January 2015 BAM Richard B Fisher Building Technical Specifications Page 1 Revised by JE February 2015 RICHARD B FISHER BUILDING TECHNICAL SPECIFICATIONS BAM's technical specifications, seating charts, photos, stage drawings and more can be found on our private box.net website. Plans and Sections are available in AutoCAD, Vectorworks, and PDF (1/4” imperial and 1:50 metric scale). Email BAM’s Production Manager for the site address and password. SEATING CAPACITY Stage 204 (maximum) Mezzanine 85 (maximum) LOAD-IN AREA The loading ramp is at street level and is in the alley between the BAM Opera House and the Fisher Building. The door opens directly onto the SR section of the stage. Directly outside the door is an 8’-6” (2.59m) wide by 19’-3” (5.87m) long platform. The platform is connected to the sidewalk via a 4’-0” (1.22m) wide by 48’-0” (14.63m) ramp. The loading door measures 6’-0” (1.82m) wide by 7’’-4” (2.23m) high. The ramp and platform have a maximum weight limit of 1000lbs. All theatrical equipment will need to be able to make the turn into the door. BAM Fisher 321 Ashland Place Brooklyn, NY 11217
Transcript
January 2015 BAM Richard B Fisher Building Technical Specifications Page 1
Revised by JE February 2015
RICHARD B FISHER BUILDING TECHNICAL SPECIFICATIONS
BAM's technical specifications, seating charts, photos, stage drawings and more can be found on our private box.net
website. Plans and Sections are available in AutoCAD, Vectorworks, and PDF (1/4” imperial and 1:50 metric scale). Email BAM’s Production Manager for the site address and password.
SEATING CAPACITY Stage 204 (maximum)
Mezzanine 85 (maximum)
LOAD-IN AREA The loading ramp is at street level and is in the alley between the BAM Opera House and the Fisher Building. The door opens directly onto the SR section of the stage. Directly outside the door is an 8’-6” (2.59m) wide by 19’-3” (5.87m) long
platform. The platform is connected to the sidewalk via a 4’-0” (1.22m) wide by 48’-0” (14.63m) ramp. The loading door measures 6’-0” (1.82m) wide by 7’’-4” (2.23m) high. The ramp and platform have a maximum weight limit of 1000lbs.
All theatrical equipment will need to be able to make the turn into the door.
February 2015 BAM Richard B Fisher Building Technical Specifications Page 2
FISHMAN STAGE DIMENSIONS
Plans and Sections are available in AutoCAD, Vectorworks, and PDF (1/4” imperial and 1:50 metric scale).
STAGE (NO SEATS)
SEATING RISERS (COLLAPSED) TO BACK WALL 53’-3” (16.23m)
SL WALL TO SR WALL 57’-10” (17.63m) DECK TO BOTTOM OF MEZZANINE 9’-10” (3m)
BALCONY
WIDTH OF MEZZANINE 8’-0” (2.44m)
WIDTH OF OPENING BETWEEN MEZZANINE 42’-7½” (12.99m)
GRID
DECK TO BOTTOM OF MESH GRID 21’-5” (6.53m)
MEZZANINE TO BOTTOM OF MESH GRID 10’-7” (3.23m) MESH GRID TO UNISTRUT GRID 7’-1” (2.16m)
MESH GRID TO LIGHTING PIPES 1-7 3’-6.5” (1.08m) MESH GRID TO LIGHITNG PIPES A-C 3’-8.5” (1.13m)
Dimensions for different seating arrangements can be requested. Please see the contact information at the end of this document.
February 2015 BAM Richard B Fisher Building Technical Specifications Page 3
FISHMAN CARPENTRYCROSSOVERS
Crossovers are possible under the stage. Stairway entrances downstairs are located UR and UL, and have restricted
height and width. The lobby may also be used during performances for entrances DR and DL. STAGE FLOOR
The floor is a sprung dance floor with a black ¼” masonite surface. Reversible (black and white) marley flooring is available. Each of the (7) available Marley floor pieces are 6’6 ¾” x 55’ (2m x 16.76m). SOFT GOODS INVENTORY
MAIN CURTAIN
(2) Split ink blue velour 50% fullness – each side 19’5”h x 23’w (5.92m x 6.17m) (1) Ink blue velour border 50% fullness – 5’h x 42’w (1.52m x 12.80m)
LEGS
(4) Pair black velour 20’3h x 8’w (6.17m x 2.44m)
BORDERS
(3) Black velour 5’h x 42’w (1.52m x 12.80m)
BLACKOUT DROPS
(1) Black velour blackout drop 20’3”h x 42’w (6.17m x 12.80m)
SCRIMS
(1) Black sharkstooth scrim 20’3”h x 42’w (6.17m x 12.80m)
(1) White sharkstooth scrim 20’5”h x 42’w (6.22m x 12.80m)
PLASTIC CYC
(1) White 20’5”h x 42’w (6.22m x 12.80m)
OTHER
(1) Full stage traveler track
UNDER BALCONY MASKING
(22) Black velour 8’10”h x 8’w (2.69m x 2.44m)
STAGE RIGGING
CHAIN HOIST MOTORS
(4) Half ton CM chain hoist motors (4) Quarter ton StageMaker chain hoist motors
PLATFORMS
There are (46) 3’x6’ aluminum framed stock platforms that can be legged up to any height. Standard
platform heights are in 7” increments. The platforms are also used for audience seating in certain
configurations. Availability of all platforms will be determined by BAM’s Production Manager.
February 2015 BAM Richard B Fisher Building Technical Specifications Page 4
FISHMAN – ELECTRICS OVERVIEW
Except during the Next Wave Festival there is a Repertory Light Plot in use. For Rep Plot policy and relevant inventory please see the “Rep Plot Information” section below. During the Next Wave Festival or when the Rep Plot is not in use, all
inventory in the space is available. Please see the “Fishman Lighting Inventory” section below for the complete inventory.
There are (6) Vari*Lites in the space: (3) stage left and (3) stage right. They are permanently installed and may not be
moved or removed.
There is a LEX PowerGate, 400A 120V/208V AC, three phase company switch in the basement. All CamLok connections are female.
There is a Hubbell Circuit Lock 100A 120V/208V AC, three phase company switch on the Tension Grid level.
There are (13) ETC NET3 2-port gateways available for DMX control, which connect to the lighting network. Connection points are located on the grid, balcony, and stage levels.
DIMMERS
There is a dimmer-per-circuit system in place. There are a total of (264) @ 2.4kw ETC Sensor CEM+ dimmers. There are (36) at stage level, (12) at balcony level, and (216) at grid level.
There are a total of (8) 110v and (4) 220v relays throughout the stage and grid levels.
Dimmers and relay panels are located on the Mezzanine Level, Stage Left. CONTROL CONSOLE
The Control Booth is located in the rear of the balcony level in the booth. The windows be can opened or removed.
ETC ION console with synchronized backup and the following features:
Full featured moving and conventional lighting console
NET3 (ACN based) network system with 32 DMX universes
DMX input/output available via Ethernet ports and portable ETC NET3 2-port gateways
Offline programming on PC (Vista or XP) and native on Macintosh (OS X Power PC or Intel)
Show data importing from Obsession, Express/ion, Emphasis and Strand 500/300 series show files via ASCII
Ion web site: http://www.etcconnect.com/product.overview.aspx?Id=20351
There is an RVI unit with dual monitors, keyboard, and mouse. HOUSE LIGHTS
Optional dimming is available at the lighting console. The house lights can also be controlled via the Unison touchscreen
panel in the booth. PERSONNEL LIFTS
(1) Genie Runabout GR-20 single lift - maximum platform height 20’-0” (6.10m)
There are nine (9) units in the Rep Plot that can be refocused. Please see the Rep Plot for indication of these specific units. Additional costs will likely apply for moving, adding, and/or refocusing beyond these (9) units. All units can be
recolored. The following inventory is available to be added to the Rep Plot. Separate packages are available for booms and cyc lights, but will incur additional costs.
ADDTIONAL INVENTORY
(7) ETC Source Four 14°
(8) ETC Source Four 19° (23) ETC Source Four 26°
(14) ETC Source Four 36° (25) ETC Source Four 50°
(24) ETC Source Four PAR, with VNSP, NSP, MFL, and WFL lenses (4) Vari*Lite VL1100TS ERS
February 2015 BAM Richard B Fisher Building Technical Specifications Page 6
February 2015 BAM Richard B Fisher Building Technical Specifications Page 7
FISHMAN – SOUND SYSTEM OVERVIEW
The system consists of two zones, Center and Surround (House Left, House Right, Rear of House, and Stage). The
Center Zone is made up of: Left, Right, Center, Delays and Sub. The Surround Zone consists of (18) loudspeakers: (6) on the North wall, (6) on the South Wall, (3) on the East Wall, and (3) on the West Wall. All zones can be controlled
separately. Please see drawing package for specific loudspeaker locations.
All loudspeakers are time-aligned with preset delays via the Meyer Galileo Loudspeaker Management System.
Standard EQ consists of a low pass on the mains and a high pass on the subs.
There is a Hubbell Circuit-Lock, 100A 120V/208VAC, three phase isolated ground company switch in the basement.
The theater is equipped with a Sennheiser InfraRed Assistive Listening System.
(4) Channel Clear-Com party line system with multiple drops at key locations throughout stage, house and all technical areas, along with an (8) channel CellCom wireless com system.
There is a Cat6 infrastructure with tie lines throughout the building.
MIXING LOCATIONS
The Control Booth is located in the rear of the balcony level in the booth with windows. The windows be can opened or
removed.
An in house mix position is available in the balcony at the rear of the seating risers, just in front of the booth. (7) seats need to be removed to allow enough space for the mixing console and egress. This position is subject to approval by the
(3) Chief RPMA6500 Mounts (1) BrightEye Mitto (DVI to HD-SDI)
(8) TrippLite VGA Extenders
(3) Aja HD5DA (HD/SD Distribution Amp) (3) Aja HI5 (HD-SDI to HDMI)
(1) BlackMagic Audio to SDI Mini Converter (1) Bright Eye NXT 410 Clean HDMI Router
PROPERTIES
MUSIC STANDS (10) with lights, as available
ORCHESTRA CHAIRS (10) Black Wenger Musician’s Chairs
LECTERNS (2) Lecterns
TABLES & CHAIRS 6’ plastic folding tables and folding chairs are available as necessary.
WARDROBEFACILITIES
There is a well-equipped separate wardrobe room located in the basement equipped with a laundry room with (2) front loading washing machines & (2) front loading dryers.
WARDROBE EQUIPMENT
(8) rolling clothing racks
(2) steamers (2) clothing irons
(2) ironing boards (2) portable sewing machines
February 2015 BAM Richard B Fisher Building Technical Specifications Page 10
DRESSING ROOMSKEYS
Dressing room locks are opened with a number code. They are available from the Production and Artist Services staffs. There are two dressing rooms, each accommodating 10 people.
FLOOR PLAN OF ROOMS
There is one ADA accessible room at stage level, two group dressing rooms in the basement (up to 20 people), and two
group dressing rooms on the 4th floor (up to 12 people). Access from the stage to the dressing rooms is via stairs. BATHROOMS AND FACILITIES
All dressing rooms are equipped with bathroom facilities. Basement and 4th Floor dressing rooms are also equipped with
showers.
VISITING COMPANY OFFICE
There is an office in the basement designated for use by visiting companies with the following available for use: Computer with internet access.
Printer.
Phone line.
GREEN ROOM
There is no green room on the premises. Coffee and beverages are set up at the basement level.
February 2015 BAM Richard B Fisher Building Technical Specifications Page 11
HILLMAN REHEARSAL STUDIO
Plans and Sections are available in AutoCAD, Vectorworks, and PDF (1/4” imperial and 1:50 metric scale).
The Hillman is on the fourth floor of the Fisher Building, with access via an elevator (elevator load-in dimensions:9’ x 4’)
There are windows on the Ashland Pl side of the room, and mirrors on the other. A sunshade and blackout out shade are
installed to cover the windows as needed. There is a double dance bar installed along the mirror wall. A split moleskin
velour curtain is installed to cover the mirrored wall.
STUDIO DIMENSIONS
BALLET BAR TO WINDOWS 34’-7” (10.54m) NORTH WALL TO SOUTH WALL 43-0” (13.1m)
FLOOR TO BOTTOM OF TECH GALLERY 11’-10” (3.6m)
February 2015 BAM Richard B Fisher Building Technical Specifications Page 12
STUDIO FLOOR
The floor is a sprung dance floor with a wood surface. Reversible (black and grey) marley flooring is available. Each of the (5) available Marley floor pieces are 6’6 ¾” x 42’ (2m x 12.8m).
Availability of platforms, and theatrical seats will be determined by BAM’s Production Manager.
Folding chairs and 6’ tables are available as necessary TRUSS
(3) 30’ total length made up of (3) 10” sections of 12” x 12” JT Supertruss are hung in the Hillman. Capacity is 2,000lbs
for an evenly distributed load, and 1,500lbs for a point load.
HILLMAN – ELECTRICS There is a Hubbell Circuit-Lock, 100A 120V/208VAC, three phase company switch located in an adjacent room off the
South Side of the studio. DIMMERS
All dimmers are part of the dimmer-per-circuit system in place. There are (84) 2.4kw ETC Sensor dimmers; (60) on the tech gallery level, (24) on the floor level.
Dimmers are located in the Fishman Space dimmer room.
RF MICS AND SYSTEMS (1) Shure ULXD4Q G50 Receivers (4 channels)
(4) Shure ULXD1 G50 Transmitters
(4) Shure ULXD2 G50 Transmitters
HILLMAN – VIDEO
PROJECTORS (1) Panasonic PT-DZ6710U DLP Multi Media Projector (6000 ANSI Lumens)
ACCESSORIES (1) 1.8 – 2.4 lens (Standard Lens)
(1) Draper Screen – 8’3/4”x14’ (2.7m x 4.3m)
(1) Chief RPMA6500 Mount
February 2015 BAM Richard B Fisher Building Technical Specifications Page 13
INTERNATIONAL FREIGHT Normal U.S. Customs clearance usually takes 3-4 days But there can sometimes be added security holds which could
delay clearance for another 4-5 days if they decide to X-ray the container(s), or another, additional two weeks if they decide to de-van the shipment for inspection.
While Customs does regularly see BAM as the consignee on a lot of theatrical shipments that do not have problems clearing Customs, and consequently will infrequently if ever go to the extra lengths to inspect our freight, it's always
possible, and we will try to plan for the worst case-- so we suggest that a minimum of two weeks and preferably three would be advisable between arrival in New York and the needed load in date at BAM.
OPEN FLAME and EFFECTS
Companies coming into BAM must provide BAM with all necessary flame proofing documentation for their scenery, stage properties, and costumes, and information as necessary for all open flame effects, including the use of cigarettes, etc.
BAM will make all reasonable efforts to obtain the appropriate open flame permits; however, the use of all open flame is
at the sole discretion of the New York City Fire Department.
For further information, please contact: Production Department
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