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AMS_2010_full.pdf 1 9/11/2010 5:08:41 PM

ASHGATENew Music Titles from Ashgate Publishing…

Adrian Willaert and the Theory of Interval AffectThe Musica nova Madrigals and the Novel Theories of Zarlino and VicentinoTimothy R. McKinneyIncludes 69 music examplesAug 2010. 336 pgs. Hbk. 978-0-7546-6509-0

Changing the System: The Music of Christian WolffEdited by Stephen Chase and Philip ThomasIncludes 1 b&w illustration and 49 musical examplesAug 2010. 284 pgs. Hbk. 978-0-7546-6680-6

Shostakovich in DialogueForm, Imagery and Ideas in Quartets 1–7Judith KuhnIncludes 32 b&w illustrations and 99 musical examplesFeb 2010. 314 pgs. Hbk. 978-0-7546-6406-2

Harrison Birtwistle: The Mask of OrpheusJonathan CrossLandmarks in Music Since 1950Includes 10 b&w illustrations and 12 music examplesDec 2009. 196 pgs. Hbk. 978-0-7546-5383-7

Sociology and Music EducationEdited by Ruth WrightSEMPRE Studies in The Psychology of MusicIncludes 13 b&w figures and 8 tablesSep 2010. 322 pgs. Hbk. 978-0-7546-6801-5

Leonard Bernstein: West Side StoryNigel SimeoneIncludes 3 b&w illustrations, 22 music examples and a CDDec 2009. 192 pgs. Hbk. 978-0-7546-6484-0

Messiaen the TheologianEdited by Andrew ShentonIncludes 12 b&w illustrations and 21 musical examplesApr 2010. 312 pgs. Hbk. 978-0-7546-6640-0

The Ashgate Research Companion to Popular MusicologyEdited by Derek B. ScottIncludes 13 b&w illustrations and 14 musical examplesDec 2009. 576 pgs. Hbk. 978-0-7546-6476-5

Where Music Helps: Community Music Therapy in Action and ReflectionBrynjulf Stige, Gary Ansdell, Cochavit Elefant and Mercédès PavlicevicAshgate Popular and Folk Music SeriesIncludes 23 b&w illustrationsJun 2010. 364 pgs. Pbk. 978-1-4094-1010-2

Music, Sound, and Silence in Buffy the Vampire SlayerEdited by Paul Attinello, Janet K. Halfyard and Vanessa KnightsAshgate Popular and Folk Music SeriesIncludes 20 b&w illustrationsFeb 2010. 304 pgs. Pbk. 978-0-7546-6042-2

The Musical Ear: Oral Tradition in the USAAnne Dhu McLucasSEMPRE Studies in The Psychology of MusicIncludes 1 b&w illustration, 2 music examples and a CDMar 2010. 218 pgs. Hbk. 978-0-7546-6396-6

Music and the Modern Condition: Investigating the BoundariesLjubica IlicOct 2010. 140 pgs. Hbk. 978-1-4094-0761-4

New Perspectives on Marc-Antoine CharpentierEdited by Shirley ThompsonIncludes 2 color and 20 b&w illustrations and 37 music examplesApr 2010. 414 pgs. Hbk. 978-0-7546-6579-3

She’s So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s MusicEdited by Laurie StrasAshgate Popular and Folk Music SeriesIncludes 17 b&w illustrations and 7 music examplesAug 2010. 284 pgs. Hbk. 978-1-4094-0051-6

Understanding MusicThe Nature and Limits of Musical CognitionHans Heinrich Eggebrecht Translated by Richard EvansIncludes 4 musical examplesDec 2009. 170 pgs. Hbk. 978-0-7546-6612-7First Edition in English

Jean Cras, Polymath of Music and LettersPaul-André BempéchatIncludes 10 color and 33 b&w illustrations and 187 music examplesNov 2009. 608 pgs. Hbk. 978-0-7546-0683-3

Understanding Mozart’s Piano SonatasJohn IrvingIncludes 12 musical examples and 1 line drawingOct 2010. 176 pgs. Hbk. 978-0-7546-6769-8

Ashgate Publishing | 101 Cherry Street, Suite 420 | Burlington, VT 05401 | (800) 535-9544

Come visit our booth in the book exhibit www.ashgate.com/ams2010

Baerenreiter ISBN 978-3-7618-1100-9

This 29-volume set is the most important and comprehensive re-search tool available, with more than 20,000 articles covering all aspects of music. International in scope, the MGG is the result of the collaborative efforts of 3,500 scholars from 55 countries, with over 4,000 illustrations (500 in color), including portraits, music examples, instruments and diagrams.

• Subject Encyclopedia in 9 volumes• Index to the Subject Encyclopedia• Biographical Encyclopedia in 17 volumes• Index to the Biographical Encyclopedia• Supplement volume with new biographical

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Theodore Front Musical Literature, Inc.16122 Cohasset StreetVan Nuys CA 91406-2989 USATel: +1 (818) 994-1902 Fax: +1 (818) 994-0419Email: [email protected] Web: www.tfront.com

MGGCarl PhiliPP EmanuEl BaCh

he omplete orks

Versuch über die wahre Art das Clavier zu spielenEdited by Tobias Plebuch

ISBN 978-1-933280-42-4 (forthcoming, early 2011) Price for the three-volume set: $75.00

Exempel nebst achtzehn Probe-Stücken in sechs Sonaten mit sechs neuen Clavier-Stücken

Supplement to the Versuch: Facsimile edition of Wq 63ISBN 978-1-933280-55-4 (2009; xi, 35 pp.) $15.00

The new critical edition of C. P. E. Bach’s keyboard treatise Versuch über die wahre Art das Clavier zu spielen is based on the latest authorized editions; Volume i corresponding to Part i of the Versuch (codifying keyboard technique, specifically that of J. S. Bach, the basis of modern keyboard playing); Volume ii corresponding to its Part ii (the most comprehensive and methodical explanation of eighteenth-century continuo practice); and Volume iii (commentary, glossary, index). The Versuch Supplement is already available to order.

Please see website for a complete list of published and forthcoming volumes and for free performing materials.

Standing orders welcome.

E-mail: [email protected] orders: (800) 243-0193 in the USA;

001-978-829-2531 phone or fax from outside the USAWeb orders: www.cpebach.org

Details on shipping costs may be requested by phone or e-mail above.

AMS Program ad: 4.5 x 7.5

Exhibitors at AMS/SMT Indianapolis 2010

The Exhibits are located in the Indianapolis Marriott Hotel, Marriott Ballroom, near the registration desk. Exhibit hours are: 1 p.m. to 6 p.m. Thursday, 8:30 a.m. to 6 p.m. Friday and Saturday, and 8:30 a.m. to noon Sunday. Complimentary coffee service is provided in the exhibit area mornings and afternoons.

booth Exhibitors with advertisements published in this book are identified with an asterisk

201 A-R Editions, Inc., 8551 Research Way, Ste. , Middleton, WI , tel. () -, fax (608) 831-8200, [email protected], <www.areditions.com>

403 *Alexander Street Press, 3212 Duke Street, Alexandria, VA 22314, tel. (800) 889-5937, fax (703) 940-6584, [email protected], <www.alexanderstreet.com>

203 American Institute of Musicology, Research Way, Ste. , Middleton, WI , tel. () - x16, fax () -, [email protected], <www.corpusmusicae.com>

211 *Ashgate Publishing Company, Cherry Street, Ste. , Burlington, VT -4405, tel. () -, fax () -, [email protected], <www.ashgate.com>

413 Bärenreiter, Heinrich-Schütz-Allee 35-37, D-34131 Kassel, Germany, tel. + (0)561 3105173, fax + (0)561 3105320, [email protected], <www.baerenreiter.com>

101 *Bedford/St. Martin’s, Arlington Street, Boston, MA , tel. () -, fax () 426-8582, <www.bedfordstmartins.com>

301 Boydell & Brewer / University of Rochester Press, 668 Mt. Hope Ave., Rochester, NY 14620, tel. (585) 275-0419, fax (585) 271-8778, [email protected], <www.boydellandbrewer.com>

412 Breitkopf & Härtel, Walkmühlstrasse 52, 65195 Wiesbaden, Germany, tel. [011] 49 611 450080, fax [011] 49 611 45008 5961, [email protected], <www.breitkopf.com> [represented by Theodore Front]

100 Broude Brothers Limited, 141 White Oaks Road, PO Box 547, Williamstown, MA 01267, tel. (800) 525-8559, fax (413) 458-5242, [email protected]

213 *Cambridge University Press, 32 Avenue of the Americas, New York, NY 3-2473, tel. (212) 924-3900, fax (212) 691-3239, [email protected], <www.cambridge.org/us>

314 *C.P.E. Bach: The Complete Works, The Packard Humanities Institute, 11A Mt. Auburn Street, Cambridge, MA 02138, tel. (617)876-1317, <www.cpebach.com>

Exhibitors

106 Early Music America, 2366 Eastlake Ave. East, Suite 429, Seattle, WA 98102, tel. (206) 720-6270, fax (206) 720-6290, [email protected], <www.earlymusic.org>

110 The Edwin Mellen Press, 415 Ridge St., Lewiston, NY 14092, tel. (716) 754-2266, [email protected], <www.mellenpress.com>

407 *Hal Leonard Corporation, 7777 West Bluemound Rd., Milwaukee, WI 53213, tel. (414) 774-3630, fax (414) 774-3259, [email protected], <www.halleonard.com>

412 Harmonia Mundi USA, 1117 Chestnut Street, Burbank, CA 91506-1624, tel. (818) 333-1500, fax: (818) 333-1502, [email protected], <www.harmoniamundi.com> [represented by Theodore Front]

305 Harmonie Park Press, Liberty Professional Center, 35675 Mound Road, Sterling, MI 48310-4727, tel. (586) 979-1985, fax (586) 620-6070, [email protected], <www.harmonieparkpress.com>

207 *Indiana University Press, N. Morton Street, Bloomington, IN , tel. (12) 855-4522, fax (812) 856-0415, [email protected], <iupress.indiana.edu>

311 MacGamut Music Software, 146 N. Hamilton Rd, Suite 156, Gahanna, OH 43230-2600, tel. (800) 305-8731, fax (877) 370-1074, [email protected], <www.macgamut.com>

103 McGraw-Hill Higher Education, Two Penn Plaza, th floor, New York, NY -, tel. (212) 904-4826, fax (212) 904-6160, [email protected], <www.mhhe.com>

200 *W. W. Norton Inc, Fifth Avenue, New York, NY , tel. () 354-5500, fax (212) 869-0856, <www.wwnorton.com>

302 *Oxford University Press, Madison Avenue, New York, NY , tel. (212) 726-6000, <www.oup.com/us>

410 *Pearson, One Lake Street, Upper Saddle River, NJ 07458, tel. (800) 526-0485, <www.pearsonhighered.com>

108 *Pendragon Press, P.O. Box , White Hill Lane, Hillsdale, NY , tel. () -, fax () -, [email protected], <www.pendragonpress.com>

112 Presto Music Fonts, 2221 Ironwood St., Eugene, OR 97401, tel. (541) 517-1173, [email protected], <www.prestomusicfonts.com>

312 RILM Abstracts of Music Literature, CUNY Grad Center, Fifth Avenue, 3rd floor, New York, NY , tel. () -, fax () -, [email protected], <www.rilm.org>

307 Routledge, 270 Madison Avenue, New York, NY 10016, tel. (212) 216-7830, fax (212) 564-7854, <www.routledge.com>

313 Scarecrow Press, Forbes Blvd., Ste. , Lanham, MD , tel. (800) 462-6420, fax (800) 338-4550, [email protected], <www.rlpgbooks.com>

107 *Schirmer Cengage Learning, 20 Davis Drive, Belmont, CA , tel. (650) 637-7518, fax (650) 595-0260, [email protected], <www.cengage.com>

booth Exhibitors with an advertisement published in this book are identified with an asterisk

AMS/SMT Indianapolis 1

booth Exhibitors with an advertisement published in this book are identified with an asterisk

105 Society for American Music, Stephen Foster Memorial, Univ. of Pittsburgh 15233, tel. (412) 624-3031, fax (412) 624-7447, [email protected], <www.american-music.org>

102 Stainer & Bell, P.O. Box 110, Victoria House, 23 Gruneisen Rd., London, N3 IDZ, Great Britain, tel. +44(0)20 8343-3303, fax +44(0)20 8343-3024, [email protected]

204 The Scholar’s Choice, 25 Franklin Street, Ste. 1260, Rochester, NY 14604, tel. (585) 262-2048 x111, fax (585) 262-2228, [email protected], <www.scholarschoice.com>

412 *Theodore Front Music, 16122 Cohasset Street, Van Nuys, CA, 91406, tel. (818) 994-1902, fax (818) 994-0419, [email protected], <www.tfront.com>

303 *University of California Press, Berkeley Way, Berkeley, CA -, tel. (510) 643-4247, fax (510) 643-7127, <www.ucpress.edu>

402 *University of Chicago Press, E. th Street, Chicago, IL , tel. () 702-4216, fax () 702-9756, <www.press.uchicago.edu>

404 *University of Illinois Press, South Oak Street, Champaign, IL -, tel. () 244-6491, fax () -, [email protected], <www.press.uillinois.edu>

205 *University of Michigan Press, 839 Greene Street, Ann Arbor, MI 48104, tel. (734) 764-4330, fax (734) 615-1540, [email protected], <www.press.umich.edu>

200 *W.W. Norton, Inc., 500 Fifth Avenue, New York, NY 10110, tel. (212) 354-5000, fax (212) 869-0856, <www.wwnorton.com>

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Alexander Street PressAshgate Publishing CompanyBedford/St. MartinsUniversity of California PressCambridge University PressUniversity of Chicago PressC. P. E. Bach: The Complete WorksCollege Music SocietyGeorg Olms VerlagHal Leonard CorporationUniversity of Illinois PressIndiana Theory ReviewIndiana University PressJournal of Music TheoryLeuven University PressLiverpool University PressInstitute of Musical Research, University

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Conference Packet Inserts

Duke University Press, Box 90660, Durham, NC, 27708, [email protected], tel. (919) 687-3600, fax (919) 688-4574, <www.dukeupress.edu>

Information Age Publishing, PO Box 79049, Charlotte, NC, 28271, tel. (704) 752-9125, fax (704) 752-9113, [email protected], <www.infoagepub.com>

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Routledge Journals, Taylor & Francis Group, 2 & 4 Park Square, Milton Park, Abingdon, OX14 4RN, Great Britain, tel: (202) 7017-6000, <www.tandf.co.uk>

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Jazz MattersSound, Place, and Time since Bebop $24.95 paper, $60.00 cloth

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Scholarship that transcends disciplinary boundaries, including historical musicology, music theory, ethnomusicology, cultural theory, identity studies, and American studies.

JSAM has quickly become an indispensable source for anyone interested in American music. I appreciate the broad coverage, from barbershop quartet singing and Irish fiddling to Cage and Ornstein to blues and avant-garde jazz. I look forward to every issue.

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journals.cambridge.org/jsam

EditorLeta Miller University of California, Santa Cruz

JOURNAL OF THESOCIETY FORAMERICANMUSIC

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Outstanding Scholarship from Cambridge

Cambridge Companions to Music

The Cambridge Companion to Medieval MusicEdited by MARK EVERIST

The Cambridge Companion to SchoenbergEdited by JENNIFER SHAW

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Cambridge Composer Studies

Shostakovich Studies 2Edited by PAULINE FAIRCLOUGH

Ravel StudiesEdited by DEBORAH MAWER

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The SonataTHOMAS SCHMIDT-BESTE

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Cambridge Studies in Opera

When Opera Meets FilmMARCIA J. CITRON

Situating OperaPeriod, Genre, Reception

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Boulez, Music and PhilosophyEDWARD CAMPBELL

Music in the Twentieth Century

The Musical Language of Pierre BoulezWritings and Compositions

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Music Since 1900

Verdi and the GermansFrom Unification to the Third Reich

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Music and Urban Society in Colonial Latin AmericaEdited by GEOFFREY BAKER and TESS KNIGHTON

Harmony in SchubertDAVID DAMSCHRODER

Medieval Song in Romance LanguagesJOHN HAINES

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Listening for Utopia in Ernst Bloch’s Musical PhilosophyBENJAMIN M. KORSTVEDT

Liszt as TranscriberJONATHAN KREGOR

Music in London and the Myth of DeclineFrom Haydn to the Philharmonic

IAN TAYLOR

Opera’s OrbitMusical Drama and the Influence of Opera in Arcadian Rome

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Richard WagnerSelf-Promotion and the Making of a Brand

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The College Music Society promotes music teaching and learning, musical creativity and expression, research and dialogue,

and diversity and interdisciplinary interaction. A consortium of college, conservatory, university, and independent musicians andscholars interested in all disciplines of music, the Society provides

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PROFESSIONAL ACTIVITIES • CAREER SERVICESINFORMATION SERVICES • ENGAGEMENT & OUTREACH

THE COLLEGE MUSIC SOCIETY312 East Pine Street, Missoula MT 59802

1-800-729-0235 • (406)721-9616FAX: (406)721-9419 EMAIL: [email protected]

CMS AMS ad 810 8/20/10 1:19 PM Page 1

Upcoming Society meetings2011: SMT: 27–30 October, Minneapolis, MinnesotaAMS: November 10–13, San Francisco, California

2012: Joint meeting of the AMS, SEM, and SMT 1–4 November, New Orleans, Louisiana

Proposal submissions are due in early January each year. See the web sites for full details:

www.societymusictheory.orgwww.ams-net.org

The University of Chicago Press • www.press.uchicago.edu

DUke ellingTon’s AmeriCAHarvey g. Cohen720 p., 12 halftones Cloth $40.00

mUsiC in germAn PHilosoPHyAn Introductionedited by stefan lorenz sorgner and oliver FürbethWith an Introduction by Michael Spitzer and a Foreword by H. James BirxTranslated by Susan H. Gillespie304 p. Paper $35.00

THUg liFeRace, Gender, and the Meaning of Hip-Hopmichael P. Jeffries258 p., 3 halftones, 2 tables Paper $21.00

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Volume i 464 p., 113 musical examples, 64 halftones, 9 maps, 32 line drawings, 14 figures, 13 tables Paper w/CD $30.00

Volume ii408 p., 60 halftones, 32 line drawings, 34 figures, 37 musical examples, 6 tables Paper w/CD $30.00

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ATTilADrama lirico in a Prologue and Three Acts by Temistocle Solera and Francesco Maria Piavegiuseppe VerdiEdited by Helen GreenwaldThe Works of Giuseppe Verdi, Series I: Operas640 p., 6 halftones, 30 musical examples, 3 tables Cloth $295.00

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SAMUEL BARBER: 65 SONGS Edited by Richard WaltersHigH Voice MediuM/Low Voice

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SAMUEL BARBER: REINCARNATIONS Critical Edition Edited by Joshua Parman

SAMUEL BARBER: EARLY PIANO WORKS First Edition Edited by Richard Walters

SAMUEL BARBER: MUSIC FOR VIOLIN AND PIANO With CDs of performances and accompaniments

Includes the first edition of a surviving sonata movement, and new transcriptions.

JOHN ADAMS: ON THE TRANSMIGRATION OF SOULS Vocal Score Boosey & Hawkes

GAETANO DONIZETTI: PIA DE’ TOLOMEI Critical Edition Vocal Score Edited by Giorgio Pagannone Ricordi

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LUDWIG VAN BEETHOVEN: CHRISTUS AM ÖLBERGE, Op. 85 Edited by Anja Mühlenweg Study Score

ALBAN BERG: PIANO SONATA NO. 1 Edited by Ullrich Scheideler

ALBAN BERG: VIOLIN CONCERTO Edtied by Michael Kube

JOHANNES BRAHMS: BALLADES, Op. 10 Piano Edited by Katrin EichExtracted from the Brahms Complete Edition

CLAUDE DEBUSSY: INTERMEZZO AND SCHERZO Cello and Piano Edited by Ernst-Günter Heinemann

JOHANN NEPOMUK HUMMEL: TRUMPET CONCERTO IN E MAJOR Edited by Michael Kube

ÉDOUARD LALO: VIOLONCELLO CONCERTO IN D MINOR Cello and Piano Reduction Edited by Peter Jost

WOLFGANG AMADEUS MOZART: HORN QUINTET IN E-FLAT MAJOR, K. 407 Horn, Violin, 2 Violas, Violoncello Edited by Henrik Wiese and Norbert Müllemann

ROBERT SCHUMANN: MÄRCHENERZÄHLUNGEN Clarinet (Violin) and Piano Edited by Ernst Herttrich

ROBERT SCHUMANN: LIEDERKREIS, OP. 39 Versions 1842 and 1850 HigH Voice and Piano Edited by Kazuko Ozawa

ROBERT SCHUMANN: COMPLETE PIANO WORKS Revised EditionEdited by Wolf-Dieter Seiffert, Wiltrud Haug-Freienstein, Ernst Herttrich Volumes 1-6

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EDITED BY ESTELLE R. JORGENSENPhilosophy of Music Education Review features philosophical research in music education. It includes articles that address philosophical or theoretical issues, reform initiatives, philosophical writings, theories, the nature and scope of education and its goals and purposes, and cross-disciplinary dialogue relevant to the interests of music educators.SPECIAL ISSUE: Philosophy of Music Education Review, Volume 17 Number 2In “Women and the Work of Music Education,” women’s perspectives on the situations in which they labor are examined. As Estelle Jorgensen, the editor of the journal, asserts in her introduction to the issue, “[T]he work performed by women is often under-appreciated, if appreciated at all, and they are rendered invisible when they focus on those things that are important to them but may not be regarded as significant by the gatekeepers of the profession….[T]heir work is often conducted on the fringes of what is regarded as most significant by the field.” PUBLISHED SEMIANNUALLY

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Theoria: Historical Aspects of Music Theory, Volume 17 Edited by Frank HeidlbergerTheoria is an annual peer-reviewed journal on all aspects of the history of music theory. It includes critical articles representing the current stage of research, and editions of newly discovered or mostly unknown theoretical texts with translation and commentary. Analytical articles on recent or unknown repertory and methods are also published, as well as review articles on recent secondary literature and textbooks. Back issues are available by calling 1-800-826-8911. Volume 17 (2010) is now available and includes: John L. Snyder, “Pitch and Pitch relationships in Musicae artis disciplina: Letter Notation, Species, and Contour theory”; David Stern, “Thomas Morley’s View of the Importance of Modal Order in Renaissance Composition”; Irna Priore, “Serialism in the 1950s: Berio’s Approach”; and Stephen Slottow’s review of Michiel Schuijer’s Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts (University of Rochester Press, 2008). Contributions for future volumes are welcome any time. For editorial inquiries, please contact: [email protected]. ISSN 1554-1312. $22.00

Journal of Schenkerian Studies 4 Edited by Colin DavisThe Journal of Schenkerian Studies is a peer-reviewed journal published annually by the Center for Schenkerian Studies at the University of North Texas. The journal features articles on all facets of Schenkerian thought, including theory, analysis, pedagogy, and historical aspects. Back issues can be obtained by calling 1-800-826-8911. The forthcoming special issue (Volume 4) includes contributions from Ian Bent, “Schenker as Teacher: The Case of Gerhard Albersheim”; Marko Deisinger, “Heinrich Schenker as Reflected in His Diaries of 1918: Living Conditions and World View in a Time of Political and Social Upheaval”; William Drabkin, “Hans Weisse in Correspondence with Schenker and His Circle”; Christoph Hust, “‘How desolating to have to say that he is and will be the premier con-ductor of our time!’ Heinrich Schenker and Wilhelm Furtwängler”; Timothy L. Jackson, “Punctus contra punctus—a Counterpoint of Schenkerian and Weis-sian Analysis: Hans Weisse’s Counterpoint Studies with Heinrich Schenker”; and John Koslovsky, “Primäre Klangformen, Linearität, oder Auskomponier-ung?: The Analysis of Medieval Polyphony and the Critique of Musicology in the Early Work of Felix Salzer.” ISSN 1558-268X. $22.00

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Die Bach-Quellen in Wien und Alt-Österreich: KatalogBearbeitet von Christine Blanken. 2 vols. 2010. 690 pp. each vol. (LEIPZIGER BEITRÄGE ZUR BACHFORSCHUNG, vol. 10,1 + 10,2).ISBN 978-3-487-14421-4 each vol. € 59.00

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Jürgen NeubacherGeorg Philipp Telemanns Hamburger Kirchenmusik und ihre Aufführungs-bedingungen (1721-1767)Mit einer umfangreichen Quellendoku-mentation. 2009. 586 pp. with 14 Ill. (MAG-DEBURGER TELEMANN-STUDIEN, Vol. XX).ISBN 978-3-487-13965-4 € 88.00

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Music and cultural history of the early nineteenth century

JOCELYNE GUILBAULT

Music of the Caribbean; Popular music & transnationalism

NICHOLAS MATHEW Music of the eighteenth, early nineteenth and twentieth centuries; Music aesthetics, politics, theories of performance

DAVITT MORONEY J.S. Bach, Byrd;

Keyboard music of the seventeenth and early eighteenth centuries

TAMARA ROBERTS African American & Asian American popular

music; Critical race theory, urban political economy, interracial/ethnic studies

MARY ANN SMART Verdi, Wagner;

Nineteenth-century music; Gesture & gender

RICHARD TARUSKIN Russian music;

Twentieth-century music; Historiography

KATE VAN ORDEN

The French chanson; Music & absolutism; Print culture

BONNIE C. WADE

Music of India & Japan; Iconography & music

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U N I V E R S I T Y O F C A L G A R Y - D E P A R T M E N T O F M U S I C

GRADUATE STUDIES IN COMPOSITION AND MUSICOLOGYDEGREES: MA, Master of Musical Arts in Musicology MMus, Master of Music in Composition PhD in Composition PhD in Musicology MSc and PhD in Computational Media Design (CMD)The Department of Music provides the opportunity for intensive study of both music composition and musicology (including both historical and theoretical perspectives in the study of music). We also encourage candidates interested in performance practice, interdisciplinary research, and creative activities.

Internal funding Graduate Teaching Assistantships and Graduate Teaching Fellowships Graduate Research Scholarships Faculty of Graduate Studies Awards (Grants can range from $4000 to $12000 per year.)

External funding SSHRC-funded Research Assistantships Graduate funding is available in the form of teaching assistantships and research grants depending on the application and is available beginning at approximately $4800 up to $12,000 for the school year.

FACULTY: Allan Bell ([email protected]): Composition, Counterpoint, Orchestration, Music in Canada, Interdisciplinary StudiesKenneth DeLong ([email protected]): Classical & Romantic Periods, Opera, Nationalism, Music in Central EuropeDavid Eagle ([email protected]): Composition, Electroacoustic Music, Sonic Arts, Interactive Composition, Sound Spatialization, Contemporary MusicKenneth Fields (ken. [email protected]): Tele-Arts/Music on High-Speed Networks, Integrated Media Arts and Technology, Sound Synthesis and Media CompositionLaurie Radford ([email protected]): Composition, Electroacoustic Music, Interactivity and Live Electronic Performance, Spatial Audio, Sound Recording, Music Technology, Arts and TechnologyFriedemann Sallis ([email protected]): Musicology, Sketch Studies, Reception History, The Interaction of Historical and Theoretical Perspectives in 20th-Century Music

*Les travaux rédigés en français peuvent être acceptés au Département de musique.

www.music.ucalgary.ca

Graduate Admission Deadline: January 15, 2011

FOR MORE INFORMATION, PLEASE CONTACT:Dr. Friedemann Sallis, Graduate Program Director, Faculty of Arts, University of Calgary

E-mail: [email protected]

The Music Department at Brandeis University offers graduate study leading to

Masters degrees in Ph.D. degrees in Musicology Musicology

Composition and Theory Composition and Theory Music and Women’s and Gender Studies

The program in musicology offers an integrated approach to music history, history of theory, and music theory and analysis. The program in composition and theory offers composers the time and means to develop a secure command of the craft of composition. Music and WGS is an interdisciplinary program leading to a joint Master of Arts in Music and Women’s and Gender Studies. Topics include feminist theory, gender studies, cultural history, and the investigation of work by and about women.

For further information, visit our website:www.brandeis.edu/music or contact: Allan Keiler, Musicology Program Chair: [email protected] Eric Chasalow, Composition Program Chair: [email protected]

FacultyMary Ruth Ray, Chair Eric ChafeYu-Hui ChangEric Chasalow

Seth ColuzziJudith EissenbergJoshua Gordon

Neal HamptonAllan KeilerSarah Mead

Bob NieskeJames OlesenDavid RakowskiDaniel Stepner

Comprehensive Ph.D. ProgramsMusicology and Criticism – Ethnomusicology – Composition and TheoryRoss Bauer • Anna Maria Busse Berger • D. Kern Holoman • Beth Levy David Nutter • Pablo Ortiz • Jessie Ann Owens • Mika Pelo • Christopher ReynoldsKurt Rohde • Laurie San Martin • Henry Spiller • Jeffrey Thomas

music.ucdavis.edu

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musicology and music theory at CCM

Distinguished FacultyDavid Carson Berry: Schenkerian topics, American

popular music, post-tonal analysis, Stravinsky, history

of theory (1750-1950)

Steven J. Cahn: Schoenberg studies, aesthetics,

history of theory, historiography, imaging of musical

phenomena, neuroscience of music

Stefan Fiol: Himalayan studies, musical regionalism,

ritual and media studies, ethnomusicological theory

Jeongwon Joe: 20th-century music, opera-cinema

studies, �lm music, cultural studies

Jonathan Kregor: 19th-century aesthetics, Liszt, music

& memory, virtuosity & gender, art songs, musical

reproductions

Catherine Losada: post-tonal music, transformational

theory, musical collage, music after 1950

bruce d. mcclung: American music,

musical theater, mass entertainment, manuscript

studies, critical editing

Mary Sue Morrow: 18th-century topics (including the

symphony), sociology of music, nationalism, music

criticism & aesthetics

Samuel Ng: Brahms, metrical dissonance, phrase

rhythm, music perception, analysis & performance

Matthew Peattie: Medieval music, Beneventan chant,

modality, sources & transcription, musical change

Miguel Roig-Francoli: history of theory (Renaissance),

analysis of early music, 20th-century topics, music

theory pedagogy

Stephanie P. Schlagel: Renaissance studies, Josquin

des Prez, the motet, reception history, editing early

music

Teaching Assistantships and Doctoral

Fellowships available

For details about graduate programs:

www.ccm.uc.edu/comp_theory_hist

For admissions & �nancial aid info:

www.ccm.uc.edu/admissions

G-AMS directory.indd 1 6/30/10 10:30:11 AM

Priority application deadline November 1 Final application deadline December 1 www.esm.rochester.edu/musicology

The Eastman School of Music offers graduate students in musicology the opportunity to pursue a PhD in the context of a thriving music school with an incomparable research library. Thanks to a large and distinguished faculty, students enjoy exposure to all areas of the discipline, with additional opportunities for advanced study in ethnomusicology (including a new Master of Arts degree), early music, music theory, and performance. Graduate students receive generous stipends, with support normally assured for five years. Alumni of the program hold positions at top-ranked institutions and have become leaders in the field.

Patrick Macey, ChairRenaissance music and culture in Italy and France, Josquin, music and rhetoric

Michael Alan AndersonMedieval and Renaissance music, Saints, the DivineOffice, Popular ritual, politics

Melina Esse19th-century opera and melodrama, film music, gender and performance studies

Roger Freitas17th-century music (especially the cantata), performance practices, the castrato

Lisa Jakelski20th-21st century music, musical expression and social/political practices, with emphasis on music post-1945

Ellen KoskoffEthnomusicology, American musics, women and music, Balinese music and culture

Kim Kowalke20th-century musical theater and opera, Sondheim, Hindemith, and Weill

Ralph P. LockeExoticism and nationalism, music culture in 19th-century France and Italy, opera, gender issues

Honey MeconiMedieval and Renaissance music, manuscript culture, Hildegard, musical borrowing

Holly Watkins 19th- and 20th-century music, historical and contemporary aesthetics, ecocriticism, popular music

Daniel ZagerRenaissance and Baroque music, Lassus, church music history

SENioR FAcuLty ASSociAtESJürgen thym19th-century music, German Lieder, 19th-century symphony, music and text relations

Gretchen Wheelock18th-century music, Haydn and Mozart, historical performance practices, reception history

AFFiLiAtE FAcuLtyHans DavidssonRobert D. MorrisPaul o’Dette

EMERitAKerala Snyder

10ESM_American_music_Soc.indd 1 8/10/10 3:23 PM

Graduate Academic Degrees Offered:M.M. in Musicology

M.M. in Music TheoryTeaching Assisantships Available in Music Theory and in Music History

Musicology FacultyPaul Bertagnolli: Liszt, 19th-century music, music and literature.

The Moores School of Music features a distinguished faculty, excellent Master’s and DMA programs, and a modern facility,

located in a culturally vibrant and exciting metropolis.

Musicology & Music Theory

Matthew Dirst: Bach, Baroque music, harpsichord and organ, Collegium Musicum.

Barbara Rose Lange: Ethnomusicology, popular music, music and gender, Eastern Europe, Romany (Gypsy) music.Howard Pollack: 20th-century music, American music.

Theory Faculty

Andrew Davis: Late 19th- and 20th-century opera, musical meanings and semiotics.

Timothy Koozin: Post-tonal music, analysis of popular music, semiotics, film music, computer applications.John Snyder: History of music theory, Schenkerian analysis,

Medieval music, music of Samuel Coleridge-Taylor.

UH is an EEO/AA Institution.

www.music.uh.edu Graduate Office: 713-743-3314

David Ashley White, directoriMOORES SCHOOL OF MUSIC

120 School of Music BldgHouston, Texas 77204-4017

Jeffrey Sposato: Mendelssohn, Classical and Romantic music, sacred music.

Aaminah Durrani: Schnittke, post-tonal music, aesthetics of the Classical period, string quartet literature.

a t I n d i a n a

Musi c o l o g y

We off er individual attention with all the advantages of a large music school and university. Our resources include the Center for the History of Music Theory and Literature, Early Music Institute, Latin American Music Center, Ethnomusicology Program, and the outstanding Cook Music Library (more than 343,000 volumes).

DEGREESPh.D., M.A., M.A./M.L.S. Direct admission from the B.A. or B.M. to the Ph.D. program with three years of course work.

J. Peter Burkholder, Chair: 20th-century music, Charles Ives, musical borrowing

Phil Ford: American music, cultural studies, “hipness,” jazz, musical theatre, radical and countercultural intellectual movements

Halina Goldberg: 19th-century Poland and Eastern Europe, musical and cultural environment of Chopin’s Warsaw, performance practice, reception, national constructs Thomas J. Mathiesen: Music in the ancient world, medieval music, history of music theory Daniel R. Melamed: Baroque music, J. S. Bach and older members of the Bach family, performance practice, Mozart’s operas Kristina Muxfeldt: Late 18th- and early 19th-century music and aesthetics, Lieder, reception studies, social history

MUSICOLOGY FACULTY

For a complete list of Jacobs School faculty, please visit us at music.indiana.edu.

Massimo Ossi: Renaissance and Baroque music, early 17th-century Italian music theory and aesthetics, Italian lyric poetry and madrigal (1550–1650), Vivaldi Ayana Smith: Baroque music, opera and literary criticism (1650–1750), signifying and the blues, women and gender in music

Giovanni Zanovello: 15th-century Italian cathedral music, Florence, music and humanism, Renaissance music theory, Heinrich Isaac

ADJUNCT FACULTYJudah Cohen: Jewish music and culture

Lynn Hooker: Bartók, Hungarian music

POSTDOCTORAL FELLOWLaura Weber: Medieval music theory, Handel

a t I n d i a n aMu s i c T h e o r y

A special blend of cutting-edge academic research and innovative pedagogy within one of the world’s greatest schools of music.

The overwhelming majority of our graduates hold teaching and administrative positions in major research universities, music schools, and liberal arts colleges.

We off er the Master of Music (M.M.) and Doctor of Philosophy (Ph.D.) degrees. Most students are awarded generous graduate teaching assistantships. Supplemental scholarships are awarded to especially well-qualifi ed students.

Kyle Adams: history of theory, 16c and 17c music, popular music

Robert Hatten: gesture, semiotics, 18c and 19c music

Jay Hook: transformational theory, algebraic approaches

Gretchen Horlacher:chair; rhythm and meter, Stravinsky, Reich

Eric Isaacson: atonality, music informatics, cognition

Roman Ivanovitch: tonal analysis, form, Mozart

Blair Johnston: Rachmaninoff , Russian music, late 19c and 20c music

MUSIC THEORY FACULTY

For a complete list of Jacobs School faculty, please visit us at music.indiana.edu.

Marianne Kielian-Gilbert: cultural studies, feminist theory, Stravinsky

Gary Potter: pedagogy, 20c music, jazz

Frank Samarotto: Schenker, rhythm/temporality, 19c music

Alan Theisen: post-doctoral fellow; music/culture since 1945, form, post-tonal analysis/performance

Mary Wennerstrom: pedagogy, form, 20c music

Institute of Musical Research, School of Advanced Study, University of London

VISITING FELLOWSHIPS IN LONDON

The Institute of Musical Research is delighted to welcome visiting scholars to the heart of London.

We offer:• School Professorial and Visiting Fellowships (competitive)

for six months• Visiting Fellowships (usually one to six months; bench fee

payable)• Overseas Doctoral Fellowships (up to a year; reduced

bench fee payable)

For further information follow our ‘Fellowships’ link on www.music.sas.ac.uk

or email the Director at [email protected]

TheoryMusic

Department of music anD Dance

Graduate Study in

M.M. and Ph.D.

FacultyGary S. Karpinski • Brent Auerbach • Jason Hooper Lawrence Shuster • Rob Schultz

Studies in Schenkerian analysis, post-tonal theory, history of theory, pedagogy of theory, motivic analysis, analysis of rhythm and meter, and other areas. Specialized advanced study available in cognition and perception, analysis of 20th-century music, aural skills acquisition, and other areas.

Teaching AssistantshipsTheory • Aural Skills • Music Appreciation • JazzInstrumental Instruction • Choral ConductingOrchestra • Accompanying

Assistantships carry a minimum stipend of $7258, full tuition remission, health benefits, and waiver of most fees.

For further information, contact either of the following:

Professor Gary S. KarpinskiCoordinator of Music [email protected](413) 545-4229

Professor Jeffrey CoxGraduate Program [email protected](413) 545-6055

Visit our web site at http://www.umass.edu/music

We focus on many historical fields such as medieval source studies, Baroque performance practice, Mozart studies, 19th and 20th century music, particularly Brahms; Latin American music studies. Faculty carry out cutting edge research and classroom instruction in various areas including Schenkerian studies, theory pedagogy, history of music theory, and contemporary approaches to music analysis. In addition to ethnomusicology theories and methods, we offer area studies in the music of Africa, East Asia, India, and African American music.

The College of Music offers one of the largest and most comprehensive music programs in the U.S. Its Jazz Studies program has received critical acclaim worldwide. International study abroad programs in collaboration with institutions and scholars in Europe, Asia, Africa, and South America provide students with a diverse array of learning experiences.

Contact Eileen Hayes, Chair, Division of Music History, Theory and Ethnomusicology, College of Music [email protected] • 940-565-3761

DegreesMM in Musicology; concentrations in Early Music Performance and in EthnomusicologyPh.D. in Musicology; concentration in Early Music Performance MM and Ph.D. in Music Theory

Teaching Assistantships and Fellowships, Tuition Waivers and Master’s and Dissertation Fellowships available

UNIVERSITY OF NORTH TEXAS, COLLEGE OF MUSICTHE DIVISION OF MUSIC HISTORY, THEORY, AND ETHNOMUSICOLOGY

MusicologyMargaret NotleyAna Alonso-MinuttiBenjamin BrandHendrik SchulzeDeanna BushLaura KennedyBernardo Illari

Music TheoryTimothy JacksonSteven SlottowDavid Schwarz Frank HeidlbergerGraham H. Phipps

Pop Music & European StudiesThomas Sovik

EthnomusicologySteven FriedsonEileen M. HayesJohn Murphy

Theory PedagogyJoán GroomGene ChoPaul DworakLaila Kteily-O’Sullivan

Faculty

Extraordinary Opportunities for Exceptional Students

www.music.northwestern.eduNorthwestern University is an equal opportunity, affirmative action educator and employer.

Graduate Study in Musicology Situated within one of the nation’s premier research universities and top music schools, Northwestern’s musicology program offers students a unique experience: a university-wide interdisciplinary focus that encourages collaborative work, a thriving performance schedule of more than 400 concerts each year, and ready access to the vast cultural resources of downtown Chicago. Degree pro-grams include the MM and the PhD. All students admitted to the PhD program receive full tuition funding plus a stipend.

Office of Music Admission and Financial Aid Bienen School of MusicNorthwestern University 711 Elgin RoadEvanston, Illinois 60208-1200 847/[email protected]

n o r t h w e s t e r n u n i v e r s i t y Bienen School of Music

FacultyLinda Austern, 16th- and 17th-century England, gender; music as related to history of medicine and science; European iconography Thomas Bauman, 18th-century opera, film music, cultural studies Drew Edward Davies, 17th- and 18th- century Mexico and Iberia, 20th- century Britain Inna Naroditskaya, ethnomusicology, Middle East, Russia, gender studies Jesse Rosenberg, 19th- and 20th- century opera

The University of Pennsylvania offers Ph.D. programs in

Anthropology of MusicHistory of MusicTheory of Music

Musical Composition

Graduate Study in Music at Penn is characterized by a small student body,individual attention, a large and distinguished faculty, generous four- and five-year fellowship packages, and an excellent placement record.

Faculty:

Carolyn Abbate, Christopher H. Browne Distinguished Professor of Music (History) Emma Dillon, Associate Professor (History)Emily I. Dolan, Assistant Professor (History)Jeffrey Kallberg, Professor (History)Carol A. Muller, Professor (Anthropology)James Primosch, Robert Weiss Professor of Music (Composition)Guthrie P. Ramsey, Jr., Professor (History)Timothy Rommen, Associate Professor (Anthropology)Jay Reise, Professor (Composition)Gary A. Tomlinson, Annenberg Professor in the Humanities (History, Anthropology)Anna Weesner, Associate Professor (Composition)

Detailed information is available on our web site:<http://www.sas.upenn.edu/music/grad>

or contact:

Director of Graduate Studies Music Department University of Pennsylvania 201 S. 34th St. Philadelphia, PA 19104-6313 tel: (215) 898-7544 e-mail: [email protected]

University of PennsylvaniaGraduate Studies in Music

U-Penn-full-2009-complimentary.p1 1 8/24/2009 12:17:32 PM

Carolyn Abbate, Christopher H. Browne Distinguished Professor of Music (History)Emma Dillon, Professor (History)Emily I. Dolan, Assistant Professor (History)Jeffrey Kallberg, Professor (History)Jairo Moreno, Associate Professor (Theory)Carol A. Muller, Professor (Anthropology)James Primosch, Robert Weiss Professor of Music (Composition)Guthrie P. Ramsey, Jr., Edmund J. Kahn Term Professor of Music (History)Timothy Rommen, Associate Professor (Anthropology)Jay Reise, Professor (Composition)Gary A. Tomlinson, Annenberg Professor in the Humanities (History, Anthropology)Anna Weesner, Associate Professor (Composition)

Detailed information is available on our web site:www.sas.upenn.edu/music/grad

or contact:

Director of Graduate StudiesMusic DepartmentUniversity of Pennsylvania201 S. 34th St.Philadelphia, PA 19104-6313tel: (215) 898-7544e-mail: [email protected]

Penn State School of Music

Research FacultyMUSIC THEORYVincent Benitez, Ph.D. (Indiana) 20th century: Messiaen, music after 1945, popular music; post-tonal analysis; Baroque era: Bach; history of music theoryMaureen Carr, Ph.D. (Wisconsin) 20th century: compositional process, sketch studies, Stravinsky, theory pedagogy, counterpointTaylor Greer, Ph.D. (Yale) French artsong, American music, aesthetics, Schenkerian theoryEric McKee, Ph.D.(Michigan) Dance music of the 18th and 19th centuries, Chopin, Schenkerian theory, theories of tonal rhythm

MUSICOLOGYMarie Sumner Lott, Ph.D. (Eastman) 18th- and 19th-century musical life, chamber music, Brahms, reception studiesMarica Tacconi, Ph.D. (Yale) Early music: Renaissance Italy, Monteverdi, manuscript studies, interdisciplinary studiesCharles Youmans, Ph.D.( Duke) Austro-German music post-1850 (R. Strauss, Mahler), aesthetics, �ilm music

College of Arts College of Arts and Architectureand Architecture

Musicology and Early Music Performance at the USC Thornton School of Music

Study music in an environment in which history and performance can and do interact. Musicology students at USC participate in the full range of musical activities at the Thornton School of Music, including its renowned Early Music program. Early music and 20th-century music are particular strengths of the program, which benefits from close links to USC’s Early Modern Studies Institute, the School of Cinematic Arts and the Annenberg School for Communications.

The University is located near such Los Angeles cultural landmarks as Disney Hall and is within easy reach of world-class research institutions such as the Getty Center and Huntington Library.

Applicants to the Ph.D. program in musicology compete for Provost’s and Diversity Fellowships with full tuition waivers and a stipend currently set at $30,000 per year. Applicants to the M.A. and D.M.A. programs in Early Music Performance are eligible for scholarships of up to $20,000 per year.

Our Distinguished Faculty

Bruce BrownJoanna DemersAdam Gilbert

Rotem GilbertLeah Morrison

Tim PageBryan Simms

Nina TreadwellMina Yang

and other adjunct Early Music faculty

Degree Programs

M.A. Early Music Performance

D.M.A. Early Music Performance

Ph.D. Musicology

Department of MusicologyFlora L. Thornton School of MusicUniversity of Southern CaliforniaLos Angeles, California 90089-0851(213) 740-3211www.usc.edu/music

W e offer the Bachelor of Arts and graduate degrees in the History and Theory of Music, Composition, and Performance. The degree programs

emphasize interdisciplinary perspectives and research on a wide range of issues and topics, with special attention to 20th- and 21st-century music. Each doctoral student receives a unique “contract” program of study.

Music Studies

H FACULTY IN HISTORY AND THEORY HMauro Calcagno, Andrew Eisenberg, Sarah Fuller, David Lawton, Judy Lochhead,

Ryan Minor, Jamuna Samuel, Benjamin Steege, and Peter Winkler

Stony Brook University/SUNY is an affirmative action, equal opportunity educator and employer.

Undergraduate Scholarships and Graduate Teaching Assistantships available.

For complete information about the Department of Music visit:

www.stonybrook.edu/music

AMS and SMT AwardsThe AMS and the SMT will present their annual awards for out-standing books, articles, and research in musicology and music theory at this meeting!

Saturday, 6 November 2010

Indiana Ballroom, Marriott Hotel

SMT: 3:00 p.m.AMS: 5:30 p.m.

McIntire Department of Music, University of VirginiaPhD, Critical and Comparative Studies in Music

“Supportive community in which people sincerely care about your ideas and progress as a scholar. Faculty who have honest conversations about teaching as well as research. Competitive in the sense that people want you to do your best work, but not competitive in the backbiting, unhealthy way. Commitment and open-mindedness to a variety of topics and approaches: students are genuinely encouraged to follow their interests.”

– University of Virginia PhD student

The Critical and Comparative Studies program (CCS) is committed to the highest standards of research in innovative and interdisciplinary music scholarship. Stu-dents take seminars in historical musicology, ethnomusicology, popular music studies, performance theory, and analysis, as well as graduate courses outside the Department of Music. We encourage broad awareness of contemporary thought within and beyond music studies, and imaginative choices in research projects. Recent and current dissertation topics include: female performers in the early 20th-century United States; the politics of gender transgression in recent Anglo-American popular music; social and political meanings of music and dance in early film musicals; the history and ideology of college radio stations; performance and social meaning in 17th-century English consort music; race and politics in 1980s hardcore; bluegrass in the Czech Republic; present-day Asian-American indie-pop musicians; relations between the avant-garde and Anglo-American popular music from the late 1960s on; and others.

CCS faculty include Scott DeVeaux (jazz and American music; African music; popular music; music and war); Bonnie Gordon (early modern Italy; gender and sexuality; history of science; Monteverdi; castrati); Bruce Holsinger (music and literature in the European Middle Ages; liturgy; history of sexuality; premodern roots of modern critical thought); Michelle Kisliuk (performance theory; post-colonial cultural studies; musical ethnography; Central and West Africa; blue-grass); Fred Maus (theory and analysis; gender and sexuality; popular music; aesthetics); Michael Puri (theory and analysis; critical theory; hermeneutics; Wagner; Ravel; 19th- and 20th-century French classical music); Joel Rubin (Jewish instrumental klezmer music; music in relation to trauma, professional-ism, diaspora, identity, religion); Heather Wiebe (modernism; 19th-20th century opera; early music revivals; British musical culture); Richard Will (European music of the 18th and early 19th centuries; American folk and roots music).

Other faculty resources in Music include composers Matthew Burtner, Ted Coffey, and Judith Shatin; librarian Erin Mayhood; conductors Andrew Koch, William Pease, Michael Slon, and Kate Tamarkin; and many part-time and adjunct performance instructors.

For detailed information about the program, including application procedures and contact information, go to www.virginia.edu/music and select the link for graduate programs.

Baerenreiter ISBN 978-3-7618-1100-9

This 29-volume set is the most important and comprehensive re-search tool available, with more than 20,000 articles covering all aspects of music. International in scope, the MGG is the result of the collaborative efforts of 3,500 scholars from 55 countries, with over 4,000 illustrations (500 in color), including portraits, music examples, instruments and diagrams.

• Subject Encyclopedia in 9 volumes• Index to the Subject Encyclopedia• Biographical Encyclopedia in 17 volumes• Index to the Biographical Encyclopedia• Supplement volume with new biographical

and subject entries

Special Offer $2585.00Shipping and handling fees are additional. Stock is limited!

Theodore Front Musical Literature, Inc.16122 Cohasset StreetVan Nuys CA 91406-2989 USATel: +1 (818) 994-1902 Fax: +1 (818) 994-0419Email: [email protected] Web: www.tfront.com

MGGCarl PhiliPP EmanuEl BaCh

he omplete orks

Versuch über die wahre Art das Clavier zu spielenEdited by Tobias Plebuch

ISBN 978-1-933280-42-4 (forthcoming, early 2011) Price for the three-volume set: $75.00

Exempel nebst achtzehn Probe-Stücken in sechs Sonaten mit sechs neuen Clavier-Stücken

Supplement to the Versuch: Facsimile edition of Wq 63ISBN 978-1-933280-55-4 (2009; xi, 35 pp.) $15.00

The new critical edition of C. P. E. Bach’s keyboard treatise Versuch über die wahre Art das Clavier zu spielen is based on the latest authorized editions; Volume i corresponding to Part i of the Versuch (codifying keyboard technique, specifically that of J. S. Bach, the basis of modern keyboard playing); Volume ii corresponding to its Part ii (the most comprehensive and methodical explanation of eighteenth-century continuo practice); and Volume iii (commentary, glossary, index). The Versuch Supplement is already available to order.

Please see website for a complete list of published and forthcoming volumes and for free performing materials.

Standing orders welcome.

E-mail: [email protected] orders: (800) 243-0193 in the USA;

001-978-829-2531 phone or fax from outside the USAWeb orders: www.cpebach.org

Details on shipping costs may be requested by phone or e-mail above.

AMS Program ad: 4.5 x 7.5

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ASHGATENew Music Titles from Ashgate Publishing…

Adrian Willaert and the Theory of Interval AffectThe Musica nova Madrigals and the Novel Theories of Zarlino and VicentinoTimothy R. McKinneyIncludes 69 music examplesAug 2010. 336 pgs. Hbk. 978-0-7546-6509-0

Changing the System: The Music of Christian WolffEdited by Stephen Chase and Philip ThomasIncludes 1 b&w illustration and 49 musical examplesAug 2010. 284 pgs. Hbk. 978-0-7546-6680-6

Shostakovich in DialogueForm, Imagery and Ideas in Quartets 1–7Judith KuhnIncludes 32 b&w illustrations and 99 musical examplesFeb 2010. 314 pgs. Hbk. 978-0-7546-6406-2

Harrison Birtwistle: The Mask of OrpheusJonathan CrossLandmarks in Music Since 1950Includes 10 b&w illustrations and 12 music examplesDec 2009. 196 pgs. Hbk. 978-0-7546-5383-7

Sociology and Music EducationEdited by Ruth WrightSEMPRE Studies in The Psychology of MusicIncludes 13 b&w figures and 8 tablesSep 2010. 322 pgs. Hbk. 978-0-7546-6801-5

Leonard Bernstein: West Side StoryNigel SimeoneIncludes 3 b&w illustrations, 22 music examples and a CDDec 2009. 192 pgs. Hbk. 978-0-7546-6484-0

Messiaen the TheologianEdited by Andrew ShentonIncludes 12 b&w illustrations and 21 musical examplesApr 2010. 312 pgs. Hbk. 978-0-7546-6640-0

The Ashgate Research Companion to Popular MusicologyEdited by Derek B. ScottIncludes 13 b&w illustrations and 14 musical examplesDec 2009. 576 pgs. Hbk. 978-0-7546-6476-5

Where Music Helps: Community Music Therapy in Action and ReflectionBrynjulf Stige, Gary Ansdell, Cochavit Elefant and Mercédès PavlicevicAshgate Popular and Folk Music SeriesIncludes 23 b&w illustrationsJun 2010. 364 pgs. Pbk. 978-1-4094-1010-2

Music, Sound, and Silence in Buffy the Vampire SlayerEdited by Paul Attinello, Janet K. Halfyard and Vanessa KnightsAshgate Popular and Folk Music SeriesIncludes 20 b&w illustrationsFeb 2010. 304 pgs. Pbk. 978-0-7546-6042-2

The Musical Ear: Oral Tradition in the USAAnne Dhu McLucasSEMPRE Studies in The Psychology of MusicIncludes 1 b&w illustration, 2 music examples and a CDMar 2010. 218 pgs. Hbk. 978-0-7546-6396-6

Music and the Modern Condition: Investigating the BoundariesLjubica IlicOct 2010. 140 pgs. Hbk. 978-1-4094-0761-4

New Perspectives on Marc-Antoine CharpentierEdited by Shirley ThompsonIncludes 2 color and 20 b&w illustrations and 37 music examplesApr 2010. 414 pgs. Hbk. 978-0-7546-6579-3

She’s So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s MusicEdited by Laurie StrasAshgate Popular and Folk Music SeriesIncludes 17 b&w illustrations and 7 music examplesAug 2010. 284 pgs. Hbk. 978-1-4094-0051-6

Understanding MusicThe Nature and Limits of Musical CognitionHans Heinrich Eggebrecht Translated by Richard EvansIncludes 4 musical examplesDec 2009. 170 pgs. Hbk. 978-0-7546-6612-7First Edition in English

Jean Cras, Polymath of Music and LettersPaul-André BempéchatIncludes 10 color and 33 b&w illustrations and 187 music examplesNov 2009. 608 pgs. Hbk. 978-0-7546-0683-3

Understanding Mozart’s Piano SonatasJohn IrvingIncludes 12 musical examples and 1 line drawingOct 2010. 176 pgs. Hbk. 978-0-7546-6769-8

Ashgate Publishing | 101 Cherry Street, Suite 420 | Burlington, VT 05401 | (800) 535-9544

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