GENERAL STOCKERHere Private. You know how to smoke a Cuban?
14.CONTINUED:8 8
(CONTINUED)
FRANKLINNo.
GENERAL STOCKERFirst you bite off the tip.
FRANKLIN does as he’s told the General stops him.
GENERAL STOCKER (CONT’D)Not now. You keep that and smoke it when your home and we’ve won this damn war.
FRANKLINThank you sir.
Franklin slips the cuban in his pocket.
GENERAL STOCKERYou’re a good Marine private.
GENERAL nods off.
FRANKLIN looks up at the Wall clock.
ECU. Franklin with terror in his eyes.
CU. Wall clock - 5:00AM
FADE TO:
INT. GENERAL STOKER’S KITCHEN - MORNING9 9
CU. Wall Clock - 7:30AM
BRIDGET wakes up. Whispers to FRANKLIN.
BRIDGETI have to get ready for work.
FRANKLIN (SARCASTICALLY)Work?! What about ‘Good Morning Vietnam?’ What about my Signature?!?!? You promised.
BRIDGETCalm down. I told you, just to play along. Stop feeling sorry for yourself and start thinking like him. Your father’s a military man right?
FRANKLINYeah, so what?!
15.CONTINUED: (2)8 8
(CONTINUED)
BRIDGETSo, what kind of document would a General in Vietnam sign. Not some option agreement. Watch and learn.
BRIDGET flashes a sweet smile and grabs her rifle.
BRIDGET (CONT’D)The Gooks are in the wire!
GENERAL jerks awake.
GENERAL STOCKERSargent, take a squad and secure the perimeter! Report back to me.
BRIDGETYes sir.
BRIDGET leaves the kitchen with her gun, ready for battle.
Franklin looks up at clock again.
CU. Wall Clock - 7:40AM
CAMERA PUSH IN on Franklin panicking.
FRANKLIN hears a myriad of voices in his head.
JOSH LOCKE (V.O.)Yeah yeah he agreed to the bull-shit terms and everything.
BRIDGET (V.O.)You’re limitations are in your head.
JOSH LOCKE (V.O.)He’s getting royally fucked.
GENERAL STOCKER (V.O.)Without loyalty and honor you’re nothing but a flee on a maggots butt!
JOSH LOCKE (V.O.)You fuck this up, don’t bother showing up tomorrow.
BRIDGET (V.O.)Man up, Franklin!
16.CONTINUED:9 9
(CONTINUED)
SARAH (V.O.)Your Father’s right. You are a disappointment.
BRIDGET (V.O.)What kind of document would a General in Vietnam sign?
FRANKLIN snaps out of it.
FRANKLINGeneral, we just received these orders from President Johnson. He needs your signature.
That’s all The General needs to hear. He signs the contract.
FRANKLIN (CONT’D)The Sargent hasn’t reported. We don’t know what the situation is so I need to take a squad to check on him.
GENERAL STOCKERGood observation. Report back to me.
FRANKLIN grabs his gun and exits the same way as BRIDGET.
CUT TO:
EXT. OUTDOOR CAFE - DAY.10 10
FRANKLIN looks down at his watch.
CU. OF TIME - 9:35AM
He spots Josh sitting at a table with three other producer types. There’s no chair for him. He hands Josh the signed contract.
JOSH LOCKEYou’re late, and you look like shit! This isn’t Nebraska, cornhusker. You disappoint me. Next time try taking a shower before coming to a meeting.
The table roars with laughter.
FRANKLIN stands looking directly at Josh. He pulls out his cigar The General gave him.
17.CONTINUED: (2)9 9
(CONTINUED)
FRANKLIN picks up the contract and lights the signature corner. He uses the contract to light his cigar.
JOSH LOCKE (CONT’D)Have you lost your mind?
FRANKLIN tosses the burning contract onto the table. Everyone scrambles to put it out.
JOSH LOCKE (CONT’D)You fucking prick!!! What the fuck is wrong with you?
FRANKLIN looks at the charred remains of the contract, smiles, turns and strolls away puffing on his cigar.
FADE TO BLACK.
THE END
18.CONTINUED:10 10
Schedule
CAST MEMBERSFRANKLIN1.BRIDGET2.
GENERAL STOCKER3.JOSH LOCKE4.
SARAH5.
Scheduled
2INT
AGENT'S OFFICE Day1
1, 4
1pgsScenes:Sheet #:
End of Day 1 -- Tuesday, June 29, 2010 -- 1 pgs
11EXT
OUTDOOR CAFE Morning6/8
1, 4
10pgsScenes:Sheet #:
3INT
FRANKLIN'S MODEST APARTMENT - BEDROOMMorning1
1, 5
2pgsScenes:Sheet #:
End of Day 2 -- Wednesday, June 30, 2010 -- 1 6/8 pgs
4EXT
GENERAL STOCKER'S FRONT DOOR Morning5/8
1, 2, 4
3pgsScenes:Sheet #:
14EXT
GENERAL STOCKER'S FRONT DOOR MorningInsert Shot: Hand Knocking on Door
1
4ApgsScenes:Sheet #:
12INT
GENERAL STOCKER'S KITCHENINSERT CU WALL CLOCK
MISC 1-10pgsScenes:Sheet #:
End of Day 3 -- Thursday, July 1, 2010 -- 5/8 pgs
5INT
STOCKER'S KITCHEN (part 1) Day2
1, 2, 3, 4
4pgsScenes:Sheet #:
16INT
GENERAL STOCKER'S KITCHEN DayInsert Shot: Josh Locke On Cell Phone Screen
1
4ABpgsScenes:Sheet #:
15INT
GENERAL STOCKER'S KITCHEN DayInsert Shot: General's hand grabbing cell phone
1
4BpgsScenes:Sheet #:
End of Day 4 -- Friday, July 2, 2010 -- 2 pgs
!!!!!!!HAPPY FORTH OF JULY!!!!!25
INTSTOCKER'S KITCHEN (part 2) Day
2
1, 2, 3, 4
4pgsScenes:Sheet #:
End of Day 5 -- Monday, July 5, 2010 -- 2 pgs
6INT
GENERAL STOCKER'S KITCHEN Day1 4/8
1, 2, 3, 4
5pgsScenes:Sheet #:
End of Day 6 -- Wednesday, July 7, 2010 -- 1 4/8 pgs
7INT
GENERAL STOCKER'S KITCHEN Day7/8
1, 2, 3, 4
6pgsScenes:Sheet #:
End of Day 7 -- Thursday, July 8, 2010 -- 7/8 pgs
10INT
GENERAL STOCKER'S KITCHEN Morning1 7/8
1, 2, 3, 4, 5
9pgsScenes:Sheet #:
End of Day 8 -- Friday, July 9, 2010 -- 1 7/8 pgs
8INT
GENERAL STOCKER'S KITCHEN (part1) Night2 5/8
1, 2
7pgsScenes:Sheet #:
End of Day 9 -- Saturday, July 10, 2010 -- 2 5/8 pgs
19INT
GENERAL STOCKER'S KITCHEN (part 2) Night2 5/8
1, 2
7pgsScenes:Sheet #:
End of Day 10 -- Monday, July 12, 2010 -- 2 5/8 pgs
9INT
GENERAL STOCKER'S KITCHEN (part1) Night1 6/8
1, 2, 3
8pgsScenes:Sheet #:
End of Day 11 -- Tuesday, July 13, 2010 -- 1 6/8 pgs
26INT
GENERAL STOCKER'S KITCHEN (part 2) Night1 6/8
1, 2, 3
8pgsScenes:Sheet #:
End of Day 12 -- Wednesday, July 14, 2010 -- 1 6/8 pgs
13EXT
OFFICE BUILDING DayEstablishing Josh's Office
1ApgsScenes:Sheet #:
End of Day 13 -- Thursday, July 15, 2010 --
21
pgsScenes:Sheet #:
22
pgsScenes:Sheet #:
23
pgsScenes:Sheet #:
24
pgsScenes:Sheet #:
UnScheduled
20
pgsScenes:Sheet #:
17
pgsScenes:Sheet #:
18
pgsScenes:Sheet #:
Script Breakdown Title
Proplist, scenes, costumes
A Ghost Named Charlie - Props
Cell Phones………………………….………………………….…………Sam+Mike
Wall Clock………………………….……………………………..…….………Mike
Fake Guns………………………….………………………………………….…..……Mike
Fire Extinguisher…………………..……………….………………………Mike+DaVega
Contract + Copies………………………….………………….………….……….……DaVega
Pen………………………………….………………………….………….……DaVega
Table Cloth……………………………………….………………………….………..DaVega
Aftershave…………………………………….……………………….………DaVega
Bag…….………………………….……………………………...………...………Ani
Coffee Mug…………………… …………….………………………….….………Ani
Glass……………………………….………………………….………………..…Ani
Lighter/Zippo/Matches………………………….…….....……….…………….David
Toy Soldiers………………………….………….……………………….………Leech
Plastic Knife………………………….……………………………………….………Leech
Maps………………………….…….………………………….………………….Ally
Cheez-whiz………………………….……………………………….………Class
Crackers………………………….……………………………….……….…Class
Beef Jerky………………………….………….………………………….….……Class
Restaurant Stuff………………………….…………………….…………………………..…Class
Avocados………………………….………………………….………………………….….._________
Pot(s) ………………………….………………………….………………………….….……_________
Cigars (3+)………………………….………………………….………………………..…._________
Jameson………………………….………………………….……………………….….….._________
A Ghost Named Charlie - Costumes
Scene 1
Franklin – Casual Clothes (jeans, polo shirt)
Josh Locke – Power Suit
Scene 2
Franklin – Casual Clothes (jeans, polo shirt)
- Suit to change into
Sarah – Casual
Scene 3
Franklin - Suit
Bridget – Casual
Scene 4
Franklin - Suit
Bridget – Casual
General – Casual (Dockers, nice shirt)
Scene 5
Franklin – Suit
Josh Locke – Suit
Business Types – 3 Suits
A Ghost Named Charlie – Scenes
Scene 1 – Josh Locke’s Office
Scene 2 – Franklin’s Apartment
Scene 3 – The General’s Front Door
Scene 4 – The General’s Kitchen
Scene 5 – Outdoor Café/ Restaurant
Contactlist
Contact List: 1. Gerald Flower (805) 450-0848 [email protected] 2. Ken Farris (805) 280-1202 [email protected] 3. Taylor Gilmartin (805) 749-5811 [email protected] 4. Sam Clevenger (805) 708-9766 [email protected] 5. Carl Swindle (805) 729-8840 [email protected] 6. Theo Trecul (805) 895-5819 [email protected] 7. Ryan zarate (805) 535-5019 [email protected] 8. David Dubian (805) 708-3339 [email protected] 9. Hunter McFarlane (805) 845-4406 [email protected] 10. Tatiana zarmati (805) 610-0295 [email protected] 11. Andrew tirplett (805) 448-6576 [email protected] 12. Ally shiras (805) 708-7115 [email protected] 13. Jack Leach (805)722-8045 [email protected] 14. David Wood (805) 880-7545 [email protected] 15. Ani Williams (646) 339-1274 [email protected] 16. Davega (805) 570-3345 [email protected] 17. Andy Candin (805) 455-0409 [email protected] 18. Tommy Hernandez(805) 863-7196 [email protected] 19. Chris Henkhavs (925) 212-4047 [email protected] 20. Michael Rowboat (805)637-1192 [email protected] 21.
Cast & Crew
Cast & Crew:
Franklin: Ryan Zarate
Brigdget: Amanda Longstreth
General: Michael Rowbottam
Josh Locke: Alex Tosian
Sarah: Ally Shiras
Executive 1: Steven Davega
Executive 2: Hunter Mcfarlane
Crew:
Director: Ani Williams
DP: Taylor Gilmartin
AD: Irving Roca
AD2: Jack Leach
Producer: David Dubian
Camera: Andrew Triplett
AC1: Sam Clevenger
AC2: Chris Henkhaus
Script Supervisor: Ally Shiras
Lights: Theo Trecul
Sound: Tommy Hernandez
Boom: Hunter Mcfarlane
Grip: Ken Farris
Grip2: Sammy Gonzalez
