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R E S TO R I N G T H E L I O N S ’ ROA R:D O C UM E N T I N G A N D R E P L I C AT I N G L I M E S T O N ED O C UM E N T I N G A N D R E P L I C AT I N G L I M E S T O N ES C U L P T U R E S T H R O U G H L A S E R S C A N N I N G ,
3 D M OD E L I N G , & C N C M AC H I N I N G
C A I T L I N S M I T H | C O N S E R VAT O R | K R E I L I C K C O N S E R VAT I O N , L L C3 D D I G I T A L D O C U M E N T AT I O N S U M M I T | J U LY 2 0 1 2 | S A N F R A N C I S C O
A U T H O R S :
CAITLIN SMITH, PROJECT CONSERVATOR, KREILICK CONSERVATION, LLC
T. SCOTT KREILICK, PRESIDENT/CEO/PRINCIPAL CONSERVATOR, KREILICK CONSERVATION, LLC
HARRY ABRAMSON, PROJECT MANAGER, DIRECT DIMENSIONS, INC., , ,
GLENN WOODBURN, TECHNICAL PROJECT MANAGER, DIRECT DIMENSIONS, INC.
JON LASH, PRESIDENT/CEO, DIGITAL ATELIER, LLC
3 D D I G I T A L D O C U M E N T AT I O N S U M M I T | J U LY 2 0 1 2 | S A N F R A N C I S C O
R E S T O R I N G T H E L I O N S ’ R O A R : D O C U M E N T I N G
A N D R E P L I C A T I N G L I M E S T O N E S C U L P T U R E S
|CAITLIN SMITH|KREILICK CONSERVATION, LLC|JULY 2012
“P t d t th iti f E C t b th P d ti l
ntro
duct
ion “Presented to the citizens of Essex County by the Prudential
Insurance Company of America, from 1892 to 1958, more than half a century, this lion, with its twin companion,
sculptured by Karl Bitter, stood guard over the doorway of the First Prudential Building in Newark at 763 Broad Street, In
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gcorner of Bank Street. They have witnessed the growth of
Newark from a town to a metropolis.”
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Karl Bitter,. Karl Theodore Francis Bitter papers,Archives of American Art, Smithsonian Institution.
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Prudential
R E S T O R I N G T H E L I O N S ’ R O A R : D O C U M E N T I N G
A N D R E P L I C A T I N G L I M E S T O N E S C U L P T U R E S
|CAITLIN SMITH|KREILICK CONSERVATION, LLC|JULY 2012
ntro
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In
The New York Times
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Pantel del Cueto & Associates
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Mac
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Patusio
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R E S T O R I N G T H E L I O N S ’ R O A R : D O C U M E N T I N G
A N D R E P L I C A T I N G L I M E S T O N E S C U L P T U R E S
|CAITLIN SMITH|KREILICK CONSERVATION, LLC|JULY 2012
ntro
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In
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The New York Times
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Pantel del Cueto & Associates
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R E S T O R I N G T H E L I O N S ’ R O A R : D O C U M E N T I N G
A N D R E P L I C A T I N G L I M E S T O N E S C U L P T U R E S
|CAITLIN SMITH|KREILICK CONSERVATION, LLC|JULY 2012
CLIENT GOALS:
Preserve original fabric
P ti l i ibilit
OPTIONS:
1. Maintain originals
2 M k ld ff i i lntro
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Promotional visibility
Public accessibility
Documentation
2. Make molds off originals
3. Laser scan & create digital models
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TIMING IS EVERYTHING:
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1. Before de-installation – in case of catastrophic failure
2. After cleaning, before physical alteration – model replacement elements electronicallyM
achi
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3. After conservation & reconstruction – wait until end of restoration process
4 After cleaning & clay reconstruction before permanent repairs –usio
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4. After cleaning & clay reconstruction, before permanent repairs scanning occurs sooner, enlist the skills of a sculptor
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R E S T O R I N G T H E L I O N S ’ R O A R : D O C U M E N T I N G
A N D R E P L I C A T I N G L I M E S T O N E S C U L P T U R E S
|CAITLIN SMITH|KREILICK CONSERVATION, LLC|JULY 2012
ntro
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ion
In
Scan
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S
Mac
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R E S T O R I N G T H E L I O N S ’ R O A R : D O C U M E N T I N G
A N D R E P L I C A T I N G L I M E S T O N E S C U L P T U R E S
|CAITLIN SMITH|KREILICK CONSERVATION, LLC|JULY 2012
ntro
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In
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sLa
ser
S
Mac
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Surphaser® 25HSX
R E S T O R I N G T H E L I O N S ’ R O A R : D O C U M E N T I N G
A N D R E P L I C A T I N G L I M E S T O N E S C U L P T U R E S
|CAITLIN SMITH|KREILICK CONSERVATION, LLC|JULY 2012
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R E S T O R I N G T H E L I O N S ’ R O A R : D O C U M E N T I N G
A N D R E P L I C A T I N G L I M E S T O N E S C U L P T U R E S
|CAITLIN SMITH|KREILICK CONSERVATION, LLC|JULY 2012
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R E S T O R I N G T H E L I O N S ’ R O A R : D O C U M E N T I N G
A N D R E P L I C A T I N G L I M E S T O N E S C U L P T U R E S
|CAITLIN SMITH|KREILICK CONSERVATION, LLC|JULY 2012
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R E S T O R I N G T H E L I O N S ’ R O A R : D O C U M E N T I N G
A N D R E P L I C A T I N G L I M E S T O N E S C U L P T U R E S
|CAITLIN SMITH|KREILICK CONSERVATION, LLC|JULY 2012
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R E S T O R I N G T H E L I O N S ’ R O A R : D O C U M E N T I N G
A N D R E P L I C A T I N G L I M E S T O N E S C U L P T U R E S
|CAITLIN SMITH|KREILICK CONSERVATION, LLC|JULY 2012
ntro
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ion BENEFITS
Physical storage Long-term storage
DISADVANTAGES
– Costs of technology– Costs of accuracy
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Relative ease of manipulation Accuracy Protection of original fabric
– Changes in technology– File size & storage– Loss of detail in replicas
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Protection of new repairs – Not exact replicas
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R E S T O R I N G T H E L I O N S ’ R O A R : D O C U M E N T I N G
A N D R E P L I C A T I N G L I M E S T O N E S C U L P T U R E S
|CAITLIN SMITH|KREILICK CONSERVATION, LLC|JULY 2012
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QUESTIONS & COMMENTS?QUESTIONS & COMMENTS?P L E A S E C O N T A C TP L E A S E C O N T A C T
C A I T L I N S M I T HC O N S E R V A T O RC O N S E R V A T O R
K R E I L I C K C O N S E R V A T I O N , L L C5 1 9 T O L L R O A D , O R E L A N D , P A 1 9 0 7 5C S M I T H @ K R E I L I C K C O N S E R V A T I O N C O MC S M I T H @ K R E I L I C K C O N S E R V A T I O N . C O M
K R E I L I C K C O N S E R V A T I O N . C O M
3 D D I G I T A L D O C U M E N T AT I O N S U M M I T | J U LY 2 0 1 2 | S A N F R A N C I S C O