remarque2013

GRAPHIC DESIGN ART & PHOTOGRAPHY ARCHITECTURE FILM, VIDEO & NEW MEDIA

VISUAL ANNUAL OF FLORIDA ATLANTIC UNIVERSITYISSUE 2 | 2013

VISUalannUalofFLORIDAATLANTIC UNIVERSITY

13

Remarque

Brittani WrightEdgard BarbosaKit RomeroCarlos FranciscoMichael J. RiceKristen KellySara CourtneyDan DuarteJohn Bernasconi

Designers’ Edge

Brittani WrightTrista LamSara CourtneyArielle CacopardoEdgard Barbosa

faculty advisor

Stephanie Cunningham

Contact

To find out more about Remarque and Designers’ Edge, please contact: [email protected]

Find us on Facebook at www.facebook.com/groups/designersedge

Editor-in-Chief art Directorlayout Editorlayout Editorlogo EditorEditor Editorfounderfounder

PresidentVice PresidentSecretaryTreasurerCoSo Rep

[email protected]

REMARQUE | FAU VISUAL ANNUAL 20132

Editor’s Note

Special Thanks

The faU Designers’ Edge student organization released the first printed issue of Remarque in fall 2012 to showcase the creative programs in Broward. We immediately distributed them across the faU campuses to help strengthen awareness of the new journal. We began promoting the second issue of Remarque during the fall 2012 semester with flyers, facebook posts, and word of mouth.

Designers’ Edge held a competition to design the cover masthead during the Spring 2013 semester. Brent Rollins, a new York based graphic designer who presented a lecture at faU in april, juried the 14 submissions. Carlos francisco, a Bfa graphic design student, designed the selected masthead. The Remarque team chose the student work for the cover image. out of the many submissions received, we chose a digital photograph by Bfa graphic design student, Roseannna Hassad.

Designers’ Edge members, and other student contributors, helped make this issue of Remarque come together once again. The Remarque staff worked to encourage students to submit, jury the work, organize the content, and execute the production. after 6 months of promotion, we received over 700 submissions from 100 faU students. We juried the work down to 150 works created by 67 faU students. I thank all of you who submitted and those of you who were any part of the Remarque team. I hope you enjoy our second issue!

Brittani WrightEditor-in-Chief

Brent Rollins

Chad Perna

Demetrius Carter

Designers’ Edge

Eric Young

fatima Betances

fran Viera

Kevin Mann

Phyllis Bebko

QEP

Sabine Tinglof

Stephanie Cunningham

Veronica Metzler

Vision Printing

Roseanna Hassad Cover Photo

Carlos Francisco Masthead Design

Table of Contents

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64

faculty Interviews

Graphic Design

art & Photography

architecture

film, Video & new Media

Contact


Faculty Interviews

Tammy KnippAssociate ProfessorVisual arts and art History

How do you measure success?I measure success through an evaluation process: a critical design analysis to define what and why certain elements were successful; to define why alternative applications were not suitable; and to articulate areas for further development. I don’t define success as a comparison to failure.

What advice do you have for the design student?If I would define the term “student” from a traditional perspective, then I would describe someone who is enrolled in a typical classroom setting. otherwise, in a larger context, I would define a student as someone who desires and continues to learn beyond the scope of the traditional classroom.

My advice for the “traditional student” would be to recommend (demand) they take design risks during their educational years of schooling and not to produce work as a means to please or gain the approval of their instructor. The student who practices this methodology does so, claiming the professor is the determiner of their grade. In this scenario, the student chooses a “safe route” — avoiding risk-taking challenges.

It is my observation that many students shy from taking risks due to their fear of failure. “fear breeds ignorance” (defining ignorance as the lack of knowledge or education). To avoid failure due to fear is choosing to be ignorant — a dichotomy to that of which defines an education.

Brittany SchadeGraduate Teaching AssistantVisual arts and art History

How do you like to tap into your creativity?Maintaining focus can sometimes be a difficult thing, especially since the internet is so distracting. So I brew some tea and select a good playlist and try to get into the creative zone. When this doesn’t help I tend to get inspired when I go outside for a walk.

Where do you see yourself in the next 5-10 years?Teaching. I returned to grad school to become a design professor. Starting this fall I will be teaching interactive design at Western Washington University. I am very excited to be able to teach in such an uncharted area of design.

At a Designers’ Edge meeting this semester, the group decided to introduce something new to the latest issue of Remarque.

Our success is rooted in who we surround ourselves with including professors, classmates and other colleagues. The faculty deserve recognition for the impact they make on our lives. They are here to help us try to find ways to take risks while we have the freedom to do so. Sometimes we take our education for granted and forget the value of the classroom experience. We must always remember that knowledge is power.

A handful of students participated in these “student / teacher interviews” with professors that represent the work in this publication. We simply asked a list of questions relating to design philosophy and methodology. These questions are some that I am sure most of us have asked ourselves at one point in time. A sampling of their answers are listed here.

Stephanie CunninghamProfessor of Graphic DesignVisual arts and art History

Where do you see yourself in the next 5-10 years?It is impossible to know what happens next. I studied industrial design in undergrad but an internship threw a fork in the road that led me to graphic design. a chance conversation landed me in graduate school. My graduate fellowship landed me in the classroom. I came to faU fifteen years ago with the intention of staying three years. You just never know.

What was your least effective project?Sometimes the projects students perceive as least effective are the most effective. It just takes time and experience to understand the value of some lessons. I used to give students more projects with real world clients. I stopped doing it because I found that people looking for free work from students are not often the most open to the value of good design. While it is a useful exercise to work with a difficult client, your time in school is a short and precious time to be creative. You have your whole career to master difficult clients. Your time is better spent developing your skills and learning to defend your ideas.

Ariel Baron–RobbinsVisiting Painting InstructorVisual arts and art History

What aspect of design do you give highest priority to?I would say the element of surprise is a great thing to give priority to because we are so saturated today with images that it’s like walking around in an art fair. The only thing that you’re going to stop and look at is the thing that surprises you.

What philosophy or techniques do you use in motivating your students?I really push my students to be disciplined. If I can get my students to show up everyday and be ready to work, then good things will happen. I think that if people just kind of come and go, no one really knows if everyone will be there, and therefore they’re not motivated. If there is no activity going on in the room then it’s depressing to be there. That’s why I play music sometimes. Everybody is listening to the same music and it distracts everybody and is an icebreaker; we are all listening to music and doing our stuff together diligently.

John SandellAssociate Professorarchitecture

What is one thing that specifically motivates or inspires you? My belief in the human necessity of both sacred and profane cultural signs

What advice do you have for the design student? Establish a rigorous work ethic, and seek out and construct your own poetic autobiography in work and life. P.S. Don’t be afraid to “play” (in the Gadamerian sense of the word).

Deidre HardyDirector and Professorarchitecture

What do you feel is on the horizon in the field of design?Challenges to work in collaborative efforts with other design professionals.

Are there any specific books that you would recommend for the design student?all of frank Ching’s books.

Mark FranzAssistant ProfessorCommunication and Multimedia Studies

What design magazine/publication do you read on a regular basis (online or offline)?Dezeen, Designboom, and occasionally Wallpaper.

What philosophy and techniques do you use in motivating your staff/fellow faculty members and energizing them?Classical conditioning.

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adjunct annual faculty exhibition

january 31 - march 1

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1800

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2000

Books of Cities Based upon Google’s N -Gram data, here’s

the volume representation of books written about 10 major cities between 1800 and 2000.

Ana HernandezYou Are What You EatIllustrator, 2013

Carlos FranciscoNew WorksInDesign, 2013

Brittani WrightMedia InfluencedPhotoshop and Screen Print, 2012

Poster Design

Edgard BarbosaDeconstruction RepetitionIllustrator, 2013

Arielle CacopardoFacebook Facts Illustrator, 2013

Audrey AurigemmaUnlocking FreedomPhotoshop and Illustrator, 2012

NINE INCH NAILSMajor Studio Releases

Fatima Arbelo9 inchesIllustrator, 2012

Disciples On CampusBible Talks

If accomodation’s for a disability is required contact Allan (561)-932-8252 minimum of five (5) working days in advance of the date of event.

Monday | 3pm | Sago Palm

Tuesday | 7pm | Queen Palm Thursday | 12:30 pm | Sago Palm

DevotionalsLast 3 Fridays of the Month

7:30 pm | Palmetto Palm

Edgard BarbosaBible Talks Flyer for the Disciples on Campus student organizationPhotoshop, Illustrator and InDesign, 2013

Audrey AurigemmaAnniversary SeriesPhotoshop, 2012

Ellie Santangelo Patriotic Concert Poster Broward CollegeIllustrator, 2011

Setareh GhoreishiJashn-e Esfandgan (Sepandarmazgan) Digital painting, 2009

Rita SosaPostcard Project Collage, 2012


This year, more than 300,000 Americans will die from illnesses related to overweight and obesity.www.obesityinamerica.org

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KEFFEX.COM

FLYWITHDIGNITY.ORG

Carlos FranciscoObesity is SuicideIllustrator, 2012

Fatima Arbelo WhalingIllustrator, 2012

Social Awareness

Jennifer HuangCigarette IngredientsIllustrator, 2012

Setareh GhoreishiProtecting the Environment Digital, 2009

Kit RomeroCon TSAIllustrator, 2013

Mona HassanAIDS AWARENESSPhotography, Photoshop, Illustrator, 2010

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1 Audrey Aurigemma Human Trafficking in the World, Illustrator, 2013

2 Manzi Liu Support Our Love, Screen Print, 2012

3 Janelle Garcia Disease Machine, Illustrator, 2012


Rick McCawleyChina Water ™Illustrator, 2011

This series of Chinese propaganda posters are a result of a challenge to make a modern day propaganda poster dealing with international issues.

Setareh Ghoreishi Jashn-e-ShahrivarganPhotoshop and Illustrator, 2009

Jashn-e-Shahrivargan is an ancient Persian fire feast in which the Shahriver angel protects metals on the earth and is in charge of the city and the king in the sky.

Social Awareness


Layout Design

Arielle CacopardoBreak MagazineInDesign, 2013


This design manual and branding package has been

prepared for the exclusive use of the Center for Creative

Education and its full intent is to establish a uniform

design approach and brand identity for the organization.

The design system manual provides a foundation for a

new and clear communication of the CCE’s identity. It

ensures that the center appears consistent on all official

communications and that it gains a common “look

and feel” throughout all mediums. This design manual

includes the official guidelines and standards for the

usage of CCE’s logo and stationery including official

colors and typefaces – Enjoy!

Introduction

Reading is not necessary to identify shapes, but identifying shapes is necessary to read. The brain acknowledges distinctive shapes that make a faster imprint on memory.

The science of perception examines how individuals recognize and interpret sensory stimuli. The brain acknowledges and remembers shapes first. Visual images can be remembered and recognized directly, while words must be decoded into meaning.

Color is second in the sequence. Color can trigger an emotion and evoke a brand associa-tion. Distinctive colors need to be chosen carefully, not only to build brand awareness but to express differentiation. Companies, such as Kodak and Tiffany, have trademarked their core brand colors.

The brain takes more time to process language, so content is third in the sequence behind shape and color.

Shapes

Color

Form

Cognit ive Sequence

Stationery

425 24th Street. | West. Palm Beach | FL 3 3 4 0 7P h o n e 5 6 1 . 8 0 5 . 9 9 2 7 | F a x 5 6 1 . 8 0 5 . 9 9 2 9

i n f o @ c c e f l o r i d a . o r gw w w . c c e f l o r i d a . o r gcenter for creative education

center for creative education 425 24th Street West Palm Beach, FL 33407

c c e f l o r i da . o rg

Robert Hamon C E O P 561.805.9927

F 561.805.9929

425 24th Street. W. Palm Beach F l o r i d a 3 3 4 0 7

center for creative education • Letterhead •• 8.5in x 11in

• Business Cards •• 3.5in x 2in

• Envelope •• 9.5in x 4.125in

Letterhead

Business Card

Business Card (2)

Envelope

Linda Pasinski P R O G R A M A S S I S TA N T

Robert Hamon C E O

P 561.805.9927F 561.805.9929

425 24th Street. W. Palm Beach F l o r i d a 3 3 4 0 7

center for creative education

Just putting your brand on the stationery is not enough.

You need the formatting to be consistent throughout the

stationery. A consistent logo will imprint the brand image

much more easily. It also shows a united front for your

company and delivers the message that you are efficient.

Layout Design

Fatima ArbeloCenter for Creative Education Design ManualIllustrator, 2012

Andrea CardenasDon Ramon Restaurant MenuInDesign and Illustrator, 2013


SONDISTEFANO

GROCERY

DonCafeRestaurant Bakery.

A . C H A L A R C A

D e s i g n s

J)

serenitea

Logo Design

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1 Andrea Cardenas Don Cafe Restaurant 2013

5 Catherine O’Rourke Sunrise Community 2013

9 Kansas Wright Serenitea 2012 13 Andres Gonzalez Distefano & Son Grocery 2013

2 Leah Abusiewiez The Big Gripper 2012

6 Felix Peña Syke Designs 2012

10 Ashley Wolfe Benny’s on the beach 2013

14 Michael J. Rice Animal Aid 2011

3 Janelle Garcia Candiques 2013 7 Michael J. Rice Quit Smoking Now 2012 11 Catherine O’Rourke Hideaway Food and Drink 2013

15 Juan Felipe Ocampo Never 2012

4 Andres Gonzalez Salty’s 2013

8 Esther Patton Metamorphic 2012 12 Ashley Wolfe Nella Luxury Resort Wear 2013 16 Ana Hernandez Diego Hair Stylist 2012

4 Andres Gonzalez Salty’s 2013

8 Esther Patton Metamorphic 2012 12 Ashley Wolfe Nella Luxury Resort Wear 2013 16 Ana Hernandez Diego Hair Stylist 2012

Aquarium Maintenance Solutions

F I L M F E S T I V A LPARAMOUNT DISASTER RECOVERY

WE’VE GOT YOU COVERED

OrionTelescopes & Binoculars

Beyond BlindI N S T I T U T E

santé

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21 22 23 24

25 26 27 28

29 30 31 32

17 Giancarlo Manco Good Grief Monkey 2012

21 Michael J. Rice Mount Frost 2011

25 Edgard Barbosa Xcavenger 2013

29 Brittany Schade Distinction / Discovery 2012

18 Allison Krupp Capital One Redesign 2012

22 Felix Peña Owl Film Festival 2013

26 Ana Hernandez Santé 2013

30 Ashley Wolfe Friends of Greyhounds 2012

19 Merle Edward Causey III Ziggy Zues 2012

23 Aaron Umpierre Orion 2012

27 Carlos Francisco Cisco Processing 2013

31 Amber Harris Beyond Blind Institute 2012

20 Juan Felipe Ocampo Biaru 2012

24 Andrea Cardenas Paramount Disaster Recovery, 2013 28 Brittani Wright Aquarium Maintenance Solutions, 2012

32 Giancarlo Manco Splash n’ Catch 2012


Ola La C A K E S

Z E N I T YFarmworker Coordinating Council of Palm Beach County

ccecenter for creative education

currencyquestwww.currencyquest.com

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UNDER

G R O U N Dellazolp r o h a i r s t y l i n g

33 Michael J. Rice Swift Swipe Car Care 2012

37 Trista Lam Green Plate Buffet 2013

41 Mona Hassan Ola La Cakes 2011

45 Elena Joy Medina RaEDM Mobile App 2013

34 Amber Harris Currency Quest 2013

38 Melissa Grilli-Meunier Zenity 2013 42 Mona Hassan Caring for Your Needs 2011

46 Nathalya Cardona Ploppy 2013

35 Sabine Tinglof Cutting Edge 2013 39 Andrea Cardenas Farmworker 2012

43 Felix Peña Bellazol Pro Hair Styling 2012

47 Ellie Santangelo Whitewash Interior Design, 2012

36 Nathalya Cardona Tech & Hobbies 2012

40 Roseanna Hassad Ironberry 2012

44 Andrea Cardenas Underground 2013

48 Fatima Arbelo Center for Creative Education, 2012

The faU Designers’ Edge student group holds various annual competitions for the members of the organization. one competition is to design the new identity, or logo, for Designers’ Edge for the upcoming year. The logo is used the entire year on all of our promotional items including posters, business cards, t-shirts and other printed materials.

This is a wonderful opportunity for the students to have the freedom to design a logo without any limitations. This year, we chose to have our peers do the judging. We posted every logo on our facebook page and the student with the most votes, Trista lam, was our winner.

Additional Entries

1 Trista Lam2 Danielle Myers3 Edgard Barbosa4 Kit Romero5 Michael J. Rice

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Logo Contest

Winner Trista Lam

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Book Cover Design

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1 Michael J. Rice The Great Gatsby 2013

2 Leah Abusiewiez The Old Man and the Sea 2013

3 Mona Hassan Sherlock Holmes 2012

4 Aaron Umpierre The Three Musketeers 2012

Packaging Design

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1 Leah Abusiewiez The Big Gripper 2012

2 Janelle Garcia Candiques 2013

3 Michael J. Rice Swift Swipe Car Care 2012

4 Trista Lam Jai Alai Rebranding 2013


BFA Exhibition Invitation

Winner Ellie SantangeloThis competition takes place in the Broward Senior Seminar class. Each student creates an invitation design for the Bfa portfolio exhibition. The judging takes place in class in two separate rounds. Ellie Santangelo’s design was selected to represent the Spring 2013 graduating Bfa class. The invitation is mailed to South florida design professionals and faU Graphic Design alumni.

1 Ellie Santangelo2 Michael J. Rice3 Sara Courtney4 Trista Lam

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Art &

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tog

raphy


1 Sabine Tinglof Guitar Mixed media, 2012

2 Eugenia Malioykova On oil on canvas, 2012

3 Paula Rojas Color Tension Watercolor and ink, 2013

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1 Eugenia MalioykovaChampagne Railroad oil on canvas, 2012

2 Paula RojasUntitledMixed media, 2012

3 Westley CedenoLava Sun GodReductive print, 2012


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1 Chad PernaUntitled Work 4

Mixed media, 2012

2 Jeanie GiebelU Pull ItInkjet print on watercolor, 2013

3 Merle Edward Causey IIIFrankHard point etching, 2012

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1 Sara Grant Elephant Spirit acrylic, 2012

2 Manzi Liu Two Things oil on canvas, 2013

3 Sabine Tinglof Intitulado (Dance 1) Mixed media, 2011


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1 Kimberly Heise Better Things To Worry About oil on canvas, 2012

2 Michelle FriswellFinding Balance Digital Photography, 2012

3 Elena Joy MedinaIt Was On The Coffee TableDigital Photography, 2013

4 Rita SosaParametric Strawberryfolded Paper, 2013

5 Carlos FranciscoAgedDigital Photography, 2012

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1 Aubrey Ayala Timeline Phonebook Wire and paper, 2012

2 Roseanna Hassad Marbles Photography, 2012

3 Carlos Francisco Cuco Graphite on paper, 2012

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1 Fatima Betances Cat’s Vision Photography series, 2012

2 Elise Raffa Epilogue Digital Photography, 2013

3 Brittani Wright Peekaboo Damselfly Digital Photography, 2012

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1 Leah Abusiewiez Work To Be Done Digital Photography, 2012

2 Audrey Aurigemma Phantasmagoria Photoshop and lightroom, 2013

3 Ashley Ackerman Mushroom Stairwell Digital Photography, 2013

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1 Elise Raffa Allapattah Flats Digital Photography, 2012

2 Kimberly Heise Geese Fighting Monotype, 2012

3 Maryla Michel The Unknown Digital Photography, 2012

4 Jeanie Giebel Bucket Digital Photography, 2012

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Michelle JonesEye

Behind ShadowsContour

Digital Photography and Photoshop, 2012

Architecture


1 Iuliia Fomina and Jose Daniel Bernal Solar Storyboard SketchUp, Photoshop, Rhinoceros, and Grasshopper, 2012

2 Armando Luna Keystone Rescue Station (Sections and Roof Plan) Rhino, lumion and Photoshop, 2012

Keystone Rescue Station (Rendering) Rhino, lumion and Photoshop, 2012

3 Christian Steixner The Nymph: A Metamorphosis (Sketch Model) Chip Board and Paper, 2012

The Nymph: A Metamorphosis (Physical Model) Bass Wood, 2012

The Nymph: A Metamorphosis (longitudinal Section) Ink on Vellum, 2012

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Demetrius Carter Wastewater Treatment facility Charcoal, 2013 Pen and colored pencil, 2013

In the Design Studio 8 course at faU, we did drawing exercises that were aimed to engaging in our imagination of what a lab could be. The facility I designed will be used as a study of water purification. Scientists will be studying the different techniques in which to collect wastewater, purify the water and then send it back into the city grid. This facility will also be an educational tool as students from the community will have summer school classes available to understand the importance of potable drinking water in their city!

Iuliia Fomina and Jose Daniel BernalTrimo Bike Base – Project for the Trimo Urban Crash competitionSketchUp, Photoshop and Illustrator, 2013

We challenge Trimo and its partners to energize the city! The poetics which the bicycle’s positive energy bring to the urban environment is em-bodied via human-recharged “batteries” made possible through Trimo’s modular solutions.

During the day, the battery is energized by the users, and metaphorically, in turn they go on to power the city. at night, using led strip lights mounted on the modular units, charged during the day via photovoltaic panels, our Bike Base is a glowing reminder of and what really powers the urban core: humans in motion.


1 Paula Rojas Anamorphosis Drawing Ink on vellum, reflective paper, 2013

2 Paula Rojas Laboratory of ideas I Ink and watercolor, 2013

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3 Maria Florencia Sapatta Mechanical Laboratory of Ideas Watercolor and ink on paper, 2013

4 Maria Florencia Sapatta Marine Laboratory of Ideas Digital collage, 2013

5 Rita Sosa Chicago Museum Mixed digital media, 2013

6 Rita Sosa Laboratory of Imagination #1 autoCad, drawing and collage, 2013

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Film, V

ideo

& N

ew M

edia


Cynthia Gutierrez Greebo the Spaceboy in the Human Body Comic BookMaya and Photoshop, 2013

This is a short comic book for the iPad game Greebo the Spaceboy in the Human Body, which tells the prologue of how Greebo the Spaceboy, an alien from outer space, accidentally falls inside the body of his human specimen. The game is a 2D Platformer game that takes place in the blood stream of the human body where Greebo the Spaceboy is trapped inside and must escape. The player must avoid shooting red and white blood cells and shoot the Bacillus and Coccus bacteria in order to survive. The models for the game were created in Maya and the game was put together in UDK game engine.

Greebo the Spaceboy in the Human Body Comic Book

Cynthia Gutierrez 3D Modeling and Comic Book Cover Design

Steven Wang Comic Book Cover Design

Miguel Oubiña Alvarez Game Programmer

Roberta Schicchi 3D Modeling and Comic Book Pages. Maya and Photoshop, 2013


1 Juan Felipe Ocampo Chicago Pad 3D renderings, 2013

2 Eric Young Ashley The Zombie Slayer Posed Maya and Photoshop, 2012

3 Eric Young ericyoung3d.com logo Maya and Photoshop, 2012

4 Eric Young The Executive Maya and Unity, 2011

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1 Anna Torlen Dyana Sculptris, 2013

2 Christopher Swain Shadows of a Dream film Still, 2013

3 Grant Roberts Zombiegotchi 3D Character Model, 2012

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Lorenzo M. Ponce de LeónEl Hijo de HernándezDon Álvaro and Miguel outside of the abandoned train stationDon Álvaro and Miguel in the abandoned train stationMiguel — “Mi personalidad no va a cambiar” Miguel and Marcela in the desertfilm Stills, 2012

This is an independently produced full-feature film in Spanish based on the published work of a faU faculty member and other qualified faU students who traveled to Madrid and Castilla-la Mancha, Spain to work with professional actors. The film was created in 2012 and was released on april 12, 2013. It was also displayed in faU’s Quality Enhancement Plan in 2013.

Wendy Predestin Baby WavesWave WatchGripfilm Stills, 2013

This upcoming documentary film is about florida skim culture and three unsponsored local skimmers at different levels in the game trying to win the next BC Surf & Sport annual Skim Scare in 2013.www.youtube.com/watch?v=blzph_a7mD4


Contact

Aaron UmpierreAllison KruppAmber HarrisAna HernandezAndrea CardenasAndres GonzalezAnna TorlenAriel Baron-RobbinsArielle CacopardoArmando LunaAshley AckermanAshley WolfeAubrey AyalaAudrey Aurigemma

Brittani WrightBrittany Schade

Carlos FranciscoCatherine O’RourkeChad PernaChristian SteixnerChristopher SwainCynthia Gutierrez

Danielle MyersDeidre HardyDemetrius Carter

Edgard BarbosaElena Joy MedinaElise RaffaEllie SantangeloEric YoungEsther PattonEugenia Malioykova

Fatima ArbeloFelix Peña

Giancarlo MancoGrant Roberts

Iuliia FominaJanelle GarciaJeanie GiebelJennifer Huang

[email protected] [email protected]@[email protected]@[email protected]@[email protected]@[email protected]@[email protected]@[email protected]

[email protected]@fau.edu

[email protected]@[email protected]@[email protected]@fau.edu

[email protected]@[email protected]

[email protected]@[email protected]@[email protected]@[email protected]



[email protected]@[email protected]@fau.edu

John SandellJose Daniel BernalJuan Felipe Ocampo

Kansas WrightKimberly HeiseKit Romero

Leah AbusiewiezLorenzo M. Ponce de León

Manzi LiuMaria Florencia SapattaMark FranzMaryla MichelMelissa Grilli-MeunierMerle Edward Causey IIIMichael J. RiceMichelle FriswellMichelle JonesMona Hassan

Nathalya Cardona

Paula Rojas

Rick McCawleyRita SosaRoseanna Hassad

Sabine TinglofSara CourtneySara GrantSetareh GhoreishiStephanie Cunningham

Tammy KnippTrista Lam

Wendy PredestinWestley Cedeno




[email protected]@[email protected]@[email protected]@[email protected]@[email protected]@fau.edu

[email protected]

[email protected]


[email protected]@[email protected]@[email protected]



REMARQUE | FAU VISUAL ANNUAL 201366florida atlantic University fort lauderdale Campus 111 E. las olas Blvd. fort lauderdale, fl 33301

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