Richard Barrett

u r l icht

2013-14 3 percussionists

with optional spatialisation

performing score

url icht

(2013-14) for 3 percussionists with optional sound spatialisation

commissioned by Speak Percussion

to Bob Gilmore

duration: approximately 13’ 30” instrumentation 1 vibraphone*

waterphone, suspended if possible to enable rapid deployment** small suspended “trash” cymbal, or stack of two or more, “prepared” with several strings of beads, creating a complex but unresonant sound guero, fixed to stand, positioned vertically so it can be scraped with the shaft of one mallet while the other (in the same hand) strikes the cymbal

2 vibraphone* mark tree seed pod chimes, as dense as possible tenor drum, tuned low and “prepared” with pine cones, seed pods or similar light objects, creating a complex but unresonant sound 3 vibraphone* Beijing opera gong - tuning: (3 different “pitches” are notated, indicating distinct sounds produced by striking at different places with a mallet) suspended sleighbells (to be struck as well as shaken) log drum “prepared” with aluminium foil, with 3 different “pitches”, placed on stand so it can be struck with one mallet while the other (in the same hand) strikes the sleighbells * The three vibraphones do not have to be in tune. Discrepancies in intonation should be seen as enhancing the music rather than compromising it. The range of motor speeds in the score is from 45 to 300 beats per minute. While precise values for motor speed in bpm are given in the score, some approximation is naturally acceptable, while preserving the sense of changing relationships and the widening difference through the course of the music between slower and faster speeds. ** A 3-line stave is used for the waterphone, within which noteheads show the position of the bow around the circle. The top and bottom lines should thus be thought of as coinciding. The angle of the instrument (and thus the position of the water inside) are indicated on another 2-line stave. The top line indicates a vertical position of the instrument and the bottom line a horizontal position, so that the “pitch-bending” effect will be in the opposite direction of the notated line. Which direction the instrument is tilted in is ad libitum; a variety of different directions might be taken, to vary the resulting sound in different ways. notation

bow = -apart from the bow, each player uses 4 different mallets. In bars 64-142 each player eventually individually uses four different mallets, which are notated using different noteheads. The symbols used for mallets and the noteheads are as follows:

for drumstick, hard, medium and soft vibraphone mallets respectively.

= “dead-stick” (mallet remains in contact with surface, producing a sound without any resonance) ] = damp all sound

= pedal, always and only to be used as notated spatial isation When urlicht is performed with the possibility of three-dimensional sound projection (with the performers in the centre of the space, surrounded by the audience which in turn is surrounded by the speaker system), it can follow the course of the music in this way: sections 1-3 treat each player as a single source for spatialisation. 1 (bar 1, 18" in duration): everything is panned to the centre of the space at floor level and remains static 2 (bars 2-25, 1'12"): an equilateral triangle formed by the three instruments begins to grow outwards from centre and to rotate slowly, still at floor level 3 (bars 26-45, 1'30"): the equilateral triangle has now reached the perimeter of the space and continues to rotate; each apex now begins a slow sinusoidal up/down motion (frequency is the same for each instrument but with phase difference of 120 degrees between each one) sections 4-6 gradually widen the distance between two sources for each player (vibraphone left/overhead left and vibraphone right/overhead right) 4 (bars 46-98, 2'42"), gradually add independent movement to and from centre (each pair of sources a small distance apart from one another) 5 (bars 99-134, 1'48"): continue the 3 aforementioned movements (to/from centre, rotation, up/down) but now each of the 3 pairs of sources moves independently, with the pairs still widening 6 (bars 135-142, 36"): sound seeming to appear at random points thoughout the space (using rapid panning) sections 7-9 have each pair of sources linked but panned to opposite sides of the space 7 (bars 143-188, 2'24"): rapid independent rotations of the pairs, at 3 different heights - floor, halfway and ceiling 8 (bars 189-216, 2'06"): start again with everything at centre, then rapid condensed "recapitulation" of sections 1-3 but now with the three players widely panned (once the movement outwards from the centre has been completed) 9 ( bars 217-225, 54") all static at the perimeter at ceiling level

218

e=70

urlicht

Richard Barrett2013-14

48

1vib.

2vib.

3vib.

4 x

(motoroff)

fff non dim.

motor on 70bpm

take 2 x

4 x

(motoroff) fff non dim.

motor on 80bpm

take 2 x

4 x

(motoroff) fff non dim.

motor on 75bpm

take 2 x

48

e=80

2

1vib.

2vib.

3vib.

p

p

see preface: the notated durations indicate the time for which the bow is in contact with the plate, after which the sound resonates until the next notated pedal-damping.

p

p

mp

mp

7:8

p

p

mp

mp

3:2

p

p

p

p

mp

3:2

4:5

p

p

mp

5:6

p

p

p

p

mp

mp

3:2

7:6

p

p

mp

mp

5:4 5:6

5

1vib.

2vib.

3vib.

p

p

8:7

3:2 6:7

p

p

mp

7:8

mp

3:2

pp

pp

mp

mp

7:8

4:5

p

p

mp

3:2

mp

pp

p

mp

10:7

5:4

3:2

pp

pp

mp

mp

5:4

pp

p

mp

10:7

p

p

mp

3:2

9:7 4:3

p

pp

mp

mp

4:3

6:5

8

1vib.

2vib.

3vib.

pp

pp

mp

mp

3:2

p

p

9:8

7:6

pp

pp

mp

mf

3:2

pp

pp

mp

mp

4:5

7:8 5:4

p

p

mp

7:8

p

pp

mp

mp

7:8

pp

p

mp

5:4

7:8

pp

pp

mp

5:4

mp

5:4

3:2

pp

pp

mp

mf

3:2

7:6

11

1vib.

2vib.

3vib.

p

pp

mp

mf

8:7

6:5

pp

pp

mf

mp

5:4 pp

p

9:8

mf

7:5

p

p

mp

7:8

6:7

pp

pp

mf

6:5

mf

7:6 5:6 pp

pp

mp

mf

9:8

pp

p

mp

mf

4:3

pp

p

mp

5:4

5:4

p

p

3:2

mp

7:5

2

14

1vib.

2vib.

3vib.

pp

pp

mp

mf

4:5pp

pp

mf

7:6

mp

6:7 3:2 ppp

p

mf

mp

pp

ppp

mf

mf

10:7

ppp

pp

mf

mp

4:3

p

p

mp

ppp

ppp

mf

3:2

mf

5:4

ppp

p

mf

3:2

pp

pp

mf

mf

3:2

17

1vib.

2vib.

3vib.

ppp

p

f

7:6

ppp

ppp

f

mf

5:6ppp

ppp

mf

f

3:2

ppp

ppp

mf

mf

7:6

3:2

ppp

pp

mf

3:2

mf

pp

ppp

mf

3:2

f

3:2

pp

ppp

mp

mf10:7

ppp

pp mf

mf

9:8

5:4

7:8ppp

ppp

f

mf

4:5

20

1vib.

2vib.

3vib.

ppp

ppp

mf

mf

4:5

ppp

ppp

f

7:5

f

5:6

6:5

ppp

pp

f

mf

7:5

4:5

ppp

ppp

f

3:2

f

ppp

ppp

mf

mf

4:3

ppp

ppp

f

f

9:8

ppp

ppp

f

4:3

f

9:7

ppp

ppp

f

5:4

f

pp

pp

mf

mf

7:6

3:2

3

23108

1vib.

2vib.

3vib.

ppp

ppp

mf

7:6

f

9:8

ppp

ppp

mf

3:2

f

7:6

pp

ppp

mf

mf

7:8

ppp

ppp

f

7:8

f

3:2

ppp

ppp

mf

3:2

f

4:3

ppp

pp

mf5:6

mf

ppp

ppp

f

f

pp

p

mf

3:2

mp

ppp

ppp

f

mf

108

e=90

265

16108

1vib.

2vib.

3vib.

mp

all instruments still always with bows - unbroken legato slurs indicate that the bowing of adjacent notes (played with alternating hands) overlaps slightly,while dotted slurs indicate that bowing is discontinuous (note variation in bowing durations!) although sounds are still sustained using the pedal

pp

87bpm

10:9 6:7

4:3

mp

7:8

ppp

120bpm

5:4

5:4

mp

9:8

p

70bpm

3:2

7:9

10828

1716

1vib.

2vib.

3vib.

pp

3:2

mp

3:2

3:2

3:2

mp

ppp

16:11

p

5:6 3:2

p

mf

9:10 16:11

4

171629

88

1vib.

2vib.

3vib.

p

3:2 11:12

f

pp

7:95:4 13:11

p

f

13:16

8830

1116

48

1vib.

2vib.

3vib.

f

pp

p

6:5

10:9

ppp f

mf

3:27:8

5:4

89bpm

mf

pp

4:3

8:9

4832

68

2116

1vib.

2vib.

3vib.

mf

take waterphone (retain 1x )

set vibraphone to 93bpm

3:2

ppp

p

4:3

9:8

pp

mp

3:2

6:5 11:8

5

2116

34 58

78

wp.

wp.pos.

2vib.

3vib.

pp

(see preface for guide to waterphone notation)

p

f p

pp

9:119:8

ppp

p

9:10

pp

68bpm

5:4

ppp

mf

mp

7:6

4:5

13:15

78

36 58

1516

wp.

wp.pos.

2vib.

3vib.

3:2

mf

5:48:7 9:8 7:5

(ppp)

mf

pp

4:3

ppp p

138bpm

mp

10:11 6:5

1516

38 28

1516

wp.

wp.pos.

2vib.

3vib.

ppp p

mf

17:15

f

p

12:11

10:7

mp

7:8

pp

f

5:4

6

1516

40 1316

68

wp.

wp.pos.

2vib.

3vib.

pp

f

3:2

f

p mf

10:11

19:15

9:7

pp

mf

ppp

13:10

f

7:9 6:5

68

42 1716

wp.

wp.pos.

2vib.

3vib.

mf

p

mp ppp

7:6 9:7

p

91bpm

p mf

ppp

3:23:2

p

7:6

6:7

mp

6:5

mf

ppp

157bpm

13:11

44 1316

28

wp.

wp.pos.

2vib.

3vib.

p

11:9

10:7

ppp

p

put down waterphoneand take second bow

mp

13:12

mp

65bpm

ppp

4:5

4:3

mf

7:8

pp p

f

p

3:2 3:2 3:2 3:2 3:2 3:2 3:2

5:4

7

28

e=80

4648

516

1116

58

1vib.

2vib.

3vib.

(93bpm)

all instruments: tenuto/legato sempre

ppp sempre

LH RH etc. sim.

9:8

6:5 15:11

LH

ppp sempre

RH etc. sim.

9:117:8

ppp sempre

LH

RH

etc. sim.

9:8 9:11

5850

38

58

38

1vib.

2vib.

3vib.

(ppp)

3:2 5:6 9:10

(ppp)

6:5

5:6

6:5 13:10

(ppp)

4:5 5:6 4:5

3853

716

48

68

1vib.

2vib.

3vib.

(ppp)

7:6 6:7 5:4

(ppp)

4:3 10:7 7:8

(ppp)

5:6

6:7 3:2 3:2

8

6856

916

1vib.

2vib.

3vib.

(ppp)

5:6

3:2 3:2 3:2

(ppp)

13:12

7:6

(ppp)

11:12

91658

516

1vib.

2vib.

3vib.

(ppp)

7:9

8:9 10:9

(ppp)

7:94:3 4:3 4:3 13:9

(ppp)

10:9 10:9 11:9

51661

1116

18

58

38

1vib.

2vib.

3vib.

(ppp)

LH: put down bow, take

motoroff

notes with downward stems are bowed (RH), notes with upward stems struck (different noteheads indicate which stick is used - see preface)

(ppp)

13:11

7:6

4:3

9:10

(ppp)

motoroff

(ppp)

10:11

9:10

(ppp)

motoroff

(ppp)

4:5

9:11

4:5

9

3865

28

716

48

1vib.

2vib.

3vib.

(ppp)

6:5

5:4

9:77:97:6

4:3

(ppp)

7:6

5:6 5:4 9:7

(ppp)

3:2 3:2 8:7

4869

68

516

1vib.

2vib.

3vib.

(ppp)

3:26:5

7:9

8:9

3:2

3:2

18:12

(ppp)

3:2

3:2

3:2 3:2 3:2

(ppp)

7:8

5:65:4

51672

1116

58

1vib.

2vib.

3vib.

(ppp)

4:5

10:7

9:1112:11

(ppp)

12:1110:11

(ppp)

9:11

7:5 16:11

10

5875

38

716

1vib.

2vib.

3vib.

(ppp)

6:5

motor on

(ppp!)

(ppp)

6:4

6:5

3:2

4:3

4:3

(ppp)

6:5

motor on

LH put down bow, take

notes with downward stems are bowed (RH), notes with upward stems struck (different noteheads indicate which stick is used - see preface)

(ppp)

5:6

(ppp)

motor on

(ppp)

71678

48

68

516

1vib.

2vib.

3vib.

(ppp)

10:7

7:5

3:2 5:6

3:2

(ppp)

6:7

9:74:5

3:23:2 4:3 4:3

5:6

(ppp)

8:7

7:65:4 7:6

51681

1116

28

48

1vib.

2vib.

3vib.

(ppp)

9:1013:11

(ppp)

16:11

7:6

4:56:7

(ppp)

6:5 9:11 5:4

11

4884

916

68

916

1vib.

2vib.

3vib.

(ppp)

4:5

(ppp)

(ppp)

motor off

6:7

11:8 4:518:12

(ppp)

4:5

7:8

motor off

(ppp)

4:3

(ppp)

14:11

8:7

13:12

(ppp)

3:2 motor off

LH put down bow, take

(ppp)

notes with downward stems are bowed (RH), notes with upward stems struck (different noteheads indicate which stick is used - see preface)

18:12

9:10

91687

516

916

1116

1vib.

2vib.

3vib.

(ppp)

3:2

8:9

(ppp)

8:9

3:2

11:9

3:26:5

7:5

(ppp)

8:9

3:2

5:4

4:3

111690

916

516

1vib.

2vib.

3vib.

motor on

RH put down bow, take

(ppp)

7:87:511:9

8:9 6:5

motor on

(ppp)

(ppp)

4:5 11:9

9:87:5

(ppp)

10:9

motor on

(ppp)

6:5

11:9

6:5

12

931116

916

1116

1vib.

2vib.

3vib.

(ppp)

motor off

(ppp)

(ppp)

9:10

3:2 4:3

7:5

4:5

5:47:9

(ppp)

motor off

RH put down bow, take

(ppp)

7:96:5

4:5 4:3

(ppp)

motor off

(ppp)

(ppp)

4:5

5:49:8

111696

28

78

1vib.

2vib.

3vib.

(ppp)

3:2

motor on

14:11

5:4

10:9

(ppp)

motor on

3:2

7:6

(ppp)

(ppp)

4:34:5

motor on

RH put down bow, take

(ppp)

3:2

7898

1vib.

2vib.

3vib.

93 -> 193bpm

13:16

65 -> 100bpm

(ppp)

13:16

157 -> 60bpm

(ppp)

(ppp)

13:16

13

91699

e=90

1vib.

2vib.

3vib.

RH

mf

193bpm

◯

(dead stick)

f

◯p

9:8

mp mf

fff

◯

mp

◯

6:5

LH

mf

100bpm

◯(dead stick)

mp

3:2

◯

fff

mp

mf

ppp◯

3:2

4:5

RH

RH

LH

LHmf

60bpm ◯ff

(dead

stick)

5:4

◯mf

5:6

mp

mf pp

◯

10:7

101

1vib.

2vib.

3vib.

logdrum

mp

◯

f mf

f

mp

fff

ppp

4:37:6

mp

mf

◯

ff

5:6

ppp

◯

mp

mf

◯

mf

4:3

3:2

mp

◯pp

7:8

mff

mp

pp◯

6:5

mf

p

3:2

103

1vib.

guero

2vib.

3vib.

mp f

mf

5:4 f

8:7

fmp p

◯

4:5

ppp

7:5

ff

mp

4:5

f mf

◯p

5:6

mf

4:3

mp mf

mp f

mf

pp

mp

7:6

fff

◯

6:5

mf

14

105

1vib.

cym.

2vib.

seedpods

3vib.

sl.bells

p

f

6:5

mp

f mf

mp f p

mp

p

mf

◯fmp

p

3:2

ff

pp mp

f

ppp

7:53:2

4:5

ff

5:4

mp

4:3

mf mp

fff ◯

f9:8

mf

p

mf

p

7:8

ff

6:5

107

1vib.

2vib.

tenordrum

3vib.

f

3:2 mf

5:6

f

p mpp

mf

f

mf

f

p

6:5

mp p

mf

f

fff 5:4

mf

f p mp

ff

pp

11:8

mp

mp

4:5

109

1vib.

2vib.

seedpods

3vib.

ff

pp

3:2

pmf

mp p

fff

5:4

mp

ff

4:3

mf

mf ff

7:6

mf

fff

f

p

f

ff

mp f

p

3:27:8

4:3

pp

7:6

ff

p mf mpp

mf

mp

9:8 mf

15

111

1vib.

guero

2vib.

3vib.

sl.bells

logdrum

mp p

fff

mf

ff pp

5:6

f

ff

f

11:8

4:3

p ff (always scrape for wholeof notated duration!)

ff

4:3

p ffmf fff

◯

mf

p

pp

4:5

mp

f

4:3

3:2

mp

pp

5:4

ff mf ◯mp

f

7:8

mf

f

p

fff

9:8 f

7:6

9:8

mp

p

113

1vib.

cym.

2vib.

tenordrum

3vib.

mp p

pp

f

6:5

pp

mf p f mp

mp

8:7

mf f

mf p

ff

5:4

mf

3:2

mp p ff mf

p

6:7

pp

mp

ff

9:7

f mp ff

16

115

1vib.

2vib.

3vib.

logdrum

mf

8:7

p f

ff mf

pp

ff

f

10:11

p pp

mp

f

p

11:9

pp ff

mp

f◯

mp

ff

◯

mf

p

9:8

ff

4:5

p

3:2

mf p

4:3

pp

mf

pp

mp f ff

f

4:3

pp

5:4

pp

7:8

117

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

mp p 4:3

ffpp

mp mf

p

mf

ff

3:2

mp

f

7:5

7:5

6:5

pp

p

p ff pp f

p

ff

8:7

pp

ff

p

f

pp

5:4

mf mp

7:8

p

4:5

f mp mfpp

f

3:2

ff

pp

5:6

mp

6:7

11:10 7:6

f mp

mf p

17

119

1vib.

2vib.

seedpodstenordrum

3vib.

ff mf f

mp

pp

f p

mf

f

7:6

pp

p

ff

9:7

6:7

p

ff

mp

mf

pp mp

fff

mf mp

121

1vib.

cym.

guero

2vib.

3vib.

sl.bells

logdrum

p

4:5

ff mf p

f

ff

mp

12:11

ff

ff

10:7 7:6

mf

f mp

pp

mf

5:4

fff

pp

p

3:2

mf

4:3

p fff

f

p

13:9

f

mp

ff

5:4

mp5:6

mp

18

123

1vib.

cym.

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

mf

4:3

mp

3:2

ff fff pp

mf

ff

7:8

mf

9:7

f

p

mp

p

mp

p

13:11

p

mf

f

ff

mp

4:3

7:6

6:5

mp

p

f mf

mf

mf

10:7

ff

ff

3:2

fff

mf mp

pp

ff

f

4:35:6

f

f p

9:8

125

1vib.

2vib.

3vib.

fff mp f

mf

6:7 p

13:11

mf p

f

f

13:12

p ff

pp

fff

mp

10:11

mf pp

mp f

19

127

1vib.

cym.

guero

2vib.

seedpods

3vib.

sl.bells

logdrum

pp

p

fff

4:3

ff

mf

7:8

mp

mp

9:7

p

p

mp

9:8

ff ppp

mf

6:7

fff

3:2

ppp

f

mf

6:5

p

f

mf

mf

9:6

p mf

f

mp

6:5

f

pp

mp

3:2 3:2

f mp

f

129

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

mp

3:2

mf

f

pp

mp fff

mf

mp

mf

p

4:5

3:2

11:12

mp f

f

mp

f

6:5

p ppp

f

mf

7:8

mp

4:3

ppp

f

mp

ff

p

4:3 3:2

mf

mp mf

f

ff mf

f

mf

12:11

mp

mf

f

mf

f

fff

mp

f

10:7

3:2

7:5

mp

mf

20

131

1vib.

cym.

2vib.

seedpodstenordrum

3vib.

fff

mf ppp

pp

mf p

4:3

ff

mf

f

ff

ppp mp

4:3 8:9

mp

mf

p

pp

mp

fff f

1337

161

vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

pp mp

mp

11:8

mf

mp

mf

13:10

fff

pp

mf

mf

mf

p

ppp

f

p f mf

ff

5:6 4:3 6:5

mf

mf mf

mf

f

fff mp

mp

7:9

ppp

mf

mf

10:77:65:4

mf mf

mp

mf mf

21

716135

e=70

816

916

1016

cym.

guero

seedpods

tenordrum

sl.bells

logdrum

1

switch vibraphone motor off and set to 55bpm

(edge)]

6:7

each bar between 136 and 142 should be perceived as having a single dynamic envelope, beginning and ending ppp and rising to a higher peak each time

(centre) 9:8

(nat.) 8:9

ppp

11:14

ppp

pp

(single stroke, "rit.")

ppp

(single strokes)

p

ppp

7:8 10:9

2

switch vibraphone motor off and set to 228bpm

(grasp) 9:7

(strike)

pp (strike) (take flexatone in RH)

4:3

(dead stick)ppp◯

10:7

ppp

◯

pp

11:8

pp

p pp

13:9

3

switch vibraphone motor off and set to 107bpm

(strike) sim.

ppp

5:4

ppp p 11:9

(dead stick)

ppp◯

8:7

pp

pp

pp

3:2

1016138

1116

1216

cym.

guero

2marktree

seedpodstenordrum

sl.bells

logdrum

1 (nat.) edge centre

15:11

pp mp p

11:10

pp

mf

p12:11

(glissando over entire range)

13:10

(strike) 10:11

ppp

mp ppp

p mf

ppp14:119:10

3 RH: take 2x

(strike) (shake)

(strike)

13:116:5

p mp pp

7:5 ppp mp

LH: take 2x

mp

pp

7:5

22

1216140 13

161416

cym.

guero

2marktree

seedpods

tenordrum

sl.bells

logdrum

1

(nat.)

]

]

]

]

7:6

RH: take 2x (single-handed tremoli with one stick above and one below the cymbal)

16:13

ppp

4:3

f

4:3

p

LH: take 2x

4:3

p

(rapid scratching)

ff

ppp

pp f pp

(rapid and brief shakes)

17:13

11:12

pp ff LH: take 2x

pp

15:13

3

(strike)

5:4

(rapid shakes)

]

]

]

]

12:13

5:4

pp f ppp ppp

ff

p

14:1313:12

1416142

916

cym.

guero

seedpods

tenordrum

sl.bells

logdrum

1 (centre)

(nat.)

(edge)

13:14

ppp

fff

p

17:14

2 RH: take 2x (strike)

8:7

8:7

ppp

(rimshots)fff

ppp

9:79:7

3

(strike)

ppp

fff pp

15:14

23

916143

e=90

1vib.

2vib.

3vib.

motor off (55bpm)

ppp fff

motor on

ppp

motor off (228bpm)

fff

ppp

motor off (107bpm)

fff

14558

1vib.

2vib.

3vib.

pp

12:9

p mf

mp

f

pp

10:9

p

mf mp

f

motor on

pp

8:9

p

mf

mp f

58147

916

58

1vib.

2vib.

3vib.

ff non dim.

4:5

6:5 7:5

motor off

ff non dim.

6:5 7:5

4:5

ff non dim.

(no Ped.)

6:5

7:5

4:5

motor on

24

58149

48

916

1vib.

2vib.

3vib.

pp

fff

pp

fff

pp

fff

motor off

916151

48

58

1vib.

2vib.

3vib.

pp

6:7

mf

mf

pp

6:5

fff

ff

p

mp

6:5

f

6:7

fff

mf

f

p

5:6

mp

ppp

motor off

9:8

10:7

ff

f

6:5

mp

6:7

p

ff

58153

48

1vib.

2vib.

3vib.

p non cresc. p/mp

<> <><> <> <><> <> <><><> <> <><> <> <>

motor on

<>

11:10

p non cresc. p/mp

<> <><> <> <><> <> <><> <> <><> <> <>

motor on

<>

9:10

p non cresc. p/mp

<> <> <> <> <><> <> <><> <> <><> <> <>

motor on

<>

13:10

25

48155

58

1vib.

2vib.

3vib.

pp

ff non dim.

motor off

4:3

6:513:10

pp

ff non dim.

4:3

6:511:10

pp

ff non dim.

4:3 6:5

9:10

58157

1116

1vib.

2vib.

3vib.

mp

mf

mp

mf

mp

p f

6:5 6:5 6:5 6:5

7:5

mp

mf

mp

mf

p f

motor off

7:6

mf

mp

mf

mp

mf

mp

p f

7:5 7:5 7:5 7:5

7:8

1116159

716

68

1vib.

2vib.

3vib.

mf

p

motor on

14:11

mf

p

12:11

mf

p

3:2

f

motor off

16:11

26

68161

716

38

1vib.

2vib.

3vib.

p ff non dim.

p ff non dim.

p ff non dim.

motor on

38163

916

1vib.

2vib.

3vib.

f

4:5

mp

mf

p

4:3

f

3:2

6:5

mp

mf

p

motor on

f

5:4

mp

mf

p

165316

916

1vib.

2vib.

3vib.

ff

mp

6:4

mf

3:2

p

f

ff

motor off

9:6

ff

mp

6:4

mf

3:2

p

f

ff

motor off

9:6

ff

mp

6:4

mf

3:2

p

f

ff

9:6

27

916167

68

48

1vib.

2vib.

3vib.

p

7:6

8:6

f

9:6

ppp

(mf)

p

8:6

9:6

7:6

f

(senza Ped.!)

ppp

7:96:5

9:7

motor off

p

9:6

7:6

9:6

f

ppp

6:5

9:7 7:9

48169

916

1vib.

2vib.

3vib.

mf sempre

p

motor on

7:5 6:7

4:3

mf sempre

p

6:7 4:3 7:5

mf sempre

p

4:3 7:5 6:7

1715

16316

2316

1vib.

2vib.

3vib.

f

mp

mf

p

f

4:3

p

mf

mp

p

mf

motor off

mp

(f)

4:34:34:3

f

mp

mf

p

f

4:3

p

mf

mp

p

mf

motor on

mp

(f)

4:34:34:3

f

mp

mf

p

f

4:3

p

mf

mp

p

mf

motor on

mp

(f)

4:34:3 4:3

28

2316174

48

2116

1vib.

2vib.

3vib.

f

mf

f

5:4 3:2 3:2

f

mf

f

5:4 3:2 3:2

f

motor off

mf

f

3:2 5:4 3:2

2116176

316

28

1316

1vib.

2vib.

3vib.

mp non dim.

mf

7:6

f

motor on

4:3

mp non dim.

motor off

mf

9:6

f

motor on

4:3

mp non dim.

mf

8:6

f

motor on

4:3

1316179

316

916

1vib.

2vib.

3vib.

mp

6:5

6:7

6:4

mf non dim.

motor off

mp

6:7

6:4

6:5

mf non dim.

mp

6:7

6:4

6:5

mf non dim.

29

916181

116

48

88

1vib.

2vib.

3vib.

mf mp

mf

(ppp)

8:9

mf mp

motor off

mf

(ppp)

5:4

mf mp

mf

(ppp)

6:410:9

88184

28

516

1vib.

2vib.

3vib.

ppp

mp

motor on

21:16

mf sempre

10:8

ppp

mp

18:16

mf sempre

11:8

ppp

motor off

mp

15:16

mf sempre

9:8

516186

1716

168

38

1vib.

2vib.

3vib.

(mf)

ppp

remain with 4x

motor on 113bpm

14:10

(mf)

ppp

take 4x

motor on 50bpm

13:10

(mf)

ppp

take 4x

motor on 264bpm

15:10

30

38189

e=80

716

916

68

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

ppp

Throughout this section, the notated dynamics apply only to the accented (normal-sized) notes. All unaccented small notes, whether grace-notes or not, are to be played , as a kind of colouration around the accented notes.Use pedal only where marked!

pp

pp

ppp

3:2

ppp

ppp

9:7

ppp

p(+ ppp)

mp

5:6

10:9

9:7

4x

(guero: single rapid scrape)

fff

ff

f

ppp

pp

(+ ppp)

p

p

16:15

10:9

7:513:12

4x

ppp

ppp

fff

ff

f

ppp

7:8

5:6

pp

ppp

8:7

p

mp

4x

(sleighbells: strike with mallet) ppp

(+ ppp)

fff

ff

f

68192

1516

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

mp

mf

5:4 5:4 5:4

(+ ppp)

mf

mp

(+ ppp)

mf

(ppp)

5:46:5

5:4

3:2

mf

mp

mf

7:6

7:6

(+ ppp)

mf

31

1516193

1716

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

ppp

4:5

p

4:5

4:5

(+ ppp)

mp

ppp

pp

(ppp) p

(ppp)

4:311:10

4:3

mp

ppp

(+ ppp)

p

4:34:3 4:3

4:3 4:3

mp

1716194

98

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

pp

mp

16:17

(+ ppp)

p

pp

6:5

mp

14:17

(+ ppp)

p

pp

(ppp)

9:11

14:1714:11

(ppp)

p

32

98195

38

716

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

p

mf

mp

(+ ppp)

f

4:34:3

pp

fff

p

(+ ppp)

mf

mp

f

7:6

(+ ppp)

pp

fff

p

mf

(ppp)

mp

f(ppp)

7:63:2

16:1117:18

8:9

(+ ppp)

pp

fff

716197

916

68

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

ppp

(+ ppp)

mppp

(ppp)

(ppp)

6:7

4:54:5

ff

f

ppp

9:76:5

pp

7:9

mf

7:9

(+ ppp)

ff

f

ppp

(+ ppp)

mp

9:7

pp

mf

(ppp)

7:9

(+ ppp)

ff

f

33

68199

1516

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

p

f

3:2

3:27:6

3:2

3:2

7:6

(+ ppp)

(ppp)

mf

p

(+ ppp)

f

5:6 5:6

mf

p

6:5

f

11:12

(+ ppp)

mf

1516200

1716

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

mp

ff

(ppp)

4:3 4:3

4:34:3

mp

mp

(+ ppp)

6:5

ff

6:5

6:5

mp

mp

ff

mp

34

1716201

98

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

ppp

mf

(ppp)

14:17

(+ ppp)

p

ppp

4:3

(ppp)

14:17

8:94:3

4:3

p

ppp

(+ ppp)

mf

21:17

p

98202

38

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

pp(+ ppp)

f

fff

pp

(+ ppp)

f

(ppp)

13:1017:13

fff

pp

f

5:6 5:6 5:6

fff

35

38203

716

916

68

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

p

(ppp)

7:6

mp fff pp

(ppp)

7:9

10:99:7

7:9

ff

f

mf

p ff

mp

fff

pp

mf

7:6

6:7

(+ ppp)

(+ ppp)

(+ ppp)

ff

f

mf

p

(ppp) p

mp

8:7

9:8

pp

mf

3:2

7:9

(ppp)

ff

f

mf

68206

1516

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

p

mp

f

5:6

5:66:7

(ppp)

(ppp)

mp

p (ppp)

13:126:5

mp

p

(+ ppp)

7:6

f

7:64:3

mp

36

1516207

1716

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

mp

ff

14:15

(+ ppp)

fff

mp(+ ppp)

7:6

ff

10:1119:15

fff

mp

ff

22:155:6 5:4

(+ ppp)

fff

1716208

98

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

gong

sl.bells

logdrum

mf(+ ppp)

fff

19:17

ff

mf

(+ ppp)

fff

13:11

13:17

ff

14:17

(gong: the three different "pitches" indicate three distinct sounds produced at different striking points with the mallets)

fff

mf

(+ ppp)

ff

37

98209

38

716

1vib.

cym.

guero

2vib.

seedpodstenordrum

gong

sl.bells

logdrum

p

mf

mp

f

f

mf

p

mf

mp

f

8:9 8:9

(ppp)

f

mf

p

mf mp

f

7:6

(+ ppp)

f

mf

716211

916

68

1vib.

cym.

guero

2vib.

seedpodstenordrum

gong

sl.bells

logdrum

mf (ppp)

8:7

f

(+ ppp)

fff

fff

ff

mf(+ ppp)

ff f

(+ ppp)

fff

8:7 4:3 4:3 4:3

fff

ff

mf ff

f

9:7 7:9 7:9

(ppp)

(ppp)

fff

ff

38

68213

1516

1vib.

cym.

guero

2vib.

seedpodstenordrum

gong

sl.bells

logdrum

mp

(+ ppp)

mf

7:6 7:6

f

mp (ppp)

(ppp)

f

mp

(+ ppp)

mf

5:6

f

1516214

1716

1vib.

cym.

guero

2vib.

seedpodstenordrum

gong

sl.bells

logdrum

mf

4:5

4:3

f

4:3 4:34:3

4:3

(+ ppp)

fff

mf

(+ ppp)

f

14:15

fff

mf

f

4:3 4:3 4:3 4:3

14:15

(+ ppp)

fff

39

1716215

98

1vib.

cym.

guero

2vib.

seedpodstenordrum

gong

sl.bells

logdrum

f

ff

15:17

(+ ppp)

ff

f

(+ ppp)

ff

4:5

19:17

ff

f

ff

19:17

(+ ppp)

ff

98216

78

1vib.

cym.

guero

2vib.

seedpodstenordrum

3vib.

sl.bells

logdrum

fff

(113bpm)

300bpm

take 2 x

fff

fff

(50bpm)

120 bpm

take 2 x

fff

fff

(264bpm)

45 bpm

take 2 x

fff

40

78

e=70

1vib.

2vib.

3vib.

2x

f

mp

mp

pp

pp

mp

pp

9:7

pp

f

f

f

9:7

2x

mp

pp

f

f

mp

mp

9:7

pp

f

f

mp

9:7

2xmp

pp

pp

f

f

9:7

mp

f

f

mp

mp

mp

9:7

219

1vib.

2vib.

3vib.

pp

mp

f

mp

f

f

9:7

pp

f

mp

pp

f

9:7

pp

mp

f

f

pp

f

mp

9:7

pp

pp

f

mp

9:7

pp

mp

mp

f

f

9:7

pp

pp

f

mp

pp

9:7

221

1vib.

2vib.

3vib.

pp

f

f

mp

mp

9:7

pp

mp

mp

pp

mp

9:7

f

pp

f

f

mp

mp

f

pp

pp

mp

f

9:79:7

mp

pp

f

mp

f

mp

pp

9:7

f

pp

f

f

9:7

41

223

1vib.

2vib.

3vib.

mp

mp

pp

f

mp

pp

9:7

f

pp

f

pp

9:7

pp

mp

pp

mp

f

f

mp

9:7

pp

f

f

mp

9:7

f

mp

pp

pp

9:7

pp

mp

f

mp

f

mp

9:7

225

1vib.

2vib.

3vib.

pp

f

pp

pp

mp

mp

9:7

pp

f

pp

pp

mp

9:7

pp

pp

mp

pp

mp

Beograd4 July 2014

9:7

42