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__ ~ colt Jhe iano u'f'j ™
Favorite Piano Fake Boo
aturing over 70 eat Songs in Lead eet otation
eludes Basie and dvaneed Chord harts for Every Song
Contents
4 Some Notes from Scott. .. 42 Here, There and
6 All the Things You Are Everywhere
5 Amazing Grace 44 Hey Jude
8 Autumn Leaves 46 Hound Dog
9 Blue Suede Shoes 48 How Sweet It Is
10 Blueberry Hill (To Be Loved by You)
12 Bye Bye Blackbird 50 I Left My Heart in San
14 Call Me Irresponsible Francisco
16 Can You Feel the Love 27 I Will Remember You Tonight 52 I've Got You Under My
18 Crazy Skin
20 Don't Get Around 56 If Much Anymore 58 Imagine
22 Don't Know Much 60 In a Sentimental Mood
24 Endless Love 62 Isn't It Romantic?
30 Fly Me to the Moon 64 It's Only a Paper Moon (In Other Words) 66 Jailhouse Rock
32 Georgia on My Mind 68 Kansas City
34 The Girl from Ipanema 55 Let It Be (Garota de Ipanema) 73 Mandy
36 God Bless' the Child 70 Michelle
38 Great Balls of Fire 76 Misty
40 Heart and Soul 78 Mood Indigo
80 Moon River 118 Stardust
82 Moonglow 120 Stella By Starlight
84 Moonlight in Vermont 122 Stormy Weather
86 My Favorite Things (Keeps Rainin' All the Time)
88 My Funny Valentine 124 Tangerine
90 My Romance 126 Tears in Heaven
92 A Nightingale Sang in 130 Till There Was You Berkeley Square 132 Try to Remember
94 Raindrops Keep Fallin' 129 Twist and Shout on My Head 134 Waltz for Debby
96 Ribbon in the Sky 136 The Way We Were
98 Satin Doll 138 The Way You Look
100 Saving All My Love for Tonight
You 140 What a Wonderful World
104 Sentimental Journey 142 When I Fall in Love
106 Skylark 144 When the Saints Go
108 Smoke Gets in Your Marching In
Eyes 146 Wonderful Tonight
110 Solitude 145 Yesterday
112 Somewhere out There 150 You've Got a Friend
114 Sophisticated Lady 148 Your Cheatin' Heart
116 Stand By Me
Some notes from Scott ...
I hope you're as thrilled with this fake book as I have been creating Itt Tt7(Ougn the feedback from thousands of television show viewers, many of whom were just starting down the path of non-classical piano playing, I was able to include all the things that everyone most wanted and needed in a fake book. I'm proud to say that I listened! It's all in this first-of-its-kind fake book.
Having said that, I need to explain a few things that I think will answer many of the questions you may have when you dig into playing your favorite tunes.
How to Use the Chord Charts You'll immediately notice that at the beginning of every tune, there is a set of chord diagrams split into an upper and lower row. The upper row contains diagrams of the basic chords designated by the symbols used in the tune. Immediately below every basic chord is a possible chord substitution that you may want to try and use as you begin to :::Jet the tune "under hand." These more advanced chords are simply substitutions that professional players tend to use when they are really Jut working gigs. You will find that they will sound a little more polished, Jr perhaps jazzy (for lack of a better description). Understand that -'lese more advanced substitutions are not cast in stone. There is no ::.osolute right or wrong choice when choosing whether or not to play -~e basic or the more advanced chords. Let your ear and taste be your ~ ",ide. Also, there will be times when the basic and advanced chords s:ed are exactly the same. That usually occurs where there is just no =:::J1cal chord substitution to be made.
:ilink the chord diagrams are the best part of my fake book, because -'-ey will allow you to kind of "get into a real player's head" a bit and start -:: understand why even if you play basic chords perfectly as listed in .:. ead sheet, you still might not sound like players that you hear out . Jrking professionally. Professionals tend to use more hip-sounding
:: --ord substitutions for the basic chord symbols given in a lead sheet. . ,ow you can start to get a handle on some of those substitutions, You'll "-d that similar chord substitutions occur over and over, which will .:. ·ow you to start internalizing and allowing them to sneak into your :: ~ying very naturally.
One Substitute to Watch Out For! :nlnk you'll quickly notice that one chord substitution is made time
.:.-d time again: using a major 7th chord instead of a regular old major :: --ord (i.e. C becomes Cmaj7). It is a great substitution that sounds ~:'eat most of the time but has one major issue to watch out for: If -"e melody note that is being emphasized when you play the chord .- appens to be the root of the chord, you probably shouldn't use the substitution. For example:
'ou have a C chord symbol given above a melody line that has E,F,G in :'lat measure. Great! Go ahead and use the major 7th substitution and olay a Cmaj7 instead of the regular C chord.
--1owever, if you have a C chord symbol given above a melody line that 'las a single C note held through the measure~watch out' Because :'le C in the melody line is the root of the C chord, it will tend to clash if -,ou use the Cmaj7 as a substitute.
-0 give your ear a chance to hear this, just play any major 7th chord ,', ith your left hand while emphasizing the root note (the note the chord '::egins with) in your right hand in some octave above where you are :: aying the chord, It's pretty dissonant... So to be safe, just keep a look ::...J: for that "major 7th for a major" chord substitution when the melody
-e happens to be focusing on the root of the chord, You'll probably be -~opier just sticking to the original chord,
Voicings Voicings is a term used for different variations of a chord that you can play that don't necessarily contain every note in the chord, Voicings give you the parts of a chord to leave out to make them simpler to play and still sound great. In most cases in the chord diagrams in this book, we have given you the entire chord in root position, It will be up to you to decide on using a voicing or not, depending on your taste and skill level, However, in a few cases (primarily 13th chords) we went ahead and gave you the chord diagram using a voicing when there was one very obvious one to use, Let me explain further .. ,
You may have noticed that in the case of 9th chords, there are 5 notes, Playing all 5 of those notes is not only very difficult physically to finger, but can also sound a little "muddy," In the real world, players would seldom play all five notes in the 9th chord, Instead they would use a voicing to give them a simpler, cleaner-sounding version of the chord to play, For example, instead of playing all 5 notes in a C9 chord, which are C, E, G, B-flat, 0, I would probably choose to play just the E, B-flat, o in the chord (and maybe try to reach down and play the C root separately an octave lower),
This topic is more advanced than can be dealt with here in any depth, so I encourage you to find a book that deals with voicings to learn more, One tip I can give you is that the most important notes in a chord
to play (which you need to know to be able to decide which ones to leave out) are the 3rd, 7th, and whatever else is in there that gives the chord its distinctive sound, like the 9th or 13th.
Slash Chords (D/C, Fmaj7/G, DmlE for example)
In lead sheet notation, slash chords direct you to playa particular note in the bass (in other words the lowest note you hear). They work like this:
• Whatever the chord symbol is to the left of the slash is the actual chord you are supposed to play,
• Whatever the individual note name is to the right of the slash is the single note you are supposed to play in the bass,
For example, G/A means playa single A note down low in the bass (grab it with your sustain pedal to keep it sounding), and come up and playa G major chord in its normal position, In other words, playa G major chord over an A in the bass,
Am/C means play an A minor chord over a C in the bass. In this case the C is actually a note in the A minor chord, So another way you could look at it is that it is forcing you to play the A minor chord in an inversion with C on the bottom.
Know that sometimes the bass note is in the chord; sometimes it is not. You still just make sure that it is the lowest note you are playing,
For the slash chord in the chord diagrams of this fake book, we are showing you only the chord portion of the slash chord, not the bass note portion, Therefore it is your responsibility to get that bass note played even though it does not appear in the chord diagram,
Have fun! Scott
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Copyright © 2002 by HAL LEONARD CORPORATION International Copyright Secured All Rights Reserved
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AMAZING GRACE
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Words by JOHN NEV,,: From A Collection of Sacred 82 2.
Traditional American Mel: From Carrell and Clayton's Virginia Harrl:
Arranged by Edwin O. Ex:
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grace, taught
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my heart gers, trials
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ALL THE THINGS YOU ARE from VERY WARM FOR MAY
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: : = .' ~..,t © 1939 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. Lyrics by OSCAR HAMMERSTEIN II Music by JEROME KERN : : = . . Renewed
- = Reserved Used by Permission
Am I
Dm 1 G7 C\3 C" "~,' / "-
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r r r r r I r f./ You are the prom - ised kiss of spring - time that
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makes the lone - ly win - ter seem long.
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trem - bles on the brink of a love - ly song.
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You are the an gel glow that lights a star.
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The dear - est things I know __ are what you are.
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some day I'll know that rna - ment di
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vine, when all the things you are are mine.
8 AUTUMN LEAVES
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. :..:- . 950 (Renewed) ENOCH ET CIE : . ~ 3:, ~g Agent for U.S. and Canada:
English lyric by JOHNNY MERCER French lyric by JACQUES PREVERT
Music by JOSEPH KOSMA '.' :::;::kEY MUSIC CO" by agreement with ENOCH ET CIE
~ = :-:5 Reserved
-, Bdim! Am
,:,A
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,-~
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leaves __ drift by my win - dow, _ the au- tumn leaves _ of red and gold.
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lips,_ the sum-mer kiss - es, _ the sun-burned hands _ I used to hold.
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Since you
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~ F E §r ~ ~ fJ I ~, II ~ I E r I r r' ~ r j miss you most of all my dar - ling, when au - tumn leaves start to fall.
© 1955,1956 HI-LO MUSIC, INC.
BLUE SUEDE SHOES from G.I. BLUES
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1111111111 1111111111 11111[1111 . . . . . . ,. .. .: . C9 F13 G13
© Renewed 1983,1984 CARL PERKINS MUSIC, INC. (Administered by WREN MUSIC CO., A Division of MPL Music Publishing, Inc.)
All Rights Reserved
"
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J I; d J J j t I; d J j Well it's one for the mon- ey, two for the show,
13 F7
9
Words and Music by CARL LEE PERKINS
IdJ; jjJ I three to get read - y now
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.t' i\j ; -e-go, cat, go but don't you step on my blue suede shoes.
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You can do an - y - thing_ but lay off of my blue suede shoes. __
IdJ; J ; I Well you can knock me down, _ step on my face,_ slan-der my name all
'V o - ver the place._ Do an - y - thing that you want to do but uh - uh hon- ey, lay
l.
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Don't you step on my blue suede shoes. off of my shoes._
10 BLUEBERRY HILL
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_ - = . - ~~ ;;: 1940 by Chappell & Co. : : = .. ~- Renewed. Assigned to Chappell & Co., Larry Stock Music Co. and Sovereign Music Corp. ~ = :-- ':Jr Larry Stock Music Co. Administered by Larry Spier, Inc., New York -.~--,,- ~al Copyright Secured All Rights Reserved
f~~ J F
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?lr found my thrill
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Words and Music by AL LEWIS, LARRY STOCK and VINCENT ROSE
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Hill
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--- ~ when I found you. The moon stood
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And lin - gered un - til my dreams came
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---- -----love's sweet mel - 0 - dy; but all of those
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vows we made were nev - er to be.
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Tho' we're a part you're part of me
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still for you were my thrill
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BYE BYE BLACKBIRD from PETE KELLY'S BLUES
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~ : :. - ~ ht © 1926 (Renewed 1953) ~ . ;~:s for the extended term administered by Fred Ahlert Music Corporation on behalf of Olde Clover Leaf Music ~ . ;:~:s for the extended term administered by Ray Henderson Music on behalf of Ray Henderson -·-=-~3.,onal Copyright Secured All Rights Reserved
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-------------bye bye black bird.
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No one here can love and un der
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hand me. Make my bed and
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black bird bye bye.
14 CALL ME IRRESPONSIBLE
from the Paramount Picture PAPA'S DELICATE CONDITION
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= ::. -ght © 1962, 1963 (Renewed 1990, 1991) by Paramount Music Corporation --=-~allonal Copyright Secured All Rights Reserved
Words by SAMMY CAHN Music by JAMES VAN HEUSEN
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~ ~ : II j J I#J i1 v RJ J I ~J F Call me Ir - re - spon - si - bIe, call me
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un - re - Ii - a - bIe, throw III un - de - pend - a - ble
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t I r r $ 0 If' too. __ _ Do my fool - ish al - i - bis
15
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tell me I'm 1m - prae ti - cal, ram bows
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If r f r C1 L F I t I I'm m - clined _ to pur - sue. Call me
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Ir - re - spon - SI - ble, yes. I'm un - re - Ii a - ble,
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Ir - re - spon - si - bly mad for you.
16
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. :-:-.: Wonderland Music Company, Inc. ~ = ~'l'S Reserved Used by Permission
~I F
J J J There's a calm There's a time
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CAN YOU FEEL THE LOVE TONIGHT from Walt Disney Pictures' THE LION KING
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J I ~ J J 9'-/4 J ~ sur - ren - der to the rush for ev - 'ry - one if they on
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3 J J 9 J I J J J of the roll - mg world can be turned
that the twist - mg ka - lei - do - scope moves us all
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J J J J J J. I ~ J J ~ An en - chant - ed mo - ment, and it sees
There's a rhyme and rea - son to the great
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It" s e - nough for this rest - less war - ri - or just to be \\hen the heart of this star - crossed vo - ya - ger beats in time
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Music by EL TON JOHN Lyrics by TIM RICE
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- ly learn
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J j a - way. m turn.
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J j 7 J I with you. I And with yours.
17
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can you feel the love to -night? It IS where we are.
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$ ~ ~ I : : : ~ It's e - nough for this wide - eyed wan - der - er that we got this
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J -Jj J. .t) j J far. And can you feel the love to - night,
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how it's laid to rest? It's e - nough to make
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$ : : I ~ ~ I : II II J J J 9 J J -e- -e-kings and vag - a - bonds be - lieve the ver - y best. best.
18
111111111; 1111111111 11111111111 . . . . . . . . . f Em Om
111111111 1111111111 1111111111 . . . . . . . . . . . . fmaj7 Em7
: _ = .' ~r: ~ 1961 Sony/ATV Songs LLC : -= . - cr
: Renewed c = ~~:s Administered by Sony/ATV Music Publishing,
: '.'.JSIC Square West, Nashville, TN 37203 -~-oo: c'1al Copyright Secured All Rights Reserved
'r
Em-
lone -ly; _
I
G7
blUe.
Om7
-
CRAZY
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Dm Crj'l,\.t:
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era - zy,_
G7
I'm era - zy, _
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11111111111 1111111111 . . . . C9
. . . 07
Words and Music by WILLIE NELSON
J
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era - zy for feel - in' so
era - zy for feel - in' so
I knew_ you'd love me as long as you
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want -ed, _
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J
hold you,_
Dm
$ r---3~
~ r r era - zy for
19
, G7
- iilJ r r r F r I and then some -day __ you'd leave me for some -bod - y
C" " C7
-
-
-
-
C rr\j' /
§ E Ie ery - in' and
I
Fmct, E ,'" - ~ ~. I j
Wor -ry_
( I D7
I ;;
Won - d'rin' _
C 1'Y\i:\..'1 .'.' .J
D J. J. :,
--------/
era - zy
t ~ I'm
Dm r---3~
F I r IJ ~ I'm era - zy for
r--3~ r--3----l
~ ~ ~ I F r ~ I
why do I let my - self
what in the world did
~3~ r---3~
--t-I J #F F ~ ~ ~ I ~
for think - ing that my love eould
- ,
F.· . , Em r--3
It ~--r V ~. era - zy for try - in',
" G7 C,·,,,,,'!
"
F r I r' t II
lov - in' you.
2C DON'T GET AROUND MUCH ANYMORE
from SOPHISTICATED LADY
1111111111 11111111111 111111 :1111 11111[1111 1111111111 1IIIIIlIII . . . . . . . . : . . .: '. . . . . • • :!J C A7 D7 G7 C7 F
11111111111 111111:1111 1111111111 111111 :1111 11111111111 IIIIII!IIII . . . . .. . . . . :. . • •• f ,e • . . . I :. . . '.' . Cmaj7 A9 D9 G9 C9 Fmaj7
1111111111 111111,1111 IIIIII~IIII 11111111111 1111111111 . ..; . . . . .': • i
• • ,e •
Hdim B7 Em D#dim G71D
111111]111 11111[1111 1IIIIrlili 11111111111 111111]111 . :. . . • • .i i. . . . . '. Hdim7 B7 Em7 D#dim7 FIG
~ =.' ~-' ;: 1942 (Renewed 1969) by Famous Music LLC and Harrison Music Corp. in the U.S.A. = : ·'0 ':' :he world outside the U.S.A. Controlled by EMI Robbins Catalog Inc. (Publishing)
,.: :, 2""er Bros. Publications U.S. Inc. (Print)
Words and Music by DUKE ELLINGTON and BOB RUSSELL
.'c.'.'" :"31 Copyright Secured All Rights Reserved
\lissed the Sat - ur - day dance,_ heard they crowd - ed the floor. _ got as far as the door._
A7
j 3 j 3 J IF Could - n't bear it with - out They'd have asked me a - bout
YOU'l you,
G7 & ~ I ~ E; F J ~ Jjl - I
Jon't get a - round much an - y - more. Thought 1'd vis - it the club,_
$
$
C7 Ffj I'
- IF more. Dar
C" ,f.
F F j I j t
mind's more at ease.
F#dim B7 Em D#dim G71D
()
less, why stir up mem - 0 - ries'?
- A7
~
might have gone but what for? __
D7 G7
~ ~ 7 --k -if) ~ #~ ~ J#J
out you, don't get a - round much an
21
F F ling I guess my
F; I '''I I
"
• I F F ~
I But nev er the
Been in - vit - ed on dates,_
i a fa J Aw - f'lly dif - f'rent with -
Ct-':,,,,
I' I~ II ~ t -e- . ~
- y - more.
22 DON'T KNOW MUCH
1111111111 11111111111 I1111111 II I Illrrll II II rill ii-I II I1I1I1 '1111 1IIIIIili II . . . • • .i . . . • e: i • • i-I • . . . . . C Em F G Am D7 Cm
11111[1111 1IIIIIilili 1IIIIIflili 111111:1111 1IIIIIlIli 111,11[1111 rlllll~11I . . . . . . ". . .. ;. • e, Ie . .' . . . . . . . ,
C Em7 F(add2) G Am7 D7 Cm7
1 1IIIIili II 1111111111 1111111111 1111111111 11I1U~11I 1111111111 . · r· . . . • !.;i • • j- •
F7 Bb Eb/G Ab Fm G7
1111111111 ~ 111111111 111111:1111 1111111111 1111111111 1111111111 I . . . . . . . . . . . .' . . ". .
F9 Bbmaj7 Eb/G Abmaj7 Fm7 G7
::: = :~"Ight © 1980 Sony/ATV Songs LLC, Mann & Weil Songs, Inc., EMI Blackwood Music Inc. and Snow Music .:. =lights on behalf of Sony/ATV Songs LLC and Mann & Weil Songs, Inc. Administered by
SJnyATV Music Publishing, 8 MUSic Square West, Nashville, TN 37203
Words and Music by BARRY MANN, CYNTHIA WElL and TOM SNOW
-',,''lational Copyright Secured All Rights Reserved
c Em·
fa J 10 Look at this face, Look at these eyes,
(D.C.) Look at this man,
Look at this life, Look at these dreams, Look at this soul,
F ...... 1</ -; G
~ t J r E I r I don't know much,
-
It 7)) JJJIJ J I know the years are show - ing.
they've nev - er seen what mat - ters. so blessed with in - spi - ra - tion.
I still don't know where_ it's go - ing'l so beat - en and _ so bat - teredo
still search -ing for _ sal - va - tion.
1 Em
but I know I love you, __
23
G C E. c),~: ./ G C
t :J I r :J E1 F IFF r F j F I () z-=-" I
and that may be __ all I need __ to know. __
Fine Am D7 G C
: II -So man - y gues - tions still left un - an - swered.
F.,) ,. G C Cm
I - ~:J :J j I
So much I've nev -er bro-ken through. ___ _ And when I
(1 F7 Bb Eb/G
$ l J\:J J I - J J J I J. ~l J :J 1- F F F I feel you near me some - ti mes I see so clear - ly the on - ly
--Eb/G Fm' G7 ~ D.C. al Fine
$ pbF' I tlF' Flr~CJ F e
II ~r ~p E F I F truth I've ev - er known IS me and you.
30
1111111111 . . . Am
1111111111 . . . . Am7
FLY METOTHE MOON (In Other Words)
featured in the Motion Picture ONCE AROUND
1111111111 1111111111 IIIIII~IIII . . . . . . . . . . Dm G7 C
1111111111 1111111111 1111111111 . . . . . .. . . . . . . Dm7 G9 Cmaj7
1IIIIli III . . . F
1111111111 . . . . Fmaj7
1111111111 1111111111 1111111111 111111:1111 . . . . . . . . . . . . E7 A7 Em Dm/G
1111111111 1111111111 1111111111 1IIIIrlili . . . . . . . . . . • • • I
E7-9 A7 Em Dm/G
-=::: -© Copyright 1954 (Renewed) Hampshire House Publishing Corp., New York. NY --.o--atlonal Copyright Secured ~ = ~hts Reserved Including Public Performance For Profit _ :,,, = 'Jy Permission ,
Am I Dm-/
Fly me to the moon,
_ '-1
F, " C I' VlJ (
~ I J j 0
G7 k:
iE J F I r and let me play
Dm!
I J. stars; let me see what spnng
Am? A7 '-, Dml
iJ I ....
)1 J In oth - er
Am> Ju - pi
Gi - ter and Mars.
c.,"
I J ~ r r -----------
hold
J a
K • is
my hand! ___ _
G1 Cr-.-,;',
ICJ
oth - er words, __ _ dar - ling kiss
-
Words and Music by BART HOWARD
k: ~} J.
mong the
J J like on
words, __
In
j me! __
31
E7
~~O Am
~
l I F r )1 Dm
I J. ~ ~ ~) F Fill my heart with song, and let me
(1 G7 C ' . , I F f'r '. I,
~ r J ~ J. .u 0
j )1 l sing for - ev - er more; you are all I
Dm
~ J E7 ,- '7
J j ~ J J. long for, all I wor ship and a
Am
~ J A7 Dm
#J I ~ J III
G7
]J r dore. In oth - er words, ____ _ please be
I' Em
~ 0,
----
A7 Dm'
Ij· ,J ~
I )1 J =J J ------
) ~ ~
true! In oth - er words,
)
I
G7 c, " I ET
J - : II -e-
Dm/G
~ J J '-.-/
I love you!
~12~; ~ Dm'
F 10 J ~I true! In oth - er words, ____ _
r:~
G7
~v~ r C)\-'\t" .
r () II I love you! ______ _
32
: 1111111111 . . . C
1 1IIIrii II • • • .1
Cmaj7
111111,1111 . . . . G7
111111'1111 •• el •
G13
= ::.' ght © 1930 by Peermusic III, Ltd. = ::::. 'ght Renewed
111111'1111 . . . E7
11111[1111 . . . E7
1111111111 . . . F7
111111111 . . . F13
GEORGIA ON MY MIND
11111[1111 1111111111 . .. . . . Am Fm
1111111111 1111111111 . . . . . . Am7 Fm7
1IIIIrlili 11111[1111 . . ' . . . 07 B7
1IIIIrlili 1IIIIJlIIII . . . . 07 B7
-'~'~ational Copyright Secured All Rights Reserved
$
Gear - gia,_ Gear - gia,_
Fm
J :f1 through, just an
you comes as
I
E7
Ii) J '-'"
Gear - gia,_ Gear - gia,_
c· '"""", A7-+S
j j r old sweet song
sweet and clear
J keeps
as
1111111 III . . A7
111111'1111 •• I' .
A7+5
11111111111 • • -I i
Em
11111[1111 • • .i!.
Em7
Am
I t j
11111[1111 . . . Dm
111111'1111 . . . . Om7
11,,1'11111 . . C#dim
11111[1111 . . Odim
Words by STUART GORRELL Music by HOAGY CARMICHAEL
J j the whole day a song of
I~ml f !,. G7
I
... J. j J1 ~ Gear - gia on my
11
2
nm " t.> IJ
G7
mind. __ _
-.~ pmes. __ _
: II ~ J J j moon - light through the
Am
Oth - er
", Dm!
arms _ reach
I'
Am F7 Am ...,
Am D7 Dml
$ I; J I ~ J #k:j 1 J ffi ; J ;t~ J IE ) '-'" '-'
out to me,_ oth - er eyes _ smile ten - der - ly. _
Am -7 C i';"';'-~I ", B7 Em C#dim Dm'
$ J J ~
J : J ; J ;t~ J J I r" )1 I J
'-"
Still, m peace ful dreams I see the road leads back to
--, 13 Dm l G7 C l ,"'It, E7
$ '-
: I
j;jJ2 J J I j 3 J j ~ , ......... /
'-'" you. Geor - gla, __ Geor - gla, __
$ Am' Fm C.,..,·",·· A7 :.
J t J J J I J :f1 I j : r no peace I find. Just an old sweet song keeps
Dm ',' J3
G7 C; ,,<C'o' '
$ ~ : J I; II -J -e-.~ Geor - gla on my mmd.
34
1111111111 1111111111 . . . . . :. C D7
IIIIII!IIII 1111111111 . . . . . . . .: . Cmaj9 D9
THE GIRL FROM IPANEMA (Garota de Ipanema)
11111111111 1111111111 · . . Dm D~7
11111111111 1111111111 · . . '; . . . Dm9 D~9
1 1IIIrii II 1111111111 . . D~ G~7
IIIIII!IIII III~I~~IU . . D~maj9 Gr9
1111111111 1111111111 1IIIIrlili 1111111111 111111:1111 . . · . . . . . . . .. . . C#m A7 B~7 Em G7
1111111111 1111111111 1111111111 1111111111 1111111111 . . . . . . . . . . . . .. . C#m9 A9 B~9 Em G7+5
= ::. "!ght © 1963 ANTONIO CARLOS JOBIM and VINICIUS DE MORAES, Brazil Music by ANTONIO CARLOS JOBIM English Words by NORMAN GIMBEL
Original Words by VINICIUS DE MORAES = ::. "Ight Renewed 1991 and Assigned to SONGS OF UNIVERSAL, INC. and NEW THUNDER MUSIC, INC. =: -; sh Words Renewed 1991 by NORMAN GIMBEL for the World and Assigned to NEW THUNDER MUSIC, INC.
':':"llnistered by GIMBEL MUSIC GROUP, INC. (P.O. Box 15221, Beverly Hills, CA 90209-1221 USA) .:. ::; ghts Reserved Used by Permission
Moderate Bossa Nova
J Ie ~'J
D7
r r Tall and tan and young and love - ly, the girl from I - pa - ne -
When she walks she's like a sam - ba that swmgs so cool and sways_
Db7
U J IF £ZLB:J I r - rna goes walk- ing, and when she pass - es, each one she pass - es goes
so gen - tie, that when she pass - es, each one she pass - es goes
1 "
C " , Db7
J 1J - -"a - a - h!" __ "a - a - h!" __
Db I "' '
()
011. __ _ but I watch her so sad - ly. __ _
35
How ____ _ can I tell her I love her? ___ _
Dm'
f ~ f I ~' t E f I Yes, ___ _ I would give my heart glad - ly, ___ _ but each
~ C J J r ~ f I If' E If J J J r r I
day when she walks to the sea, she looks straight a - head not at
~ G7
~ #r' C·
t I f' J I f I -=- \ J I D r EJ EJ me. Tall and tan and young and love ly, the
el
D7
~ r i r r u J girl from I - pa - ne rna goes walk - ing, and when she pass - es
l (
Db7
~ •• I
3 I
D r r J Db7 3 I
I
I t 7 D r r J o
smile, but she does - n't see. She just does - n't
C·, Db7 3 C :::. I n \ ('J ; i
~ ~ I t ----- J~o II 0 7 ::::-
D r r 0
see. No, she does - n't see.
38 GREAT BALLS OF FIRE
11111111111 . . . C
111111'1111
= ~ = . ~ ;:~, © 1957 by Chappell & Co. and Unichappell Music Inc. = ~ = .. :~i Renewed _ . .'-. - ;;-~ )nal Copyright Secured All Rights Reserved
!
. . . C7
I nlll~11I 1IIIIIilili • • !. . . . .
F7 G7
1IIIItlili 1111111111 . . : . .. . F13 G13
Words and Music by OTIS BLACKWELL and JACK HAMMER
~ t~;=;r~~r~~-~ ~i~~~r~--~r -¥ ]t~~~~;=~~-~=_~~&: ~ You shake my nerves and you
! .
rat-tie my brain._ Too much love drives a man in - sane. _
You broke my will, but what a thrill. Good - ness gra cious, great_
__ balls of fire! I laughed at love 'cause I thought it was fun - ny.
You came a-long and you moved_ me, hon - ey. I changed my mind,
39
~
$ F7
~6 C N.C. ~ IV br I br
~
-; ~ t r r L; )1 r t : r love's just fine. _ Good - ness gra - cious, great _ balls of fire!
F7 C~ .~
$ t r r r br I t f ~ I Ell E r t I
Kiss me, ba - by. Woo, it feels good.
-G7
- I L r r r E [ F! I p r ~:J t Hold me ba - by. ~ Girl, just let me love you like a lov - er should. -l
l I want to love you like a lov - er should. _ ~
$ ~,. t":::::, t":::::,
t r t I t r r r t I C C rr r r r r I J You're fine, _ so kind. _ I'm gon -na tell the world that you're
C
mine, mme, mine, mine. _ I chew my nails and I twid - dIe my thumb._
$ F7 t G7
~
~ r I JEW I r r -Jj I
7 !~ F EJ ~ r t -; P r -;
I'm real ner -vous but it sure IS fun. _ Come on, ba - by, you're
,""
JiVbE F7 C N.C. C
~ b~ I bE ~
E F t J1r t - II r r r c driv -ing me era -zy. Good - ness gra - cious, great _ balls of fire!
40 HEART AND SOUL
from the Paramount Short Subject A SONG IS BORN
111111,1111 IIIIII!IIII 111111,1111 1IIIIrlili 1111111111 . . . . .. . . . . . . . . . . . C Am Dm G7 C7
111111:1111 111111:1111 1111111111 111111:1111 1111111111 . . . . . . . . . . . . ... , . . . . . Cmaj7 Am7 Dm7 G9 C7
1111111111 I 1IIIrii II 1IIIIrlili 1IIIIrlili . . . . . . . . . . . . F E7 A7 D7
11111[1111 1111111111 111111:1111 111111 :1111 . . .-: . . .: . . . . . . : . Fmaj7 E7 A7 D7
~ ::. 'Ight © 1938 (Renewed 1965) by Famous Music LLC Wo~sbyFRANKLOESSER -':,-~atlonal Copyright Secured All Rights Reserved Music by HOAGY CARMICHAEL
.,
e,l "r Ami Dm G7
~I v
I J J J J 7. ~ J J ~ J -J )
Heart and soul, I fell in love with you. Heart and souL I begged to be a - dored,
e, ~ If' f f Am Dm G7
~ ~ J J j I 7. -k J ,.. J IE J J
Heart and soul, the way a fool would do, lost con - trol, and tum - bled 0 - ver - board,
I
e Am Dm G7
~ ~ ~
~ j I -Jj J J J 7.
mad ly, be - cause you held me glad ly, the mag - ic night we
e 1/ :-~i ~ Am/ I~m G7 I ~ J ~ I ~ j J : II J J j~j -6-~
tight. and stole a kiss In the night. _ kissed there In the
41
12 C7 F I~""(' E7
$ 2 ~
~ -jj : ~ J 7 J moon mist. Oh! But your lips were
A7 D7 G7 C" F E7
$ #J j IJ ~J IJ J thrill ing, much too thrill ing.
F.-,_,_, - E7 A7 D7
$ 7 ~
-Jj ~ J ~ j I#J j Nev - er be - fore were mme so
G7 C Fr G7 C' . , Ami
$ J ~J IJ J J I; ; J strange ly will mg. But now see
Dm G7 C Am
$ I ~ ~ j 7 ~ J J ~ J J J )
what one em - brace can do. Look at me,
Dm G7 C Am
$ j 7 --k- : ,.. J : I IE J J J
it's got me loy - mg you mad ly,
Dm G7 C Am
$ ~
~ -jj J ~ 7 j 0
that lit tIe kiss you stole
"" Dm' G7 C
$ ~
f I J. ~ II 7 -jj J ; J -e-~
held all my heart and soul.
.l2 HERE, THERE AND EVERYWHERE
1111111111 11I111 ill II 111111 ill II 11111[1111 1111111111 11111[1111 11111[1111 . . . . . . . . . . . . '. . . . . . . C Em E~ Om G7 F Bm
11111[1111 I 1IIIIili II 1111111111 1111111111 111111 ,1111 I 1IIIrii II 1111111111 • • • • i . . .: . . . . . . . • • ,e • . . . . . . . ,
Cmaj7 Em7 E~maj7 Om7 G7 Fmaj7 Bm7
1111111111 1111111111 111111;1111 111111'1111 11111111111 11111111111 . . ;. . . . E7 Am
1IIIIrlili 1111111111 . . . E7
= ::,"ght© 1966 Sony/ATV Songs LLC =::.' right Renewed :. =< ghts Administered by Sony/ATV Music Publishing,
S Music Square West, Nashville, TN 37203 -':,'~ational Copyright Secured All Rights Reserved
. . . . Am7
f
CVY'\," / Em
. ,. 07
11111[1111 . .. 07
~! J J j J J J J To lead a bet - ter life
G7
-
Em~7
Cny..:" Dm
-eHere. There.
. . . . . . m7 Fm Cm
11111[1111 1IIIIIilili 111111:1111 . . B~7
. Fm7
. Cm
Words and Music by JOHN LENNON and PAUL McCARTNEY
I need my love to be here. _
Em! F ,.'\{,> I
I Ji J J J = Jr--v
J~~~J ,J mak - ing each day _ of the year, _ run - ning my hands _ through her hair, _
Bm E7
chang - ing my life _ with a wave _ of her hand._ both of us think - ing how good _ it can be._
Bm; E7 11 r-,
Am D7 Dm G7
:'\T 0 - bod - y can_ de - ny ~ that there's some - thing there._ Some -one is speak - ing, but _ she does - n't know he's there._
~
~
~
~
12 ", Dm Bb7
j '1 ~
)1 ~j J ~
I her want
Fm G7 Cm
j ev - 'ry - where
-; Fm G7
43
J d and if
she's be - side me I know I need nev - er care. But to love her is to need her
C n, \n~'i Dm Em F(Y)~J / ' " '/
Crr,.,! Dm
~ ~ J .oj
j .- ~ ~ ---k- J],o j I .B ~~ ';;;:;;;;;>
1 '-"
ev - 'ry where, _ know - ing that love _ is to share; _
Em ( Frv'lG...j I Bm E7
; ~ ~ ~ J J I j ~ j ~ ~ ~~j ~ 0;;;;;;;;;;;>
~
each one be - liev mg that love nev - er dies, _
Bm! E7 Am D7
~ ~ ~ ~ ~ Ij J ~ ~,~, ~ I J ~
.t D ;jj ~ ~
watch - ing her and hop ~
eyes_ ing I'm al ways there. _
II ~ Dm! Bb7 112 Dm"1 G7 C)\" f I'~' Dm'
~vj "
-J~~f1 : II I ~ ---k-'1 : '1 J J ~ '1
J .B V
I want her I will be there and
Em; F~Q.\) CH\'''J' Dm' Em' F'y\c"j ~'r C,' '')1 ,:
~ J \1
j i ) I ---k- I j 0 II cJ r -
~ ~ J. .B ev - 'ry - where, here, there and ev - ery - where. _
HEY JUDE
1111111111 111111;1111 1111111111 111111 :1111 111111 ill II 11111111111 . . . . . . . . . • • • I . . '. . . . C G F C7 FIE Om
11111111111 111111i III 1111111111 1111111111 11111111111 111111:1111 . . . . . . . . . . . . . . . . . . . C G F C7 FIE Dm7
1111111111 1111111111 1IIIIIilili 111111:1111 11111111111 . . . . . . . . . . . . . Dm/C G/B G7 Gm B~
1111111111 111111:1111 111111' III 11111111111 11111111111 . . . . . . . . .. . . . . . Dm/C G7/B G7 Gm7 m
= :, - © 1968 Sony/ATV Songs LLC : : = , - Renewed c:: Administered by Sony/ATV Music Publishing,
Words and Music by JOHN LENNON and PAUL McCARTNEY
: " -SIC Square West, Nashville, TN 37203 ",c--,,: onal Copyright Secured All Rights Reserved
~I j ~C G
I] j J j J Ij t p j 1 J ~
Hey Jude, don't make it bad. Take a
F G C
~ J 7 ~
IE sad song and make it bet - tef._ Re -
F
& J1 I • ~
mem - ber to let her in - to your heart. Then you can start _
C To COda-$-
j II J J J J J I) J ~ ..............: ~
to make it bet - ter. (Hey) C G
& II:] j 3 j J 1 j Jude. _ don't be a - fraid. Jude. don't let me down.
F G
iJIJ F~EFf!1 You were made to go out and You have found her, _ now go and
~
~
~
~
C
;.; t 3 get her. get her.
C
j skin. heart.
~ -; ~
IE I
The Re
G
F ~
)1
min mem
J ute ber
)1
you to
let her un let her In
C
i ~ I J ~f J J J I)). Then you be - gIn ______ _ Then you can start ______ _
to make it to make it
bet - ter. bet - ter.
C7 F FIE Dm I DmlC
der your to your
-
45
And an - y - time you feel the pain, So let it out and let it In,
hey Jude,_ hey Jude,_
re - frain, _ be - gin, __
don't car - ry the world _ you're wait- ing for some -
F
J fool you,
C
j cold shoul
da. da.
Bb
up - on one to
FIE
who plays_ hey Jude,_
J er,
der,
C
: Ii] J your per
shoul ders. form _ with.
Dm!
it cool __ you'll do. __
7 ;} da da
D.S. al Coda
(Second time)
j : II Hey Hey
j da da
3 da da
by The
C7
For well you know that it's a And don't you know that it's just
DmlC
i] I j. mak - ing his world
move - ment you need
Gm
I ~j j r da da da da da da
CODA
-$- C
~II:J Da
G7
)1 j a lit IS on
G
~E • J
da da da da
da
r
tIe your
da da
da
~ F E F C Repeat and Fade
r d 3 0
F
IF E F da da da da da da da da, Hey __ Jude.
HOUND DOG
111111 11111 1IIIIIilili . . . . . '. C F7
1IIIIIilili 1111111111 . . . .. . C9 F13
~ = . ~ ~ -: 1956 by Elvis Presley Music, Inc. and Lion Publishing Co, Inc. = ~-: ~enewed, Assigned to Gladys Music and Universal Music Corp = ~-~3 ~drninistered by Cherry Lane Music Publishing Company. Inc. and Chrysalis Music
"0 ~ - c ~ = ~ a: Copyright Secured All Rights Reserved
% ,
C'
,~~ bD F F F F F II: C' 7 f..;
You ain't noth - in' but a hound
~ • ~ I
- 7 bD F
1111111111 .. . . G7
1111111111 ... . G13
D c:,
F ~
dog, _
F r E time. You ain't noth - in' but
C
$ bD =[ ~ I ~ 7 f F -E C cry in' all the time.
'".'
G7 F7
~ • r f-,i
C r c r C F I bF r r Ilc\ - er caught a rab - bit and you ain't no friend
11111111111 . . . C7
1111111111 . . . . C9
Words and Music by JERRY LEIBER and MIKE STOLLER
I ~ 7 bD "[ C E r I
cry in' all the
F7
F I C' D ,..-...,
F ~
a hound dog,_
To Coda-$-
t~
I ~ F :!~ • !
Well, __ you ain't
c:
(J1r' ~
of mine. _
47
C
~ I~F' ~
~F D F D E ~ I ~ E I 7 7 7 D [f Well, they said you was high - classed, _ but, that was just a
F7
~ I ~F' D "......,
E F ~ - 7 7 D E ~
lie. Yeah, they said you was high - classed, _
C
~ ~ ~E E r F • I F ~ -I ~ E J
but, that was just a lie. Yeah, _ you ain't
-1 •
G7 F7 C
~ r r L r L r ~ r I bE r r (JAr -!
nev - er caught a rab - bit and you ain't no friend of mme._
11,2
11
3 D.S. al Coda
~ 1 bV E F F F E : II b
V E F F F r II 7
You ain't noth - in' but a You ain't noth - in' but a
CODA
tD- ~;
G7 F7 C7
r r uIr - - II nev - er caught arab -bit, and you ain't no friend of mine._
48 HOW SWEET IT IS
(To Be Loved by You)
11111[1111 1IIIItlili 1IIIIIilili I 1IIIrii II 1111111111 1111111111 111111'1111 . . '. . . . • .: i- • . . . . . . . . . . . F Dm G7 C Am F7 F#dim
111111 ill II 11111111111 11111111111 111111[1111 1111111111 1111111111 1111111111 . . '. . • • • !. . . '. Fmaj7 Dm7 FIG
~ 1964 (Renewed 1992) JOBETE MUSIC CO., INC. :'>'11 Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. on behalf of STONE AGATE MUSIC (A Division of JOBETE MUSIC CO., INC.)
All Rights Reserved International Copyright Secured Used by Permission
Dm
. . . C
G7 c
J J iF 11} J J J I J How sweet it IS __ to be loved by you .
- ~ ~ C 3
were. you
G7
L r:
I need-ed the she I -ter I close my eyes at
(Instrumental)
III my life._
[ -r there you
ev - 'ry -where I went, seems I'd
.....,
Am
• 1) v
of some-one's night
c 3
need-ed some-one to Ev 'ry -thing I
\ 5 F7
were __
been there
~ r be-fore.
. :. . . . . . . Am7 F13 F#dim
Words and Music by EDWARD HOLLAND, LAMONT DOZIER and BRIAN HOLLAND
G7
- -II
-
G7
-
W 3
c rJ 3
there you won-der-ing where would I be with - out
~7
Am'
un - der - stand my ups and downs;_ did was just a bore; _
c
L-3~
with sweet love and But you bright en up for
de -me
End Instrumental You were bet-ter to me than I
\ ~5 F7
vo - tion all of my days_
was to my - self; _ for
Am ~/
deep -ly touch-ing my e-with a love so sweet in
me there's you and there ain't
\ I
F7
i _"
F7 F#dim
mo - tion._ ! so man - y ways._ I no -bod - y else._
c
49
want to
"1 Jft] I
stop
ba - by.
-
-
and thank you, ba - by; want _ to
F , I Dm
stop
F'; s., G7 c
- ; J 1119 ; J J IJ How sweet it is ~_ to be loved by you.
F, .. '/! Dm G7 c
I ~ ; J p11J; J J IJ t -
How sweet it IS ~_ to be loved by you.
Dm G7 c
-How sweet it IS ~_ to be loved by you.
and thank you,
-
1',2 G7 I
- : II
Repeat and Fade
- : II
50 I LEFT MY HEART IN SAN FRANCISCO
1111111111 111111 :1111 IIIIII~III 1111111111 111111:1111 . . . . . . . .- '. . . .. C E~dim Om G7 A7
11111[1111 1IIIIrlili 1111111111 1111111111 111111'1111 . . . . . , . :. . . . . ... . . . .. Cmaj7 E~dim7 Om7 G13 A9
1111111111 1111111111 111111,1111 1111111111 . . . .. . . . . .. Bm E7 Am 07
1111111111 111111111 1111111111 1111111111 .. . . .!. . . . . . .,' Bm7 E9 Am7 07
. ~:.! Renewed 1982) COLGEMS-EMI MUSIC INC ~ = ~~:s Reserved International Copyright Secured Used by Permission
Words by DOUGLASS CROSS Music by GEORGE CORY
C'"l'.,.l' , Ebdim '-7 Dm
~ j #F' ~! j3 ~~ 1 ~
~ ---k
1 1 ~ ;P
1 r' -iE II J , q I
G7 c· ~ .. \-.' A7 Ebdim ,I
f ; ~ ~ ~ J II 1/ D F r' e '>
----- ~
I left my heart In San Fran -
\ ::' Dm G7 Dm
~ ~
;P I ~ I ----I ~, ~ J #J W
II
---------~ cis - co. High on a hill,
, - , J
G7 C., " , G7
~ ~ ..
F ~
I 1 ~ ~ j #J r' ~) ~ '-' e
f.; ~~
it calls to me. To be where
51
C, '7
Bm i
~ ~ J J J ~ Je ~, ~ I ~ ~ J J r/~'I >-
..............
lit - tle ca - ble cars climb half - way to the stars
'f
'-,
E7 Am' D7
~' 'r I I
() /?'": IF r L. r #_0
D r' J1 the morn ing fog may chill the
~ ,., j,,'
G7 Dm G7 C'" , ,
~ ~, ~- ~ ; I J. --k : J ~) e
'>
---- -----air I don't care! My love waits there
cr f >: A7 Ebdim' Dm G7
~,=,: ~ ..
r F I J1 J. £ I t J #J J ~
III San Fran - CIS - co, a - bove the
G7 !
Dm E7
~ ....-- ] If' --- l'r ~ II
F F D I e r F I
blue and wind - y sea. When I come
~ I
A7 D7
~ r:;o
---1 jJ ---1
I~ ~ F I#r r F I r ~ ~o --..............
home to you, San Fran - CIS - co, your gold - en
Dm G7 C~
~ r ~ I r r ~ I t II II r' sun will shine for me!
52 I'VE GOT YOU UNDER MY SKIN
from BORN TO DANCE
11111[1111 1111111111 . . . . .... . Dm G7
1111111111 111111:1111 • • • i. .. ., .
Dm7 G13
11111111111 1111111111 . _I j'. . . E7 A
111111'1111 II ~II~I:III . . i. . E7 Amaj7
= :. -Ight © 1936 by Chappell & Co. = :. -'ght Renewed, Assigned to John F. Wharton, Trustee of the
= C' Porter Musical and Literary Property Trusts = ~: :::ell & Co. owner of publication and allied rights throughout the world -'''-~atlonal Copyright Secured All Rights Reserved
" ' .. Dm/ G7
~! j 1 J I've got you __
Dm' G7
J J J :............
got you
Dm:
j 1 J J ~~J
1111111111 1111~1i111i II r ~II'IIII . . . · !. . . C Fm Bm
1111111111 1111 ~ 111'11 111'111111 . . . . · . . . Cmaj7 Fm7 Bm7
111111f111l 111111'1111 11111[1111 • ~·il • · . ,:' . . .
Am F A7
111111'1111 1111111111 IIIIII~III . .. . . · . . . .. . Am7 Fmaj7 A7+5
k'~ un - der my S In. __
CfYf,j: J
~
if' S ~ ~) I#J.
deep in the heart
G7
J J jJ j ~
~ :;0 of
~
IE so deep In my heart, you're real
~ Ct-,. " Dm·! G7
IJ ~ I] I] J I JJ J ~. ~
~
part of me. I've got you
-
Words and Music by COLE PORTER
I've
j "---~
me,
~J jJ 1
ly a
)J JI un - der my
53
C;, • i Dm, G7
$ ~ ~ ~ ad ~
~ u IJ ~ I ---k ~ .0 '=:.........
ski~ tried so not to give
C r> ".Fl .. ' / Fm'j 3 .J
I 3 I I I
$ ~ I ~~ ~ ~ ~ ~ ~ e I~ ~ ~
in. I said to my self, "This af
I\'~
G7 Cr,,~.1
$ b~ ;
~
~ ---k 1#2.
---k ~ I ~. ~ ~ ~ .0 ~
fair nev - er will go so well." But
Bm-' E7 A~'I
$ r---3~ r---3~
#~ j ~ J J J I#J ~ ---k l;p. I J #ffi #ffi J .0
~ why should I try to re - sist when, dar - ling, I know so well
Dml \~
G7 Cry, ..... '·· J
$J J
I J~j I ill j ~j J J -V
"IT I've got you un - der my k'~ s m.
! •
Dml G7
$ v J ~ J
r--- 3 ----r r--- 3 ----r r--- 3 ~
IJ J J J J J Ij J J ~ ~ I
I'd sac - n - fice an - y - thing, come what might, for the
C ,"(··:v , Dm7 r---3~ r--3~ r---3~ r--3~ r---3~ r---3~
$ 1 ~ ~ ~ ~ I ~ ~ ~ ~ ~ I j j j J sake of hav - ing you near, in spite of a warn - ing voice that
5 ...
G7 Cn ."t. " --3~ ~3~ ~-'3~ ~3~ ~3~
-:l,mes m the night and re - peats and re - peats in my ear: __ _ "Don't you
--, cd;; Am' Dm C/\ .1,
~ ~ -k- J r r r ~ 1'r r r p -JJ e
---- -----know lit tIe fool, you nev - er can WIll.
~ Dm! G7
w~ ~ -k- ~. -t- ~ ~ ~ -k-
I de p -JJ ~ r p -JJ .............
Use your men - tal i - ty, wake up to re -
C FM~I"
~ ~. -k ~. J ~
~ ~ J ~ ~ ~ ,J I ~ I ~ C1 >-.............
al i - ty." But each time I do, just the
Fm: Cr" ,I, A7· ",
~ C- O r EJ I ~ k;
J k;
I J I .t) ;} .t)
thought of you makes me stop be - fore I be - gIll. 'Cause I've
\ ,~
.~ Dm G7 C,·,·'
~ ~ I ~ -k-
I II J ;F -JJ ~ -e- -e-
got you un - der my k'~ s Ill.
55 LET IT BE
1111111111 IIIIII~III 11111[1111 1IIIIlflili 111111,1111 11111111111 . . . . . '. . '. . . . . . . '. • • -i C G Am F GIB ErnlG
1IIIIrlili 1111111111 111111'1111 1111111111 1111111111 111111:1111 . . . . . . . . . . . . . . . . . . C G Am F GIB ErnlG
Copyright © 1970 Sony/ ATV Songs LLC Copyright Renewed ",II Rights Administered by Sony/ATV Music Publishing,
8 Music Square West, Nashville, TN 37203 'nternational Copyright Secured All Rights Reserved
Words and Music by JOHN LENNON and PAUL McCARTNEY
C G Am F
$ t j j II::J J J J j j [ r I r r E r CJ F When I find my - self in times of trou - ble Moth - er Ma - ry comes to me,
when the bra - ken - heart - ed pea - pIe liv - ing in the world a - gree,
C G F C
$ E E F F D F b~ I ~ z s k
F' F 7 ~) d speak - ing words of WIS - dam, let it be. And there will be an an - swer, let it be. For
G Am F C G
in my hour of dark-ness she is stand-ing right in front of me. Speak- ing words of wis-dom, let it though they may be part - ed, there is still a chance that they will see. There will be an an -swer, let it
F C GIB Am Em/G F C
$ ~ F' t E~ I F c:f r r r r I Of] 13 IT J
be._ be._ I Let it be, let it be,_ let it be,_ let it be.
$ E E E F D r G C
II . \ Whis - per words of wis - dam, let it be. __ _ And I There will be an an - swer, let it be. __ _
56 IF
111111,1111 111111 ;1111 1IIIIIilili 1111111111 1IIIIIilili 1111111111 11111111111 . . . . .". . . . . . . . • • • .,f ~ . . . • • i.1
Dm G7 . C Dm/G Cmaj7 C7 F
11111[1111 11111[1111 111111:1111 1IIIIIilili 111111'1111 111111'1111 11111111111 . . . . . . . . . . . . . • • • .:! . . . . . :. Dm G7 C Dm/G Cmaj7 C7 F
11111[1111 1111111111 111111:1111 1111111111 111111;1111 1111111111 . . . . . . . . . . . . . . . . . Fm Am Am/G# Am/G Em A7
1111111111 1111111111 11111[1111 1111111111 111111'1111 1111111111 . . Fm
=::. 'ight © 1971 Sony/ATV Tunes LLC = ::. ' ght Renewed ~ :;:;;hts Administered by Sony/ATV Music Publishing,
: '.1usic Square West, Nashville, TN 37203 "~'~ational Copyright Secured All Rights Reserved
Dm
. . . Am
DwG C
. .;' . Am/G#
. . . . . . ~ . Am/G Em7
G7
r
. A7
C e-
. .
Words and Music by DAVID GATES
~ t f Ci II: r- D F Cmaj7
If a pic - ture paints a thou - sand words _ then why _ man could be two plac - es at _ one time _
C7 F Fm
_ can't I _ paint you? The words _ will nev - er show_ _ I'd be _ with you; to - mor - row and to - day,_
C Fm G7
~ ~ ~ Ji3 JJ~I,J D ~ r E:ar]'r ~ C1 I
the you_ I've come _ to know. _ If a be - side_ you all_ the way._ If the
57
C Cmaj7
$ C' D C E EtE r ---D F E 7
face could launch a thou sand ships, _ then
world should stop re volv ing, spin ning
C7 F Fm
$ C ~~;;~ ~
~ ~
D ~ ~
[j1r ~ I D F J t j ;j=
where am I to go? __ There's no one home _ but you._
slow - ly down _ to die, __ I'd spend _ the end_ with you._
C Fm G7
$,) taJW C' ~
~ b • ~
I r ~ c1 I D D You're all that's left _ me to. And when _
And when_ the world _ was through then one _
Am A miG # A miG
$~r ,..........--..
D r ¥~f~v E D1F E 7'-'\
I ~ CJ ~ J
my love for life __ IS run - ning_
by one the stars __ would all_ go_
F Em A7
$ r ~ r I r- r t4r' E dry, you come and pour your
out. Then you and I would
I'Dm G7 112Dm
$ r F I r ~ F ~ : II r E self on me. If a slm ply
G7 C
$ €' ~ -a- ~'
~ II I fly a way.
60 IN A SENTIMENTAL MOOD
1111111111 1111111111 1111111111 1111111111 1111111111 111111'1111 . . . . . . . . . . . . . . . . . G7 Am Dm A7 C Ab
1111111111 1111111111 1111111111 1111111111 111111]111 1111111111 . . ~. . . . . . . . . . . .. . . . . . . G7 Am7 Dm7 A7 Cmaj7 Abmaj7
1111111111 1111111111 1111111111 1111111111 1111111111 . . . . . . '. . Fm Bt>m Eb7 F7 Bbm7
1111111111 ~IIIIIIIII 111111'1111 11111111111 1111111111 . . . . . '. Fm7 Bbm7 Eb7 F7 Bbm7
- =.' ;~,:g 1935 (Renewed 1963) and Assigned to Famous Music LLC and EMI Mills Music Inc. in the U.S.A. Words and Music by DUKE ELLINGTON, : :-.~ .~. ~he world outside the U.S.A. Controlled by EMI Mills Music Inc. (Publishing) and Warner Bros. Publications U.S. Inc. (Print) IRVING MILLS and MANNY KURTZ _.~.- ,,: :'1al Copyright Secured All Rights Reserved
mood, __ _
G7
N.C. ~
J J j J J II In a sen - ti - men - tal
--, Dm'
c::f J J j J I j TJ j I can see the stars come through my room, --
Am A7
~ ~; £ J J d J J I J f J ~J J I r' j while your loy - ing at - ti - tud~ is like a frame that
-"/
Dnl G7 t-y ,'" i -,
C ..N.C. Am·
~ Q J '-the gloom. On the wings of ev - 'ry kiss __ drifts a mel - 0 - dy so
61
G7
strange and sweet, ___ _ III this sen - ti - men - tal bli~ you make my
A7 Dm i G7 C VYJq)'/ Abn1[\ . Fm7
~ ~ I j IJ ~ I ~ ~~ ~~ ~~ ~ 3 I r' J J par a - dise com plete. Rose pet - als seem to fall, it's
Bbm7 Eb7 Ab n,cJ~! Fm 7
--
all like a dream to call you mille. My heart's a light -er thing since
Bbm f Eb7 G7 N.C.
"IT you made this night a thing di - ville. In a sen - ti - men - tal mood, __
G7
J8Jj I~ I'm with - in a world so heav - en - ly, ____ _ for I nev - er dreamt that
Ami A7 Dm G7 Cn,C." "i
~ ~ t:\ .. J ~J ~ I r' I ~ II J J J -&
~ you'd be loy - ing sen ti - men tal me.
62 ISN'T IT ROMANTIC?
from the Paramount Picture LOVE ME TONIGHT
1111111111 111111:1111 11111111111 111111 !IIII 111111 ill II I nlllin II . . . . . . • • i • • . . . • • :*l . ·t i· C Dm G7 C7 F E7
11111[1111 1111111111 1111111111 111111' III 111111:1111 111111111 . . . . . . . . . . . . . . . • • i·, • . . . Cmaj7 Dm7 G7 C7 Fmaj7 E7
111111,1111 1111111111 11111111111 111111:1111 11111111111 . . . . . . . .. . . . . , [-'
Am C#dim G7ID Hdim Fm
1111111111 1111111111 111111:1111 111111'1111 11111111111 . . . . . . . .. . . . '. . . Am7 Odim7 G7ID Hdim7 Fm7
~ _ = ' - © 1932 (Renewed 1959) by Famous Music LLC Words by LORENZ HART Music by RICHARD RODGERS anal Copyright Secured All Rights Reserved
C ,,' ,> ' Dm G7
IJ J J J ; Is - n't it ro - man - tic? Mu - sic in the night, a
man - tic? Soon I will have found some
C i • :, G7
~ l ~ l IE
G7 C
J J J J I; ). dream that can be heard. Is - n't it ro - man - tic?
girl that I a - dore. Is - n't it ro - man - tic?
C7 ~
I~o IE ~JJJJ; J I]. ]l \lov - ing shad - ows write the old - est mag
\Yhile I sit a - round my love can scrub
Fry;, '-/
& 0 .
G7
hear kiss
J the me
J E breez - es
ev - 'ry
- IC word. the floor.
E7
J J play ing hour
$
-, Am!
III
or
()
While And
C#dim
love. back.
such cook
Dm'/
J Ev
And
()
Sweet We'll
-
F#dim
I that
t
J 'ry if
E7 Am
J l ~ .t) ) -e-the trees a bove.
she'll get the sack.
G7 E7 Am
I ~ J j 3 : J J I). J ) all the world IS say ing you were meant
when I take a show - er she can scrub
G7ID G7 Cr.'\CA) "1 Dml G7
~J J J J I; ). IJ J J J ; Is n't Is n't
G7
~ .t) l a night
me on
G7
J J ; note that's sung we don't fight
G7
I ~
it it
~ .t)
as Ion
J sym - boIs help the
Fm'/, ~ ,,1 r" ~
will fall m we owe to
IE
I
ro - man - tic, mere - ly to be young
ro - man - tic, on a moon - lit night
C"""'iQ \ "7 G7 C,)" J
I j J J J J I; ).
J IS
we
this? soup.
2 m
pop
CrY! c.,)~!
r love dear
Is n't it ro Kid - dies are ro
C ,~t '""'.::II.) I
I l like a lov soon will have
E7
3 j J I). the moon - light, do u la tion. It's
Am -, Dm!
j : r d< '>
"""""" per chance? old France.
- man - man
~ .t) C7
I~o
tic? tic.
er's kiss. troupe! a
:1 ) l you mean
a du
G7
r E Is n't
Is - n't
mance? _____ _ Is - n't it ro - mance? _____ _
L it it
~
J1 for my
J on
she'll
that ty
r ro ro
t
63
-
-
I
II
64 IT'S ONLY A PAPER MOON
from the Musical Production THE GREAT MAGOO
111111111 1111111111 111111:1111 1111111111 11111111111 o 0 0 o 0 o 0 0 . . . . o 0 0
C C#dim Om G7 C7
1111111111 1111111111 1111111111 1111111111 111111:1111 . . . . o 0 . . . . . .. .. . o 0 0
Cmaj7 Odim7 Om7 G9 C7
1111111111 111111 ill II 1111111111 IIIII[~III o 0 • 0 . '. o. • i
l
• •
F 07 F#dim A7
1111111111 I11111 :1111 1111111111 11111111111 : . . . . 0 o • o • 0 o 0
Fmaj7 07 F#dim7 A7
c 1933 (Renewed) CHAPPELL & CO., GLOCCA MORRA MUSIC and SA MUSIC CO . .:. Rights Reserved
Lyric by BILLY ROSE and E.Y. HARBURG Music by HAROLD ARLEN
C~l')
$~~ 1 i C#dim Dml
(~
G7
Say, it's on - ly a pa - per moon_ Yes, it's on - ly a can - vas sky_
"; Dm/
l p r p I
sail - ing 0 - ver a hang - ing 0 - ver a
C7 Ftv\A\ 'I D7
card - board sea, _ ! mus - lin tree,_
", G7
~=r tr~r
- be - lieved_
11 J l D r #D I r ' E:r r'r E1 '~'I but it would- n't be make - be - lieve _ if you _
II C.>.:~i ')
112 G7 C ""/ C7 FI)\~lI . j" F#dim "''"J. !
"
glr - :rr t F I r If III me._ With - out your
65
C ;, Y\C~' \ ~7 Dm' G7 C .. ,.,'i C7
$ )
~
F' E t= I ~. ~ F' ~ I ~. F
love, it's a hon ky - tonk pa - rade. With
F,·,·,,'· F#dim C"" .. ",'i A7
$ F 'F I F' 'E • I r E E E 'E •
J J out your love, it's a mel - 0 - dy played In a
q Dml
"1 D7 G7 Cn -:' I C#dim G7
$ r r r r J ~ ~ E ~ I r E ) -- \
7 IE ~ F J pen - ny ar - cade. It's a Bar - num and Bai - ley world, _
I .. ~
Dm' G7 C',:I' .i C7 w
#~ $ J ----k ~ r ~ J ----k ~ ~ I E ~" I 7 ;jj 7 ;jj ~ ~ just as pho -ny as it can be,_ but it would -n't be
, '. },
F,. ';' D7 G7 C .'v,c;·f '
$ r E 7 """ \ ~~~ l1'j'r j~' II ~ r C1 ~ J
make - be - lieve _ if you __ be - lieved _ in me. __
68 KANSAS CITY
111111 ill II 111111 ill II 111111:1111 111111:1111 • e. • • . . . . .. ' . . . G7 F7 C7 C
111111,1111 1IIIIIilili 11111111111 1111111111 .. .' . . . . . . . . . . . G13 F13 C9 C7
~ . ::;52 (Renewed) JERRY LEIBER MUSIC, MIKE STOLLER MUSIC and NANCY NATHAN GOLDSTEIN
Words and Music by JERRY LEIBER and MIKE STOLLER
;. ==\Ights Reserved
, ,", t'
G7 F7 C7 3
I'm go-in' to
j.J t Kan -sas Cit - y, Kan-sas Cit - y here I come. __ I'm go-in' to
~ C
EJ Jl · "1 )j j 1
Kan -sas Cit - y, Kan -sas Cit - y here I come. __ _ They got a
G7 F7 C7
cra - zy way of lov - in' there and I'm gon - na get me some. ___ _
3 C
1-I'm gon -na be stand - in' on the cor - ner Twelfth Street and Vine._
pack my clothes, _ leave at the crack of dawn._
-
, I
.-'
3 F7
I'm gon-na be stand- in' on the cor- ner I'm go - in' to pack my clothes_
69
- • J J Q J Twelfth Street and Vine_
leave at the crack of dawn._ ... ,
~~~ G7
- j ; ~ r E F !
~ J I
~
F7 3
bot - tIe of won't
C'
E E ~
Kan - sas __
know
f\
F F'
Cit - y where I'm
with m\ Kan - sas Cit My old la - dy will
C7
J I~ I; "-' ~.
wille. _________ _ gone. _________ _
C
••
- y be
ba - by and a sleep - in' an' she
'Cause
l! Well I
if I
might take a train, _ stay with that worn -an,
I I
might take a plane. _ know I'm gon - na die.
but if I have to walk gotta find a brand new baby
I'm and
goin' just the same. - l I'm go -in' to that's the reason why. _ \
) ;.
k I
• • ........
Kan-sas Cit -yo
, J ; .j
Kan -sas Cit - y here I
C"' G7
If rEF J j ~ J 1
() jJ .r1 •
come. ______ _ They got a cra - zy way of lov - in' there and
F7
J u "1 JU j 1 I'm gon -na get me some. _____ _ I'm go-in' to They got a
fEE F J j ~ J I J E2F"1 - II cra - zy way of lov - in' there and I'm gon -na
"-.-/ ~ get me some. ______ _
70 MICHELLE
IIIIII~III I II III IH II IIIII~!IIII 11111[1111 III m:1111 · . . • I.! . . . • • ~ j.
C Fm Bb Cdim G
IIIIII~ rll 11111111111 IIIIIIJIII IIIIII~ III 1111111111 · . . . i.i i 1- • . ! ! · . :-C Fm7 Bb Cdim G
1111111111 II ~IIIIIII 1IIIItlill 1IIIIIilili 1111111111 ! I
• .! :' • [ ... 1 . • .,' 1- •
Cm E~7 A~ G7 G+
111111,1111 11111111111 111111!11 n 11111111111 IIIIII!IIII · . I.' • • .' i· • !' I · . '
Cm7 E~7 A~maj7 G7 G+
Copyright© 1965 Sony/ATV Songs LLC Copyright Renewed :., I Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville. TN 37203 nternational Copyright Secured All Rights Reserved
Words and Music by JOHN LENNON and PAUL McCARTNEY
Bb Cilim
I J j J J I J d #J :J Mi - chelle, rna belle, these are words that go to - geth - er
$ G Cdim G C Fm7
j J &i ~ I II: J j I t bJ &J '-../0
well, my Mi - chelle. _ Mi - chelle, rna belle, Mi - chelle, rna belle,
Bb Cdim G Cdim G
$ :J r-3~
~I IJ d #3 j I d I J J J j J J J 7 IE sont des mots qui vont tres bien en - semble, tres bien en - semble. I sont des mots qui vont tres bien en - semble, tres bien en - semble. I
71
Cm Eb7 r--3~ r--3~
~ ~r ~ ~ I r -ks ~" -k-r • r (2" 7 I
~~. ~JJ I
loye you, I love you, I love you, that's all I want to need to, I need to, I need to, I need to make you
A.b''!'>, I : G7 Cmf
& ~
~ J f 3 ]J~ ~l ~ J J 7 JJ F 90 f.., ~
say. Un - til I find a way I will see. Oh, what _ you mean to me un
~ G+ Cm"-I Ab rt\ (,~}!
~ ~ ~ ~ I ~ ~ • ~ I j J d
say the on - ly words know that you'll un - der ti I I do, I'm hop - mg YOU will know what I
11 112 C Fm'/ G G
~ : II I t ~ ~D F" ~ 1n
0 0
stand. mean. love you.
Bb Cdim G Cdim
~ ~o IJ J j J ~J bJ I ~J ~J ~~ J ~
( Instrumental)
G Cm")
~ I 3 I 3 I
b~ ~
I ~r ~ ~ I r ~ ~J. 7 .t' F F r ==
I want you, I want you, I want you,
72
E:J7 Ab rV',~\ '/ G7 -t u
~~ J d I~o ~ J v
7 ,p • ,p b. I ~
I think you know by now, I'll get to you some -
~'}
Cm' G+ Cm'
~ 17J j J I J J J J I J J J ~
.t' ~
how, un til do, I'm tell - ing you, so
Ab .. ),cc~ ~'! G C Fm
~ j
I j J ~J I j j
I t d h. 0
you'll un - der - stand; Mi chelle, rna belle,
Bb Cdim G Cdim
~ 3
J J I; d #J j 1 J d J J j ; sont des mots qm vont tres bien en - semble, tres bien en -
! G Cm G+ Cm;
~ 11[1 I~J J ~~ 1 J J I 2 7" ; J 7 ~
)1 ~~ .;;emble. And I will say the on - ly words _ I know that
~ Ab" ~, . G C -
1 IJ t II 2 ; ; J ~J )0 ~ -&----
-----. '~l' 11 un - der - stand, my Mi chelle.
1111111111 1111111111 . . . . . . C Dm
111111:1111 1111111111 . . . . . . . . Cmaj7 Dm7
11111[1111 11111111111 • .! • • . . . G7 Am
11111111111 1111111111 . . . . . . . . G7 Am7
: :::: ,;right © 1971 by Graphle Music Ltd. and Screen Gems-EMI Music Inc. : .::: :/right Renewed
73 MANDY
111111'1111 1111111111 111111'1111 1111111111 · . . . . . . . . . . F/C B~ Dm/G Dm/C
1111111111 1111111111 1111111111 1111111111 · . .. . . . . . . . . . F/C Bmlaj7 Dm/G Dm/C
1111111111 1111111111 1111111111 1111111111 · . . . . . . . . . . . F G Em FIG
1111111111 1111111111 1111111111 1111111111 · . . ... . . . . . . . F G Em7 FIG
- ~'ghts for Graphle Music Ltd. Administered in the U.S. and Canada by Morris MUSIC. Inc
Words and Music by SCOTT ENGLISH and RICHARD KERR
-'-2-~ational Copyright Secured All Rights Reserved
C P\'."} I
$1 J § ~ § F ~ :(JELo I re - mem - ber all my life
morn - ing's just an - oth - er day; stand - ing on the edge of time; I've
$ J § : § F ~ WiELo rain - mg down as cold as ice. hap - py peo - pIe pass my way.
walked a - way when love was mme.
~ Dm'" I ~/C
$ r ~
D F E ~ f' )1 ID F D f' J Shad - ows of a man, a face through a wm - dow, Look - mg in their eyes, I
Caught up m a world of Yes - ter - day's a dream, I
74
I B?' . DmlG , • -k D ~ ---..
F' : II r r r f' 1 D D IE '--"
cry - in' m the night, the night goes m to
2-4 DmJC Bb f" .1 I I
J
~ ~
~ ... r ~ r ~ F F D r ~ 1
F f' I ~ see a mem 'ry I nev - er re - a - lized how up hill climb ing, the tears are m my mind and
face the morn ing, cry - ing on a breeze the
G7 C,; '-'r
~ ~
~ -k ~ r r L E 7
, 1 F j L F 1 r ~
F 7 ;j3 J hap - py you made_
me'l noth in' IS rhym mg, Oh, Man dy, well, you came _ pam IS call - mg. __
Am! F G
~=L ~
fJ'D ~" ~ ~ ~ E 7 ,
E L r L L '> ~
and you gave __ with - out tak ing. But
G7 CiY',("f,', J
~ "
L L p'J'r ~ E 7 ~
'I r r p F ~
F 7 ~) J sent you a - way. __ Oh, Man dy, well, you kissed _
Ami F G
~ ~ ,
1'[ ~ ~ ~ E E : L r r L r ~ ~ j-
me and stopped _ me from shak mg, __ and I
To Coda -$-G7 I'c".{\/ '?
F Am'
~ • L '."
r
~ ~ j 1
• ~ ~ 1 1 --- r r- r r r" EJ '--'
need \OU to - day. _ Oh, Man - dy! ( Instrumental)
75
G7 I
~ r ~ ~ ~ II J ~ ~ 3 J ~ I : II E ~ ~ I'm
12 A 1 ~ ,I rm Em' F
/ .......
I r I ~ F I r" r c • r c J J
Man - dy. (Instrumental)
Dm7 G7 D.S. al Coda
~=F" ~~~ r D I e
I e
II
CODA
~~ CIY\~ ~-I Am F
g- -=- 7 -=-
r / .......
~ F ? ,
F 'I F F r r r r r r c Man - dy, well, you came_ and you gave_ with - out tak -
G7 C~'~j '/
- ing, but I sent _ you a - way. _ Oh Man dy, well, you kissed _
me and stopped _ me from shak
! Am'
Ir F you. (Instrumental)
- mg,
F
r F G
- II and I __ need
Repeat and Fade FIG
75 MISTY
1111111111 111111"111 111111'1111 11111111111 111111 :1111 111111'1111 11111111111 1IIIIrlili . . . . . . . . . . . . . . . . . . . . . . Em A7 Dm G7 elE E~dim C Gm
1111111111 111111 :1111 1111111111 1111111111 1111111111 111111i111i 1111111-1111 IIIII~! III . . . . . . . . . . . .. .. . . . . . . . . . . . . Em7 A7 Dm7 G13 C/E E~dim Cmaj7 Gm7
II IIIIUI II 111111:1111 1111111111 ~ 111111111 1111111111 11111111111 111111'1111 . . . . . . . . . . . .. . . . . C7 F Fm B~7 Am F~m B7
I
I
11111[1111 1111111111 1111111111 1111111111 1111111111 1111111111 III ~llillll • • • i . . . . . . . . . . ., . . . . . .
C7 Fmaj7 Fm7 B~9 Am7 F#m7 B7
: ::. - ~ht © 1955 by Octave Music Publishing Corp., Marke Music Publishing Co., Inc., =leganesque Music, Limerick Music and My Dad's Songs, Inc.
: _ = . - ~ht Renewed 1982
Words by JOHNNY BURKE Music by ERROLL GARNER
~ ::; :;~ts for Marke Music Publishing Co., Inc. Administered by BMG Songs ~ ::; ;:"IS for Reganesque Music, Limerick Music and My Dad's Songs, Inc.
"'Jministered by Spirit Two Music, Inc. -·~-~;;;tlonal Copyright Secured All Rights Reserved
Em!
~i( r r C
CIE
$ r E r • J
A7 r C
Ebdim
C fIE
C
r Gm'
\ 'j
Dm~1 G7
r r E ~ r J I . ~ , -'
G7
F Il v • E F I
Look at
.'
C7
j J I ~L [ r r r C E r-me, I'm as help - less as a kit - ten up a
way, and a thou - sand vi - 0 - lins be - gin to own, would I wan - der through this won - der - land a-
tree. play. hme.
;-i5 r E r IrE r r C' 3
and I feel like 1'm cling - ing to a cloud, or it might be . the sound of your hel - 10,
nev - er know - ing my right foot from my left,
I that my
$
$
$
$
can't __ _ mu hat __ _
11 , , Em!
() ~
hand.
C"VII '.,)
3
t F You
Am!
3 3 un - der - stand __ _ sic I hear, __ _
from my glove, __
A7 Dmi
::=-:::---"
I r
,- 3
r E ~ can say that
I get get
I'm too
~ "/ ,J
G7
t
---,
~ you're
Dm'
J mist - y mist y mist - y
f Walk
Gm
Ibe ~ lead - mg
77
, : To Coda -$-G7 ~~-3------'
Jl r F r just hold - mg your the mo - ment you're and too much m
112 Cr. Fm
~ : II ()
my near.
~ ~ ~~
r I me on,
It F r r ~ I but it's just what I want you to do._ Don't you no - tice how
F#m~? B7 I 3
e e r r r-----r I
e r r f t ~ hope less ly I'm lost, that's why I'm f01 low - mg
\.~
Em' A7 Dm I G7 CODA C:':_' Fm 7 C",· ......
D.S. al Coda -$-
o~~ Cg II $n :1 II t ~ II I
you. On my love.
92 A NIGHTINGALE SANG IN BERKELEY SQUARE
1111111111 11111[1111 1111111111 1111111111 1111111111 1111111111 111111:1111 1111111111 . . . . .' . . . . . .' . . · . . . . . . . . . C Am Dm G7 Em D C7 F
1111111111 1111111111 1111111111 111111'1111 1111111111 1111111111 111111:1111 11111111111 ... . -. . . . . . . . ,. . · . . . . . . . . . .. . C Am Dm7 G7 Em7 D C7 Fmaj7
1111111111 11111111111 1111111111 1111111111 1111111111 1111111111 1111111111 111111,11111 . . . . . . · . . . . . . E7 Fm Hm B7 E Om G~m A7
1111111111 111111:1111 11111111111 1111111111 1111111111 111111'1111 11111111 II 111111,111 . . . ;. . . . . · . . . . . :. . E7 Fm7 F~m7 B7 Emaj7 C#m7 G#m7 A7
:::opyright © 1940 The Peter Maurice Music Co., Ltd, London, England :::opyright Renewed and Assigned to Shapiro, Bernstein & Co., Inc., New York for U.S.A. and Canada ~ternational Copyright Secured All Rights Reserved
Lyric by ERIC MASCHWITZ Music by MANNING SHERWIN
Jsed by Permission
C Am7 Dm! G7 Em! D Dm! G7
-. C Am! Em' C7 F ,.,.."'If 'E7 Am Fm
r----3~ r----3~
eer - tain night, the night we met, there was mag - ie a - broad in the air. strange it was, how sweet and strange, there was nev - er a dream to com - pare.
C G7 C7 Fm C Am Dm
, r j J J~ 1 j J j J J 1 £3 j J J 1 J
'. That
0'1 There were With that
G7
an - gels din - ing ha - zy, era - zy
at the Ritz, and a! . h· I . B k 'I . h h mg t -In - ga e sang In er - ey mg t we met, w en a
.. C Am Dm i G7 C C7
, ~ I - , 7 J11 j j J. J I j j j J J I Square. l I may be right, I may be wrong, but I'm
This heart of mine beats loud and fast like a
Fm':, C G7 .... ~ ,.
C7 Fm I
J J J f f fir' F If j J. per - fect - ly will - ing to mer - ry - go -round in a
swear fair.
that For
when you turned and smiled at me, a l we were danc - ing cheek to cheek and a ~
h.1 ".,
CAm' C Am' Dm; G7
night -in -gale sang III Berk - 'ley Square.
F#m B7
-
F#m B7
~ The moon that lin - gered 0 - ver l When dawn came steal- ing up all
Lon-don gold and
town, _ blue _
poor puz - zled moon, he wore a frown. How could he know we two were I still re -mem-ber how you
F#~'
so in smiled and
B7
love?_ said,_
to in - ter - rupt our ren - dez - vous,
G#m Dm G7 C Am
The whole damn world seemed up - side down. The streets of town were "Was that a dream or was it true?" Our home- ward step was
, . " Em' C7 Fry'r:\,,' E7 Am!
~3J~ r--3~ Fm C G7 C7 Fm'
paved with stars, it was just as light as the
C Am
night-in -gale sang III
G7
such a ro -man- tic af - fair, tap-danc-ing feet of As - taire.
Dm G7
and And
as we kissed and like an e - cho
1 Dm; G7
~~ Berk - 'ley Square. ___ _
Em' A7 Dm' G7 C
said good- night,! far a - way,
a
"j
Am'
How Square.
93
~ I~, II ~
I know ' cause I was there that night in Berk - 'ley Square. ___ _
104 SENTIMENTAL JOURNEY
1111111111 IIIIII~III . . . . • i. ,~
C D7
11111[1111 111111:1111 . . .. . . . C6 D7
. :~~ ,Renewed) MORLEY MUSIC CO. and HOLLIDAY PUBLISHING : = ~~ts Reserved
c b
$t 7 j j ) j. Gon - na take Got my bag,
$ 7 j J j. gon - na set
spent each dime
Cb
1111111111 1111111111 • • ~l ~. • . . ; . G7 F7
11111[1111 I 1IIIfili II • .,!e • . . ~. . G7 F9
1 ) I J J : a sen - ti - men I got my res
D7 .... ,,1
I : ~: my heart at I could af
1"c!'
F7
111111 ill II . . . F
1111111111
-
-
-
• • e, •
Fmaj7
Words and Music by BUD GREEN, LES BROWN and BEN HOMER
J ~
IE J. tal Jour - ney, er - va - tion,
G7
3~j ease. _ ford._
$ 7 ~j j. I ~J J J J ---k ~. j J J) )
Gon - na take a sen - ti - men - tal jour - ney Like a child III wild an - ti - ci - pa - tion,
!
CO G7 C~)
$ 7 ~j -k J. I J ~J J J : II ) IE J ~
to re - new old mem 0 - nes._ long to hear that "AlI_ a - board." _
F,,·,··, '
~ ..... - ......
I P : - ~. L F L F r' J ~'
Sc\ - en. that's the time we leave at
105
Cb
$ ,.. ~ ~.
~
~. 1#- ~ J ~ ;P #J '> ~
/
sev - en, I'll be wait - in' up for
D7
$ .....-.... ~
#E 7 " r I#r ~F' Jl r r r r
Heav - en, count - in' ev - 'ry mile of
G7
$ ~ ~ J. ~ j ,,1 ~
I ~ J D Jl ~ ~
rail - road track _ that takes me back. _
, t: C-
$ -; : 1 l j I J J ~ J ~
J .t' , Nev er thought my heart could be so "yearn - y,"
D7 G7
$ ~ l ....
I ~ ~J -; 1 ;P J~j , why did I de - cide to roam? _
, '1 c
C F7
$ -; ~~ l I~J J ~ J --k
~. j 1 IE )
Got ta take this sen - ti - men - tal jour - ney,
f f
~ ~,
C G7 C
$ 7 ~~ --k J I : ~~ J J II J IE J
~ sen ti - men - tal jour ney home. _
106 SKYLARK
1111111111 1111111111 111111 ,1111 1IIIIrlili IIIIII~III 1111111111 1111111111 . . . . . . . . . . . . . . . . . . ~. . . . C Om Em A7 G7 F 07
111111:1111 1111111111 1111111111 1111111111 1IIIItlili 111111:1111 11111[1111 . . .. . . . . . . :. . . . .. .,: . . . . . . • I.!
C6 Om Em7 A7 G13 Fmaj7 07
111111'1111 1111111111 I II lit: III 11111[1111 111111'1111 1111111111 . . . . . . . . . . . . Am C7 Odim E F#7 B7
1IIIIIilili 1111111111 11111111111 111111:1111 11111111111 IlIlnu II . ..: . . . . . . . . .' . . . :
Am7 C7 Odim Emaj7 F#7 B7
= ::, right © 1941, 1942 by Songs Of Peer, Ltd. and WB Music Corp. = ::, right Renewed
Words by JOHNNY MERCER Music by HOAGY CARMICHAEL
~:7""latlonal Copyright Secured All Rights Reserved
.... -'.
Dm Em Dm C A7
J "- jJ JJ J J jEll J JJ J i- J I ! ",
/ -' Dm G7 ct? G7 C F, f ~ •.
J II: J J jJ JJ r J j E I J~ 2 • ..............
~
Sky - lark have you an - y - thing to Sky - lark have you seen a val - ley
/
Em F!I'~ : CD F,. '(j I
i] J J 1 3 I) J ) j I say to me? __ _
green with spring? __
- Is there a mead -ow in the mist, _ where some-one's wait -ing to be kissed? _ 0 - ver the shad -ows and the
107
I.
G7 C\ ~I ~ p ,
I
ram, to a bIos - som coy - ered lane? __ And in your lone - ly flight, __ _
C7 A7 3
tJ ~fJ J J3 J 3
have- n't you heard the mu - sic in the night. ___ _ Won- der -ful mu - sic,
, I
Dm Ddim 3 Dm C7
faint as a "will- 0' the wisp," cra - zy as a loon, sad as a gyp - sy ser - e -
, i
t' ,,' ~
F~/ F#7 B7 E 'G7 Co G7 CO
$ I~ ~~ #2 ~ ~ ~, I ~ ~ ~J ~ ~ ~ ~ ~ I - ~ ----~
nad - ing the moon. _ Oh, Sky lark, I don't know if I can
C :::~) F}-",,"'td '-I CO --!
$ Em F(h~ C
~ ~ ~ ~ I J F~ ~ ~ J J 1)1 J ~~ I --- .-'-" ~ '-" ~
find these things. But my heart is rid - ing on your wings,
I. J , ' !
".', r',
$ D7 G7 C " G7 C'"
9 j J J j I; ... ~ ~r ~r I ~ II J J J r' ~ v
so, if you see them an - y - where won't you lead me there?
108
i
1111111111 11111111111 ... . '.: . C Am
1IIIIlilili 1IIIIIilili . . . . • f.: • • -"
Cmaj7 Am7
SMOKE GETS IN YOUR EYES from ROBERTA
11111[1111 1IIIIrlill 11111[1111 • • • ~ ! . .::. . . . I
Dm G7 C+
1111111111 111111 ill II 111111,1111 . . . . . . . . . . Dm7 G7 C+
111111"1111 11111111111 • • l·] • .1
F Hdim
11111111111 11111[1111 . . .,' . • i.
Fmaj7 F~dim7
11111111111 1111111111 11111111111 I 1IIIrii II 111111'1111 111111I1111 . . . . . • : j . . A~ B~m Adim E~7/B~ E~7 Fm
1111111111 1111111111 11111111111 111111'1111 11111111111 I1I1I1 ill II . . . . :.' . I . . A~maj7 B~m7 Adim7 E~7/B~ E~7 Fm7
-= ::;ynght © 1933 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. -= : :;ynght Renewed
Words by OTTO HARBACH
.:. ~:ghts Reserved Used by Permission Music by JEROME KERN
C "t",,-,"",
~I '-l
J Am7 Dm'
J J J J I ~ G7
J ~ J J They asked me how I knew my true love was They said some - day you'll find, all who love are
Cf""\./'l.~ !
~ I,.,
:::::::=------(I ~
C+ F I'Y"V'--l ") F#dim v
------- ?1 r r F Ij F true? I of course re -
blind. When your heart's on
C '·r .• ",""~ f
~ r Ami Dml
~ J ill 3 I j
G7
J J J plied, "Some - thing here in - side can - not be de-fire, you must re - al - lze, smoke gets in your
1 C(-'''~j J
~ 0
G7
u -e- -e-nied." ey~
109
I chaffed __ them and gay - ly laughed __ to think they could
$ Bbm Adim Eb7IBb Eb7 Ab !,-,Clj "
F~J J ~j ~j j I~o If a &3 doubt my love. Yet to - day, my love has
Fm' G7 C " c+ Fr'~"'lJ , G7
$ i'v'"'\....::......~ f
p a : J J ~1 3 I j j ~ '> ~ 0
flown a - way, I am with - out my love.
'--t ~1
Dm'/ C ~'~~~,,'" Am I
G7
$ J J J J J I ~ J J J J Now laugh - mg friends de ride, tears I can - not
Crn",>] c+ Ft.,." ' F#dim C~,:o,' " Am
$ J ~
------ ~ ~ ~ II ~ Jr E I j J I E Ie r F
hide. So I smile and say, "When a love - ly flame
Dm' G7 C;"(,,
$ ~ ~ ~ iI I;. II J ~ -e-~ dies, smoke gets m your eyes."
1 1 ~ SOPHISTICATED LADY from SOPHISTICATED LADIES
1111111111 111111:1111 11111111111 111111,1111 1111111111 111I11 i~ III 1111111111 11111 rlill · . . . ,. . . . . . . . . . . . . . . . . 07 G7 C Dm B~7 A7 A~7 C7
III~IIIIII 1111111111 111111'1111 11111[1111 1111111111 1111111111 1111111111 111111:1111 · . . . .. I. . . . . . . . . . . . . . .. . . . . .
09 G9 Cmaj7 Dm7 B~7 A9 A~9 C9
111111111 1111111111 1111111111 1111111111 1111111111 1111111111 1111111111 11111[1111 · . . . . . . . . .
B7 F#7 B G#m C#m Cdim F#m Em
1II11 ~III 1111111111 1111111111 1111111111 1111111111 1111111111 1111111111 1111111111 . . . . . . . . . . . -: '. B9 F#7 Bmaj7 G#m7 C#m7 Cdim7 Hm7 Em7
~ :. - ;~t :g 1933 (Renewed 1960) and Assigned to Famous Music LLC ,,~::: EMI Mills Music Inc. in the U.S.A.
= : -'0 'y the world outside the U.S.A. Controlled by EMI Mills Music Inc. (Publishing) "~J Warner Bros. Publications U.S. Inc. (Print)
Words and Music by DUKE ELLINGTON, IRVING MILLS and MITCHELL PARISH
-- c - =- ~ onal Copyright Secured All Rights Reserved
'.'1 ,.,
D7 G7 Ch"'O,,!'! Dm G7 N.C.
~ i j ~ E r F fiE f r r r I (J" I ~ J ~~ J ~r II "~'I ., They
Dm Bb7 A7 Ab7 G7 Ci.,·QI/ b v
~ j ~ E E f riC r #E ~E J I r?~'E F r f I say __ in - to your ear - ly life ro - mance came, _ and in this
c~ i I
C7 B7 Bb7 A7 D7 G7 C,re:'!',
~ E #r ~r If I j = E r F fiE f E IT r I r" r I heart of yours burned a flame, _ a flame that flick- ered one day and died a -
, ) 1.:'(
C7 Dm Bb7 A7 Ab7 G7 C" ,., b ~
I j ~ E r f j I C r #E ~EJ I (~'E F F F I \\a\. Then, _ with dis - il - Iu - sion deep in your eyes, you learned that
~
~
115
1
C7 B7 Bb7 i ~
A7 D7 G~
F I !
fools In love soon grow wise. __ The years have changed you, some-how;
F#7
-
see you now ...
(' ... ,./ -"1
B Cdim I C#m
mor - row, non -cha -lant.
ty\of "'I 7 B 'Cdiml Em
man in a res - tau - rant;
') -1 Bb7 A7 Ab7 G7
b~ ~ #F ~lJ cat - ed la dy, I
C1 I
D7
~ - I / ......... r F J E go, and when no -
F#m'
q G7
Brl'\o.) '/ G#m' C#m F#7
j1J!iJ If #J~#C 90 I Smok - ing, drink - ing, nev er think - ing of to-
") B r'I-\a.j ,
- -7
G#m 7 C#m i F#7
Plrn If #J~#C 90 I •
Dia - monds shin - ing, danc - mg, din - ing with some
F#7 Dm'
I~~C EFt I is that all you real - ly want? No, __ so - phis - ti -
,,~, l [1 I
C C7 B7 Bb7 A7
F ~f ~f ~
I -- ........ ~ I ~;;J= I <:::
~ f9 ~
t I I- r-- I
know, you miss the love you lost long a -
C1 I '-1
G7 Cn--,OIJ I
E F F • r I ----- 1 ~ II t II r' bod - y is nigh you cry.
116 STAND BY ME
1 II II iii I II 11111111111 11111[1111 111111fll'll I
• • f "j. • . . . ·I·~: • • • !,
C Am F G7
IIIUI~III 1111111111 11111111111 111111[1111 . . . i I . .. . : : . .. . . • • i~
C Am F G7
; . :;51 (Renewed) JERRY LEIBER MUSIC, MIKE STOLLER MUSIC and MIKE & JERRY MUSIC LLC Words and Music by JERRY LEIBER, MIKE STOLLER and BEN E. KING :. :::l g'lts Reserved
Am F
c Am
When the night __ has come and the land is
F G7
~ J. 11 Il J. J dark and the moon ~ ~ is the on - ly __ light we'll
1- fJlJ lJJjSI see. No, I won't be a - fraid, no __ 1_
F G7
11 I J 11 Il J. J ;11) J. J fa I \von't be a - fraid
~ ~ just as long as you stand, stand by
~
tJ J 7 ~ ,p I J j F r I fJ J J I J kJ ,p.
me. So, dar - ling, dar - ling, stand _ by me, oh,_
117
Am F G7
~ 1330] J I;. j I .~ I ~ f ) J J )1 . stand by oh, stand,
~ stand by me, me,
Fine C 3
stand by me~ If the sea __ that we look up - on
Am F
~ ~ -; ... : J J I;. f=1 I ~ J. ~ j )1 IE should tum - ble and fall, the
.~ should or moun - tam
G7 C
~ I I ~ ... ~ I ~. ..~ I J~ J. ~ 11 - ~ ~ -e-crum- ble ~
the I won't I won't m sea, cry,
~ Am
~. -k : : J I I J. I IE J J ;f1 ;f1 cry, no I won't shed a tear just as
F G7 C D.S. al Fine
j F r II ~ ~
long as you stand, stand by me. So, dar - ling, dar - ling,
118 STARDUST
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Dm G7 C Fm F7 E7 A7 Am
1111111111 1111111111 11111111111 1111111111 111111111 n IIIIII~III 11111111111 1 1IIIrii II . . . . • •• Ie • . . . . . . • . •• I...J . .j j- • . . . · .~ . . Dm7 G9 Cmaj7 Fm7 F7+11 E7-9 A7 Am7
II~ 1111111 111111:1111 1 1IIIrii II IIIIII~III 1111n:111I III 1II1Uil IIIIII~III 1111111111 . . . • i. : . . . . . :. • .l" • • ~J : B7 Em n7 Cdim C7 F G+ D7
1111111111 11111[1111 1IIIIrlili 1111111111 1111111111 11111111111 IIIIII~III 1IIIIIlIli . . . ., .. . . . . . . . . :. . . . . · :-: . B7 Em7 Eb7 Cdim7 C9 Fmaj7 G+ D9
:;C)pyright© 1928,1929 by Songs Of Peer, Ltd. and EMI Mills Music, Inc. :;C)pyrights Renewed ':'.1 Rights outside the USA Controlled by EMI Mills Music, Inc. (Publishing)
and Warner Bros. Publications U.S. Inc. (Print)
Words by MITCHELL PARISH Music by HOAGY CARMICHAEL
~ternational Copyright Secured All Rights Reserved
•.. q-, ,. l I
Dm! G7 C,v",;>"'I Fm G7
~f"1 ~ f J j J J J I J' fJ J ~(1 10 II C r~"~-':\ ' F7-t ); E7 _.q
~ "1 ~ E3 r c E:! I i) J I J J #3 J J j ,3 J I ... And now the pur - pIe dusk of twi -light time steals a - cross the mead - ows of my
A7 Dm C/o,,} Am' I 3 I
It ;) J ] J J I] J J r heart. High up in the sky the lit - tle stars climb,
A
B7 Em~' Eb7 D~ G7 c" ,-., .
~ r .ciS J il ] J I:J :J j 1"1 ~ E3 ErE r I al - ways re -mind-ing me that we're a - part. You wan-dered down the lane and
F7{ :/ E7-- cr A7
~ i 3 J I J J #3 J J J ,3 J I#~ far a - way, leav - ing me a song that will not die.
$
$
$
11S ~. I
., Dm' C Cdim' G7
~3~
; ~ J J J J I:J :J :J r "1) fa j J ~ • Love IS now the star dust of yes - ter - day, the mu - SIC of the years gone
J J I by.~ Some-times I won - der why I
side a gar - den
r C,·, . )
P I F :J £ J bJ J J.
dream -ing of a song? The mel 0 dy you are In my arms. The night - In gale
, Dm' A7 Dm
and I am once a - gain with you, of par - a - dise, where ros - es grew.
G+ C,
7 J ~~ ~ J#J : I : j 2ld.
and each kiss an In - SpI - ra tion.
J spend wall
when Tho'
: ~ F I ()
the lone - ly night when stars are bright,
Em' A7
I • j E I t ~ J
haunts my rev - er - ie, tells his fair - y tale
our love was new,
I
D7
But that was long a - go: nO\\
, I D.S. al Coda G7 Dm G1 C7
~ J d ~ :J ~ I ~ g ] j. J I ~ I ~
~
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my con - so - la tion IS In the star dust of a song. Be
CODA
~
$ Fm CN\~ '/
11 I:J :J
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F F •
dream In vain, __ _ in my heart it will re - mam; m\
Ft"'· '" A7 G7 C I~' .• I
J J J ~ J J J J J j.:J22J J J ~ I I
-e- -e-star dust mel - 0 - dy, ___ _ the mem - 0 - ry of love's re - fra~
120 STELLA BY STARLIGHT
from the Paramount Picture THE UNINVITED
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fm G7 C
1111111111 IIIIII!IIII 111111'1111 . .. . . . . . fm7 G7-13 Cmaj7
1111111111 ~ 1,,1'11111 1111111111 . . . . . . . . F Bb7 Am
1111111111 ~ 11111:1111 1111111111 . . . . . . . . '.: . . fmaj7 Bb9 Am7
= ::, - ght © 1946 (Renewed 1973, 1974) by Famous Music LLC - '-c -. :l.tionai Copyright Secured All Rights Reserved
1111111111 . F#m
1111111111 . . F#m7
1111111111 . . . Em
111111' III . . .. . Em7
111111'1111 111111,1111 . . . . . B7 Dm
111111'1111 111111'1111 . . • • • !.!
B7 Dm7
1111111111 11111"1111 . • • !.
Cm G
111111'1111 111,1'11111 . . . . Cm7 Gmaj7
G7'- '
11111111111 IIIIII~III . . • • • ! i
Gm C7
1111111111 1IIIIrlili . . . . . . . Gm7 C9
111111:1111 11111[1111 . .' . . Cdim A7
11111111111 111111:1111 . . .' . . Cdim7 A7
Words by NED WASHINGTON Music by VICTOR YOUNG
$tj j J I&n~ ]J &J J j lo~-= ~J F~m' B7 Dml G7 - I:~
The song __ a rob - in sings __
("1
C7
]J J J J years __
C't!C"'t, J
of end - less
Am
q
F r..Y~j ! Bb7
~ spnngs. __
-, Em' I'
Cm
through
The
mur - mur of a brook at e - ven - tide that
121
G,1..'\('(f ,
Cdim Dm G7-,I,-:
~ ,J
~ ~ I ~ I ~. P ~"~'~ ~ F r ~ ~
i I I I
np - pIes by a nook where two loy - ers hide. A
A7 Dm
~ ~ o~~ r--3~
o If f f F I f F f F I I great sym - phon - Ie theme, that's Stel - la by
Fm "
C"",::\) ;'
~ r r c
IF :;> ~
Dr f F 0 r r
star light and not dream. ~ (Boy:) My a
(Girl:) She's
, ,
F#m' B7 Em A7
~ .........-: l'r ;I; F I~ J j J J 0 r 0
.............: ~
heart and a gree she's ey - 'ry all of these and more she's ey - 'ry
Fm G7 - ,-S C(l'.~~
~ ~ ~~ ~ J ~. II t111 ] 1/ ~ 0 :s;:: ---=:::::::::: -----thing on earth to me.
thing that you'd a dore.
122
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11111111111 1111111111 . . . . . . . . Cmaj7 Am7
STORMY WEATHER (Keeps Rainin' All the Time)
from COTTON CLUB PARADE OF 1933
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1111111111 1111111111 1111111111 . . . . . . . . . . Dm7 G7 C#dim7
111111 :1111 1IIIIIi1111 . . f. . . . F Em
111111:1111 1111111111 . . . . . . . . Fmaj7 Em7
- . ~33 (Renewed 1961) TED KOEHLER MUSIC and SA MUSIC CO. ~ ::; ;;hts for TED KOEHLER MUSIC Administered by ::::;:::0 AHLERT MUSIC CORPORATION
Lyric by TED KOEHLER Music by HAROLD ARLEN
~ ::; Jilts Reserved
~
Don't know why
~ weath - er. __ weath - er. __
Dm
bare,
G7
~l ~ J d ~ keeps rain - in' all
So wear - y all
-. Dm
p J I J #J there's no sun gloom and mlS -
Dm G7
IJ J J J J Since my man and I Just can't get my poor
G7
~ J #J ~J p
#J up in the sky, storm 'ry ev - 'ry - where, storm
Cr ... ·.' Am
~ ain't to - geth - er, __ self to - geth - er. __
11 C Am Dm G7
~ I~i I; ~ ~
j. ; #J • ~ ~
the time. Life the
Dm G7
~
J - y - y
J is
time. the time, __ so wear - y all the time. __
I : II
123
F:. _ ..
When he went a - way the blues walked in and met me. If he stays a - way old rock - in'
~ C"
j. JiJ. F, C
liJJJJJJJIj. J Jl. chair will get me. All do is pray the Lord a - bove will let me
" , .... t.
Am Dm
~ j fJJ J Ij G7 C \ Am Dm G7
walk in the sun once more. Can't go on, ev - ' ry - thing I had is gone, storm -y
JJJ. J ~
weath-er. __
time __ _
Dm G7 C· Am Dm G7
~ Since my man and I ain't to - geth - er, __ keeps rain - in' all the
Dm G7
# II keeps rain - in' all the time. ______ _
12 ... TANGERINE
from the Paramount Picture THE FLEET'S IN
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11111[1111 111111'1111 111111,1111 ~ 1111111111 11111111111 11111111111 11II11 11111 • • • Ie • • i i. • . . . . o 0 . o 0 0 O. 0 0
Dm7 G7 Cmaj7 B~9 A7+5 E~dim7 B7
11111111111 1111111111 1111111111 1 1IIIrii II 11111[1111 11111111111 0 o ' 0 0 . : . o 0 . :. . 0 . : .
~
E Hm E7 Bm Am D7
11111111111 111111 III 11111111111 1IIIIIilill 11111111111 111111:1111 0 0 0 0 0 o 0 o 0
, , • :_1 • • 0 . :.
Emaj7 F#m7 E9 Bm7 Am7 D7
= : = .' g'lt © 1942 (Renewed 1969) by Famous MUSic LLC - 'oC'- ar onal Copyright Secured All Rights Reserved
Words by JOHNNY MERCER Music by VICTOR SCHERTZINGER
<,,",
Dm i G7
r Dm G7 Cr. (;-1.
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lr F C I r me, she is all
Dm G7 Dm G7
~ C' ~
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-Jj I c'
~
-Jj r ~ eyes of night and lips as bright as
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~ --- 3·~ F II
~ I r ~
me. when she dane -
1 C~~\ '.I Bb7
J
r
C J ............
they claim
"
C ,.,.:'( J J
-----I
{I
flame.
J C ----es by
I r r r II Tan ~ ger ~
"
Ebdim /
Id C J with her
A7
] r r r Tan - ger -
B7
~,J r C I
Sen - or -
125
Er" F#~ , B7 E7 A7' :
$ #D #r ---- Or ~ r #D F' I F' II
r' D F tas stare and ca - bal - Ie - ros sigh. And I've
" . Dm G7 C;i , . Ebdim
$ II .c::=: lr c E g Jd J
I r F F -.........
seen toasts to Tan - ger - me raised m
Dm G7 Dm G7 E7 A7 I'
$ ~ ~ ~
J ~ lr r F F' J1 J1
I F' J1 II
r' r ev - 'ry bar a - cross the Ar - gen - tine. Yes, she
Dm r---3~
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D7
$ ~ r E F r IF' r'r I F F r r F I r' J has them all on the run but her heart be - longs to just one. Her
Dm G7 C
$ ,J ~ r If II ----- lr' ~ F r II
heart be longs to Tan ger ine.
130 TILL THERE WAS YOU
from Meredith Willson's THE MUSIC MAN
11111 [1111 111111:1111 11111 111111 11111111111 1IIIIrlill . . . . . . . . . . . C Clldim Om Fm Cdim
111111:1111 111111,1111 1IIIIrlill 1111111111 111111:1111 . . . . . . . . . '." . . . . Cmaj7 C#dim7 Om9 Fm9 Cdim
1111111111 1111111111 11111111111 111111[1111 1111111111 . .:. . . . . . :. . . . . . . G7 F Hdim A7 07
11111111111 1111111111 11111111111 111111'1111 1111111111 . .. .. . • • >.: • . . . . . . • i.i •
G9 Fmaj7 Hdim7 A7 09
~ '950, 1957 (Renewed) FRANK MUSIC CORP. and MEREDITH WILLSON MUSIC By MEREDITH WILLSON :. Rights Reserved
I Cn-"<;;""j ') C#dim
~I J II: J J I ~. J J J J There were bells on the hill, but I
birds in the sky, but I
Fm C r~...t..j ~ •. f
Cdim Dml ~3 I
~ ~ ~ ~ #~ J I j I J J F 11 r r nev - er heard them nng - mg. No, I nev - er heard them at nev - er saw them wmg - ing. No, I nev - er saw them at
9 Dm'7 II C <>'OL' I G7 3 "
~ I
~g J j I 31 ~ ~ J ~ : II J e ~
-----all, till there was you. There were
all, till there was
2
Ci._\ .' F"
~ I ~ J J I r r r J -e-H)U. And there was mu - sic and
131
,
F#dim r---3~ C ,," A7
~ J ~ r r I ~ I I ~r ~r ~r J r'-I •
there were won - der - ful ros - es, they tell me, in
t ,:", \
Dm D7 G7
~ j ~ W I J J J I J J sweet fra - grant mead - ows of dawn, and
C·, '1 , C#dim
~ "
t 3 I J J J I
I
J J #d j J. dew. There was love all a - round, but I
Dm Fm' C;r<'.1, , , Cdim 3 \. I I
~ J J r J I J j 11 I J J r r #J I I
nev - er heard it smg - mg. No, I nev - er heard it at
Dm G7 Ci' ~', 3 l
~ ~j II J J J -e- -e-all till there was you.
132 TRY TO REMEMBER
from THE FANTASTICS
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C Am Dm G7 Em F B~
1111111111 11111111111 11111111111 111111' III 11111111111 1111111111 111111]111 i • • • i.! . . ·t I· ! i
• • • • i • I-j • • • .! • • • • ;-1 • . . . Cmaj7 Am7 Dm7 G7 Em7 Fmaj7 mmaj7
: _ .' ;;~: '91960 by Tom Jones and Harvey Schmidt Words by TOM JONES : = .' :'It Renewed Music by HARVEY SCHMIDT - ':: =~I & Co. owner of publication and allied rights throughout the world "-".':: Jnal Copyright Secured All Rights Reserved
~-; -7 Cr<J~j ~1 Am' Dm
$1 F' D F I F r I J. ~ J F Jl
Try to re mem ber the kind of Sep -
Try to re - mem - ber when life was so
G7 CrY\,,-,,\' 1
$ ~ ..;
J ~ I ~ ~ I ~ r tern - ber when life was slow and
ten - der that no one wept ex
D~l G7 C, "";'.
~ "
~ ~ I § ~~ I ~. ~ ~ •
J f)
oh so mel - low._ Try to re
cept the wil - low._ Try to re
Am"7 Dm' G7
'- ~ ; ~ r I ~. ~
~ I ~ F ;jj f)
mem - ber the kind of Sep - tern - ber when mem - ber when life was so ten - der that
C Dm
~ ~ ~ ~ ~ I I ; r '--' grass was green and grain was
Jrc?ams were kept be side your
G7 Em -7 Am';
~ ~~ ~. ~ ~ ~ r 2 I I ~ • J '--'
\cl - low._ Try to re mem - ber the
pi! - low._ Try to re mem - ber when
133
Dm7 G7 C ''''-,,*,.1
$ r ~ ~ I ~ E ~ I C- D E kind of Sep tern ber when you were a life was so ten der that love was an
Ft'Yj I Bb f," ., •. i G7
$ "
i E ~ F I r J I J J '> -...-.....- /
ten der and cal low fel - low. __ em ber a bout to bil low. __
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$ C- D F I E ~ I J. ~ : F J1 Try to re mem ber and if you re Try to re mem ber and if you re
$ G7
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.--..
I ~ F E • r • • J J J
mem - ber, then fol - low._ Fol - low, fol - low, mem - ber then
F. G7 I
$ E E E I E E E : II ~ • • • • • J J J J J z:::cJ
fol - low, fol - low, fol - low, fol - low, fol - low, fol - low.
12 Ci ..(. I F,
$ E • ,..-.....,
r I ~ E E I E • E • E • • •
J J J J J J fol - low._ Fol - low, fol - low, fol - low, fol - low, fol - low,
G7 C,
$ E E F I F ~
]F ~ ~ II - • • r J J J fol - low, fol - low, fol - low, fol low.
THE WAY WE WERE from the Motion Picture THE WAY WE WERE
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111111'1111 1111111111 1111111111 1111111111 11111111111 1111I1 :1111 11111[1111 . . . . . . . . · . . . . . . . . . . E FIG C7 A7 Dm/C E7 Dm/G
!
1111111111 1111111111 1111111111 1111111111 1111111111 11111111111 1111111111 . . . . :.- . . . · ~. . . . . :. . . :. . . . I E F6/G C7 A7 Dm7/C E7 Dm/G I
.. :-3 I Renewed 2001) COLGEMS-EMI MUSIC INC. ~ ::; ;:'11s Reserved International Copyright Secured Used by Permission
Words by ALAN and MARILYN BERGMAN Music by MARVIN HAMLISCH
en ~.!9 Em
~ II: j ..i
1 >- ...........
Mem - 'ries pic - tures
F." q E~7
~ "
~ ".. J J J J Mist - y wa - ter
smiles we gave to
1 fA ~ '/ C j. t' : I Am' Dm I
& 0' 1-\\ ere.
F"
Ie J
E
,J j - col - or
one an
b FIG
--II Em'? Am Dm G7
"":; Am A miG .;
3 .J j J j 2 I 0
light the cor - ners of my mind. of the smiles we left be - hind,
'1 ::,
Am' AmfG F.·", q
G7
I j ~"~ ~J J. I r t ~ J )
mem - 'ries of the way we - oth - er for the way we
C7
-Scat-tered were. __ _
137
Em
• • I I
Can it be that it was all so sim - pIe then, or has time re - writ - ten ev - 'ry
A7 Dm D~e G7 en' ,,"~I cr
~ ro t I J J J J J J J J I f 3 5 £J I 7J~ t ~ v
line? If we had the chance to do it all a - gam, tell me would we?_
(') F G7 e"'''1I',
~ d .,
gj t I ~ ~ Could we? _ Mem 'ries __ _ may be beau - ti - ful and yet,
1
Em E7 Am; AmlG F;,.,,',,/ \,{ E7
d~ iF r r F p E \)
t i- J J J fJ J I r what's too pain - ful to re - mem ber ___ _ we sim - ply choose to for -
{,t ., ,,>.{ "-t Am A miG F" , Em F. , I "
~ J ~ j I
II I t I I t • ~.
D F r I I get. So it's the laugh ter we will re -
Em F \~ t
Am c1
Dm DmlG Em
~ ~ j W- e ~ j/~ I Lil ~ E r I If ---k~ • 7. j J .,0.
mem - ber, when-ev -er we re - mem - ber the way we
'I' i 4 I t'
~ e' F,. ,,:,,1 FIG
I t 7. ~ ...
j. .,0 Jl 0
were; the way we
o 0 II ~
were. _____ _
138 THE WAY YOU LOOK TONIGHT
from SWING TIME
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1111111111 1 1IIIIi11 II 11111111111 1111111111 IIIIII~III ! .... . :.' . . · · · :. . . . .
Cmaj7 Am7 Dm7 G7
~ ~ =.' ~nt © 1936 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. and ALDI MUSIC ~ . = .' :;ht Renewed = .. ' :<-ghts for ALDI MUSIC in the U.S. Controlled and Administered by
- :";::JPY ASPEN MUSIC LLC c/o SHAPIRO, BERNSTEIN & CO., INC . .: ::; ;~ts Reserved Used by Permission
~
., C'''''--°1
Some love Love
C '-"'.q t '~1 '-
j when and keep
J the
your that
j world cheek breath
.aday ly, ly,
J IS
so less
Dm'l
I J when with nev
Am
I 0
cold, soft,
charm,
G7 C 'Y\'~l
~ J ..J
J j r I ()
glow just think - mg of for me but to love
range it, 'cause I love
0 .i Fm7
j I'm your er,
Am
.a-you you you,
j
G7 To Coda -$- Ch"" J '-) Am Dm'
~ j j I J j J I ~
look to night. ( Instrumental) look to night. look to
r
~ 11111[1111 o 0
B~7
~ 1IIIIi III o 0
B~7
Dm
I j and just just
G7
r I
111111:1111 111111111 II • i: 0 . E~ Fm7
111111[1111 1IIIIrlili 0 0 0 '. 0
E~maj7 Fm9
Words by DOROTHY FIELDS Music by JEROME KERN
j j J the way you the way you the way you
CA''''' I j' Am
~ r J
139
I Inm 7 G7 II 2Fm 1 Bb7 Eb,.-'-',.':A,)
$ ~ J J J : II ~ ~r b~ I ~ ~ I ~ ~ Oh, but you're With each word your
Fm7 Bb7 Eb,,, _A.,
$ J ~r &J J :do I J J d J I j ~~ ~
ten - der - ness grows, _ tear ing my fear a
, Bb7 Eb Fmi ,. -'! t
$ ;;;-
lr' ~ I ~r I ~r () r r part, and that laugh that
Fm i
I
Bb7 Eb .'
$ ~r F t,J J ,3<0 I J ~ d I j d wnn - kles your nose touch - es my fool ish
CODA Dm G7 D.C. al Coda
$ Je l ~ II e '>
...............
heart.
-$- c,
- II ·~h mgt. ___ _
1..12 WHEN I FALL IN LOVE from ONE MINUTE TO ZERO
1111111111 IIIIII~III 1IIIIIflill • ·1...i·, •
I UmlU11 ... • • ,. , ___ .1 • I . . C Dm G7 A7
1111111111 1111111-1111 11111111111 i!
IIIIII'~III .... . . .' :.' . . ~ ;. . Cmaj7 Dm7 G7
=::. - ght © 1952 by Chappell & Co. and Intersong U.S.A., Inc. = ::. -ght Renewed -'~--atlonal Copyright Secured All Rights Reserved
When I fall in love,
C h' \:..\, I A7,S
$ ~
~ j 1 J ; J
or I'll nev - er fall
Ci ~ I Fm ~
$ j ; J J 1 j rest - less world like this
A7 Dm
$ ~. ~
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111111,1111 11I.1I.IIJIIi IIIIII!IIII 1,111111111 . ~.
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Words by EDWARD HEYMAN Music by VICTOR YOUNG
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IJ ; J j I; J it will be for - ev - er,
Dm G7
1 I~ ~ f1 1
o'-~ love. In a
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f1lj j J j j J 1 love is end - ed be - fore it's be-
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~
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gun. And too man - y moon - light kiss - es seem to
143
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J J j J J J 10 IJ ) J j -e-
cool III the warmth of the sun. When I gIve my heart
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it will be com - plete - ly, or I'll nev - er give my
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heart. And the mo - ment I can
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feel that you feel that way too, IS
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$ I..-
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when I fall in love with you.
WHEN THE SAINTS GO MARCHING IN
1IIIIIilili 1111111111 111111 '1111 I . .' . . . :. . . . ..
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111111,1111 1111111111 111111:1111 . . .. ' . .. . . • • !e!
C6(add9) G13 F
~ _. © 1997 by HAL LEONARD CORPORATION anal Copyright Secured All Rights Reserved
Words by KATHERINE E. PURVIS Music by JAMES M. BLACK
$~ ; j J 1.0h, when the
; j oh, when oh, when oh, when oh, when
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! Oh Lord,
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! :~~~ when when
the the the the
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(5.) saints ____ _ 2. sun _____ _ 3. stars _____ _ 4. day _____ _
saints sun
stars day.
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j go re
have of
J I). ; I want to
cb )'.)
J I J the saints the sun the stars the day
I j be
j go re
have of
; go re -
have of
I; march fuse dis
judg
J march - Illg fuse to dis - ap
judg - ment
j ing to ap
ment
j j I III that
I; march fuse dis
judg
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shine. Oh, peared. ____ _
when the
comes. ____ _
<:::::::::::::----~ in, ____ _ shine, ___ _ peared, ___ _ comes, ___ _
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~~ In, ____ _
shine, ___ _ peared, ___ _ comes, ___ _
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num - ber, \
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ment
II
145 YESTERDAY
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111111[1111 11111[1111 1111111111 111111:1111 1111111111 111111.1111 111111 "1111 . . . . • ' ie . . . . . . . . . . . . • e· i •
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Copyright © 1965 Sony/ATV Songs LLC Copyright Renewed All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
Words and Music by JOHN LENNON and PAUL McCARTNEY
c
Yes - ter - day, Sud - den - ly,
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all my trou - bles seemed so far a - way. I'm not half the man I used to be.
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Now it looks as though they're here to stay. Oh I be - lieve in yes - ter - day. There's a shad-ow hang - ing 0 - ver me. Oh yes - ter - day came sud - den - ly.
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Why she had to go I don't know, she would - n't say. said
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Jlj r IF j J j IfJJ some - thing wrong, now I long for yes - ter - day. ___ _ Yes -ter -day,
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I' ~ J J J 3 I ~ j J I
love was such an ea - sy game to play.
I be - lieve in yes - ter - day.
Now I need a place to hide a -way.
Am D F C t:\
I) j J J I) j j Mm mm mm mm mm. __
Oh
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111111'1111 . . . C
1IIIIrlill . . . .
@ 1977 by Eric Patrick Clapton Renewed
Cmaj7
WONDERFUL TONIGHT
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1IIIIIilili 1111111111 1IIInllili 11111111111 . . . . . . . . . . . . . . GIB Fmaj7 G Am7
for the U.S. Administered by Unichappell Music Inc . . ~.~?: anal Copyright Secured All Rights Reserved
Words and Music by ERIC CLAPTON
to to lllg
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t --;
and
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me, me, her,
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It's late in We go to It's time to
wear._ see_ head._
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IS walk -ing she helps me
-
--; J you
I you
the eve a par
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ning: ty,
go home_ now,
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So I give
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her long __ blonde hair._ a - round_ with me._ to bed.
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"Do I look all "Do you feel all
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on her make up - ti - ful la dy her the car __ keys,
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And then she asks_ And then she asks_ And then I tell_
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right?"_ And say, right?"_ And say,
as I turn out the light, __ I say, "My
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)1 J 11; ;gJ~J j ~ J J~ I look won - der - ful __ to - night." __ ( Instrumental) feel won -der - ful __ to - night."_ are won - der - ful __ to - night. _
147
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j J J J IJ i E J I J j j J : II ~
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I feel won - der - ful_ be -v
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cause I see _ the love_ light In_ your eyes. Then the
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won - der of it all_ IS that you just don't _ re - al - Ize_
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j -----!!!!!III
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how much _ I love_ you. (Instrumental)
CODA
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Oh, my dar-ling, you are won-der - ful_ to - night."_
1-l8 YOUR CHEATIN' HEART
I
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.. ;:~t © 1952 Sony/ATV Songs LLC and Hiriam Music in the U.S.A. . . :;~t Renewed
=~~S on behalf of Hiriam Music Administered by Rightsong Music Inc. =~~s outside the U.S.A Controlled by Sony/ATV Songs LLC
111111 '1111 IIIIII~ III 111111!111I . . . . . . • • i·1 -.
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111111'1111 11111~1111 IIIIII~III . . . . . . • • :-1 C C7 F
- ;:~~S on behalf of Sony/ATV Songs LLC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 -·.o·~:;~lonal Copyright Secured All Rights Reserved
~~~ Dm G7 C
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~ heart will make you weep heart will pine some - day
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cry and try to sleep. love you threw a way.
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come the whole night through come when you'll be blue
III ~II!IIII . ;. D7
III ~Irlill . . '. D7
Words and Music by HANK WILLIAMS
G7
~ ~ F II Your cheat - in' _
F F CJ I you'll cry and_ and crave the_
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But sleep won't _ The time will_
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your cheat - in'_ your cheat - in'_
149
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--- l'r ~ ~ I; e F F F J -e-heart will tell
~
I on you. When heart will tell
tears come on you.
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IF F F' ~ I £J J Je ~ F F F '> ............. '-'
down like fall - in' rain you'll toss a
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~ ------ IF ~ ~ a -- lr I II r F e F round and call my name. You'll walk the_
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I ~ ~ ~ ~ jJ If I F F e II ~ ----floor the way I do, your cheat - in'_
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--- ---I ~ ~ I e ~
J I -e-~ heart will tell on you.
~ C G7 11
2
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~ ~ ~ : II I J. ~ II ; F -e-v yo~ Your cheat in'
150 YOU'VE GOT A FRIEND
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- "2-' (Renewed 1999) COLGEMS-EMI MUSIC INC. ~ :: ~'lts ReseNed International Copyright Secured Used by Permission
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Words and Music by CAROLE KING
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When you're down_ and trou - bled, and you need_ grows _ dark _ a - bove _ you
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_ some love and care;_ and noth - in' _ noth - in' is go - in' right, _ _ and full of clouds,_ and that 01' _ north wind be - gins _ to blow, _
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~I£J j close your eyes _ and think of me, and keep your head _ to - geth - er, and
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soon I will be there _ call my_ name out loud._
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- ven your dark - est night. - l - knock-in' at _ your door. _ ~
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151
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to bright - en up_ e -
Soon you'll hear_ me_
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You just call _ out my _ name,_
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and you know _ wher -ev - er I am_ I'll come run - nin' __
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to see you a - gam. _
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Win - ter, spring, sum -mer or fall,_
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7 ~ d call, and I'll be _
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~"C ['[J j 111) g iJjJ!f3J -_ there. ______ _ You've got a friend. __ _ If the sky_
152
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fJ I) # there, _ yes, I will. __ _
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__ got a friend, _ when peo - pIe can be _ so cold. _ They'll hurt _
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lJJjIJ~J __ you, yes, and de - sert __ you, and take your soul _ if you let
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them. Oh, but don't you let_ them. You just call _
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IT E E r j iJJ J1f 3a. __ there, _ yes, I will. __ _ You've got a friend. ___ _
G7 Repeat and Fade
J fJ J :11 You've got a friend. __ Ain't it good _ to know you've got a