Sadhana
for wind quintet, brass quintet,
piano and percussion
by Peter Billam
© Peter J Billam, 1980
This score is offered under the Creative Commons
Attribution 4.0 International licence; see creativecommons.org
The copyright owner remains the composer, Peter Billam.
This edition 24 December 2019.
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Sadhana
PerformersFlute, Oboe doubling Cor Anglais, Bassoon, Bass clarinet,
2 Trumpets (Bb), Tw o horns (F), Trombone, Bass trombone,
Piano, 2 percussionists.
Transposing instruments are notated at concert pitch in the score,
and notated transposed in the parts.
Glissandi after a rest start at the indicated note, and move smoothly
towards the next. Glissandi before a rest start at the previous note, and
move smoothly towards the indicated note. Glissandi between two
other notes are somewhat inconsistent, but in all cases the glissando-
note is typeset as small. The original manuscript should clarify any
unclear cases.
Percussion1) Floor Tom, tuned to c#, played with soft mallets.
2) Two Tibetan Bells, or Crotales, played with a triangle stick,
Cymbal, played with a hard stick,
Tam-Tam, small, played gently with a medium stick,
Bass Drum, very large, tuned low, played with a soft mallet.
This piece was first performed on the 6th of March 1980, in the Grand
Auditorium d’ERA in Geneva, conducted by Jacques Guyonnet, and
played by an ensemble including the Dorian Wind Quintet (USA), the
Edward H. Tarr Brass Quintet (USA, Switzerland, Sweden), and
various soloists from the Studio de Musique Contemporaine.
This concert was the third in a mini-festival of three concerts. The
programme was Sadhana by Peter Billam, Dialogue du Mont Salève et
du Jura by Jacques Guyonnet, Triptyque by Louis Crelier, Petite Suite
Illogique by J. L. Rebut, Tel qu’en lui-même, l’éternité le change by
Michel Bichsel, and Octandre by Edgar Varèse.
The mini-festival was recorded, and later broadcast, by Radio Suisse
Romande.
Peter Billam 1980
1Sadhana, Peter Billam 1980
Sadhana
(c) 1980 Peter J Billam
Bassoon
= 72
8
44
mppp . cresc .
8
44
pp mp. cresc .Horns
8
44
mppp . cresc .
Bass Trombonegliss
8
44
pp mp. cresc .
−−
44
tr
Floor−Tom
senza vib
senza vib
senza vib
senza vib
− −−
dim (sempre)
gliss
dim (sempre)
dim (sempre)
dim (sempre)
−−
dim (sempre)
vibrato . . .
vibrato . . .
vibrato . . .
gliss
vibrato . . .
3 3
pp
5
dim . . .
dim . . .
dim . . .
dim . . .
3 3 3 3
dim . . .
gliss
3
8senza vib
8senza vib
8
gliss
8senza vib
Floor−Tom
2 Crotales
gliss
gliss
p l. v. sempre
10
vibrato
vibrato
senza vib
gliss
senza vib
3 3 3 3 3 3 3
gliss
gliss
gliss
gliss
3 3 3 3
3
gliss
gliss
3 3
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2 Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
Flute
Oboe
Trumpet
Piano
Bassoon
8senza vib
8senza
Horns gliss
8senza vib
Bass Trombone
8vibrato
Floor Tom
Crotales
Tam−Tam
15
con sordino
vib
3 3
gliss
gliss
3
tr
mf un poco piu mosso
sfun poco piu mosso
mp un poco piu mosso
mp
un poco piu mosso
gliss
un poco piu mossogliss
un poco piu mosso
gliss
un poco piu mosso
un poco piu mosso
l. v. sempre
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3Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
18tr tr
mp
3
ff
8senza vib
8senza vib
8vibrato
8senza vib
− − − − −− tr
3
flutterzunge
3
3
gliss
gliss
gliss
gliss
−
3
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4 Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
20
nat. flutterz.
8va . . . loc. 5
6 5
gliss
8vibrato
8vibrato
8senza vib.
8gliss vibrato
3
3
5 53
dim . . .p
mf
a tempo
a tempo
a tempo
a tempo
3
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5Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
Bassoon
8
8
Horns
8
Bass Trombone
8
Floor Tom3
gliss gliss
gliss
gliss
gliss
3
vibrato
vibrato
vibrato
senza vib.
−− −
tr
25
− − − −
gliss
−
vibrato
vibrato
vibratogliss
vibrato
gliss
gliss
gliss
gliss
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6 Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
Cor Anglais
fp senza vibcresc . . .
Bass Clarinet
p cresc . . .
Trumpets
p glisscresc
Trombone
p cresc . . .
Bassoon
8
8
Horns
8
Bass Trombone
8
Floor Tom
Cymbal
p Bass Drum
30
f
pff dim gliss glisscresc
f
gliss
gliss
3
cresc poco a poco
p cresc . . .
glissff dim
pcresc . . .
3
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7Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
32
cresc . . .. . .
cresc . . . . f
. .. p cresc
pgliss
. f. gliss down 1/4 tone
8
8
8
8
3
5
3
. . . ff
gliss
mf . .cresc
mp ff ffcresc
p ffglissgliss
.. mf . cresc
1/4 tone below the F# . . . gliss . . .
6 6 6
cresc . . .
ff
p ff pdimcresc
gliss gliss
ff.
gliss vibrato
vibrato
vibrato
vibrato
6
f dim . . .
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8 Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
35
Bassoon
8
8
Horns
8
Bass Trombone
8
gliss
gliss
Floor−Tom
vibrato
vibrato
vibrato
vibrato
−− − tr − − −− − − −−
40
gliss
− −
gliss
vibrato
vibrato
gliss
−− − tr
8senza vib
8gliss
8gliss
8gliss
− − −−
gliss gliss
glissgliss
glissgliss
− −− −
gliss
− −
gliss
45
vibrato
vibrato
vibrato
vibrato
−− tr
gliss
gliss
−− −
vibratogliss
vibrato
vibrato
vibrato
−tr
gliss
gliss
gliss
gliss gliss
− −− −
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9Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
Flute
Oboe
Trumpet
Piano
Bassoon
8
8
Horns
8
Bass Trombone
8
Floor Tom− − −
Crotales
Tam−Tam
50
un poco piu mosso
un poco piu mosso
un poco piu mosso
un poco piu mosso
gliss un poco piu mosso
gliss un poco piu mosso
glissun poco piu mosso
gliss gliss
−
un poco piu mosso
5
p dimcresc
mf nervous
3
mp nervous
3 77
pp
molto leggerio, mezzostaccato
senza vib
p
l. v. sempre . . .
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10 Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
52
33
flutterz.. . . . .. . . . loc8va
7 7 7 7
8gliss
8gliss
8gliss
8gliss
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11Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
533
3mf
33 3
nat.
7 7 7 7
8vibratogliss
8vibratogliss
8gliss
8vibratogliss
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12 Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
54− −− tr 9
flutterz.
8va − − − −− − − − 7
7 7 7
8
8
8vibrato
8
− − −− − − − − − tr
3
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13Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
559 9
9
a tempo
a tempo
3
a tempo
8va − −− − − − − − − − − − − |7 7
a tempo
8a tempo
8a tempo
8
8a tempo
− − −− − − − − − − ( tr )
a tempo
gliss
gliss
−
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14 Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
Bassoon
8senza vib
8senza vib
Horns
8gliss senza vib
Bass Trombone
8senza vib
Floor−Tom −− − − tr
Crotales
Tam−Tam
gliss
− −− − −
3 3
gliss
gliss
3
60
gliss
glisssenza vib
gliss
gliss
− −− − − − tr − −− − − − −
3
8gliss gliss
8gliss gliss
8gliss gliss
8gliss gliss
− − − − −( tr )
3
vibrato
gliss
3
vibrato
vibrato
senza vib
65
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15Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
8
8
8
8gliss
vibrato
vibrato
vibrato
gliss
3
vibrato
3 3 3 3
70
3 3 3 3 3 3 3 3
gliss
gliss
gliss
8glissgliss
8glisssenza vib
8senza vib gliss
8glissgliss
gliss
75
senza vib
senza vib
senza vib
vibratogliss
TACET
gliss
TACET
TACET
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16 Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
78 Cor Anglais
p cresc
Bass Clarinet
ffp cresc
p crescff Trumpets
sfpgliss
cresc Trombone
8p( 8va basso ) cresc . . .
Cymbal 3
Bass Drum
f senza vib.
mf fcresc
p cresc
p ff fgliss
cresc
f dim . . .
80
cresc
glissdim
8f
3
ff f cresc
ffp cresc . . .
pff
cresc . . .
gliss
3
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17Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
82
Flute
Cor Anglais
Bass Clarinet
Trumpetsdim
fffp cresc
gliss gliss
Piano
Trombone
8
Cymbal 6 6 6
Bass Drum
5
p
p
TACET
fff
mf fff dimcresc dim
glissgliss gliss TACET
pp
TACET
6 7
TACET
18 Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
Flute tr9 9
un poco piu mosso
Cor Anglais
un poco piu mosso
First Trumpet
3con sordinoun poco piu mosso
− −− − − − − − − − − − tr
tr − − − − − −− − − − − −
Pianoun poco piu mosso
− − − − − − − − − − −− tr
85tr
9
− − − − − −− − − − − − − tr
− − − − − − − − − − − − −
− − − − − −− − − − − − −
tr
tr
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19Sadhana, Peter Billam 1980
(c) 1980 Peter J Billam
86tr 9 tr
9
3
− − − − − − − −− − − − − tr
− − − − − − − − − − − −−
− − − − − − −− − − − − −
tr
tr
− −− 9
99
3
3 3 3
− − − − − − −− − − − − − tr
− − − − − − − −− − − − −
− − − − − − − − − − − − −
tr
tr
− − − −− − − tr tr
tr dim al niente . . .
tr
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ccBY
Peter Billam was born in London in 1948, studied piano, and lived in Switzerland from 1973 to
1983, where he studied composition, classical guitar, flute and voice, worked as Musical Director
of the Théâtre Populaire Romand, and as recording engineer, record producer and computer
programmer. He moved to Tasmania in 1983, and lectured in composition at the Conservatorium.
He founded pjb.com.au, becoming the first composer to sell scores on-line, taking scores from
Composer to Performer in one immediate step. pjb.com.au offers a new approach to music
publishing. These pieces are written to be read, made to be played !
Compositions at www.pjb.com.au include: Five Short Pieces, guitar, 1979; Divisions on an Italian
Ground, flute and guitar, 1980; De Profundis and Nacht, on poems by Lama Anagarika Govinda, voice and
piano, 1980; Fünf Bagatellen, piano, 1980; Sadhana, wind and brass ensemble, 1980; Concert Study, piano
four hands, 1980; Five Rounds, choir, 1986; Go Forth and Multiply, choir, 1986; Three Violin Duets, 1987;
Fable, for piano, 1987; To Erich Jantsch, SAATTB recorders, 1988; A Suite of Curves, trombone (or horn)
and piano, 1990; Two Recorder Duets, alto recorders, or other melody instruments, 1991; Tr ombone
Quintet, trombone, flute, piano, bass, and percussion, 1994; Three Songs, on poems by Jack Kerouac,
Vikram Seth and Dylan Thomas, voice and piano (only the first and third of these are available), 1994; Piano
Study, piano, 1994; Four Dances, various ensembles including recorder quartet, string quartet, 1995; The
Poet in the Clouds, on a poem by S. T. Coleridge, SATB choir, 1995; Tr es Casidas del Diván del Tamarit,
on poems by Federico García Lorca, voice and piano, 1997; Three Suites, for the solo line, piano, and piano
and a solo line, 2000; Die Zeiten, on poems by Kästner, Bachman and Jünger, choir (only the second and third
of these are available), 2000; Three Duets for flutes, 2001; For Four Hands for piano four hands, 2002; Three
Preludes for piano, 2003; Second Solo Suite for flute, violin, viola or cello, 2003; Guitar Duet for two
guitars, 2006; We Who Mourn for choir, 2007; Trio With Guitar for guitar and two clarinets or two
recorders or two violas, 2008; Canons for two- and four-hand piano, 2009; Flute Trio, 2012; Twenty Studies
for piano, 2013-14; Music for Strings and Two Encores for Strings for 2vln, 2vla, 2vlc, 2015; Album for
Choir, 2015; Eight Pieces for Guitar, 2017.
Arrangements include: By J. S. Bach: Trio BWV 655, piano and flute; Vor deinen Thron BWV 668,
piano; Fugue in F minor BWV 689, SATB recorders; Four Duets BWV 802-5, keyboard; Six Preludes and
Fugues from Book I, keyboard; Flute Sonata BWV 1031 in G major for alto recorder and keyboard; Flute
Sonata BWV 1032 completed by Peter Billam for flute and keyboard, also in C major for alto recorder, and
in G major for descant; Ricercare a 3 of the Musikalisches Opfer for keyboard; Ricercare a 6, for sSATBG
recorders, or strings, or two keyboards; and Fuga Canonica; from the Art of Fugue: Contrapuncti 1, 4 and 9
for keyboard, and Contrapunctus 14 as completed by D. F. Tovey, for keyboard, or for SATB recorders, or
for strings; Passacaglia and Fugue in c for piano four hands; Chorales with Descant for melody instrument
and piano; Cello Suites I, II and III for flute or alto recorder, Forty Chorales for piano, Der Geist hilft for
SATB-SATB recorders. By Bartók: Suite op.14 for piano. By Brahms: Fugue in Ab minor for organ, for
SATB recorders and gamba, in A minor; Choralvorspiele for organ plus settings by Isaac, Bach, Praetorius,
recorders. John Carr, Divisions on an Italian Ground, flute or recorder and guitar. Franz Liszt, Late piano
pieces, G.F. Händel: Concerto Grosso in A minor op 6 no 4, harpsichord and recorders; Recorder Sonata in
Bb no 5, in G for tenor recorder and keyboard. Claudio Monteverdi, Ecco Mormorar l’Onde, SSATB
recorders. Arnold Schoenberg: Verklärte Nacht for piano. Franz Schubert: Four Songs, voice and guitar;
Dances, recorders and guitar, Dances, piano 4 hands. Scriabin, Two Preludes op.67; Five Preludes op.74,
piano. Telemann, Twelve Flute Fantasias and Six Duets, recorder. Wilbye, Draw on sweet Night, SSATTB
recorders, and for flute choir. Twelve Italian Songs and Seven English Songs, voice and guitar; Folk Guitar
Solos; Fourteen Folk Dance Tunes, recorder and guitar; Bushband Dances, violin, accordeon and banjo;
Easy Classical Pieces, Bb trumpet and piano; Famous Beginnings, for piano.
These pieces are under the Creative Commons Attribution 4.0 licence. Very briefly:
• You may copy and redistribute the material in any medium or format.
• You may transform and build upon the material for any purpose.
• You must give appropriate credit, and indicate if changes were made.
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