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Realistic Impressions: Investigating Movements in the Visual Arts.

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Realistic Impressions: Investigating Movements in the Visual Arts
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Page 1: Realistic Impressions: Investigating Movements in the Visual Arts.

Realistic Impressions: Investigating Movements in the Visual Arts

Page 2: Realistic Impressions: Investigating Movements in the Visual Arts.

A Real Impression

Page 3: Realistic Impressions: Investigating Movements in the Visual Arts.

• Joseph DeckerGreen Plums, c. 1885Collection of Mr. and Mrs. Paul Mellon1994.59.4

Page 4: Realistic Impressions: Investigating Movements in the Visual Arts.

Still Life with PeachesArtist: Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer)Date: 1881Medium: Oil on canvasDimensions: 21 x 25 1/2 in. (53.3 x 64.8 cm)Classification: PaintingsCredit Line: Bequest of Stephen C. Clark, 1960Accession Number: 61.101.12

Page 5: Realistic Impressions: Investigating Movements in the Visual Arts.

What’s in a Movement?

Page 6: Realistic Impressions: Investigating Movements in the Visual Arts.

John La FargeThe Last Valley - Paradise Rocks, 1867-1868Gaillard F. Ravenel and Frances P. Smyth-Ravenel Fund2000.144.1

Page 7: Realistic Impressions: Investigating Movements in the Visual Arts.

The Valley of the NerviaArtist: Claude Monet (French, Paris 1840–1926 Giverny)

Date: 1884Medium: Oil on canvasDimensions: 26 x 32 in. (66 x 81.3 cm)Classification: PaintingsCredit Line: Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915Accession Number: 30.95.251

Page 8: Realistic Impressions: Investigating Movements in the Visual Arts.

Move in Closer

Page 9: Realistic Impressions: Investigating Movements in the Visual Arts.

The Bodmer Oak, Fontainebleau ForestArtist: Claude Monet (French, Paris 1840–1926 Giverny)

Date: 1865Medium: Oil on canvasDimensions: 37 7/8 x 50 7/8 in. (96.2 x 129.2 cm)Classification: PaintingsCredit Line: Gift of Sam Salz and Bequest of Julia W. Emmons, by exchange, 1964Accession Number: 64.210

Page 10: Realistic Impressions: Investigating Movements in the Visual Arts.

View near RouenArtist: Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London)

Date: ca. 1825Medium: Oil on millboardDimensions: 11 x 13 in. (27.9 x 33 cm)Classification: PaintingsCredit Line: Purchase, Gift of Joanne Toor Cummings, by exchange, 2001Accession Number: 2001.45

Page 11: Realistic Impressions: Investigating Movements in the Visual Arts.

Behind the Movement

Page 12: Realistic Impressions: Investigating Movements in the Visual Arts.

J. M. W. Turner’s Keelmen Heaving Coal by Moonlight

Page 13: Realistic Impressions: Investigating Movements in the Visual Arts.

Eugene Delacroix’s 1846 The Abduction of Rebecca, a scene taken from Sir Walter Scott’s historical novel Ivanhoe

Page 14: Realistic Impressions: Investigating Movements in the Visual Arts.

Sharpening your Eye

Page 15: Realistic Impressions: Investigating Movements in the Visual Arts.

• Note: Many paintings contain elements of more than one movement. For example, there may be elements of Realism among the Romantics or the Impressionists, so students shouldn’t focus on searching for a pure or perfect example of each movement. Instead, concentrate on which movement is the best fit for each painting and why. It might help to know the time periods of each of these movements, so that you might better understand that some of these movements were overlapping or very close in time period:– Romanticism: Early 1800s until around 1850– Realism: Around 1840 until the late 19th century– Impressionism: In France: 1874 to about 1890; In America: mid-1870s

to the early 1910s

Page 16: Realistic Impressions: Investigating Movements in the Visual Arts.

Thomas Eakins’ The Biglin Brothers Racing

Page 17: Realistic Impressions: Investigating Movements in the Visual Arts.

John-Baptiste-Camille Corot’s The Eel Gatherers

Page 18: Realistic Impressions: Investigating Movements in the Visual Arts.

Andre Derain’s Palace of Westminster

Page 19: Realistic Impressions: Investigating Movements in the Visual Arts.

Thomas Cole’s The Voyage of Life: Youth

Page 20: Realistic Impressions: Investigating Movements in the Visual Arts.

Edgar Degas’ The Dance Class

Page 21: Realistic Impressions: Investigating Movements in the Visual Arts.

Gustave Courbet’s Le Bretonnerie in the Department of Indre

Page 22: Realistic Impressions: Investigating Movements in the Visual Arts.

Winslow Homer’s Breezing Up a Fair Wind

Page 23: Realistic Impressions: Investigating Movements in the Visual Arts.

John Constable’s The White Horse

Page 24: Realistic Impressions: Investigating Movements in the Visual Arts.

Mary Cassatt’s Little Girl in a Blue Armchair


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