Renaissance Visual and Music SamplesRenaissance Visual and Music Samples

• These notes will be used on your test – give good descriptions so that you can identify them later

• These notes will be used on your test – give good descriptions so that you can identify them later

Leonardo Da Vinci VisualsLeonardo Da Vinci Visuals

Earliest known work by da Vinci – Study of a Tuscan LandscapeEarliest known work by da Vinci – Study of a Tuscan Landscape

(c. 1473)(c. 1473)

Adoration of the MagiAdoration of the Magicirca 1481-1482circa 1481-1482

AnnunciationAnnunciation

Date: circa 1473-1475 Date: circa 1473-1475

Study of horseStudy of horsec. 1490c. 1490

Madonna of the RocksMadonna of the Rocks1503-15061503-1506

The Last Supper, (showing Jesus, at the center, saying to his disciples, "One of you shall betray me“)

The Last Supper, (showing Jesus, at the center, saying to his disciples, "One of you shall betray me“)

1495-14981495-1498

Mona LisaMona Lisa(1503–1505/1507)(1503–1505/1507)

The Virgin and Child with St. Anne and St. John the BaptistThe Virgin and Child with St. Anne and St. John the Baptist

(c. 1499–1500)(c. 1499–1500)

Vitruvian ManVitruvian Manc. 1485c. 1485

Vitruvian ManVitruvian Man

• Based on correlations of ideal human proportions with geometry described by ancient Roman architect Vitruvius

• a palm is four fingers• a foot is four palms• a cubit is six palms• four cubits make a man• a pace is four cubits• a man is 24 palms

• Based on correlations of ideal human proportions with geometry described by ancient Roman architect Vitruvius

• a palm is four fingers• a foot is four palms• a cubit is six palms• four cubits make a man• a pace is four cubits• a man is 24 palms

Vitruvian ManVitruvian Man

• the length of the outspread arms is equal to the height of a man• from the hairline to the bottom of the chin is one-tenth of the height of a man• from below the chin to the top of the head is one-eighth of the height of a man• from above the chest to the top of the head is one-sixth of the height of a man• from above the chest to the hairline is one-seventh of the height of a man• the maximum width of the shoulders is a quarter of the height of a man• from the breasts to the top of the head is a quarter of the height of a man• the distance from the elbow to the tip of the hand is a quarter of the height of a man• the distance from the elbow to the armpit is one-eighth of the height of a man• the length of the hand is one-tenth of the height of a man• the root of the penis is at half the height of a man• the foot is one-seventh of the height of a man• from below the foot to below the knee is a quarter of the height of a man• from below the knee to the root of the penis is a quarter of the height of a man• the distances from the below the chin to the nose and the eyebrows and the hairline are

equal to the ears and to one-third of the face

• the length of the outspread arms is equal to the height of a man• from the hairline to the bottom of the chin is one-tenth of the height of a man• from below the chin to the top of the head is one-eighth of the height of a man• from above the chest to the top of the head is one-sixth of the height of a man• from above the chest to the hairline is one-seventh of the height of a man• the maximum width of the shoulders is a quarter of the height of a man• from the breasts to the top of the head is a quarter of the height of a man• the distance from the elbow to the tip of the hand is a quarter of the height of a man• the distance from the elbow to the armpit is one-eighth of the height of a man• the length of the hand is one-tenth of the height of a man• the root of the penis is at half the height of a man• the foot is one-seventh of the height of a man• from below the foot to below the knee is a quarter of the height of a man• from below the knee to the root of the penis is a quarter of the height of a man• the distances from the below the chin to the nose and the eyebrows and the hairline are

equal to the ears and to one-third of the face

Studies of EmbryosStudies of Embryosc. 1510c. 1510

Da Vinci HelicopterDa Vinci Helicopter

Da Vinci ParachuteDa Vinci Parachute

Da Vinci TankDa Vinci Tank

Michelangelo VisualsMichelangelo Visuals

Madonna of the Stairs1490-92

Madonna of the Stairs1490-92

Battlec. 1492Battlec. 1492

Bacchus1496-1497Bacchus

1496-1497

PietaPieta c. 1499c. 1499

DavidDavid c. 1504c. 1504

Madonna and Child1501-05

Madonna and Child1501-05

Doni Tondo - The Holy Family with St. John the

Baptist. c.1504-1506

Doni Tondo - The Holy Family with St. John the

Baptist. c.1504-1506

The ceiling of the Sistine ChapelThe ceiling of the Sistine Chapel

c. 1508-1512c. 1508-1512

Basilique San Pietro in VincoliBasilique San Pietro in Vincolic. 1513-1515c. 1513-1515

Moses1515

Moses1515

Tomb of Giuliano de' Medici 1526-1531

Tomb of Giuliano de' Medici 1526-1531

The Last Judgment The Last Judgment c. 1534-1541c. 1534-1541

St. Peter's Basilica in RomeSt. Peter's Basilica in Romec. 1546c. 1546

Renaissance Music SamplesRenaissance Music Samples

You will hear 1 minute of each sample – I will play each sample twice

You will hear 1 minute of each sample – I will play each sample twice

Chant vs. PalestrinaChant vs. Palestrina

Chant (Schola Gregoriana)Chant (Schola Gregoriana)

1. Introitus: Adorate Deum

2. Introitus: Dominus Illuminatio Mea

3. Offertoria: De profundis

4. Gradualia: Laetatus Sum

5. Versus Alleluiatici: Laudate Deum

6. Communiones: Qui Manducat

1. Introitus: Adorate Deum

2. Introitus: Dominus Illuminatio Mea

3. Offertoria: De profundis

4. Gradualia: Laetatus Sum

5. Versus Alleluiatici: Laudate Deum

6. Communiones: Qui Manducat

PalestrinaPalestrina

1. Nos Atem Gloriari

2. Missa Sine Nomine: Kyrie

3. Fundamenta Eius

4. Magnificat Primi Toni

5. Tu Es Petrus

6. Sicut Cervus

1. Nos Atem Gloriari

2. Missa Sine Nomine: Kyrie

3. Fundamenta Eius

4. Magnificat Primi Toni

5. Tu Es Petrus

6. Sicut Cervus