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GRADUATE SYMPOSIUM Saturday, March 1 10:00am - 3:00pm Riley Seminar Room, Museum of Fine Arts, Boston 465 Huntington Avenue, Boston, MA, 02115 *Please enter through the Fenway entrance Featuring papers by graduate students from nationally-recognized programs, the symposium explores the employment and reception of light in the history of art and visual culture. See reverse for entire program. See the Light: KEYNOTE ADDRESS Friday, February 28, 5:30pm Boston University Art Gallery at the Stone Gallery 855 Commonwealth Avenue, Boston, MA, 02215 Professor S. Hollis Clayson Professor of Art History and History, Northwestern University Questions? Please contact Caitlin Dalton, Symposium Coordinator, Art History Department, Boston University, at [email protected] or visit www.bu.edu/ah/ Boulevard Saint-Denis, Argenteuil, in Winter , 1875. Claude Monet (French, 1840–1926) Museum purchase with funds donated by the Linde Family Foundation *Gift of Richard Saltonstall *Photograph © Museum of Fine Arts, Boston The 30th Annual Boston University Graduate Student Symposium on the History of Art & Architecture FEB 28- MAR 1, 2014 This event is generously sponsored by The Boston University Center for the Humanities; the Boston University Department of History of Art & Architecture; the Museum of Fine Arts, Boston; the Boston University Graduate Student History of Art & Architecture Association; and the Boston University Art Gallery at the Stone Gallery.
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Page 1: See the Light: The 30th Annual Boston University Graduate ... · National Gallery of Art’s Center for Advanced Study in the Visual Arts, 2013-2014. She is Bergen Evans Professor

GRADUATE SYMPOSIUMSaturday, March 110:00am - 3:00pm

Riley Seminar Room, Museum of Fine Arts, Boston465 Huntington Avenue, Boston, MA, 02115

*Please enter through the Fenway entrance

Featuring papers by graduate students from nationally-recognized programs, the symposium explores the employment and reception of light in the history of art and visual culture. See reverse for entire program.

See the Light:

KEYNOTE ADDRESSFriday, February 28, 5:30pm

Boston University Art Gallery at the Stone Gallery855 Commonwealth Avenue, Boston, MA, 02215

Professor S. Hollis ClaysonProfessor of Art History and History, Northwestern University

Questions? Please contact Caitlin Dalton, Symposium Coordinator, Art History Department, Boston University, at [email protected] or visit www.bu.edu/ah/

Boulevard Saint-Denis, Argenteuil, in Winter , 1875.Claude Monet (French, 1840–1926) Museum purchase with funds donated by the Linde Family Foundation *Gift of Richard Saltonstall *Photograph © Museum of Fine Arts, Boston

The 30th Annual Boston University Graduate Student Symposium on the History of Art & Architecture

FEB 28- MAR 1, 2014

This event is generously sponsored by The Boston University Center for the Humanities; the Boston University Department of History of Art & Architecture; the Museum of Fine Arts, Boston; the Boston University Graduate Student History of Art

& Architecture Association; and the Boston University Art Gallery at the Stone Gallery.

Page 2: See the Light: The 30th Annual Boston University Graduate ... · National Gallery of Art’s Center for Advanced Study in the Visual Arts, 2013-2014. She is Bergen Evans Professor

10:00am – COFFEE IN RILEY SEMINAR ROOM

10:30am – MORNING SESSION

Discussant:EmilyVoelker, PhD Candidate, Boston University ElisabethBerryDrago, PhD Candidate, University of Delaware Shadowed Spectatorship in the Photographic Nocturne, 1895-1910

SarahRovang, PhD Candidate, Brown University “A Light in Every Heart”: Electric Lighting and the Modernization of the American Farmstead

TinaRivers, PhD Candidate, Columbia University Tripping the Light Fantastic: “TV as a Creative Medium”

12:00pm – BREAK FOR LUNCH

1:00pm – COFFEE IN RILEY SEMINAR ROOM

1:30pm – AFTERNOON SESSION

Discussant:JordanKarney, PhD Student, Boston University

JungE.Choi, PhD Candidate, Duke University Temporalizing the Space of Light: Your Atmospheric Colour Atlas

BrendanMcMahon, PhD Candidate, University of Southern California Tricks of the Light: Representing Iridescence in the Seventeenth- Century Spanish World BetsyStepinaZinn, PhD student, Rice University Waiting for Ganzfeld: James Turrell’s End Around and the New Landscape

This event is generously sponsored by The Boston University Center for the Humanities; the Boston University Department of History of Art & Architecture; the Museum of Fine Arts, Boston; the Boston University Graduate Student History of Art & Architecture Association; and the Boston University Art Gallery at the Stone Gallery.

S Y M P O S I U M S C H E D U L EBoth Friday and Saturday events are free and open to the public.

See the Light:The 30th Annual Boston University Graduate Student Symposium on the History of Art & Architecture

Professor S. Hollis Clayson is the Samuel H. Kress Professor at the National Gallery of Art’s Center for Advanced Study in the Visual Arts, 2013-2014. She is Bergen Evans Professor in the Humanities and Professor of Art History and History at Northwestern University. She has published widely on nineteenth-century French art and culture including two monographs, Painted Love and Paris in Despair. Her forthcoming book is entitled Electric Paris: The Visual Cultures of the City of Light in the Era of Thomas Edison.

Symposium Dates:Feb 28 - Mar 1, 2014

GRADUATE SYMPOSIUM Saturday, March 1, 10am - 3pmRiley Seminar Room, Museum of Fine Arts, Boston465 Huntington Avenue, Boston, MA 02115 - www.mfa.org

This symposium considers the employment and reception of light in the history of art and visual culture.

For more information, please contact Caitlin Dalton, 2013/2014 Symposium Coordinator, Boston University Department of History of Art & Architecture, [email protected] or visit the symposium’s website - www.bu.edu/ah

KEYNOTE ADDRESSFriday, Feb 28, 5:30 pmBoston University Art Gallery at the Stone Gallery855 Commonwealth Avenue, Boston, MA 02215 - www.bu.edu/art

ProfessorS.HollisClayson, Professor of Art History and History, Northwestern University Episodes from the Visual Culture of the Electrified City of Light


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