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A C C R E D I T A T I O N SE D U C A T I O N
O � c eM S P r o j e c tI l l u s t r a t o rP h o t o s h o pI n d e s i g nA u t o c a dR e v i tN a v i s w o r k sR h i n o c e r o s
S O F TW A R E S
I learned Engl ish dur ing preschool and I cont inue to
pract ice i t though col lege and dur ing high school I took 2
years of French.
E N G L I S H1 0 0 %
E S P A N I S H1 0 0 %
L A N G U A G E S
E X P E R I E N C E
F R E N C H2 5 %
B A C H E L O R ’ S I N A R C H I T E C T U R E
5TF is a company that des igns , fabr icates and construct
architectural inter iors . My responsibi l i t ies where to
create processes , templates and formats to develop the
project management f ramework for the company.
Working with FR-EE I developed the f ramework for B IM
projects , I a lso worked on projects that because of the
bui lding’s geometry they were consider complex and I
worked on the design teams for bui ld ings envelopes .
When I was working for L iverpool department stores I coordi-
nated the act iv i t ies required to manage remodel ing projects , I
developed projects f rom the conceptual des ign, through
construct ion phase.
When I was working with Arquitectura Exper imental , I devel -
oped the design for projects of smal l scale . After that , I
part ic ipated as in the design team for projects that required
parametr ic des ign because of the complex geometr ies .
5 T F | N o v 1 4 - [ w w w . c i n c o t a l l e r f a b r i l . c o m ]
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U n i v e r s i d a d d e l o s A n d e s S u m m e r 2 0 0 9
D E S I G N W O R K S H O P I N H I S T O R I C P L A C E S
L I V E R P O O L A N G E L O P O L I S F A C A D E , A E , D e s i g n / P l a n s , http://plusmood.com/2012/07/ l iverpool-angelopo lis- facade- jsa/
J U A R E Z C . C . , F R -E E , B I M / F a c a d e D e s i g n , http://www.fr -ee .org/project/26/Juarez+C.C.
P R O J E C T S
B I O G R A P H Y
I am a Mexican architect , I s tudied at Univers idad Iberoamericana in Mexico City . I have worked as a des igner , B IM
manager and I am current ly working as a project manager . I l ike to play the guitar , read books and walk with my dogs.
P a r a m e t r i c D e s i g nB I MP r o j e c t M a n a g e m e n tS c h e d u l i n gS u s t a i n a b l e D e s i g nB u i l d i n g E n v e l o p e D e s i g nP r o j e c t B u d g e t sA r c h i t e c t o n i c D e s i g nP r o j e c t E v a l u a t i o n
S K I L L S
(044) 871 202 0453
raul .chavezt@gmai l .com
RAULCHAVEZB A C H E L O R ’ S I N A R C H I T E C T U R E
Shelter For The ImmigrantsThis contest aims to provide a space where immigrants who cross Mexican soil in direction to the United States can: rest, recover, prepare and meet their needs on their journey to the north.The ability to retain migrants by Mexican authorities on their way to the United States, according to datadecreases year by year, increasing the percentageof immigrants in Mexico.With this conclusion, the project focuses on creatinglargest amount of built-up area, with the lowest cost ofmaintenance, to meet the demand for spaces.
Volumetric study to respond to ,local laws, site conditions, program and sunlight
Maximum built-up area according to height limits
Volume form according tosunlight
Control of openings accordingto program
Relations openings - solidaccording to program
Study of the perimeter of the built-up area to achieve the largest facade
13.8
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4.87
22.51
35.5
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4.71
36.0
7
4.31
13.6
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35.4
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11.5
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23.25
2.24
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Perimeter = 92.52m Perimeter = 91.26m Perimeter = 76.35m Perimeter = 60.22m
Perimeter = 44.07m Perimeter = 93.24m
Perimeter = 62.51m Perimeter = 42.6z6m Perimeter = 60.38m Perimeter = 79.00m
Perimeter = 73.88mPerimeter = 72.10m
Relationship immigrants in Mexico - Detained immigrants52%
YearDet
aine
d im
mig
rant
s x
1000
2005
226
2006 2007 2008 2009 2010
53% 51% 48% 45%
53%
13 Arquine Competition: Shelter For The Displaced
Type of Project: Competition
Plans
Site Plan
N
1m 3m 5m 28m
2m 4m 10m
3
Floor Plan
Floor 2
Floor 1
1
2
a a’
Baggage Room
BathroomLobby
Bedroom
Office
Consulting Room
Workshop
Storage
Dining room
Chapel
The ground �oor is reached by a lobby where people are received, there is a luggage storage room since security policies do not allow the access of luggage to the shelter. On the ground �oor are places to meet basic needs: bathrooms and dining-room, recreational needs: living room and spiritual needs: a chapel.
The 2nd. �oor is the most private area of the project.Three rooms with bunk beds allow occupancy of 106 people.The division of rooms, allows them to be designated by gender,a security policy.Two bathrooms and two rooms with showers serve theoccupants.
In the 1st. �oor are the public areas that are related to the administration and care for immigrants. The o�ces and the bedroom are related to the administration, while clinics and workshops, providing assistance to immigrants, so they can be in better conditions for their trip.
Project Views
Top image:Exterior view.
Bottom left image:View of courtyard, where information boards are displayed to aid immigrants in their trip. The courtyard is determined by a study that allow thebiggest facade possible, to iluminate and ventilate naturally all spaces.
Bottom right image:View from inside the chapel.
Section A-A’
Dynamic Facade-ProgramThis competition proposed remodeling an iconic Moscow cinema.The first I had in mind was the idea of creating a place where people not only could see movies, but create a place where you can: talk about films, study films, discuss about films, research films, live films from a protagonist point of view and not as mere spectator admiring a work of art.The building height was determined by the maximum amountpermitted by Moscow urbanization laws, these allow us tocreate a really complete program. The facade is made ofCorian boards, which can rotate in x, y and z program, to control sunlight and temperature.
Changing The Face: Pushkin Cinema
Type of Project: Competition Credits: Fernando Mena
New Geometry
Space Organization According To Spacial Relationships And Volume Geometry
External Facade Response According To Solar Incidence - Temperature
Axonometric: Dinamic Facade Mecanism Section
Actual Cinema Theatre
CORIAN board150/30/12mm
200/200/4mm steel RHS
200/200/4mm steel RHSsteel plate galvanized
200/200/4mm steel RHS
12mm toughened-glass balustrade,handrail: stainless-steel channel
aluminium clamp
100/50mm steel channel
300/150/4mm steel RHS
electric motorrotating system
300/300/4mm steel RHS
300/300/4mm steel RHS
CORIAN board368/93/12mm
30/30 mm steel SHS
Extrude OperationLayering Programs Different Level Form To Create Spacial Realationships Space Arrangement
Public Space
Private Space
Green Area
Sun IncidenceFrom SummerToWinter
TemperatureDistributionWith ANormalFacade
TemperatureDistributionWith A DinamicFacade
X & YAxisMovementOn FacadePanels
Z AxisMovementOn FacadePanels
Plans
cinema libraryscreening room
Level 12
lecture courtyardscreening room
Level 13
360 cinema
Level 14
discusion/research
Level 11silence room
Level 10restaurant
Level 9
screening roomoffice
Level 8
library
Level 7
image lab
Level 6
debate courtyard
Level 5
documental room
Level 4
cafe
Level 3
labs
Level 2
urban garden
lobby
Floor Plan 5m1m4m 10m
28m
1
2 3
Top Image: View of the building from Pushkin Square.The Coraian boards, respond tothe sunlight morphing into di�erentform, through a mechanism that allowsa x, y and z rotation.Light and temperature sensorsgive instructions to microcontrollers,that allow the building to respond toMoscow’s extreme weather.
Middle Image: View from the �oorlevel. The dynamic facade allow to have amicroclimate inside the building,where an interior garden contrast,with this highly urbanized area.
Bottom Left Image: Night view fromPushkin Square.At night, �lms are projected to thetranslucent Corian boards, displaying�lms to the Pushkin Square area.
Bottom Right Image:View of an image lab, where �lmmakercan study-discuss �lms.
Creating PathsLouis Barragan’s House-Studio is the only 20th centuryhouse declared world heritage. This competition propose a public area with an art center to regenerate Tacubaya’s zone, creating a relationship between the house and Constituyente‘s subway station.The subway exit, the sidewalk near Constituyente’s Street, the area next to the electrical substation, the acces to the corridor to Barragan’ House -Studio and the access to Chaplutepec’s Park, resembles MexicoCity complexity, which creates multiple parks, whichinterwine to create a collage of spaces.
Barragan’s Foundation Competition
Type of Project: Competition Credits: AE - Mario Najera
Primary Path Secondary Path Plum Tree
Green WallGrass
Mulch
Russelia
Jacaranda
Cassia
Points Of OperationDirection OfDeformations
Volume AVolume B
Volume AVolume BPaths
Section of the Art Center
Points Of OperationsIn Site To Create Conditions ForPaths
Placing BuildingsFor Creating Different Conditions
Final Paths Plant Palette
Modifying BuildingsTo MantainPaths
1
2 45
6
3
7
9
8 10
11
LEVEL 1
7. COMPUTER LAB8. STORAGE ROOM9. OFFICES10 . PROJECTION ROOM11. LECTURE ROOM
TERRACE
7. PROJECTION WALL8. STEPS9. ESPLANADE
FLOOR PLAN
1. COFFEE2. STUDIO3. RECEPTION4. CONSULT AREA5. BATHROOMS6. TERRACE
1313
12
Art Center Plans
1m
0.5m
5m
2m
Top Image:The view of the modeloffers a completeimage of the project.The project takes peoplefrom Barragan’s House-Studio to the subway.
Middle Image:The night view showsthe open cinema.Night light reveals thecirculations.
Bottom Left Image:A day view from the park.A wall is used for artexpositions.
Bottom Right Image:View from the street,General FranciscoRamirez, where LuisBarragan’s Studio islocate.
Brand Point CloudFor this project they asked us for a commercial area, locatedin the courtyard of a shopping center.Due to the nature of the project, we decided to create a space, through different layers, which represented this brand literally, by expressing the idea of a bear contained by a box, wrapped as a gift.The maximum buildable area was extruded to create a crystal box, where two tensioned fabric wrapped a bear-shaped lights.The point cloud is generated by the intersection of lines whichemerge from the roof and generate points of intersection, with the silhouette of a bear.
Fredo
Type of Project: Client - Fredo by Martinez & SordoCredits: AEStatus of the Project: In Process
a a’
Maximum Buildable Area Cristal Container
Inner EnvelopeOuter Envelope
IlluminationShelves
Plan - Section A-A’
Layering Of Elements
Top Image: Night view of the project, where the light become protagonist. From the outside, one can see the silhouette of a teddy bear. This illumination serve as a brand logo for the store and also illuminates the store.
Bottom Left Image: During the day, the silhouette of the teddy bear is only suggested, due to contrast with sunlight. The glass cube becomes more evident because of sunlight, revealing all the layers.
Bottom Right Image: The inside of the store appears as an over contained space, within several layers of containment. The glass cube contains an inner and an outer fabric envelop, which contains a bear.
Left Image: Day view fromthe parking tothe area whereno entrance isavailable. Thiscreates a condition toopen and bend.
Right Image: Day view of thearea where thefacade ends.The sudden change reinforcesthe idea of anexterior skin,covering a building.
Liverpool: Perisur
Type of Project: Competition Credits: JSA Arquitectos - AE
Bending - Opening For Light Control This project came by an invitation from JSA architecture office for a competition. The client is an Mexican apartment store called :Liverpool, which wanted to remodel their store facade, and extend the store. The faced is based on a parametric model, which uses light input to perform different bending and opening along the facade to control light, according to what the store program requires. The facade was thought as an exterior skin, which surrounds a glass facade.
Bending Control(Schematic by JSA Arquitectos)
Opening Control(Schematic by JSA Arquitectos)
Opening Secuence(Schematic by JSA Arquitectos)
Night Light(Schematic by JSA Arquitectos)
Sunlight Control(Schematic by JSA Arquitectos)
Focal Points For Opening - Bending According To Program - Solar Incidence(Schematic by JSA Arquitectos)
(Render by JSA Arquitectos) (Render by JSA Arquitectos)
Top Image:(Render by JSA Arquitectos) Night view of the proyect, where night light filters through the openings, creating an opposite effect to the day light. While in the day, light is filter to the inside, on the night the light is filter outside.
Middle Image:(Render by JSA Arquitectos) Day view of the apartment store: Liverpool. This view gives the idea, of a continuous facade, which change according to given parameters.
Bottom Image:(Render by JSA Arquitectos) Day view of a service entrance, where stores get their supplies. The service area, forces the structure to close and maintain unfolded to hide this space from public.
Absolut Elevator
Type of Project: Client - Pernod RicardCredits: AEStatus of the Project: Under Construction
Geometric Gradient For this project, we where asked for a promotional area in an elevator. Working inside an elevator, was a challenging project because of its properties:Such a small space, with little possibility of intervention; because of security issues. These conditions lead us to create an inner skin, where openings and solids establish the space conditions. These conditions are created by light that emerges from the geometric gradient pattern generated by a parametric design, determined by a distance attractor.
Components
1” MDFRoutedSheet
SteelSections&TransparentAcrilic
KONEElevator
Plan
Creating A Gradien
0.5mElevator’s Wall
Transparent Acrilic
Steel Sheet
1” Routed MDF
Steel Section
1m
Top Image: Front fish eye view from the inside of the elevator. The geometry vanishes from right to left. This create specific conditions of illumination, in a relatively small space, as an elevator.
Bottom Left Image: From the top, the gradient appearance of the geometries into a silhouette of a Absolut Vodka bottle becomes clearer. There is a vanishing effect of light, into a dark area with a sudden change to a illuminated zone, where the bottle appears.
Bottom Right Image: From the bottom, the affect of light on the steel plates are more evident. The reflective property of steel and it’s blurriness creates unclear reflections of the light emanated from different size holes.
Jameson Elevator
Type of Project: Client - Pernod RicardCredits: AE S.C.Status of the Project: In Process
Image Sampling For this project, the main idea center on the process of image sampling, to help us reinforce the Jameson’sbrand image. A grid of points was created over an image of old barrels of Jameson’s Irish Whiskey. This point sampled the image for brightness values, and this values determined the circles diameters. This circles were controlled by mathematical easingequations, that allowed a greater control over them. These circles determined the openings, where light filtrated revealing an image.
Components
Plan
Image Sampling
0.5mElevator’s Wall
Transparent Acrilic
Steel Sheet
1” Routed MDF
Steel Section
1m
1” MDFRoutedSheet
SteelSections&TransparentAcrilic
KONEElevator
Top Image: Front fish eye view from the inside of the elevator. The holes revealing an image, becomes awkward because of the splice of an image represented on a 3D space vs. a rectangular surface.
Bottom Left Image: From the top, the small holes become more evident, these holes respond to quite different brightness values in the sampled photograph, reinforcing the 3D contradiction, with the elevator rectangular figure.
Bottom Right Image: At the bottom, the holes with the denomination of origin of the brand, appears cropped. This area reveals some holes, which are part of the image imperfection, giving a sort of “controlled” randomness.
Liverpool Angelópolis
Type of Project: RemodelingCredits: JSA Arquitectos - AEStatus of the Project: Under Construction
Parametric FacadeThis project was an outsourcing job from JSA architects,who was designing a facade for a Mexican apartmentstore.They had this concept of modulation and variation,which could respond to night light and make storeentrances evident for users, which is very important inthe design of these stores.We translated these ideas into a 3D model and created colocation plans, for each one of these pieces.We also detailed the construction system for thesefacade, which was later developed by JSA Architectos.
Facade
Left-Bottom Image:Photograph collage of a corner, during construction process. The design intentions start revealing, creating gradients andgeometric deformations, which will allow night lights to create specificpatterns of illumination and will help users find the entrances.
Right Image:Photograph detail revealing the structural system, which consist on the colocation of concrete pieces, over steel RHS fixed to a concrete structure.
View From The Parking Lot
(Illustration by JSA Arquitectos)
(Photograph by JSA Arquitectos)
(Photograph by JSA Arquitectos)
(Render by JSA Arquitectos)
Parametric LatticeFor this project we were asked to remodel an entireoffice building floor.The distribution was established by the client, who decided to have a private offices arrangement, in a building with a geometry that made it impossible to have sun light on each office.We decided to have a lobby with natural illumination,and trough this lobby the office that could not have sun light, would receive it.A parametric lattice run across the offices controlling theamount of illumination that they receive form the lobby.
Nazas Office
Type of Project: RemodelingCredits: AEStatus of the Project: Built
Plans
Office Plan
Section 1
Section 2
b
1m 3m
2m 4m
5m