+ All Categories
Home > Documents > Project Perspective: Who am I? Who are you?. Artisan - Farmer at the Temple Artist recreation of the...

Project Perspective: Who am I? Who are you?. Artisan - Farmer at the Temple Artist recreation of the...

Date post: 11-Jan-2016
Category:
Upload: dominic-mccarthy
View: 214 times
Download: 2 times
Share this document with a friend
Popular Tags:
7
Project Perspective: Who am I? Who are you?
Transcript
Page 1: Project Perspective: Who am I? Who are you?. Artisan - Farmer at the Temple Artist recreation of the temple complex at Tenochtitlan.

Project Perspective:Who am I? Who are you?

Page 2: Project Perspective: Who am I? Who are you?. Artisan - Farmer at the Temple Artist recreation of the temple complex at Tenochtitlan.

Artisan - Farmer at the Temple

Artist recreation of the temple complex at Tenochtitlan.

Page 3: Project Perspective: Who am I? Who are you?. Artisan - Farmer at the Temple Artist recreation of the temple complex at Tenochtitlan.

The calendar informed all aspects of life, including when to plant crops such as maize, and when to marry.

Mesoamerican Calendar

Th

Page 4: Project Perspective: Who am I? Who are you?. Artisan - Farmer at the Temple Artist recreation of the temple complex at Tenochtitlan.

The priests, leaders, and common people used the calendar as a routine of ritual and gave them a spiritual way to interpret their lives (much like the Catholic feast days do today).

The calendar informed all aspects of life, including when to plant crops such as maize, when to marry

Marriage Scene, Codex Mendoza

Marriage in Mesoamerica

Th

Page 5: Project Perspective: Who am I? Who are you?. Artisan - Farmer at the Temple Artist recreation of the temple complex at Tenochtitlan.

Planting times may have been determined by the ritual calendar.

Mesoamerican Agriculture and the Calendar

TPlanting time, Codex Florentine.

h

Page 6: Project Perspective: Who am I? Who are you?. Artisan - Farmer at the Temple Artist recreation of the temple complex at Tenochtitlan.

‘The most spectacular ritual on the Aztec calendar was the New Fire ceremony which took place every 52 years and involved every citizen of the Aztec realm, during this commoners would destroy house utensils, quench all fires and receive new fire from the bonfire on top of Mt. Huixachtlan, lit on the chest of a sacrificed person by the high priests.’

Codex Magliabechiano

Ritual in Mesoamerica:

Page 7: Project Perspective: Who am I? Who are you?. Artisan - Farmer at the Temple Artist recreation of the temple complex at Tenochtitlan.

“Sacrificial rituals among the Aztecs and in Mesoamerica in general must be seen in the context of religious cosmology: sacrifice and death was necessary for the continued existence of the world. Gods were paid with sacrificial offerings of food, flowers, effigies, and quail. But the larger the effort required of the god, the greater the sacrifice had to be. Blood fed the gods and kept the sun from falling. The people who were sacrificed came from many segments of society, and might be a war captive, slave, or a member of Aztec society; the sacrifice might also be man or woman, adult or child, noble or commoner.”

Sacrifice in Mesoamerica:


Recommended