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AcrossRCA_Radical Pragmatics_Syllabus 1 Radical Pragmatics: ReImagining Workplace Childcare for Art Schools Today Radical: Fundamental, extreme Pragmatics: logistics, practicalities RCA archival image of Jay Mews crèche, circa 1970s, photographer unknown. Well outside, I mean the college is a microcosm of society, reflects all of the macro hang ups on a micro level. One thing in the college, one element, which relieves the dour feelings to some extent is the crèche, which is where all of the mothers in the college put their kids during the day while they work. And there are about 15 kids there. And the crèche was begun a year ago I think. And it had a very, very profound effect I reckon on the atmosphere in the college, especially in the canteen. Because the kids didn’t know the rules. All of the students in the canteen know the rules. The rules are that you go and sit with a fairly familiar group of people, preferably at the same table, every day. But the kids move from table to table. And none of us course feel any great ease looking at babies. None of us can see the baby in ourselves. And it’s very embarrassing to see the baby in everybody else. But the babies are doing it. They’re crying in public. They’re laughing. They’re breaking all the rules. RCA archival footage of Rector Sir Robin Darwin introducing the College, 1969 video, 9:45, speaker: student David Gale, filmmaker unknown.
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Page 1: Radical Pragmatics HandOut FINAL - WordPress.com ·  · 2014-10-23AcrossRCA_Radical-Pragmatics_Syllabus-- 1-Radical’Pragmatics:’’Re0ImaginingWorkplaceChildcareforArtSchoolsToday

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Radical  Pragmatics:    Re-­‐Imagining  Workplace  Childcare  for  Art  Schools  Today      Radical:  Fundamental,  extreme  Pragmatics:  logistics,  practicalities  

 

   RCA  archival  image  of  Jay  Mews  crèche,  circa  1970s,  photographer  unknown.  

 Well  outside,  I  mean  the  college  is  a  microcosm  of  society,  reflects  all  of  the  macro  hang  ups  on  a  micro  level.  One  thing  in  the  college,  one  element,  which  relieves  the  dour  feelings  to  some  extent  is  the  crèche,  which  is  where  all  of  the  mothers  in  the  college  put  their  kids  during  the  day  while  they  work.  And  there  are  about  15  kids  there.  And  the  crèche  was  begun  a  year  ago  I  think.  And  it  had  a  very,  very  profound  effect  I  reckon  on  the  atmosphere  in  the  college,  especially  in  the  canteen.  Because  the  kids  didn’t  know  the  rules.  All  of  the  students  in  the  canteen  know  the  rules.  The  rules  are  that  you  go  and  sit  with  a  fairly  familiar  group  of  people,  preferably  at  the  same  table,  every  day.  But  the  kids  move  from  table  to  table.  And  none  of  us  course  feel  any  great  ease  looking  at  babies.  None  of  us  can  see  the  baby  in  ourselves.  And  it’s  very  embarrassing  to  see  the  baby  in  everybody  else.  But  the  babies  are  doing  it.  They’re  crying  in  public.  They’re  laughing.  They’re  breaking  all  the  rules.    RCA  archival  footage  of  Rector  Sir  Robin  Darwin  introducing  the  College,  1969  video,  9:45,  speaker:  student  David  Gale,  filmmaker  unknown.  

   

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Brief    Kim  Dhillon  (PhD  candidate,  CHS)  and  Anna  Reid  (PhD  candidate,  CWAD)    Size:  10  students    Duration:  5  days    Dates  and  Times    Mon  27  Oct:  10-­‐12,  Courtyard  Seminar  1,  Darwin  Building,  South  Kensington    Tues  28  –  Thurs  30th:  Field  trips  and  group  work  –  see  schedule  Fri  31st  Oct:  1030-­‐1,  Courtyard  Seminar  1,  Darwin  Building,  South  Kensington    Description    Radical  Pragmatics  is  an  interdisciplinary  workshop  to  re-­‐imagine  what  workplace  childcare  can  be  for  an  art  school  today.  It  will  encompass  briefings  and  supply  of  literature  on  the  field;  tours;  field  trips  and  site  visits  to  London  spaces  that  offer  innovative  solutions  and  models  to  children,  childcare,  early  years  education,  play  and  art;  independent  group  projects;  and  group  presentations  with  guests  including  leading  artists,  museum  directors,  critics,  and  educationalists.    The  project  is  an  interdisciplinary  workshop  that  critically  and  creatively  tackles  issues  effecting  parents  and  their  children  in  the  College.  The  workshop  will  be  run  for  up  to  15  students  across  all  departments,  working  in  groups  of  2-­‐5.    In  1968,  two  single  mothers  who  were  students  at  the  Royal  College  of  Art  established  an  informal  crèche  in  the  College’s  former  Judo  room,  staffed  by  a  nursery  nurse  they  hired  themselves.  Through  the  1970s  it  grew  into  a  formal  day  care  and  was  advertised  to  students  in  the  prospectus.  In  1982,  it  was  closed  when  the  space  was  part  of  a  building  that  was  renovated.    Working  with  the  case  study  of  the  RCA  –  a  postgraduate  institution  of  art  and  design  spread  over  two  inner  city  campuses  –  we  will  ask:  what  is  the  role  of  children  and  childcare  in  art  schools?  Who  can  afford  to  go?  Why  is  childcare  still  a  feminist  issue?  What  might  art  schools  look  like  if  children,  parents,  and  childcare  were  embraced  as  an  essential,  and  symbiotic,  part  of  the  culture  and  space?    

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Guests,  collaborators  and  judges  include  artists  Richard  Wentworth,  Andrea  Francke,  critic  JJ  Charlesworth,  play  worker  Jess  Thom,  and  museum  director  Caro  Howell,  as  well  as  early  years  educationalist  Joy  Dahl  (and  former  nurse  in  the  RCA  crèche  in  the  1970s),  artist  Jane  Furst  who  founded  the  crèche  in  1968,  and  her  daughter  Vanessa  King,  who  teaches  at  a  Steiner  school  and  was  a  child  at  the  RCA  in  the  late  1960s.    Following  an  initial  introduction  session  and  a  tour  of  the  RCA  with  kids  in  tow,  the  mid  week  will  be  composed  of  field  trips  to  sites  that  offer  various  models  and  approaches  to  children  and  childcare,  from  play  spaces  made  with  collaborative  education  projects  at  the  South  London  Gallery,  to  RIBA  award  winning  open  plan  primary  schools  on  Europe’s  largest  housing  estate,  to  adventure  playgrounds  and  nature  gardens  built  on  former  WWII  bomb  sites  in  Stockwell.  The  trips  will  compliment  independent  group  projects  where  you’ll  work  on  specific  briefs  to  develop  models  that  creatively  propose  real  solutions  for  parents  at  the  College.    Who  the  Project  is  For  Participants  are  encouraged  across  disciplines  and  departments,  and  can  expect  to  work  hands-­‐on  with  ideas  in  architecture,  product  design,  and  service  design,  engaging  with  themes  and  critical  issues  from  neoliberalism  and  radical  feminism,  caring  and  invisible  labour,  and  early  years  education  and  play.  You  should  have  an  open  mind  and  a  willingness  to  explore  creative  solutions  to  pragmatic  problems  that  have  a  reach  within  and  beyond  the  art  college.    Participants  with  Children  Students  with  and  without  children  are  equally  welcome.  The  sessions  will  be  held  in  a  space  in  which  children  are  permitted  so  they  may  be  in  attendance  with  their  parents.  Children  of  all  ages  may  accompany  their  parent/carer  on  the  sessions,  but  responsibility  for  provision  for  their  care  rests  with  their  parent/carer,  as  the  College  has  not  provided  us  permission  or  budget  to  offer  a  caregiver.  We  will  aim  to  provide  some  materials  for  play,  craft,  and  snacks  and  accommodate  children  on  the  field  trips  and  site  visits  wherever  possible.      Outcomes  Expect  a  hands-­‐on  week  that  will  cross  the  fields  of  architecture  and  interior  design,  feminism  and  radical  politics,  play  work  and  arts  education  in  critical  and  imaginative  ways.  On  the  fifth  day  you’ll  present  your  projects  in  response  to  specific  briefs  to  a  group  of  guests  so  that  the  best  proposals  can  be  taken  forward  to  the  College  to  develop  new  solutions,  spaces,  and  models  for  childcare  in  an  art  school  today.  The  project  builds  on  on-­‐going  dialogues  across  the  independent  gallery  sector  of  London  and  the  UK  addressing  issues  around  the  visibility  of  parents  and  children  in  art  schools,  galleries,  and  academia,  and  offers  students  to  possibility  to  develop  creative  solutions  to  be  put  into  practice  within  and  beyond  the  College.    Group  Work  Students  are  expected  to  work  independently  in  groups  through  the  week  to  develop  practical  projects  in  response  to  their  briefs  to  be  presented  on  Friday.  A  budget  of  £40  per  group  is  allocated.  You  should  respond  to  your  brief  with  models,  propositions  and  solutions  that  engage  the  critical  issues  with  creative  possibilities.  Models,  plans,  renders,  animations  etc  are  all  possible.  

 

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Field  Trips  and  Resources    Imperial  College  London  Staff  and  Student  Early  Years  Education  Centre  Location:  8  Princes  Gate,  SW7  2AZ,  http://www3.imperial.ac.uk/eyecNearest  Nearest  Tube:  South  Kensington  Contact:  (0)20  7589  5111.  Meet  at  No  8  Princes  Gate  at  955  on  assigned  day.  Tour  is  held  in  groups  of  up  to  5.    Time:  Tuesday  28th  Oct.,  Weds  29th  Oct.  Groups  of  5.  10-­‐1030  tour  of  nursery.  1030-­‐11  observation  of  nursery  groups.  Imperial  College  offers  an  “outstanding”  (Ofsted)  nursery  on  the  College  site  for  the  use  of  staff  and  students.  Babies  from  12  weeks  to  children  aged  4  are  cared  for  5  days  a  week.    The  nursery  staff  will  give  a  tour  of  this  example  of  a  classic  model  of  workplace  nurseries,  and  then  students  can  stay  to  observe  rooms  of  various  aged  children  for  research.  Children  Attending:  In  order  to  avoid  disrupting  the  children  in  the  nursery,  we’re  sorry  but  children  cannot  accompany  parents  on  this  trip.    Feminist  Library  Location:  5  Westminster  Bridge  Rd,  London  SE1  7XW,  feministlibrary.co.uk/  Nearest  Tube:  Elephant  and  Castle  Conctact:  0207  261  0879      Time:  Tuesday  28th  October:  3-­‐4pm.  Special  presentation  of  archival  material  relating  to  Hackney  campaigns  for  childcare,  1970s.  The  Feminist  Library  is  a  large  archive  collection  of  Women’s  Liberation  Movement  literature,  particularly  second-­‐wave  materials  dating  from  the  late  1960s  to  the  1990s.  We  support  research,  activist  and  community  projects  in  this  field.    Opening  hours:  Monday  6-­‐9  pm,  Wednesday  5-­‐9pm  ,  Thursday  6-­‐9pm  and  Saturday  12-­‐5pm    Oasis  Play  Venture:  Adventure  Playground,  Nature  Gardens    Location:  33  Priory  Grove,  Stockwell  SW8  2PD,  www.oasisplay.org.uk  Contact:  Jess  Thom,  0207  622  8756,  Nearest  Tube:  Stockwell  Time:  230-­‐4,  Wednesday  29th  Oct.    Oasis  venture  offers  an  adventure  playground,  a  nature  garden,  and  a  go-­‐kart  track  for  children  in  the  local  area  ranging  from  under  5s  to  teenagers.  We  will  receive  a  tour  with  play  worker,  artist,  and  writer  Jess  Thom  (RCA  photography  2005),  to  explore  the  relationship  of  adventure  play  to  risk.    Children  Attending:  Children  of  participants  on  the  course  are  welcome  to  accompany  the  visit  to  Oasis.  The  nature  garden  is  designed  for  Under  5s;  the  playground  for  children  6  and  over.  Parents/carers  are  responsible  for  their  children  while  on  site.  Please  let  Kim  know  the  ages  and  numbers  of  children  who  will  be  coming.    Burghley  Road  Play  Space  Location:  Burghley  Road  Play  Space,  23  1/2  Burghley  Road,  London  N8  0QG.    http://www.burghleyroadplayspace.com/  Nearest  Tube:  Turnpike  Lane  

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Contact:  Vanessa  Rolf    Time:  1030-­‐1230  Thursday  30th  Oct.  Since  1992,  Burghley  Road  Centre  has  been  serving  the  children  and  families  of  North  London.  Our  mission  is  to  provide  an  enriching  environment  for  our  children  to  develop.    The  organisation  is  run  100%  by  volunteers  -­‐  many  of  whom  are  parents  whose  children  use  the  centre.  There  is  a  £2  entrance  fee  per  adult  plus  £1  per  additional  child.  It  is  a  drop  in  stay  and  play  open  from  10.30  -­‐  2.30.  We  serve  a  basic  vegetarian  lunch  at  12  -­‐  £1  for  kids  and  £2  for  adults,  orders  need  to  be  in  for  lunch  by  11.30  latest.    Children  Attending:  Under  5s  only.  Supervised  by  parent/carer.  Limited  to  a  maximum  of  7.  Please  contact  Kim  to  confirm  numbers  and  ages  of  children.    Shop  of  Possibilities,  South  London  Gallery,  Sceaux  Gardens  Estate  Location:  1-­‐2  Florian  House  Shops,  Sceaux  Gardens  Estate,  SE5  7DL.  http://www.southlondongallery.org/page/blog  Nearest  Tube:  Peckham  Rye  Contact:  Jack  James,  SLG  Main  Switchboard  0207  703  6120  Time:  Thursday  Oct  30,  1200-­‐230  The  Shop  of  Possibilities  is  the  SLG’s  social  space  for  play  for  local  residents  in  a  former  retail  outlet  on  the  neighbouring  Sceaux  Gardens  housing  estate.  This  renovated  space  was  designed  in  collaboration  with  Febrik,  a  collaborative  platform  for  participatory  art  and  design  research,  and  opened  in  May  2012.  Originally  invited  in  2010  by  the  South  London  Gallery  to  undertake  a  Making  Play  residency  in  a  smaller  shop  unit  on  the  Sceaux  Gardens  estate,  Febrik  worked  with  resident  children  to  create  The  Shop  of  Possibilities  in  a  much  larger  neighbouring  unit.  It  serves  as  a  free  afterschool  and  weekend  play  space  for  children  and  families  on  a  number  of  local  housing  estates,  with  a  focus  on  bringing  together  children’s  play  and  contemporary  art  practices.    

Please  read  the  text:  Nicholson,  “Loose  Parts,”  in  advance  of  Jack’s  presentation.  As  a  barter  for  Jack’s  presentation,  you  are  requested  to  bring  something  –  a  loose  part  –  to  donate  to  the  play  space.  This  could  be  a  piece  of  furniture,  some  tape,  string,  wood,  wheels  etc.  Anything.  

Children  Attending:  Any  children  can  attend  under  parents’/carers’  supervision,  unlimited  in  age  or  number.  Please  let  Kim  know  the  ages  and  numbers  of  children  who  will  be  coming.                      

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                 Other  Sites  and  Contacts  of  Interest  in  Preparing  Your  Project    Students  seeking  further  information  and  resources  may  find  the  following  useful  and  can  arrange  independent  visits,  either  during  the  project  or  in  the  course  of  your  own  work.      Community  Playthings  Robertsbridge,  East  Sussex  TN32  5DR,  http://www.communityplaythings.co.uk/  Based  in  East  Sussex,  Community  Playthings  design,  make  and  supply  nearly  all  nursery  furniture  used  in  state-­‐run  nurseries  in  the  UK.  They  have  a  strong  ethos  on  materials,  colours,  spaces,  and  self  publish  literature  (some  available  in  resources)  on  the  field.  Any  students  wanting  to  visit  the  site  can  contact  Vreneli  Kleinsasser  on  0800  387  457  or  [email protected]    Bishopsgate  Institute  Library  230  Bishopsgate,  EC2M  4QH,  http://www.bishopsgate.org.uk/,  10-­‐530  Mon,  Tues,  Thurs,  Fri,  10-­‐8  Weds.  Nearest  Tube:  Liverpool  Street  A  specific  collection  of  pamphlets  on  the  Friends  of  Hackney  Nurseries  movement  in  the  1970s  is  also  held  at  the  Bishopsgate  Institute.    Materials  Libraries  Materials  Libraries  offering  alternate  and  new  materials  for  design  solutions  can  be  found  at:  The  Institute  of  Making,  UCL;  Central  Saint  Martins  Collections  and  Archives;  SCIN  Gallery;  and  Material  Lab.    Children’s  Scrap  Project  137  Homerton  High  St,  London  E9  6AS,  www.childrensscrap.co.uk,  020  8985  6290  

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The  Children’s  S.C.R.A.P.  Project  is  a  Registered  Charity  No.  281010  which  collects,  stores  and  distributes  clean,  safe  industrial  waste  to  schools,  nurseries,  colleges,  special  needs  groups,  churches,  hospital  wards,  playgroups,  community  groups  and  charitable  organisations  involved  in  education.  The  Children’s  S.C.R.A.P.  Project  was  first  started  in  1978  by  our  founder  Mr  Bruce  Galley  in  response  to  cuts  in  Government  spending  on  education  particularly  arts  and  crafts  funding.  The  charities  main  objective  is  to  advance  education  and  play  by  the  distribution  of  donated  materials  to  schools,  colleges,  playgroups,  nurseries,  community  groups  and  other  charitable  organisations  established  for  educational  purposes.  Contact  before  visiting,  as  you  may  need  to  be  registered  as  an  arts/education  professional  to  be  able  to  obtain  material.    Michael  Faraday  School    Location:  Portland  Street,  Ayelsbury  Estate,  Camberwell  SE17  2HR,  michaelfaradayschool.co.uk,  Nearest  Tube:  Elephant  and  Castle  Contact:  0207  703  5806  Designed  by  Alsop  Sparch,  the  new  Michael  Faraday  Community  School,  which  opened  its  doors  to  its  first  pupils  on  30  September  2010,  is  the  first  of  three  primary  schools  to  be  transformed  under  the  Southwark  Schools  for  the  Future  programme.  Replacing  the  existing  cramped  and  inflexible  1970s  buildings  located  at  the  centre  of  the  Aylesbury  estate,  the  new  Michael  Faraday  Community  School  is  a  flagship  project  for  the  regeneration  of  the  estate,  the  largest  social  housing  complex  in  Europe.  The  new  school  provides  nursery,  primary  school,  adult  education  and  community  facilities  in  3021sqm  (gross  internal  floor  area)  over  two  floors.  It  features  open-­‐plan  learning  spaces,  flexible  and  adaptable  classrooms  that  are  capable  of  supporting  a  range  of  teaching  and  learning  styles,  and  covered  external  spaces  for  outdoor  learning.  Note:  As  Radical  Pragmatics  is  taking  place  in  half  term,  primary  schools  are  closed  so  we  are  unable  to  view  this  site.  The  Head,  Karen  Fowler,  welcomes  any  RCA  students  to  make  an  appointment  to  view  the  school  as  an  architectural  site  at  a  later  date.    Invisible  Spaces  of  Parenthood  Library    Andrea  Francke  will  make  the  ISP  library  available  at  her  home  to  students  on  the  workshop.  Mon  –  Fri  10-­‐6.  35  St  Gabriel’s  Manor,  25  Cormont  Road  SE5  9RH.  Please  text  Andrea  on  07540  328  870  to  confirm  time  before  going.      

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Presenting  Outcomes  Friday  31  Oct,  1030am-­‐1pm:    

On   the   final   day,   Gill   Park,   director   of   Pavilion,   Leeds,   will   present   on   childcare   and   feminist   art   collectives   of   the   1970s   and   screening   of   Leeds   Animation  Workshop:  ‘Who  Needs  Nurseries?  We  Do?!’,  1976.  

Students  will  then  present  their  projects  and  outcomes  in  response  to  the  brief  for  a  group  discussion  with  guests  including:  

§ Gill  Park,  Director,  Pavilion,  Leeds  

§ Andrea  Francke,  Artist  

§ Richard  Wentworth,  Artist    

§ JJ  Charlesworth,  Critic  

§ Caro  Howell,  Director,  The  Foundling  Museum  

§ Joy  Dahl,  Early  Years  Education  Specialist,  and  former  nursery  nurse  of  RCA  nursery  in  1970s  

§ Vanessa  King,  PhD  (Clinical  Microbiology),  Steiner  School  teacher,  and  former  child  of  the  RCA  nursery,  1970s  

§ Jane  Copus,  Artist  and  founder  of  original  RCA  crèche,  1968.  

The  panel  of  invited  guests  and  the  group  will  discuss  the  projects,  with  the  most  innovative  being  awarded  a  prize  of  recognition,  and  findings  and  proposals  being  taken  forward  to  the  College.  

 

 

 

 

 

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Resources    Core  Texts:    Fraser,  Nancy,  “After  the  Family  Wage:  A  Postindustrial  Thought  Experiment,”  Fortunes  of  Feminism,  Verso,  London:  2013.  pp.111-­‐138.  Hochschild,  Arlie,  “So  How’s  the  Family?”  So  How’s  the  Family?  and  Other  Essays,  University  of  California  Press,    Berkeley,  Los  Angeles  and  London:  2013.  pp.47-­‐63.    Hochschild,  Arlie,  “Inside  the  Clockwork  of  Male  Careers,  with  a  1990s  Postscript”,  1993  (1973),  Kathryn  P.  Meadow  Orlans  and  Ruth  A.  Wallace  (eds.),  Gender  and  the  Academic  Experience:  Berkeley  Women  1952-­‐1972,  University  of  Nebraska  Press,  pp.  125-­‐139.    An  Authors’  Collective,  “Preface  and  Introduction,”  Storefront  Day  Care  Centres:  The  Radical  Berlin  Experiment,  trans.  by  Catherine  Lord  and  Renee  Neu  Watkins,  Beacon  Press,  Boston:  1973.  pp.  vi  –  xxiii.    To  Read  for  presentation  at  South  London  Gallery:    Nicholson,  Simon,  “The  Theory  of  Loose  Parts,  An  important  principle  for  design  methodology,”  Studies  in  Design  Education,  Craft  &  Technology,  1972,  Vol.  4,  No.  2.    All  texts  available  here:  http://kimdhillon.wordpress.com/teaching/radical-­‐pragmatics-­‐texts/    Further  Research  and  Resources:      Further  resources  for  your  research  and  projects  are  available  here:  http://kimsukie.tumblr.com/  and  on  Twitter  @RCAkids    Invisible  Spaces  of  Parenthood  Library    Andrea  Francke  will  make  the  ISP  library  available  at  her  home  to  students  on  the  workshop.  Mon  –  Fri  10-­‐6.  35  St  Gabriel’s  Manor,  25  Cormont  Road  SE5  9RH.  Please  text  Andrea  on  07540  328  870  to  confirm  time  before  going.      

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 Who  We  Are    Kim  Dhillon  is  a  doctoral  research  student  in  CHS,  chair  of  the  RCA  Parent  &  Family  Society,  and  part  of  an  on-­‐going  collaboration  with  artist  Andrea  Francke,  Invisible  Spaces  of  Parenthood,  with  commissions  in  2014  including  ‘Changing  Play,’  with  the  Serpentine,  and  a  publishing  project  with  AND  publishing.  She  has  a  two-­‐year  old  son  and  a  four-­‐year  old  daughter.      Anna  Reid  is  a  doctoral  research  student,  adjunct  curator  of  Pavillion,  Leeds,  and  has  a  baby  daughter.    Contacts:      Kim  Dhillon:  M:  07969  454  193  E:  [email protected]                  

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Tour  Plan      11-­‐12,  Monday  27th  October    Types  of  Spaces    Public  Spaces  Studio  Spaces  Bookable  Spaces  Technical  Spaces  –  off  limits    Darwin  Building    

1. Inner  Courtyard  Galleries  2. Henry  Moore  Galleries  3. Podium  4. Courtyard  5. Café  /  Restaurant  6. Bar  /  Terrace  7. Jay  Mews  

 Stevens  Building    

1. Visual  Comms  studio  2. Performing  Arts  Lab  3. Humanities  Seminar  room  

 Consider  pop  up  spaces,  temporary  spaces,  shared  use,  sound,  safety,  access  etc.  We  intend  to  be  touring  the  spaces  with  children.      

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