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Page 1 8/23/2016 RT 331 DIGITAL GRAPHICS 2D design for film and video fall 2016 Room 9A Mon 1-3:50 New Media Center Professor Sarah Lewison [email protected] phone: 618-453-2233 Office Communication 1050E (RTD office) Hours Mon 9-12; Tues 2-5 & by appointment I. Introduction This course gives film and animation students experience in creating original graphic images with three applications in the Adobe suite: Photoshop, Illustrator and Aftereffects. A series of exercises and design challenges will lead students to build a portfolio of work that reflects contemporary visual strategies commonly used in screen and print for publicity, graphics, titling and sequence production. Project assignments offer opportunities to practice concepts from media literacy, storytelling and message making and are grounded in research to foster creativity, control, critical thinking and design skills. Students will also gain familiarity with workflow, file formats, and artistic and legal concepts regarding images and ideas. II. Objectives Improve and expand technical skills while getting familiar with principles of composition, color and typographic design. • Become familiar with 3 applications: Illustrator, Photoshop, Aftereffects Develop your creativity through new sources and ideas Apply design principles for 2D images and learn to evaluate results. • Learn to analyze graphic signs and communicate effectively and critically Learn some common graphic approaches for representing reality • Explore new sources for ideas and approaches to media making. • Demonstrate understanding of how meaning is invested in images • Acquire simulated experience of working for and responding to a client design III. Course Structure There are 3 large projects and 3 smaller exercises that will be graded. A couple of writing and reading assignments will also be evaluated. There will also be practice homework each week- the more you do, the better you will get. Class time includes lecture, discussion and work time. Homework includes readings in design and visual culture, exercises and projects. You must keep an individual blog on blogger to post your in-process and completed work, to post research and to respond to prompts. Illustrator exercises include lessons on color, composition, typography and using layers. Photoshop exercises include lessons on texture, layers and compositing. Aftereffects add the element of time.
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Page 1: RT 331 DIGITAL GRAPHICS - SIU€¦ · Page 1 8/23/2016 RT 331 DIGITAL GRAPHICS 2D design for film and video fall 2016 Room 9A Mon 1-3:50 New Media Center Professor Sarah Lewison slewison@siu.edu

Page 1 8/23/2016

RT 331 DIGITAL GRAPHICS 2D design for film and video

fall 2016

Room 9A Mon 1-3:50

New Media Center

Professor Sarah Lewison

[email protected] phone: 618-453-2233

Office Communication 1050E (RTD office)

Hours Mon 9-12; Tues 2-5 & by appointment

I. Introduction This course gives film and animation students experience in creating original graphic images with three applications in the Adobe suite: Photoshop, Illustrator and Aftereffects. A series of exercises and design challenges will lead students to build a portfolio of work that reflects contemporary visual strategies commonly used in screen and print for publicity, graphics, titling and sequence production. Project assignments offer opportunities to practice concepts from media literacy, storytelling and message making and are grounded in research to foster creativity, control, critical thinking and design skills. Students will also gain familiarity with workflow, file formats, and artistic and legal concepts regarding images and ideas. II. Objectives Improve and expand technical skills while getting familiar with principles of composition, color and typographic design.

• Become familiar with 3 applications: Illustrator, Photoshop, Aftereffects • Develop your creativity through new sources and ideas • Apply design principles for 2D images and learn to evaluate results. • Learn to analyze graphic signs and communicate effectively and critically • Learn some common graphic approaches for representing reality • Explore new sources for ideas and approaches to media making. • Demonstrate understanding of how meaning is invested in images • Acquire simulated experience of working for and responding to a client design

III. Course Structure There are 3 large projects and 3 smaller exercises that will be graded. A couple of writing and reading assignments will also be evaluated. There will also be practice homework each week- the more you do, the better you will get. Class time includes lecture, discussion and work time. Homework includes readings in design and visual culture, exercises and projects. You must keep an individual blog on blogger to post your in-process and completed work, to post research and to respond to prompts. Illustrator exercises include lessons on color, composition, typography and using layers. Photoshop exercises include lessons on texture, layers and compositing. Aftereffects add the element of time.

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IV. Weekly Schedule The first unit introduces vector graphics, and covers flatness, scalability, and the use of design to organize information. The Photoshop unit surveys ways of representing and altering photorealistic imagery, and includes a review of concepts around how we receive and propagate meaning in images in our technological society. Finally, we use After Effects to explore the convergence of book media with video in a sequential project combining text and image. MOST READINGS AND OTHER RESOURCES at D2L SITE Other resources CLASS BLOG: http://331weekly.blogspot.com/ - week by week links and your work EXAMPLES: http://rt331.blogspot.com/ - many examples will be posted here READINGS ABBREVIATIONS AW =Alex White, “The Elements of Graphic Design” F1= Digital Foundations by xtine burroughs and Mike Mandiberg at http://wiki.digital-foundations.net/ XB = xtine burroughs, “Foundations of Digital Art and Design”

UNIT 1 Illustrator: Designing with Information

Date Lab Due assignments on below dates

Week 1: Aug 22 Intro to digital imaging Points, lines, planes GUI. Early video games

Class business/make blogs Intro to Illustrator Start blogs and record URL

EXERCISE: DOT, PATH, PIXEL

Acquire class materials-

unlined notebook, pencils, eraser, thumb drive.

check online LINKS at D2L http://331weekly.blogspot.com/

Week 2: Aug 28 Symbols and basic shapes Design as organization. Grids, balance, symmetry, space Movie: Dot + the Line

Bezier curves, tracing, compound paths and objects, pathfinder tool. Ch 3 XB in class. Tutorial Infographic Powerpoint Assign: LOGO- black and white only! INFOGRAPHIC PROJECT 1

FINISH project started in class READ XB Ch 1 +2. do exercises. READ AW Ch 1 Space is Emptiness Post work ON BLOG Introduce yourself on your blog.

Week 3: SEPT 5

Labor Day Holiday – Monday there’s no class, but you still need to read and do homework for the next week

READ/DO Chapter 6 F1 READ: AW Symmetry READ: AW Unity and Space Research 3 images - explain on blog: space, symmetry, balance. • BRAINSTORM INFOGRAPHIC PROJECT 1 ASSIGNMENT

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Date Lab Due assignments on below dates

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Week 4: Sept 12 Integrating design through Repetition, Hierarchy, Color, scale

Using type

INFORMATION DESIGN Storyboarding with a grid Gradients, masking review

Using TYPE: exercise

DUE

• 3 ICONS (sm project 1 POST to blog)

• READ/do Ch 6 F1 line art- POST • POST: 3 images illustrating space, symmetry, balance, imbalance

PRESENT Project 1: INFOGRAPHIC Ideas

Week 5: Sept 19 Archives and information Bitmap VS raster images

Intro to appropriation

Present infographic drafts, crit.

Searching/sampling. Scanning

WORK TIME

Assigned

• Read AW: Wayfinding (LINK)

• Infographic DESIGN PROJECT 1

DUE Infographic version 1 DRAFT

• read AW Unity and Space

• READ The Scoop on Infographics (link in D2L)

Week 6: Sept 26 Design unities

Self representation

The archive

Critique

Critique INFOGRAPHIC Work time in class Discuss archives

Technical QUIZ on Illustrator

DUE INFOGRAPHIC PROJECT 1 FINAL

• Read AW: Wayfinding (LINK)

Scan 2 objects

UNIT VOCABULARY: Vector, native format, bezier curves, isotypes, dynamism, path, line, plane, mask, gui, tone, hue, shade

Submitting Projects- do before class- do not wait Double check your formatting is correct. Include your name and project name. Submit: 1) At School: into server space. From “finder,” choose top menu Go-> connect to server (shortcut command K). Select nmc.siu.edu as the server. Enter login ___________ password __________. Put your project in appropriate folder (they will be named with projects) 2) FROM HOME ITS POSSIBLE TO load into DROP BOX. Let me know if you want this option and I will invite you to put your work into a DROP BOX FOLDER. You might need to make an account with Drop Box .

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UNIT 2 Photoshop: Truths and fiction with photorealism

Week 7: Oct 3 Appropriation+ copyright Reality and fantasy Bit depth. Vector vs bitmap

INTRO TO PHOTOSHOP

BEGIN Photoshop Tools 1

Discuss READING

Layers/tones/collage

F1 chapter 10 -Cloning

Assign: EXERCISE #2: HISTORY TABLEAU- composition across time

DUE: 15 images with text

personal archive-POSTED TO BLOG

READ: F1: Chapter 2 -searching / sampling

DO F1: Chapter 8 tonal range

DO F1: Chapter 9 Layers + collage

OCTOBER 10 NO CLASS: FALL VACATION • READ: PRACTICES OF LOOKING

Week 8 : Oct 17

Form as meaning Discussion: semiotics Tampering, ethics, fair use

Alpha channels and compositing

Photoshop Tools 2

Work time

Extractions, textures, transparency, blends

Discuss reading POL

Assigned

• Movie POSTER PROJECT 2

DUE HISTORY TABLEAU (EXERCISE 2)

Read and Do: F1 Ch. 11- Non-destructive editing

READ: PRACTICES OF LOOKING- be ready to discuss- I will call on people

Week 9: Oct 24 Visual theory and craft

Composing: Color, texture, complexity.

Student presentations on poster ideas.

Review blends, selection tools alpha channels, color Hierarchy and layers

DUE: WRITE in blog: Movie concept post 2 influences- and thumbnail images

DUE: MOVIE POSTER PRESENTATION

Research, analyze, post: 2 Movie posters for style and content

READ: EL: Framing, hierarchy, layers, transparency (linked at D2L)

Week 10: Oct 31 Professional workflow

Constructing messages 2

Smart memes/desire

Critique and discussions

Assigned

Storyboard (EXERCISE 3)

• EL: Framing (LINK)

• EL: Motion (LINK)

DUE: MOVIE POSTER DRAFT

UNIT VOCABULARY and EVALUATION: Raster, bitmap, tonality, saturation, smart object, cloning, contrast, blend, scanogram, glyph, pixel, resolution, pixel resolution, alpha channel

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UNIT 3: Integration: Stills and motion

Week 11: Nov 7 Montage/image replacement.

Composing in time. Rhythm.

Typography and movement

Drawing techniques

Aftereffects Introduction

Discuss/practice motion

Importing AI and PSD docs

Assigned FUTURE OF THE BOOK PROJECT 3

• Brainstorm assignment

• Storyboard assignment

DUE FINAL POSTER

• EL: Framing (LINK)

• EL: Motion (LINK)

• Blog: First ideas final PROJECT 3

Week 12: Nov 14 (full moon) Clients Brief:

The future of the book

Narrative in space and time

Critique IDEAS/PRESENT.

Review AE timeline, keyframing and footage

Visualization/storyboarding 2

Alternative editing options.

Assigned EXERCISE 3 Storyboard

DUE FUTURE of the BOOK: 2 ideas/ proposals (writing and sketches)

DUE: Aftereffects practice exercise (tutorial)

Week 13: Nov 21 Working with clients 2 Adaptation and visualization

AE effects and blends

Animatics

DUE: presentation FUTURE of the BOOK.

DUE: drawn storyboard- text and image- must be scanned

Week 14: Nov 28 Adding sound

Integrating with Final Cut

Creating story, adaptation

Supervised work time

Assigned

• First draft final PROJECT 3

• Blog: Proposal PROJECT 3

DUE FUTURE OF THE BOOK animatic

Week 15: Dec 5 Compression and Exporting for different applications

Critiques

Discussion of projects

(group and individual)

DUE First draft FUTURE OF THE BOOK

• Blog: Proposal final

• Storyboard

Meetings with teacher We will organize a meeting to examine your project in a smaller group

Friday of same week: SECOND DRAFT FUTURE OF THE BOOK

UNIT evaluation and VOCABULARY: to be added to and includes all previous vocabularies Animatic, render, export, compression, bit depth, footage, aspect ratio, time code, to be continued

FINAL EXAM DEC 18 (Friday), 12:30-2:30

FINAL CRITIQUES DUE: FUTURE OF THE BOOK

QUIZ (FINAL)

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IV. Expectations Please do all assignments and readings on time. Be present in the class. The use of cell phones or non-class associated browsing will impact your grade for the day. We cover a lot of material and it helps if you let me know if we are moving too quickly or slow, so I can adjust the pacing. It makes a better classroom atmosphere if students share what they know in order and help each other. I expect openness to the ideas, opinions and experiences of others, so that we learn from each other. My expectation is that all college students will question their assumptions as part of honing their critical voices and visions. Treat the classroom as a safe place to experiment and to try things out. Respect each other’s experiments. I hope you will participate in good faith and with receptivity as regards the course content, the curriculum and each other. If you have issues with the course, other students, your attendance, or with the curricula, come speak to me as soon as possible. V. Requirements ➢ Come on time- come rested- come prepared. ➢ Readings- From book, posted online or in handouts. Read them in time for class. ➢ Exercises uploaded course server at beginning of class they are due or night before. ➢ Blogging- weekly to post assignments, writing, ideas and reflections ➢ Homework-uploaded to course server or drop box before class begins ➢ Late turn-ins are graded down. This includes exercises and projects. ➢ Reviews- Make notes on techniques and terms - you are responsible to learn them. ➢ Taking notes: Use a notebook to jot down lectures, make sketches and record ideas.

Evaluation ➢ Based on evidence of expanding skills and comprehension over semester including: ➢ Efficient organization of work; improvement in work procedures. ➢ Use of blog as a visual diary and to post assignments ➢ Integration of concepts from technical and conceptual readings into work. ➢ Timely completion of assignments, readings and writing – browsing notes. ➢ Class attendance and participation in discussions and responses online. ➢ Evidence of time spent on projects and readings. ➢ Evidence of independent research, creativity and effort in acquiring images. ➢ Improvement in any area will be recognized.

Class attendance You can miss two classes without penalty. More than two result in one letter downgrade. Another two missed=another letter downgrade. Three "lates" (not present at start of class) equals an absence.

Deadlines: Assignments are due by the beginning of class on specified due dates, unless noted. Work received after deadline is late and the grade will be reduced 10% (one letter grade). In case of personal circumstances leading to absence, contact me early. A written letter (from family, counselor or doctor) should be handed in, documenting reasons for absence upon return.

Tell me: If you are having issues that interfere with your ability to learn or meet class expectations. Please meet with me, or email, or call (415-265-5988) to discuss what to do. This is very important!

VI. Grading Hands-on projects and exercises count as the majority of your grade. Familiarize yourself with the blogs and the server space to upload projects; this makes it easier to see the work in class. There will be folders with the assignment name and date posted there.

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Big Projects (1, 2, 6) 75% 25 pts each Smaller Projects (3, 4, 5) 45% 15 pts each Final project research 10% presentation of final project Blog postings (reading reflections) 30% Exercise homework 30% Participation 10% Total 200 points A: extraordinary commitment beyond requirements, demonstrable creativity All work handed in time. Understands intentions behind assignments. Goes beyond expectations. B: very good work, met requirements and improved, frequent participant C: average work, met requirements generally. Rote responses indicating less understanding of premises of assignments. Interested in class and tries hard D: missed completing assignments, absent frequently, unengaged

Extra Credit By mutual agreement. For extracurricular activities beyond class requirements but related. Can include lectures on and off campus, volunteer production work related to class or not (you make a website for a non-profit that offers social benefits). You cannot miss class for extra credit.

VII. Academic Integrity Students must do their own creative and written work. You must conform to SIUC academic integrity standards. Cite all language, music, video and images used in projects. Unassigned plagiarism will be prosecuted under the Student Conduct Code. Learn about what constitutes copying. You may not “double up” by using the same work for two different classes. Students may use research conducted for another class as the basis for production in this class. For more information, ask or read the Student Conduct Code www.siuc.edu/~policies/policies/conduct.html

VIII. Accommodations for students with disabilities In compliance with SIUC policy and equal access laws, we are available to discuss appropriate academic accommodations that may be required for any student with disabilities. Requests for academic accommodations should be made during the first three weeks of the semester, except for unusual circumstances, so arrangements can be organized. Students are encouraged to register with Disability Support Services to verify their eligibility for appropriate accommodations. Website: http://disabilityservices.siuc.edu/

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Building Emergency Response Protocols for Syllabus:

University’s Emergency Procedure Clause:

Southern Illinois University Carbondale is committed to providing a safe and healthy environment

for study and work. Because some health and safety circumstances are beyond our control, we ask

that you become familiar with the SIUC Emergency Response Plan and Building Emergency

Response Team (BERT) program. Emergency response information is available on posters in

buildings on campus, available on BERT’s website at www.bert.siu.edu, Department of Public

Safety’s website www.dps.siu.edu (disaster drop down) and in the Emergency Response Guideline

pamphlet. Know how to respond to each type of emergency.

Instructors will provide guidance and direction to students in the classroom in the event of an

emergency affecting your location. It is important that you follow these instructions and stay

with your instructor during an evacuation or sheltering emergency. The Building Emergency

Response Team will provide assistance to your instructor in evacuating the building or sheltering

within the facility.

Students With a Disability:

Instructors and students in the class will work together as a team to assist students with a disability

safely out of the building. Students with a disability will stay with the instructor and communicate

with the instructor what is the safest way to assist them.

Tornado:

During the spring semester we have a Storm Drill.

Pick up your belongings and your instructor will lead you to a safe area of the basement. No one

will be allowed to stay upstairs. Stay away from windows. The drill should not last more than 10

minutes. You must stay with your instructor so he/she can take roll. Students need to be quiet in

the basement as the BERT members are listening to emergency instructions on handheld radios

and cannot hear well in the basement.

Fire: During the fall semester we have a Fire Drill.

Pick up your belongings and your instructor will lead you to either the North or South parking lot

depending on what part of the building your class is in. You must stay with your instructor so he/she

can take roll. As soon as the building is all clear, you will be allowed to return to class.

These drills are to train instructors and the Building Emergency Response Team to get

everyone to a safe place during an emergency.

Bomb Threat:

If someone calls in a bomb threat, class will be suspended and students will be asked to pick up

their belongings, evacuate the building and leave the premises. Do not leave anything that is yours

behind. We will not allow anyone back into the building until the police and bomb squad give us an

all clear. DO NOT USE YOUR CELL PHONES. Some bombs are triggered by a cell phone

signal.

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Shooter in the Building:

If it is safe to leave, move to a safe area far from the building away from where the shooter is

located. If anyone has any information about the shooter, please contact the police after they have

gone someplace safe. Put in your cell phone the SIU Dept. of Public Safety 618-453-3771. If there

is a shooter on campus you can call this number to report it. There will be a lot of calls going to

911 and the SIU Police will get your call using 618-453-3771. It is good to have this number

listed in your cell phone for all emergencies here on campus.

If it is not safe to leave, go into a room, lock the door and turn out the lights. Everyone should

spread out and not huddle together as a group. Don't stand in front of the door or in line of fire with

the door. Students' chair and desks should be piled in front of the glass and door as a barricade and

the teacher's desk, podium and anything movable can be pushed against the door. This is intended

to slow down any attempts to enter the classroom. If it looks like the shooter is persistent and able

to enter, make a lot of noise and have the students use everything in their backpacks to throw at the

shooter to distract him.

Silence all cell phones after one person in the room calls the police and informs them of their

location and how many people are in the room. Be quiet and wait for the police to arrive. The

police are looking for one or more shooters, and they have no way of knowing if the shooter is in

the room people are hiding in. For this reason, when the police enter the room, no one should have

anything in his/her hands and each person MUST raise his/her hands above his/her head.

Earthquake:

In the event of an earthquake, you are advised to take cover quickly under heavy furniture or crouch

near an interior wall or corner and cover your head to avoid falling debris. Outside the building are

trees and power lines and debris from the building itself that you will need to stay away from. In

the building, large open areas like auditoriums are the most dangerous. Do not try to escape on a

stairway or elevator. Do not hide under a stairway. We do not recommend that you stand in a

doorway because the door could shut from the vibrations and crush your fingers trapping you there.

Radiation Emergency:

A radiation emergency could come about due to a complete meltdown of a nuclear reactor core to

our west, a catastrophic leak of material from nuclear weapons manufacturing facilities to our south,

or as a result of a nuclear weapon being detonated in or around St. Louis, MO, or along the Ohio

River valley between Paducah KY and Evansville IN.

Regardless of the source of the radiation, what you need to do in response is the same:

Get inside, Stay inside and Stay tuned - Close and lock all windows and doors. Go to the

basement or the middle of the building. Radioactive material settles on the outside of

buildings; stay as far away from the walls and roof of the building as you can. If possible,

turn off fans, air conditioners, and forced-air heating units that bring air in from the outside.

Close fireplace dampers.

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Bring pets inside with you, if you can. Bring in any supplies from outside that your pets

might need for at least 24 hours.

If you were outside when it started, carefully remove your outer layer of clothing before

entering the building, if you can. Radioactive material can settle on your clothing and your

body, like dust or mud. Once inside, wash the parts of your body that were uncovered when

you were outside. Then put on clean clothing, if you can. This will help limit your radiation

exposure and keep radioactive material from spreading.

Cover your mouth and nose with a mask, cloth, or towel if you must be outside and cannot

get inside immediately.

Vehicles do not provide good protection from radioactive material.

Schools, daycares, hospitals, nursing homes, and other places have emergency plans in place

to keep people safe at the facility.

Providing shelter to someone who was outside during a radiation emergency can save their

life without endangering your own. They will have to remove outer layer of clothes before

they enter the building and wash the parts of their body that were uncovered. Give them

clean clothing or coverings that you have. This will help limit their radiation exposure and

keep radioactive material from spreading.

Hazardous Materials:

While there are many possible scenarios where hazardous materials spill, explode, are released into

the air, and/or burn, a train derailment is the most likely cause of a serious incident. Regardless of

how the incident begins, the following guidance should be followed.

Listen to local radio or television stations for detailed information and instructions. Follow the

instructions carefully. You should stay away from the area to minimize the risk of contamination.

Remember that some toxic chemicals are odorless.

If you are asked to evacuate o Do so immediately.

o Take pre-assembled disaster supplies.

o Help your neighbors who may require special assistance--infants, elderly people and

people with access and functional needs.

o Follow evacuation routes, temporary shelters, and procedures.

o Don’t leave your pets. If you evacuate take them with you.

If you are caught outside o Stay upstream, uphill, and upwind!

o Try to go at least one-half mile from the danger area.

o Move away from the accident scene and help keep others away.

o Do not walk into or touch any spilled liquids, airborne mists, or condensed solid

chemical deposits.

o Try not to inhale gases, fumes and smoke. If possible, cover mouth with a cloth

while leaving the area.

o Stay away from accident victims until the hazardous material has been identified.

If you are in a motor vehicle o Stop and seek shelter in a permanent building.

o If you must remain in your car

Keep car windows and vents closed

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Shut off the air conditioner and heater.

If you are requested to stay indoors o Bring pets inside.

o Close and lock all exterior doors and windows.

o Close vents, fireplace dampers, and as many interior doors as possible.

o Turn off air conditioners and ventilation systems.

o Seal gaps under doorways and windows with wet towels or plastic sheeting and duct

tape.

o Seal gaps around window and air conditioning units, bathroom and kitchen exhaust

fans, and stove and dryer vents with duct tape and plastic sheeting, wax paper or

aluminum wrap.

o Use material to fill cracks and holes in the room, such as those around pipes.

o If gas or vapors could have entered the building, take shallow breaths through a cloth

or a towel. Avoid eating or drinking any food or water that may be contaminated.

Rave Mobile Safety Alert System:

We recommend that you sign up for the Rave Mobile Safety Alert System. It is a system to alert

you through emergency text messages on your cell phone and emails for emergencies on campus,

weather reports and emergency school closures. You have to sign up for Rave Mobile Safety Alert

System. Go to Saluki Net, go to my records tab, under SIUC Personal Records, click on View My

SIUC Student Records, Under Main Menu click on Personal Information, click on View and Update

Addresses and Phones, in the middle of the page click [Update Addresses and Phones], under

phones click Primary: This will take you to Update Addresses and Phones – Update/Insert, under

primary phone number for this address put in your cell phone and submit. For more information,

visit dps.siu.edu, contact SalukiTech at 453-5155 or [email protected].

CPR/Defibrillator and First Aid Class:

If you would like to take a CPR/Defibrillator and/or First Aid class, contact LaVon Donley-Cornett,

[email protected] or call 453-7473.

Women's Self Defense Classes are offered to female students faculty and staff by the Department

of SIU Public Safety. For more information call the Department of SIU Public Safety 453-3771.


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