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Aerial view Florence, Italy: Cathedral (Duomo), Giotto's bell tower (campanile), and the Baptistry, with the Palazzo Vecchio in the distance.
Begun 1296.
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Map: Streets and monuments of Florence, Italy, ca. 1500.
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Filippo Brunelleschi. Sacrifice of Isaac, competition relief commissioned for the doors of the Baptistery. 1401-2.
21" × 17-1/2".
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Lorenzo Ghiberti. Sacrifice of Isaac, competition relief commissioned for the doors of the Baptistery. 1401-2.
21" × 17-1/2".
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Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence. ca. 1445-48.
Height: 15'.
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Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence: Self-portrait. ca. 1445-48.
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Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence: The Story of Adam and Eve. ca. 1425-37.
31-1/4" × 31-1/4".
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Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence: Meeting of Solomon and Sheba. ca. 1425-37.
31-1/4" x 31-1/4"
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Musical Notation: Cantus firmus melody from Dufay's Nuper rosarum flores.
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Filippo Brunelleschi. San Lorenzo, Florence, Italy: Nave. ca. 1421-69.
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Filippo Brunelleschi. San Lorenzo, Florence, Italy: Plan. ca. 1421-69.
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Arnolfo di Cambio, Brunelleschi et al. Closer Look: Brunelleschi's Dome: Plan showing historical development of Florence Cathedral.
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Arnolfo di Cambio, Brunelleschi et al. Closer Look: Brunelleschi's Dome: Cross-sections, Baptistry and Cathedral, Florence.
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Filippo Brunelleschi. Closer Look: Brunelleschi's Dome: Structural ribs and horizontal bands inside the dome fabric (color drawing).
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Filippo Brunelleschi. Closer Look: Brunelleschi's Dome: Dante's circles of hell (Venetian color woodcut).
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Leon Battista Alberti. Alberti's perspective diagram (black and white drawing).
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Masaccio. Trinity with the Virgin, Saint John the Evangelist, and Donors, Santa Maria Novella, Florence. ca. 1425.
21' × 10'5".
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Masaccio. Trinity with the Virgin, Saint John the Evangelist, and Donors, Santa Maria Novella, Florence, with orthogonals and vanishing point of
one-point perspective superimposed. ca. 1425.21' × 10'5".
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Masaccio. The Tribute Money, Brancacci Chapel, Santa Maria del Carmine, Florence. 1420s.
8' 1" x 19' 7".
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Donatello. St. Mark, Orsanmichele, Florence. 1411.Height of figure: 93".
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Donatello. David. 1440s.Height: 62-1/4".
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Sandro Botticelli. Adoration of the Magi. 1470s.43-3/4" × 52-3/4".
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Michelozzo di Bartolommeo. Palazzo Medici-Ricccardi, Florence.Begun 1444.
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Leon Battista Alberti. Palazzo Rucellai, Florence. 1446-51.
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Luca della Robbia. Cantoria (choir or organ loft) for Florence Cathedral: Detail, Drummers. 1433-40.
42-1/8" × 41".
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Sandro Botticelli. Primavera. Early 1480s.6'8" × 10'4".
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Piero della Francesca. Portrait Diptych (recto): Battista Sforza and Federigo da Montefeltro. ca. 1472.
Each 18-1/2" × 13".
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Piero della Francesca. Portrait Diptych (verso): Triumph of Federigo and Battista da Montefeltro. ca. 1472.
Each 18-1/2" × 13".
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Andrea Mantegna. Camera Picta (Painted Chamber), Palazzo Ducale, Mantua. 1465-74.
Room: 62' 6" square.
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Andrea Mantegna. Camera Picta (Painted Chamber), Palazzo Ducale, Mantua: Detail, ceiling with fictive oculus. 1465-74.
Diameter of balcony: 5'.
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Leonardo da Vinci. Embryo in the Womb. ca. 1510.11-3/4" × 8-1/2".
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Leonardo da Vinci. Last Supper, End wall of Refectory, Santa Maria delle Grazie, Milan. ca. 1495-98.
15'1-1/8" × 28'10-1/2".
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Leonardo da Vinci. Refectory, Monastery of Santa Maria delle Grazie, Milan, with Leonardo da Vinci’s Last Supper at far end. ca. 1495-98.
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Leonardo da Vinci. Portrait of Cecelia Gallerani (Lady with an Ermine). 1483-85.
21" × 15-1/2".
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Leonardo da Vinci. Portrait of Mona Lisa. 1503-15.30-1/4" × 21".
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Anonymous. The Execution of Savonarola. 1498 or later.
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Michelangelo. David. 1501-4.Height: 17' 3".
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Michelangelo. Moses. 1513-15.Height: 7'8-1/2".