Platform for Public Deliberation Constitution of Public Intellectual Life Research Project PUBLICATIONS The Constitution of Public Intellectual Life Research Project According to the University of the Witwatersrand Research Office figures for 2004, the Graduate School for the Humanities (which comprised the Constitution of Public Intellectual Life Project, the Graduate Programme in Journalism and Media Studies, and the Forced Migration graduate and research programme) had the highest relative publication figures, viz 2.453 (pubs/ftes) and 2.404 (pubs/sles). The next highest in the university was the School of Public Health on 1.758 (pubs/ ftes) and 2.033 (pubs/sles). The University average was 0.629(pubs/ftes) and 0.647 (pubs/sles). Accredited publications only.
Transcript
Platform for Public DeliberationConstitution of Public Intellectual Life Research Project
PUBLICATIONSThe Constitution of Public Intellectual Life Research Project
According to the University of the Witwatersrand Research Office figures for 2004, the Graduate School for the Humanities (which comprised the Constitution of Public Intellectual Life Project, the Graduate Programme in Journalism and Media Studies, and the Forced Migration graduate and research programme) had the highest relative publication figures, viz 2.453 (pubs/ftes) and 2.404 (pubs/sles). The next highest in the university was the School of Public Health on 1.758 (pubs/ftes) and 2.033 (pubs/sles). The University average was 0.629(pubs/ftes) and 0.647 (pubs/sles). Accredited publications only.
Platform for Public DeliberationConstitution of Public Intellectual Life Research Project
Publications
*Designates DNE accredited publications. Please note that as the Public Intellectual Life Project we are committed to publishing in public interest media as well as accredited academic publications.
Platform for Public DeliberationConstitution of Public Intellectual Life Research Project
Barstow, O. & Law-Viljoen, B. (eds) Fire Walker: William Kentridge and Gerhard Marx Fourthwall Books: Johannesburg, 2011.
Barstow, O. “The Thinking Machine / Digging in the Rubbish Heap”, Itch Magazine: The Theme is Dead 1(5):76-79, 2005.
Bester, R.M. “David Goldblatt’s Making Visible: Photographic Strategies of Rumination, Orchestration and Circulation” Social Dynamics 36(1): 153-165, 2010.
Bester, R.M. “2009 Joburg Art Fair”, Art South Africa 7(4):81, 2009.Bester, R.M. “The Bride Stripped Bare for Her Bachelors”, Art South Africa 8(1): 44-
49, 2009.Bester, R.M. “Between the Wars and Walls”, Art South Africa 8(2): 64-69, 2009.Bester, R.M. Knight, N. and Koloane, D. “A Setting Apart” in Ephraim Ngatane: A
Setting Apart Rory Bester (ed) Johannesburg: Blank Books, pp.6-11, 2009.Bester, R.M. “An Unwavering Moral Compass”, Art South Africa 7(1):70-74, 2008.Bester, R.M. “Africa Remix: An Immigrant, to be Looked at from the Other Side of
Reinforced Glass”, Nka: Journal of Contemporary African Art 22/23:80-87, 2008.Bester, R.M. “Cities in Crisis: Cities, Photography and Research” in Representation
and Spatial Practices in Urban South Africa Leora Farber (ed) Johannesburg: Visual Identities in Art and Design Research Centre, pp.250 - 253, 2008.
Bester, R.M. “The Curatorial Moment”, Art South Africa 7(2):90-92, 2008.Bester, R.M. “Luxury in Bound Format”, Art South Africa 6(3): 40-42, 2008.Bester, R.M. “Made New, Made Better”, Art South Africa 6(3): 54-57, 2008.Bester, R.M. “Thando Mama’s Televisions”, in Flow Kim, C.Y (ed) New York: The
Studio Museum in Harlem, pp.82-83, 2008.Bester, R.M. “Joburg Art Fair: Well Done, But…”, Art South Africa 6(4): 43, 2008.Bester, R.M. “Digging in a Sheet of Paper” in Francki Burger: Belonging
Johannesburg: Eveard Read, pp.8-10, 2008.Bester, R.M. “Reflections on Cities in Crisis”, FADA Research Newsletter 10, June,
pp.4-5, 2008.Bester, R.M. “From Joburg: David Goldblatt, Pieter Hugo and Santu Mofokeng”,
Camera Austria 103-104:113-114, 2008.Bester, R.M. “Journeys into Strangeness”, Art South Africa 7(1):26-27, 2008.Bester, R.M. “David Goldblatt – Buch für Buch” in David Goldblatt: Südafrikanische
Fotografi en 1952-2006, Christoph Merian Verlag und Fotomuseum Winterhur, pp.11- 24, 2007.
Bester, R.M. “Berni Searle: Showing Here, Showing There”, Art South Africa 5(3):23-25, 2007.*
Bester, R.M. “Down Mahlatini Street”, Art South Africa 5(3):60, 2007.*Bester, R.M. “Guy Tillim: Congo Democratic”, Art South Africa 5(3):76, 2007.*Bester, R.M. “In Perspective: Recent Exhibitions of South African Photography”, Art
South Africa 6(1):40-42, 2007.*Bester, R.M. “Africa Remix”, Art South Africa 6(1):86, 2007.*Bester, R.M. “Deborah Poynton: The Grip of Circumstance”, Art South Africa p.94,
2007.*Bester, R.M. (ed) Figure/Ground: Reflections on the South African Reserve Bank Art
Collection Pretoria: South African Reserve Bank, 252 pp, 2007.Bester, R.M “Claudette Schreuders: After the Pleasure of Carving”, Claudette
Schreuders Pretoria: Modern Art Projects, 2007.Bester, R.M. “The Market Photo Workshop”, Camera Austria 100, 2007.Bester, R.M “Lolo Veleko: Mute!Scream!Mute!”, Art South Africa 6(2), 2007.Bester, R.M. “Candice Breitz”, Art South Africa 5(1):88, 2006.*
Bester, R.M. “Hentie van der Merwe: Trappings”, Portfolio: Contemporary Photography in Britain, 2006.
Bester, R.M. “Greg Marinovich: Scars”, Art South Africa 5(2), 2006.*Bester, R.M. “Jodi Bieber: Between Dogs and Wolves”, Art South Africa 5(2),2006.*Bester, R.M. “Manuel Alvarez Bravo to Pieter Hugo”, Art South Africa 5(2), 2006.*Bester, R.M. “Moving and Settling” in Contemporary Commonwealth Green, C. (ed)
Melbourne: National Gallery of Victoria, pp.108, 2006.Bester, R.M. “David Goldblatt, One Book at a Time” in David Goldblatt Parr, M. (ed)
Milan: Contrasto, pp.11-24, 2006.Bester, R.M. “Sessions eKapa: Revoking the Ethnographic Mode”, Art South Africa
4(3): 24, 2006.*Bester, R.M. “Lolo Veleko: Archive Against Loneliness”, Art South Africa 4(4): 42-45,
2006.*Bester, R.M. “Deborah Weber: Art/Media – Media Art”, Art South Africa 4(4): 82-84,
2006.*Bester, R.M. “Joachim Schonfeldt: Roar”, Art South Africa 5(1):13-15, 2006.*Bester, R.M. “A Moving City” in Johannesburg Circa Now: Photography and the
City Kurgan, T. and Ractliffe, J.(eds) Johannesburg: Terry Kurgan and Jo Ractliffe, pp.10-15, 2005.
Bester, R.M. “Conrad Botes”, Art South Africa 3(4): 78-79, 2005.*Bester, R.M. “Alison Kearney”, Art South Africa 3(4): 80-84, 2005.*Bester, R.M. “Goldblatt, Magubane, Ruselo and Schabeberg”, Art South Africa
4(2):64-67, 2005.*Bester, R.M. “Show Me the Money, Show Me the Media”, Art South Africa 4(1): 44-
45, 2005.*Bester, R.M. “Sue Williamson”, Art South Africa 3(4): 72-74, 2005.*Bester, R.M. “Sokoto to Sihlali”, Art South Africa 3(4): 60, 2005.*Bester, R.M. “Hotels and Better Lives”, Art South Africa 3(4): 72, 2005.*Bester, R.M. “Portable Hawker’s Museum”, Art South Africa 3(4): 80-81, 2005.*Bester, R.M. “Candice Breitz”, Art South Africa 4(2): 77-78, 2005.*Bester, R.M. Berni Searle: Float Cape Town: Bell-Roberts Publishing House 72pp,
2004.Bester, R.M. “Photographer Now”, in Guy Tillim: DaimlerChrysler Award for South
African Photography South Africa: DaimlerChrysler pp.101-107, 2004.Bester, R.M. “Living in Linden”, Art South Africa 2(3): 24-30, 2004.*Bester, R.M. “Nadir to Zenith”, Art South Africa 3(1): 26-31, 2004.*Bester, R.M. “Arbrie Fourie”, Art South Africa 3(2): 61, 2004.*Bester, R.M. “Anton Karstel”, Art South Africa 3(2): 70, 2004.*Bester, R.M. “It’s Sporting Life”, Art South Africa 3(2): 36-40, 2004.*Bester, R.M. “Performances of Masculinity”, Art South Africa 3(2): 42-47, 2004.*Bester, R.M. “Spaces to Stay” in A Decade of Democracy: South African Art 1994-
2004 Bedford, E. (ed) Cape Town: Double Storey Books and Iziko Museums, pp.24-33, 2004.
Cowling, L. and Hamilton, C. “The Public Life of Reason” in African Intellectuals and Decolonisation Creary, N. (ed) Athens, OH: Ohio University Press, 2011.*
Cowling, L. “Framing essay: The Media and the Production of Public Debate”, Social Dynamics 36(1): 78-84, 2010.*
Cowling, L. “The SABC and the ‘Blacklist’ Controversy: Debate about Debate”, Rhodes Journalism Review 27(62), 2007.
Platform for Public DeliberationConstitution of Public Intellectual Life Research Project
Cowling, L. “The Beloved South African: Alan Paton in America”, Scrutiny 2(10):81-92, 2005.*
Dramat, N. “The SABC and the ‘Blacklist’ Controversy: Professionalism and Resistance”, Rhodes Journalism Review 27:62-3, 2007.
Finlay, A. (ed) Global Information Society Watch: The Internet, Human Rights and Social Resistance – Focus on Freedom of Expression and Association. Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos. Pending, 2011.
Finlay, A. “Staging Performance: Race, Authenticity, and the Right to Speak in Media Debate in the Mbeki Era”, Ecquid Novi: African Journalism Studies, 32(3): 34-44, 2011.
Finlay, A. “Making Space: The Counterpublics of Post-apartheid Independent Literary Journals, 1994-2004”, Social Dynamics,36( 1):166-178, 2010.
Finlay, A. Pushing from the Riverbank Johannesburg: Dye Hard Press, 2010.Finlay, A. “Shaping the Conflict: Factors Influencing the Coverage of Conflict around
HIV/Aids Policy in the South African Press” Book Chapter. Johannesburg: Jacana, 2010.
Finlay, A. “Guinea Pigs and the Frantic Search for the AIDS Vaccine Gel!!” Media Monitoring Africa; Book Chapter. Johannesburg: Jacana, 2010.
Finlay, A. (ed) Global Information Society Watch. Focus on ICTs and Environmental Sustainability. Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, 2010.
Finlay, A. “Introduction: (Re)claiming the Environment” in Global Information Society Watch Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, pp. 59-60, 2010.
Finlay, A. (ed) Global Information Society Watch: Access to online information and knowledge – advancing human rights and democracy Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, 2009.
Finlay, A. “Introduction: Unsettling the ‘information society’…..” Global Information Society Watch Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, pp. 61-62, 2009.
Finlay, A. “Review: The Beat Hotel exhibition” in Who was Sinclair Beiles? Cummiskey, G. and Kowalska, E. (eds) Dye Hard Press: Johannesburg, pp. 101-105, 2009.
Finlay, A. (ed) Global Information Society Watch: Access to Infrastructure Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, 2008.
Finlay, A., James, T. and Jensen, M. “Public Access to Information Venues in South Africa” Book chapter. Center for Information & Society, University of Washington, 2008.
Finlay, A. with Siochru, O. et al. (eds) “Global Information Society Watch 2007: Focus on Participation” Melville: APC; Uruguay: ITeM, 2007.
Finlay, A. “The SANGONeT Story (1987-2007): 20 Years of Linking Civil Society through ICTs”, Johannesburg: SANGONeT, 2007.
Finlay, A. “A Vulnerable Art”, Rhodes Journalism Review 26: 28-29, 2006.Finlay, A., Lombard,R., Schluep, M. and Widmer, R. “From National Policy Planning to
Local Green E-Waste Channel Action - Responsible E-Waste Management in South Africa”, Cape Town: WasteCon, 2006.
Platform for Public DeliberationConstitution of Public Intellectual Life Research Project
Finlay, A. “E-waste: South Africa Case Study.” Melville: APC. Included in the research track for the SANGONeT ICTs for Civil Society Conference, March 7-9, 2006, Johannesburg.
Finlay, A. “Bootstraps, Slingshots and Angels: Engaging the Private Sector in Africa – the CATIA Experience”, London: CATIA, 2006.
Finlay, A. “Breaking New Ground Towards Each Other: Working in Multi-Stakeholder Environments in ICT Policy Development in Africa – the CATIA Experience”, CATIA, London, 2006.
Finlay, A. “‘Spits and Spurts’: ICT Advocacy and the Media in Africa – the CATIA Experience”, London: CATIA, 2005.
Finlay, A. “Shaping the Conflict: Factors Influencing the Representation of Conflict around HIV/AIDS Policy in the South African Press”, Communicare 23(2): 68-93, 2004.*
Garman. A.C. “Global Resonance, Local Amplification: Antjie Krog on a World Stage”, Social Dynamics 36(1): 187-200, 2010.
Garman. A.C. “Book Review of There was this Goat by Antjie Krog, Kopano Ratele and Nosisi Mpolweni”, Safundi: The Journal of South African and American Studies 11(1-2): 190-193, 2010.
Garman, A.C. “The Mass Subject in Antjie Krog’s Country of My Skull” in Power, Politics and Identity in the South African Media Hadland, A. et al (eds) HSRC Press: Cape Town, 2008.
Garman. A.C. “Book Review of Xolela Mangcu’s To the Brink: South African Democracy at the Crossroads”, Safundi: The Journal of South African and American Studies 9(4): 475-485, 2008.
Garman. A.C. “Less Worry More Wake-Up”, http://www.thoughtleader.co.za/winterschool/2008/07/03/less-worry-more-wake-up/, 3 July 2008.
Garman. A.C. “In Need of a Little… Inspiration”, http://www.thoughtleader.co.za/winterschool/2008/07/01/in-need-of-a-little-inspiration/, 1 July 2008.
Garman. A.C. “Stand Up and Be a Citizen”, http://www.thoughtleader.co.za/winterschool/2008/06/29/stand-up-and-be-a-citizen/, 29 June 2008.
Garman. A.C. “Talking Maybe Not an Art but a Necessity”, http://www.thoughtleader.co.za/winterschool/2008/06/29/talking-maybe-not-an-art-but-a-necessity/, 29 June 2008.
Garman. A.C. “We’ve Got a Lot to Worry About: Winter School Speakers Call for Citizens to Wake Up and Save SA’s Precious Institutions from a Government Turned Party”, Cue 4 July 2008: 9.
Garman. A.C.”Yak, Yak, Yak… it’s Under Attack”, Cue 27 June 2008: 8.Garman, A.C. “Antjie Krog and the Accumulation of ‘Media Meta-Capital’”, Current
Writing 19(2): 1-23, 2007.*Garman, A.C. “The Copier, the Thief, the Plagiarist and the Dishonest Academic”,
Cue 2 July: 6, 2006.Garman, A.C. “Confessions and Public Life in Post-apartheid South Africa: A
Foucauldian Reading of Antje Krog’s Country of My Skull”, Journal of Literary Studies 22(3/4):323-45, 2006.*
Garman, A.C. “Vloeking Vlok and Looking for Truth”, Grocott’s Mail 1 December: 7, 2006.
Garman, A.C. Co-reviewer for “Franz Kruger’s Black, White and Grey: Ethics in South African Journalism”, Ecquid Novi 26(1): 134-136, 2005.
Garman, A.C. and Leshilo, T. “SANEF CD Spreading the News: South African Media in the First Decade of Democracy” Seminar 4 – Page 177; Three Media Debates, Grahamstown, Rhodes University, September 20, 2005.
Platform for Public DeliberationConstitution of Public Intellectual Life Research Project
Garman, A. C. and Leshilo, T. “Debate on Media and Public Intellectuals: Dumbing Down: A Decade of Media Denigrating Intellectuals” Spreading the News: South African Media in the First Decade of Democracy. South African National Editors Forum CD, Seminar 4 – Page 177; Three media debates, Grahamstown, Rhodes University, September 20, 2005.Garman, A.C. “Teaching to Produce ‘Interpretive Communities’ Rather Than Just ‘Professionals’” in Teaching South African Journalists 1994-2015: the proceedings of two colloquia on journalism education held at Rhodes University 2004 and in Rhodes Journalism Review 25 September, 2005.
Garman, A.C. “Teaching to Produce ‘Interpretive Communities’ Rather than just ‘Professionals’”, Ecquid Novi 26 (2): pp. 61-73, 2005.
Garman, A.C. “Book Review on Motsei, M. Hearing Visions, Seeing Voices”, Agenda 61: 26-28, 2004.*
Greslé, Y.M. “Exhibition Review: Berni Searle”, Art South Africa 5(3):70, 2007.*Greslé, Y.M. “Artist Profile: Karel Nel”, Art South Africa, 2007.Greslé, Y.M. “Exhibition Review: Penny Siopis”, Art South Africa 4(3): 79-80, 2006.*Greslé, Y.M. “Exhibition Review: Colbert Mashile”, Art South Africa 4(4):80-81,
2006.*Greslé, Y.M. “Exhibition Review: Painting- Methven to Mashile”, Art South Africa
5(1): 70, 2006.*Greslé, Y.M. “Artist Profile: Luan Nel”, Contempo 1:18, 2006.Greslé, Y.M. “Foucault’s Las Meninas and Art- Historical Methods”, Journal of Literary
2006.Greslé, Y.M. “Exhibition Review: Johannes Pokela”, Art South Africa 5(2):67, 2006.Greslé, Y.M. “Exhibition Review: Sam Nhlengethwa”, Art South Africa 5(2):79,
2006.*Greslé, Y.M. “Same”, Art South Africa 4(1): 83-84, 2005.*Greslé, Y.M. “Exhibition Review: Everard Read Art Award”, Art South Africa 4(1): 81-
82, 2005.*Greslé, Y.M. “Hobby Heroes: Recent Works of Luan Nel”, Exhibition Catalogue, Bell-
Roberts, Cape Town, pp.2-3, 2005.Greslé, Y.M. “Artist profile: Things Left Unsaid”, Art South Africa 4(2): 51, 2005.*Greslé, Y.M. “To Dust: Leaves of Paradise and Castle in the Bone”, Art South Africa
p.83-84, 2005.*Greslé, Y.M. “Exhibition Review: Nina Romm”, Art South Africa 4(1): 83-84, 2005.*Greslé, Y.M. “Feature Article: Performances of Masculinity”, Art South Africa 3(2):
42-47, 2004.*Greslé, Y.M. “Exhibition Review: Noiyindoda! Initiation as a Rite of Passage”, Art
South Africa, 3(1): 62-63, 2004.*Greslé, Y.M. “Local”, Art South Africa 3(1): 82, 2004.*Greslé, Y.M. “Exhibition Review: Paul Emmanuel”, Art South Africa 3(1): 61, 2004.*Greslé, Y.M. “Strategies of Veiling Same-Sex Desire and its Public Consumption”, De
Art: Journal of the Department of Art history, Visual arts and musicology. UNISA 70: 22-41, 2004.*
Hall, S. and Hamilton, C. “Cultural Inheritances and the Making of Identity-based Social Categories in south Africa, c. 1700-1840”, Journal of Southern African Studies, accepted, 2011.
Hamilton, C. and Leibhammer, N. “Salutes, Labels and other Archival Artefacts” in Curature, Hamilton, C. and Skotnes, P. (eds) Jacana Press, accepted, 2011.
Platform for Public DeliberationConstitution of Public Intellectual Life Research Project
Hamilton, C. and Skotnes, P. (eds) Curature Jacana Press, accepted, 2011.Hamilton, C. “Backstory, Biography and the Life of the James Stuart Archive”, History
in Africa, in press, 2011.Hamilton, C., Harris, V. and Hatang, S. “Fashioning Legacy in South Africa: Power,
Pasts, and the Promotion of Social Cohesion” in Heritage, Regional Development and Social Cohesion, Kearns, P., Kling, S. and Wistman, C. (eds), Östersund, Sweden, Jamtli Förlag/Jamtli Publishing house, in press, 2011.
Hamilton, C. “Why Archive Matters: Archive, Public Deliberation and Citizenship” in Becoming Worthy Ancestors: Archive, Identity and Public Deliberation in South Africa, Mangcu, X. (ed), Johannesburg: Wits University Press, 2011.
Hamilton, C. and Cowling, L. “Thinking Aloud/Allowed: Pursuing the Public Interest in Radio Debate”, Social Dynamics 36(1):85-98, 2010.
Hamilton, C. “In the Shadows of the Convened Public Sphere: Public Silences and Disavowed Debate”, Social Dynamics 36(1): 3-10, 2010.
Hamilton, C., Cowling, L. and Hofmeyr, I.. Editors’ Introduction: “Symposium: Exceeding Public Spheres I”, Social Dynamics 35(2), and “Symposium: Exceeding Public Spheres II”, Social Dynamics 36(1), 2009-2010.
Hamilton, C. “Uncertain Citizenship and Public Deliberation in Post-apartheid South Africa”, Social Dynamics 35(2): 355-374, 2009.
Hamilton, C. and Modisane, L. “The Public Lives of Historical Films: Zulu(1964) and Zulu Dawn (1980),” in Black and White in Colour Bickford-Smith, V. and Mendelsohn, R. (eds), Johannesburg: Double Storey Books, 2008.
Hamilton, C. “Archives at the Crossroads 2007: Open Report to the Minister of Arts and Culture” from the archival conference National System, Public Interest Johannesburg: Nelson Mandela Foundation, 2007.
Hamilton, C. (with, and for, the Nelson Mandela Foundation). A Prisoner in the Garden: Opening Nelson Mandela’s Prison Archive, Johannesburg: Penguin, 2005.
Hamilton, C. “Archival Sepulchres and Memory Theatres”, essay commissioned by the Nelson Mandela Foundation and published in Annual Report Nelson Mandela Foundation, 2005.
Hamilton, C. (contributor). Voice-overs: Wits Writings Exploring African Artworks J. Charlton, J, K. Nel, A. Nettleton and F. Rankin-Smith, Johannesburg: University of the Witwatersrand Art Galleries, 2004.
Harris, V.S. “Against the Grain: Psychologies and Politics of Secrecy”, Archival Science 9(3-4), 2009.
Harris, V.S. “A Perspective on Nelson Mandela” Mandela: The Authorised Portrait Johannesburg: Wild Dog Press, 2009.
Harris, V.S. “From Gatekeeping to Hospitality” in Paper Wars: Access to Information in South Africa Allan, K. (ed.) Johannesburg: Wits University Press, 2009.
Harris, V.S. “Archives and Justice: A South African Perspective”, Society of American Archivists Chicago, 2007.
Harris, V.S. “Archives” in Truth and Reconciliation in South Africa: 10 Years On Villa-Vicencio, C. and du Toit,F. (eds) David Philip, Cape Town, 2006.
Harris, V.S. (project team leader) The Madiba Legacy Series of Comics Johannesburg: Nelson Mandela Foundation, 2005
Harris, V.S “Ethics and Electronic Record Making” in Managing Electronic Records J. Mcleod and C.Hare (eds) London: Facet Publishing, 2005.
Harris, V.S., “Archives, Politics and Justice” in Political Pressure and the Archival Record M. Procter, M. Cook and C. Williams (eds) Chicago: Society of American Archivists, 2005.
Platform for Public DeliberationConstitution of Public Intellectual Life Research Project
Harris, V.S “Archives, Record-Keeping and Access to Information,” in Provoking Questions: An Assessment of the Truth and Reconciliation Commission’s Recommendations and Their Implementation E. Doxtader (ed) Cape Town: Institute for Justice and Reconciliation, 2005.
Harris, V.S “Record-keeping and Records Continuum Thinkers: Examining a Seminal Australian Text”, Archives and Manuscripts 33(2), 2005.
Harris, V.S. “The Archive is Politics” in The Power and Passion of Archives Ware, R., Beyea, M. and Avery, C. (eds) Saskatchewan: Association of Canadian Archivists, pp. 113-25, 2005.
Harris, V.S. “Something is Happening Here and You Don’t Know What It Is; Jacques Derrida Unplugged”, Journal of Society of Archivists 26(1), 2005.
Harris, V. S. “Concerned with the Writings of Others: Archival Canons, Discourses and Voices”, Journal of the Society of Archivists 25(2): 211-20, 2004.*
Harris, V. S. “Review of History After Apartheid and Apartheid’s Festival” in The Public Historian Coombes,A. E. and Witz, L. (eds) p.113, 2004.*
Harris, V.S. et al. “Unveiling South Africa’s Nuclear Past”, Journal of Southern African Studies, 30(3): 457-76, 2004.*
Harris, V. S. “Review of History After Apartheid: Visual Culture and Public Memory in a Democratic South Africa” in The Public Historian Coombes, A. E. and Witz, L. (eds) p.115, 2004.*
Harris, V.S. “Using the Promotion of Access to Information Act: the Case of the South African History Archive” in The Right to Know Lange, C. and Wessels, J.(eds) Cape Town: Siber Ink, pp.180-91, 2004.
Harris, V.S. co-ed. Archives and Indigenous Peoples 1, Paris: International Council on Archives, 2003.
Kahn, R. “’Oop Vir Misinterpretasie’: South African Journalism’s Take-Up and Representation of the Music of Fokofpolisiekar”, Ecquid Novi: African Journalism Studies 32(3):19-33, 2011.
Kruger, F. “News Broadcasting on South African Community Radio: In Search of New Public Spheres” Ecquid Novi: African Journalism Studies, 32(3): 61-79, 2011.
Lepere, R. “The SABC and the ‘Blacklist’ Controversy: The Cosmopolitan Black male Ideal”, Rhodes Journalism Review 27:62-3, 2007.
Leroke, W. “Dumile’s Art” in Dumile Catalogue Johannesburg: Johannesburg Art Gallery, 2005.
Mangcu, X. Learning to Lead: Black Student Politics at Wits in the 1980’s Johannesburg: Wits University Press (forthcoming, 2012).
Mangcu, X. From Harold Washington To Barack Obama: Leadership, Race and Public Policy in the United States Cornell University Press (tentative, 2012).
Mangcu, X. Steve Biko: The Intellectual Biography (forthcoming, 2012).Mangcu, X. (ed and contributor) Becoming Worthy Ancestors: Archive, Identity and
Public Deliberation in South Africa Johannesburg: Wits University Press, 2011.Mangcu, X. “The Ironies of A South Africa-Led African Renaissance in African
Diaspora,” in The African Diaspora and the Disciplines Olaniyan, T. and Sweet, J. (eds) Indiana: Indiana University Press, 2010.
Mangcu, X. The Democratic Moment: South Africa’s Prospects Under Jacob Zuma, Johannesburg: Jacana Media, 2009.
Mangcu, X. “Race and Elections in South Africa” in The Disenfranchised Archie Mafeje (ed) South Africa: Unisa Press, 2009.
Mangcu, X. To the Brink: The State of Democracy in South Africa Kwa Zulu Natal: University of KwaZulu Natal Press, 2008.
Platform for Public DeliberationConstitution of Public Intellectual Life Research Project
Mangcu, X., Marcus, G., Shubane, K. and Hadland, A. Visions of Black Economic Empowerment Johannesburg: Jacana Press, 2007.
Mangcu, X. (with essays by Henry Louis Gates Jr., Wole Soyinka, Cornel West) The Meaning of Mandela, Johannesburg: HSRC Press, 2006.
Morgan, R. and Manion, A. “The Gay and Lesbian Archives of South Africa (GALA): an Activist Archive”, Agenda 67:29-35, 2006.*
Morgan, R. and Nkabinde, N. “‘This has Happened Since Ancient Times…Its Something that You are Born with’: Ancestral Wives Amongst Same-Sex Sangomas in South Africa”, Agenda 20(67):9-19, 2006.
Morgan, R.and J. Meletse. “I Have Two!”: Personal Reflections of a Deaf HIV Positive Gay Man in South Africa”, Deaf Worlds 22 (1): S15-S26, 2006.
Morgan, R. and Wieringa, S. “Tommy Boys, Lesbian Men and Ancestral Wives: Female Same-Sex Practices in Africa” Johannesburg: Jacana Media, 2005.
Nkabinde, N. and Morgan, R. “Unyankwabe: A Wife for Zodwa’s Ancestors” in Homosexualities in Africa: a History Marc Epprecht (ed) Harare: Weaver Press, 2007.
Mwale, P.N. “Communication Media, Mediated Publics, and Science Communication in southern Africa”, (forthcoming).
Mwale, P.N. “Democratization of Science and Biotechnological Development in Southern Africa: Public Debate on GM Maize in South Africa”, Africa Voc XXXIII (2):1-22, 2008.
Mwale, P.N. “Societal Deliberation on Genetically Modified Maize in southern Africa: the Debateness and Publicness of the Zambian National Consultation on Genetically Modified Maize Food Aid in 2002”, Public Understanding of Science 2006(15): 89- 102.*
Mwale, P.N. and Visabwe, E. Chanco Senior Secondary Mathematics. Zomba: Chancellor College Publications, 2006.
Mwale, P.N (co- reviewer with Franz Kruger. “Black, Grey and White Ethics in South African Journalism”, Ecquid Novi 26(1): 134-136, 2005.
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