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Response, Revision & Re-envision- ing

Date post: 24-Feb-2016
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Response, Revision & Re-envision- ing. Your have been asked to return to a draft, to revise AND edit it. It behooves us, then, to think about what “deep revision” means, as well as to reconsider what it means to (critically) respond. The most common reasons I hear for not revising?. - PowerPoint PPT Presentation
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RESPONSE, REVISION & RE-ENVISION-ING dundee lackey [email protected]
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Page 1: Response, Revision & Re-envision- ing

RESPONSE, REVISION &

RE-ENVISION-ING

dundee lackey [email protected]

Page 2: Response, Revision & Re-envision- ing

Your have been asked to return to a draft, to revise AND edit it.

Page 3: Response, Revision & Re-envision- ing

It behooves us, then, to think about what “deep revision” means, as well as

to reconsider what it means to (critically) respond.

Page 4: Response, Revision & Re-envision- ing

The most common reasons I hear for not revising?

#1: The Myth of Divine Inspiration

#2: Confusion of Editing with Revision (or “correctness” with purpose?)

Page 5: Response, Revision & Re-envision- ing

The guilty undertaker sighs,The lonesome organ grinder cries,The silver saxophones say I should refuse you.The cracked bells and washed-out hornsBlow into my face with scorn,But it's not that way,I wasn't born to lose you.I want you, I want you,I want you so bad,Honey, I want you.

The drunken politician leapsUpon the street where mothers weepAnd the saviors who are fast asleep,They wait for you.And I wait for them to interruptMe drinkin' from my broken cupAnd ask me toOpen up the gate for you.I want you, I want you,I want you so bad,Honey, I want you.

Now all my fathers, they've gone downTrue love they've been without it.

But all their daughters put me down'Cause I don't think about it.Well, I return to the Queen of SpadesAnd talk with my chambermaid.She knows that I'm not afraidTo look at her.She is good to meAnd there's nothing she doesn't see.She knows where I'd like to beBut it doesn't matter.I want you, I want you,I want you so bad,Honey, I want you.

Now your dancing child with his Chinese suit,He spoke to me, I took his flute.No, I wasn't very cute to him,Was I?But I did it, though, because he liedBecause he took you for a rideAnd because time was on his sideAnd because I . . .I want you, I want you,I want you so bad,Honey, I want you.

 

Page 6: Response, Revision & Re-envision- ing

“I Want You”:

Why revise a hit?Blonde on Blonde (Track 5)

June, 1966

At Budokan (Disc 2, Track 6)1979

Page 7: Response, Revision & Re-envision- ing

This process could be:•a chance to re-think the rhetorical situation and make changes to your message that will increase its effectiveness.•a chance to truly re-envision

Let’s re-think re-vision.

Page 8: Response, Revision & Re-envision- ing

The Rhetorical Situation

Page 9: Response, Revision & Re-envision- ing

Re-envision(ing):Evolution of a BettyHow has Betty Crocker been depicted differently across time?

Why were these changes made?

Page 10: Response, Revision & Re-envision- ing

Re-envision(ing):Updating Designs

(New Bug)

(Old Bug)

Page 11: Response, Revision & Re-envision- ing

Re-envision(ing):Old Mug, New Mug: Updating Brands.

FMI, see: http://delicious.com/aisling/auntjemima

Page 12: Response, Revision & Re-envision- ing

The Back story “Aunt Jemima was

dreamed up in 1889 by a white businessman who was inspired by a character at a minstrel show. Looking for a way to sell a self-rising pancake mix, Chris L. Rutt conceived a jolly ex-slave who lived on a Louisiana plantation and made legendary flapjacks in the days ‘befo' de wah.’” (from “Uncle Ben, CEO”, David Seagal, Slate.com)

Page 13: Response, Revision & Re-envision- ing

…and, lest you think this an isolated revision:

Uncle Ben, then and now:

Page 14: Response, Revision & Re-envision- ing

“Response” can take many forms, and may have purposes of its own.

“No More” Jon Onye Lockard

(1967)


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