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Selections from 5 for 5 Ragtime Classics

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    5 for 5 Ragtime Classicsfor Xylophone Solo and Marimba Band Accompaniment

    Arranged and Edited by Emma Logan

    A collection of 5 ragtime pieces arranged for 5 percussionists

    Copyright Emma Logan Music 2013

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    5 for 5 Ragtime Classics

    Contents:

    The Lion Tamer Rag

    by Mark Janza . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

    Weeping Willow

    by Scott Joplin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

    Augustan Club Waltz

    by Scott Joplin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

    Ragtime Nightingale

    by Joseph Francis Lamb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

    Kitten on the Keysby Zez Confrey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

    This collection is dedicated to Michael W. Bull: percussionist, teacher, and friend.

    Copyright Emma Logan Music 2013

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    Foreword:

    Piano ragtime music has been a much loved American tradition since the beginning of

    the 20th century. For the past 70 years, percussionists have been arranging pianoragtime classics for xylophone and accompaniment. Percussion groups such as Nexus

    and institutions such as the Bob Becker Ragtime School have created many

    arrangements to include xylophone solo and marimba band accompaniment, usually

    involving 3-4 percussionists playing on 2 marimbas. This ensemble has a very unique

    sound that is warm yet playful.

    The intention of this small collection is to inspire the next generation of percussionists

    to fall in love with the ragtime tradition. Players should take turns playing the

    xylophone solo and playing the other parts. Improvising during repeats is an extremely

    common technique and is recommended for more advanced players.

    Most of the dynamics and phrasing you see are edited in. All music, no matter what it

    is, should be brought to life through both dynamics and phrasing and ragtime is no

    different. Dynamics and phrasing are not final: they are just a suggestion and should

    be followed whenever deemed appropriate.

    As always with ragtime, just have fun!

    - Emma Logan

    Suggested set up:

    It is preferred that the marimba for Player II and Player IV be a 5 octave marimba. If

    not, Player IV should move the lowest notes up the octave.

    Copyright Emma Logan Music 2013

    Xylo.

    I

    IIIII

    IV

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    Copyright Emma Logan Music 2013

    Xylophone

    Marimba I

    Marimba II

    Marimba III

    Marimba IV

    oder toq= 116

    p p

    p p

    p p

    p p

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    22222

    >The Lion Tamer Rag

    Mark Janza

    (dates unknown)

    Arr. Emma Logan

    (b. 1990)

    A Syncopated Fantasia

    (1913)

    > >? > >? > >

    ?

    fij j J j j

    j j

    fij J j j j j j j j j j j j j j j

    3

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    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    9

    p

    p

    p p

    p p

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    p

    ?

    > > > ?? >

    j J j j j j j j j j fij j j j j j j j j j j j j j j

    4

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    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    1.7

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    p

    2.

    p

    pp

    p

    > > >? >? >

    > . > . . > . > . . > > . > . . > . > . . >? >? >

    J j

    j j

    j j j j

    j

    5

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    Copyright Emma Logan Music 2013

    Xylophone

    Marimba I

    Marimba II

    Marimba III

    Marimba IV

    ot fastq= 72

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    22222

    . . . . . . . .Weeping Willow

    Scott Joplin

    (1868 - 1917)

    Arr. Emma Logan

    (b. 1990)

    A Ragtime Two Step

    (1903)

    . . . . . .? . . . .?

    ??

    j j j j j j j J

    19

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    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    9

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    ??

    ??

    j j j j J j j

    j j j j j j j J

    20

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    Copyright Emma Logan Music 2013

    Xylophone

    Marimba I

    Marimba II

    Marimba III

    Marimba IV

    p

    oderatoq= 112

    p

    p

    p

    p

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    p dolce

    q= 172

    p dolce

    p dolce

    p dolce

    p dolce

    bb >Augustan Club Waltz

    Scott Joplin

    (1868 - 1917)

    Arr. Emma Logan

    (b. 1990)

    (1901)

    bb > bb >? bb >? bb >

    bb Tempo di Valse bb bb? bb? bb

    fij

    30

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    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    9

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    bb bb bb bb bb

    bb bb bb bb bb

    31

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    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    7

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    bb bb bb? bb? bb

    bb bb bb? bb? bb

    32

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    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    1. 2.5

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    3

    bb > bb > bb >? bb >? bb >

    bb bb bb? bb? bb

    fij fij

    33

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    Copyright Emma Logan Music 2013

    Xylophone

    Marimba I

    Marimba II

    Marimba III

    Marimba IV

    p

    Slow arch Tem po q= 66

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    p

    p p

    p

    22222

    bbb Ragtime Nightingale

    Joseph Francis Lamb

    (1887 - 1960)

    Arr. Emma Logan

    (b. 1990)

    (1915)

    bbb bbb

    ? bbb ? bbb

    bbb . . bbb bbb bbb ?? bbb

    J j j

    j j

    47

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    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    9

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    bbb bbb bbb? bbb ? bbb

    bbb bbb bbb bbb ?? bbb

    j j j j j j j j

    j

    48

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    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    p

    p

    p

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    4

    p

    p

    p

    p

    b b b ? b? b

    b > > b > > . . . . . . . . b > > . . . . . . . .? b > > . . . . . . . .? b > > . . . . . . . .

    59

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    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    8

    p

    p

    p

    Xyl.

    Mar. I

    Mar. II

    Mar. III

    Mar. IV

    pdolce

    1. 2.

    p dolce

    p dolce

    p dolce

    pdolce

    b b b ? b? b

    b > > >>

    bbbbb b > > > > bbbbb b > > > > bbbbb? b > > > > bbbbb? b > > > > bbbbb

    60


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