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When the Mantra sinks in Yoga’s Ear ||98.57||
Mantric Utterance•One can pass through the mystical doors
•Cross the occult ranges
•Write devotional poems
•Sing spiritual songs
•Make religious compositions
•Express metaphysical thoughts
•Be fully adoring with emotional lyricism
But these can be far away from the Mantric word.
Nothing CountsPoetic intelligence
Creative insight
Unfailing aesthetic sense
Deeper and genuine perceptions
Swift and luminous intuition of things,
Yet the vision and language and rhythm of the Mantra may be lackingDirect and experienced awareness of the mysterious and the divinely hauntingA living contact with the reality One sustained example is the Rig Veda; in our own times it is Savitri.
A Yogin is oftentimes “led by a mysterious sound”.
He is conducted to the birthplace of the rhythmic Sound itself,
nādabrahma which is the origin and source, shabdayoni, of
this harmony.
There are the inaudible voices, but the Yogin is perfectly at
home with them.
A Shelley led by the mysterious sound seizes in the shape of a
bird that sound.
The spirit of delight whose race must begin takes a body to
sing unbidden hymns.
The Agastaya's Prayer and Proclamation
Lo, the hymn of affirmation, O Maruts; it is fraught with my
obeisance, it was framed by the heart, it was established by the
mind, O ye gods.
Approach these my words and embrace them with the mind; for of
submission are you the increasers.
Framed by the heart and confirmed or established by the mind,
hridā tastān manasā dhyāi. The earliest recorded theory of the
creative Word.
In the system of the Mystics the Word is power; the Word creates.
All creation is expression, everything exists already in the secret abode of
the Infinite, guhā hitam, and has only to be brought out by the active
consciousness.
The poetic measures of the Mantras,— anushtubha, trishtubha, jagati,
gāyatri,—are symbolic of the rhythms in which the universal movement of
things is cast.
The Mantra is not in its essential part a creation of the intellect.
It must have come as an inspiration from the supramental plane, ŗtam, the
Truth, and received either through the heart or by the luminous
intelligence, manisha, fashioned by the heart and confirmed by the mind.
Vedic Metres
Mantra comes from the OvermindThe Mantra is a word of power and light that comes from the Overmind inspiration or from some very high plane of Intuition.
Its characteristics are
a language that conveys more than the mere surface sense of the words
a rhythm that means even more than the language
is born out of the Infinite and disappears into it
has power to convey not merely the mental, vital or physical contents or
indications or values of the things uttered, but its significance and figure
in some fundamental and original consciousness.
The body of the mantric sound becomes a chariot for accomplishments in the
triple glory of truth-conscient awareness of delight.
The receiver of the Word, the listener of the transcendent speech, parā vāņī,
awakens to its reality. A transmutation gets effected.
Knowledge and Power become instruments in the spirit's working.
The Mantra is the highest intensest revealing form of poetic thought and
expression.
It envisions inmost truth of God and self and man and Nature and
cosmos and life and thing and thought and experience and deed.
It is a thinking that comes on the wings of a great soul rhythm,
chhandas, the seeing not separated from the hearing.
The Mantra is born through the heart and shaped or massed by the
thinking mind into a chariot of that godhead of the Eternal.
Mantra is the voice of the inmost truth and is couched in the highest
power of the very rhythm and speech of that truth.
The Mantra is a supreme rhythmic language which seizes hold upon all
that is finite and brings into each the light and voice of its own infinite.
Mantra is Truth-Revelation
It is the superconscient Nature-Force, Shakti, Vak, the goddess of
creative Speech.
Tantric psychists supposed that this Power acts in us through different
subtle nervous centres on higher and higher levels of its force and that
thus the word has a graduation of its expressive powers of truth and
vision.
The grades of the Tantric classification, Pashyanti the seeing word, as
the description of that degree of power.
Vak
The Overmind touch consists in the undertones or overtones of the
rhythmic cry
A language of spiritual vision, feeling or experience.
Undertones and Overtones
The Mantra is a word of power and light that comes from the Overmind
inspiration or from some very high plane of Intuition.
Its characteristics are a language that conveys infinitely more than the mere
surface sense of the words seems to indicate, a rhythm that means even more
than the language and is born out of the Infinite and disappears into it, and the
power to convey not merely the mental, vital or physical contents or indications
or values of the thing uttered.
Its significance and figure in some fundamental and original consciousness
which is behind all these and greater.
Mantra is the Word of Power
There is the original source of inspiration.
There is the vital force of creative beauty which contributes its own substance
and impetus and often determines the form, except when that also comes ready
made from the original source.
There is the transmitting outer consciousness of the poet.
Three Elements of Poetry
The Overmind thinks in a mass; its thought, feeling, vision is high or deep or
wide or all these things together. Sometimes there comes down a supreme
voice, the Overmind voice and the Overmind music.
The Higher Thought has a strong tread often with bare unsandalled feet and
moves in a clear-cut light: a divine power, measure, dignity is its most frequent
character.
The outflow of the Illumined Mind comes in a flood brilliant with revealing words
or a light of crowding images, sometimes surcharged with its burden of
revelations, sometimes with a luminous sweep.
The Intuition is usually a lightning flash showing up a single spot or plot of
ground or scene with an entire and miraculous completeness of vision to the
surprised ecstasy of the inner eye; its rhythm has a decisive inevitable sound
which leaves nothing essential unheard, but very commonly is embodied in a
single stroke.
Overhead Planes
Ranges of Spiritual Mind—The Overhead Planes
A graduality of Ascent There is the graduality of ascent, an increasing and deepening communication with light and power, a scale of intensities which can be regarded as so many stairs in the ascension of Mind or in a descent into Mind from That which is beyond it.
Upraised Estates of MindOn summit Mind are radiant altitudes
Exposed to the lustre of Infinity,
Outskirts and dependences of the house of Truth,
Upraised estates of Mind and measureless.
There man can visit but there he cannot live.
Truth-Thought
We become aware of a sealike downpour of masses of a spontaneous
knowledge which assumes the nature of Thought but has a different character.
Not the seeking or mental construction, no labour of speculation or difficult
discovery, but it is spontaneous knowledge from a Higher Mind that seems to
be in possession of Truth. One observes that this Thought is capable of
including at once a mass of knowledge in a single view; it has a cosmic
character, not the stamp of an individual thinking. A Cosmic Thought
A cosmic Thought spreads out its vastitudes;Its smallest parts are here philosophies Challenging with their detailed immensity, Each figuring an omniscient scheme of things. But higher still can climb the ascending light;
Truth-Sight
Beyond this Truth-Thought we can distinguish a greater illumination instinct with an increased
power and intensity and driving force, a luminosity of the nature of Truth-Sight with thought
formulation as a minor and dependent activity. We may compare the action of the Higher Mind
to a composed and steady sunshine, the energy of the Illumined Mind beyond it to an
outpouring of massive lightnings of flaming sun-stuff.
Vasts of VisionThere are vasts of vision and eternal suns, Oceans of an immortal luminousness, Flame-hills assaulting heaven with their peaks, There dwelling all becomes a blaze of sight; A burning head of vision leads the mind, Thought trails behind it its long comet tail;The heart glows, an illuminate and seer, And sense is kindled into identity.
Truth-Force
Still beyond can be met a yet greater power of the Truth-Force, an
intimate and exact Truth-vision, Truth-thought, Truth-sense, Truth-feeling,
Truth-action, to which we can give in a special sense the name of Intuition;
yet what we actually know as intuition is only one special movement of
self-existent knowledge. This imparts to our intuitions something of its
own distinct character and is very clearly an intermediary of a greater
Truth-Light with which our mind cannot directly communicate.
Intuition's LightningsA highest flight climbs to a deepest view: In a wide opening of its native sky Intuition's lightnings range in a bright pack Hunting all hidden truths out of their lairs, Its fiery edge of seeing absolute Cleaves into locked unknown retreats of self, Rummages the sky-recesses of the brain,Lights up the occult chambers of the heart; Its spear-point ictus of discovery Pressed on the cover of name, the screen of form,Strips bare the secret soul of all that Thought there has revelation's sun-bright eyes; The Word, a mighty and inspiring Voice,Enters Truth's inmost cabin of privacy And tears away the veil from God and life.
Overmind
At the source of this Intuition we discover a superconscient cosmic Mind in direct
contact with the supramental Truth-Consciousness, an Overmind that covers as
with the wide wings of some creative Oversoul this whole lower hemisphere of
Knowledge-Ignorance, links it with that greater Truth-Consciousness while yet at
the same time with its brilliant golden Lid it veils the face of the greater Truth
from our sight. This is the occult link, this the Power that at once connects and
divides the supreme Knowledge and the cosmic Ignorance.
Empire of the Overmind
Then stretches the boundless finite's last expanse,
The cosmic empire of the Overmind,
Time's buffer state bordering Eternity,
Too vast for the experience of man's soul:
All here gathers beneath one golden sky:
The Powers that build the cosmos station take
In its house of infinite possibility;
Each god from there builds his own nature's world;
Ideas are phalanxed like a group of sums;
Thought crowds in masses seized by one regard;
All Time is one body, Space a single look:
There is the Godhead's universal gaze
And there the boundaries of immortal Mind:
The line that parts and joins the hemispheres
Closes in on the labour of the Gods
Fencing eternity from the toil of Time.
Based on The Life Divine and Savitri
Ranges and Ranges
Upraised Estates of Mind
On summit Mind are radiant altitudes
Exposed to the lustre of Infinity,
Outskirts and dependences of the house of Truth,
Upraised estates of Mind and measureless.
There man can visit but there he cannot live.
A Cosmic Thought
A cosmic Thought spreads out its vastitudes;
Its smallest parts are here philosophies
Challenging with their detailed immensity,
Each figuring an omniscient scheme of things.
But higher still can climb the ascending light;
Vasts of Vision
There are vasts of vision and eternal suns,
Oceans of an immortal luminousness,
Flame-hills assaulting heaven with their peaks,
There dwelling all becomes a blaze of sight;
A burning head of vision leads the mind,
Thought trails behind it its long comet tail;
The heart glows, an illuminate and seer,
And sense is kindled into identity.
Intuition's Lightnings
A highest flight climbs to a deepest view:
In a wide opening of its native sky
Intuition's lightnings range in a bright pack
Hunting all hidden truths out of their lairs,
Its fiery edge of seeing absolute
Cleaves into locked unknown retreats of self,
Rummages the sky-recesses of the brain,
Lights up the occult chambers of the heart;
Its spear-point ictus of discovery
Pressed on the cover of name, the screen of form,
Strips bare the secret soul of all that is.
Thought there has revelation's sun-bright eyes;
The Word, a mighty and inspiring Voice,
Enters Truth's inmost cabin of privacy
And tears away the veil from God and life.
Empire of the Overmind
Then stretches the boundless finite's last expanse,
The cosmic empire of the Overmind,
Time's buffer state bordering Eternity,
Too vast for the experience of man's soul:
All here gathers beneath one golden sky:
The Powers that build the cosmos station take
In its house of infinite possibility;
Each god from there builds his own nature's world;
Ideas are phalanxed like a group of sums;
Thought crowds in masses seized by one regard;
All Time is one body, Space a single look:
There is the Godhead's universal gaze
And there the boundaries of immortal Mind:
The line that parts and joins the hemispheres
Closes in on the labour of the Gods
Fencing eternity from the toil of Time.
The Triple Fusion in Poetry
There has to be in the poetic speech the triple fusion of
rhythmic movement,
thought-substance,
soul's vision of truth,
of the rhythm, substance, and sight, of laya, vāk, dŗştī which must join together
to give rise to the expressive Word, brahma which is also the mantra. There
must be deeper and subtler music, a rhythmical soul-movement entering into
the metrical form.
The Occult EarWhat determines the sense of hearing is the sensitive ear, the occult, the inner ear which in the stillness listens to the deeper and subtler contents of the sounds of the Word, to its quiet dhwani.It is the deep secret voice that speaks out through it, bringing knowledge of the excellent things to us who can receive it. In terms of sound the three ways in which a syllable may differ are: quantity, emphasis or stress or weight of voice, and pitch or accent. Generally it is the accent and to some extent stress that govern the metrical flow of a line in English poetry. Each word-group has a separate rhythm, an independent life, yet it is by following each other rapidly in a single whole that complete force and beauty in poetic composition is achieved.
The Mother on the MantraNobody can give you the true mantra. It's not something that is given: it's something that wells up from within. It must spring from within all of a sudden, spontaneously, like a profound, intense need of your being—then it has power, because it's not something that comes from outside, it's your very own cry.I saw, in my case, that my mantra has the power of immortality; whatever happens, if it is uttered, it's the Supreme that has the upper hand, it's no longer the lower law. And the words are irrelevant, they may not have any meaning—to someone else, my mantra is meaningless, but to me it's full, packed with meaning. And effective, because it's my cry, the intense aspiration of my whole being.A mantra given by a guru is only the power to realize the experience of the discoverer of the mantra. The power is automatically there, because the sound contains the experience. I saw that once in Paris, at a time when I knew nothing of India, absolutely nothing, only the usual nonsense. I didn't even know what a mantra was.
I had gone to a lecture. All at once, in the course of his lecture, he uttered the
sound OM. And I saw the entire room suddenly filled with light, a golden,
vibrating light.... I was probably the only one to notice it.
I said to myself, "Well!" Then I didn't give it any more thought, I forgot about the
story. But as it happened, the experience recurred in two or three different
countries, with different people, and every time there was the sound OM, I would
suddenly see the place filled with that same light.
That sound contains the vibration of thousands and thousands of years of
spiritual aspiration—there is in it the entire aspiration of men towards the
Supreme. And the power is automatically there, because the experience is there.
11 May 1963
A Mantra is not the same thing as prayer or self-dedication (Atma-nivedana).
Prayer is conveyed in the words the Sadhaka chooses. Any set of words or
letters is not a Mantra.
Only that Mantra in which the Devata has revealed His or Her Particular
aspects can reveal that aspect, and is therefore the Mantra of that one of His
or Her particular aspects.
The relations of the letters (Varņa), whether vowel or consonant, Nada and
Bindu, in a Mantra indicate the appearance of Devatā in different forms.
Certain Vibhuti or aspects of the Devata are inherent in certain Varņa, but
perfect Śakti does not appear in any but a whole Mantra.
All letters are forms of the Śabda-Brahman, but only particular combinations
of letters are particular form, just as the name of a particular being is made
up of certain letters and not of any indiscriminately.
Śakti and Śakta
The whole universe is Śakti and is pervaded by Śakti. Nada, Bindu, Varga are all forms of Śakti
and combinations of these, and these combinations only are the Śabda corresponding to the
Artha or forms of any particular Devatā.
The gross lettered sound is the manifestation of sound in a more subtle form, and this again is
the production of causal "sound" in its supreme (Parā) form.
Mantras are manifestations of Kuņdalini which is a name for the Śabda-Brahman or Saguņa-
Brahman in individual bodies. Produced Śabda is an aspect of the Jiva's vital Śakti.
Kuņdalini is the Śakti who gives life to the Jiva. She it is who in the Mulādhāra Chakra (or basal
bodily centre) is the cause of this sweet, indistinct and murmuring Dhavani which is compared
to the humming of a black bee.
Thence Śabda originates and, being first Parā, gradually manifests upwards as Paśyanti,
Madhyamā, Vaikhari. Just as in outer space, waves of sound are produced by movements of air
(Vāyu), so in the space within the Jiva's body, waves of sound are said to be produced
according to the movements of the vital air (Prāņavayu) and the process of in and out
breathing.
As the Svarupa of Kuņdali, in whom are all sounds, is Paramātmā, so the substance of all
Mantra, Her manifestation is Consciousness (Cit) manifesting as letters and words. In fact,
the letters of the Alphabet which are called Akshara are nothing but the Yantra of the
Akshara or Imperishable Brahman.
Kuņdalini, who is extremely subtle, manifest in gross (Sthula) form in differing aspects as
different Devatās.
It is this gross form which is the Presiding Deity (Adhishţātri Devatā) of a Mantra, though it is
the subtle (Sukşma) form at which all Sadhakas aim.
Mantra and Devatā are thus one and in particular forms of Brahman as Śiva-Śakti.
A Mantra consists of certain letters arranged in definite sequence of sounds of which the
letters are the representative signs.
To produce the designed effect, the Mantra must be intoned in the proper way, according to
both sound (Varņa) and rhythm (Svara).
Mantra when translated ceases to be such, and becomes a mere word or sentence.
Woodroffe