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Seven Stories

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Dino Buzzati (1906-1972) was an Italian novelist, short story writer, poet and acclaimed painter as well as a life -long journalist for Milan's Corriere della Sera. His most famous work is the novel Il deserto dei Tartari, translated into English as The Tartar Steppe, and made into a movie of the same name in 1976. Buzzati is supposed to have said that fantasy should be as close as possible to journalism, and it is this spare, direct journalistic style that infuses his work. Buzzati's writing is often compared with that of Kafka, Camus and Borges; it is frequently fantastical and surrealistic, obsessed with death and the fate of the environment. "Seven Stories" ("Sette Piani") is taken from Buzzati's collection, La boutique del mistero; I do not know if this story has been translated previously into English. Although his books are still in print in Italy, Buzzati is virtually unknown outside his native country; he was a wonderful writer whose works deserve a wider audience.
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SEVEN STORIES BY DINO BUZZATI TRANSLATED FROM ITALIAN 1
Transcript
Page 1: Seven Stories

SEVEN STORIESBY

DINO BUZZATI

TRANSLATED FROM ITALIAN

BY

REBECCA HEATH

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One morning in March, after a day's train ride, Giuseppe Corte arrived in a city where there was a famous sanitarium. He had a slight fever, but even so he insisted on walking from the station to the hospital, carrying his small suitcase.

Although showing only the earliest signs of the disease, Giuseppe Corte had been advised to seek treatment at the renowned sanitarium where they specialized in treating just this one malady, guaranteeing a high level of medical competence and the most rational and effective use of the facilities.

When Giuseppe Corte caught sight of the hospital from a distance - and he recognized it from having seen its photograph in a brochure - the sanitarium made an excellent impression on him. The façade of the white seven-storied building was broken by a series of alcoves that gave it the appearance of a hotel. It was surrounded by a perimeter of tall trees.

After a brief medical examination, pending a more detailed one, Giuseppe Corte was put in a cheerful room on the seventh and last floor. The furniture and upholstery were light in color and in good condition, and the wooden armchairs had cushions covered in multicolored fabric. A window opened on to a view of one of the most beautiful districts of the city. Everything was serene, hospitable and reassuring.

Giuseppe Corte went to bed immediately and, once the bedside light was on, began reading a book he had brought with him. A short time later a nurse came in to ask if he wanted anything.

Giuseppe Corte did not want anything, but gladly started talking to the young woman, asking for information about the sanitarium, and it was through her that he learned of the hospital's unusual features. The patients were distributed floor by floor according to the severity of their illness. The seventh, that is, the top floor, was for those who were only slightly sick. Patients who were only moderately ill but needed monitoring were assigned to the sixth floor. On the fifth they treated those who were more seriously ill and so on, floor by floor. Gravely ill patients were on the second floor and hopeless cases were on the first.

This odd system, besides greatly expediting the operation of the hospital, prevented a patient who was only slightly sick from being disturbed by another who was dying, and ensured the same atmosphere on every floor; it also facilitated the matching of treatment to the condition of the patients.

According to this scheme, the patients were divided into seven progressive castes. Each floor was like a small world to itself, with its own special rules, with its own special traditions. And since every

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section was entrusted to a different doctor, there were small, but distinct differences in how the cases were handled, even though the director general had impressed on the hospital the need for single set of guidelines. When the nurse had left, it seemed to Giuseppe Corte that his fever had disappeared and he went to the window, not to look at the landscape, even though it was new to him, but with the hope of catching sight of other patients on the lower floors. The structure of the building, with its large alcoves, allowed this type of observation. In particular, Giuseppe Corte fixed hisattention on the first floor windows, which seemed far away and which he could view at an angle. But he was unable to see anything interesting. The majority of them were tightly closed by gray sliding window shutters.

Corte saw that there was a man at the window of the room beside his. The two looked at each other for a while with growing interest, but neither knew how to break the silence. Finally Giuseppe gathered his courage and said, "You've only been here for a short time, too?"

"Oh no," said the other. "I've already been here for two months …," was silent for several moments and, not knowing what to say next, added, "I was watching my brother down there."

"Your brother?""Yes," the unknown man explained. "We came here together, it's

really an odd situation, but he's been getting worse; just think, he's already on the fourth."

"On the fourth of what?""On the fourth floor," replied the man, and he pronounced the

four words with such an expression of pity and horror that Giuseppe Corte was almost frightened.

"But are they that badly off on the fourth floor?" he asked cautiously.

"Oh, God," said the other, shaking his head slowly, "their cases aren't completely desperate, but there's not much to be happy about."

"But then," Corte asked with the joking offhandedness of one untouched by tragic events, "then, if the patients on the fourth are so sick, whom do they put on the first floor?"

"Oh, the ones who are actually dying are on the first. On that floor there's nothing more the doctors can do. Only the priest works there. And naturally …"

"But there's hardly anyone on the first floor," Giuseppe Corte interrupted, as if asking for a confirmation of his thoughts. "Almost all the rooms down there are closed."

"There aren't many now, but there were quite a few this morning," the otherresponded with a thin smile. "Where the shutters are lowered is where someone has died a short time ago. Don't you see that on the other floors all the shutters are open? But excuse me," he said,

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drawing back slowly, "I think it's beginning to get cold. I'm going back to bed. Good luck, good luck…"

The man disappeared from the sill and the window was closed with force; then a light shone from inside the room. Giuseppe Corte remained at the window, without moving, staring at the lowered shutters on the first floor. He stared at them with a morbid intensity, trying to imagine the mournful secrets of the terrible first floor where the patients were sent to die, and he was relieved at the thought that it was so far away. The shadows of the evening were descending over the city. One by one the thousand windows of the sanitarium lit up; at a distance one would have taken it for a palace with a party in full swing. Only on the first floor, down there, at the base of the precipice, dozens and dozens of windows remained blind and dark.

Giuseppe Corte was reassured by the results of the medical examination. Usually pessimistic, in his heart he was already prepared for a harsh verdict and would not have been surprised if the doctor had consigned him to the floor below. Indeed, his fever had not gone away, despite the fact that his general condition was good. Instead, the doctor was cordial and encouraging. An illness at its earliest stage - he said to him - but very slight; in two or three weeks it would probably pass.

"Then do I stay on the seventh floor?" Giuseppe Corte asked anxiously at that point.

"But of course!" the doctor answered, giving him a friendly slap on the shoulder. "And where did you think you were going? Maybe to the fourth?" he asked, laughing, as though hinting at the most absurd possibility.

"That's better, that's better," said Corte. "You know how it is; when you're sick you always imagine the worst."

In fact, Giuseppe Corte remained in the room which had been assigned to him originally. He got to know some of his hospital companions on the rare afternoons when he was allowed to get up. He carefully followed the plan of treatment, and did everything he could to get better quickly; nevertheless, his condition remained the same.

About ten days had passed when the head nurse of the seventh floor came in to see Giuseppe Corte. She had a favor to ask of him: the following day a lady with two children was going to be admitted to the hospital; adjoining Corte's were two empty rooms, but they needed a third one; would Mr. Corte be kind enough to move to another room, just as comfortable as his?

Of course Giuseppe Corte made no objection; one room or the other was all the same to him; perhaps he would get a new and more attractive nurse.

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"I really thank you," the head nurse said then with a slight bow; "from a person like you I confess that such a chivalrous gesture doesn't surprise me. We'll make the transfer in an hour if you don't mind. I'm afraid you'll have to move one floor down," she added in a hushed voice, as if it were a matter of no importance. "Unfortunately, on this floor there aren't any more free rooms. But it's a temporary arrangement," she hurried to say, seeing that Corte, getting up suddenly from his chair, was on the point of opening his mouth to protest. "As soon as there's an empty room, and I think that'll be in two or three days, you'll be able to come back up here."

"I'll admit," Giuseppe Corte said, smiling to show her he was not a child, "I'll admit that a move like this doesn't please me in the slightest."

"But there's no medical reason for this move. I understand completely what you mean; it's just a courtesy to this lady who doesn't want to be separated from her children... please," she added with a laugh, "don't think for a moment that there's any other reason!"

"Maybe so," Giuseppe Corte said, "but it seems like a bad omen to me."

So Corte moved to the sixth floor and although he was convinced that this move didn't correspond to a worsening of his illness, he was uncomfortable thinking that an obstacle was being placed between him and the normal world of healthy people. On the seventh floor, the port of arrival, he was in a certain way still in contact with the regular world; in fact it could almost be considered an extension of his usual world. But on the sixth he arrived at the real heart of the hospital; already the mentality of the doctors, of the nurses and of the patients themselves was slightly different. On that floor you realized that truly sick people were being treated, even if their conditions were not terribly serious. From his first conversations with his neighbors, Giuseppe Corte realized that on that floor the seventh was looked on as a joke, a place reserved for dilettantes who were suffering from hypochondria more than anything else; it was only on the sixth, so to speak, that things began to get serious.

However, Giuseppe Corte understood that his desire to go back upstairs, to the place where he belonged according to the gravity of his illness, was going to meet with some opposition and that in order to return to the seventh floor he had to set in motion a complex organism. There was no doubt that if he had not brought up the subject, no one would have thought of moving him back to the upper floor of the "almost well."

Consequently, Giuseppe Corte decided not make concessions and not to give way to the temptation of habit. To the companions of his ward he stressed that he was there for only a few days, that it was he who wanted to go down as a favor to the lady and that as soon as

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there was a free room he would go back upstairs. The others listened to him without interest and nodded with scarce conviction.

Giuseppe Corte's opinion found a full confirmation in the judgment of the new doctor. He, too, admitted that Giuseppe Corte could certainly be assigned to the seventh floor; his type of illness was ab-so-lute-ly tri-vi-al - and he stressed this definition to give it emphasis - but, in fact, he maintained that on the sixth floor Giuseppe Corte might receive a more appropriate treatment.

"Don't start giving me these stories," the sick man interrupted decisively at this point. "You told me I belong on the seventh floor and I want to go back there."

"No one's said anything to the contrary," replied the doctor. "My advice was purely and simply that of a true friend, not of a doctor. Your form of the sickness is, I repeat, extremely slight; it wouldn't be an exaggeration to say you're not even ill, but in my opinion it differs from similar conditions by its somewhat greater spread. Let me explain: the intensity of your illness is minimal, but its extent is considerable; the destruction of the cells," it was the first time that Giuseppe Corte had heard that sinister expression, "the destruction of the cells is absolutely in the initial phase, perhaps it hasn't even begun, but it tends, and I'm only saying tends to strike large parts of the organism at the same time. It's only because of this, in my opinion, that you can be treated more efficiently here, on the sixth, where the therapy is more appropriate and intense."

One day he was informed that the director general of the sanitarium, after long consultations with his staff, had decided to make a change in the classification of the patients. Each one's grade - so to speak - was to be lowered by half a point. On every floor the patients were grouped, in accordance with the seriousness of their condition, in two categories (this subdivision was actually made by one's respective doctor, but only for internal use), and the lower of these two halves was moved to the floor below. For example, half of the patients on the sixth floor, those with slightly more advanced cases, had to move to the fifth and the more serious cases on the seventh moved to the sixth. This news pleased Giuseppe Corte because in such a complex scenario of transfers, hisreturn to the seventh floor would be easier.

When he hinted at this hope to the nurse, however, he had a bitter surprise. He found out that he was to be moved, but not to the seventh, but rather to the floor below. For reasons that the nurse was unable to explain to him, he had been included in the "more gravely ill" patients on the sixth floor and had to go down to the fifth.

Once his initial surprise was over, Giuseppe Corte became furious; he shouted that they were cheating him, that he refused to hear anything more of going down, that he would return home, that

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one's rights were one's rights and that the hospital administration could not disregard the medical diagnosis in such a brazen fashion.

While he was shouting, a doctor arrived to calm him down. He advised Corte to get a grip on himself if he did not want his fever to escalate, and he explained to him that there was at least a partial misunderstanding. He continued to agree that Giuseppe Corte would be in the right place if they put him on the seventh floor, but he added that he had a slightly different opinion concerning his case, if only a personal one. Basically his illness, in a certain sense of course, could be considered grade six, given the extent of the disease symptoms. He himself, however, was not able to explain how Corte had been classified in the lower half of the sixth floor. Probably the director's secretary, who that very morning had called to ask Giuseppe Corte's exact clinical state, had made a mistake in writing it down. Or, even more likely, the hospital management, acknowledging the doctor's expertise, but considering him too lenient, had slightly downgraded the doctor's diagnosis. In short, the doctor advised Corte not to worry, to make the move without protesting, because what mattered was the illness, not the place where the patient was located.

So far as the treatment was concerned - added the doctor - Giuseppe Corte would have no reason to be sorry; the physician on the floor below certainly had more experience. He was virtually dogmatic that the doctors' abilities increased with the decrease in the floors. The room was just as comfortable and just as elegant. The view was equally spacious; it was only from the third floor down that the view was cut off by the trees.

Suffering from an evening fever, Giuseppe Corte listened to the detailed excuses with a growing lethargy. In the end he realized that he lacked the strength and above all the desire to oppose the unjust transfer. And without further protest he let himself be moved to the floor below.

Once he was transferred to the fifth floor, Giuseppe Corte's only consolation,however slight, was to find out that in the unanimous opinion of the doctors, the nurses and the patients, he was the least sick person in the ward. On that floor, in short, he could be considered by far the most fortunate. But, on the other hand, he was tormented by the thought that now he was separated from the world of normal people by two barriers.

As the spring advanced, it became warmer, but Giuseppe Corte no longer enjoyed going to the window as he had during his first days at the sanitarium; even though such a fear was nothing but an absurdity, he was stirred by a strange chill seeing the windows of the first floor, the majority of them closed, that were getting progressively closer.

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His illness got neither better nor worse. After three days on the fifth floor, a type of eczema appeared on his right leg that showed no signs of disappearing in the days that followed. It was a condition - the doctor told him - that was completely independent of his principal illness, one which could strike the healthiest person in the world. In order to get rid of it in a few days he needed an intensive treatment of digamma radiation.

"And isn't it possible to have the digamma radiation treatment here?' asked Giuseppe Corte.

"Certainly," replied the doctor, complacently. "Our hospital is equipped witheverything. There's just one problem …"

"What" asked Corte with a vague foreboding."A problem only in a certain sense," the doctor said, correcting

himself. "What I mean is that the radiation equipment is located only on the fourth floor and I advise you not to make such a trip three times a day."

"So there's nothing you can do?""Well then, until the eczema is cured, it would be better if you'd

be willing to go down to the fourth floor.""Enough!" screamed Giuseppe Corte, in exasperation. "I've had

enough of going down! Even if it kills me, I'm not going down there.""As you wish," the doctor said calmly, so as not to irritate him,"

but as your attending physician, I can't let you make the trip downstairs three times a day."

The bad thing was that the eczema, instead of getting better, was slowly spreading. Giuseppe Corte was unable to get any relief and tossed and turned in bed. He did not give way until, after three days, he could not take it any longer. Spontaneously he begged the doctor to let him undergo the radiation treatment and to be moved to the floor below.

Once he was on the fourth floor, Corte noted, with undisguised pleasure, that he was an exception. The other patients in this department were in decidedly worse condition than he and were not even able to get out of bed for a moment. He, on the other hand, was able to reach the radiation treatment area from his room on his own two feet, to the compliments and amazement of the nurses themselves.

To the new doctor he emphasized his very special position. A patient who actually belonged on the seventh floor, but was now on the fourth. As soon as the eczema was cured he intended to go back upstairs. He would absolutely not stand for any new excuse. He, who belonged legitimately on the seventh.

"On the seventh, on the seventh!" exclaimed the doctor who had just finished examining him. "You patients always exaggerate! I'm the first one to tell you that you should be satisfied with your condition;

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according to what I see in your record, there hasn't been any great deterioration in your health. But to go from this to talking about the seventh floor - excuse me for being brutally frank - there's a big difference! You are one of the least worrisome cases, I agree, but nevertheless, you're still ill!"

"Well then, well then," Giuseppe Corte said, his face getting red, "what floor would you put me on?"

"Oh, God, that's hard to say; I've only made a brief examination. In order to make a decision I'd have to follow your case for at least a week."

"Fine," insisted Corte, "but you must have a rough idea."In order to calm him down, the doctor pretended to think for a

moment and then, nodding to himself with his head, said slowly, "Oh God! Just to make you happy, we could put you on the sixth! Yes, yes," he added, as if trying to convince himself, '"the sixth might work out."

The doctor believed that he was making the patient happy by saying this. Instead, an expression of dismay spread across Giuseppe Corte's face: he realized the doctors on the other floors had deceived him; here was this new doctor, evidently more capable and more honest who, in his heart - it was obvious - was assigning him, not to the seventh, but to the fifth floor and perhaps even to the lower fifth! The unexpected disappointment prostrated Corte. That evening his fever rose perceptibly.

His stay on the fourth floor marked the calmest period that Giuseppe Corte had passed since his admission to the hospital. The doctor was an extremely pleasant person, thoughtful and cordial. They often conversed for hours about the most varied subjects. Giuseppe Corte talked willingly, searching for matters that had to do with his customary life as a lawyer and as a man of the world. He was still trying to convince himself that he belonged to the society of healthy men, that he was still connected to the world of business, and was truly interested in public affairs. He tried, without succeeding. Invariably their discussions returned to the topic of his illness.

His desire for an improvement of any kind became an obsession for Giuseppe Corte. Unfortunately the digamma radiation had succeeded in arresting the spreading of the skin eruptions, but it was not sufficient to eliminate them. Every day Giuseppe Corte spoke for a long time about his condition with the doctor and in these conversations he forced himself to be strong, even ironic, but without ever succeeding.

"Tell me, doctor," he said one day, "how is the destruction of my cells progressing?"

"Oh, what ugly words!" the doctor reproached him, jokingly. "Where did you ever learn them? That won't do, won't do at all, especially for a sick person! I never again want to hear you say anything of the sort."

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"All right," Corte objected, "but you didn't answer my question.""Oh, I'll tell you right now," the doctor replied courteously. "The

destruction of your cells, to repeat your horrible expression, in your case is minimal, absolutely minimal. But I'm tempted to call it stubborn."

" Stubborn, you mean chronic?""No, don't put words in my mouth. I mean only stubborn. The

majority of cases are like that. Even extremely slight illnesses often need long and energetic treatments."

"But tell me, doctor, when can I hope to get better?""When? In these cases it's rather hard to make predictions.. but

listen," he added after a thoughtful pause, "I can see you have a great desire to be cured.. if I weren't afraid of making you angry, do you know what I would advise?"

"Tell me; just tell me, doctor …""Well then, I'll put the matter to you very clearly. If I were

suffering from your illness, even very slightly, I'd get myself assigned, right from the very first day, from the very first day, you understand? to one of the lower floors. I'd even get myself admitted on …"

"The first?" Corte suggested with a forced smile."Oh no! Not on the first," the doctor replied ironically, "not that.

But on the third or even on the second, certainly. On the lower floors the care is much better, I guarantee you, the equipment is more extensive and more powerful, and the personnel is more capable. Do you know who the heart and soul of this hospital is?"

"Isn't it Dr. Dati?""Right, Dr. Dati. He's the one who developed the treatment that's

used here, the person responsible for the entire organization. Well he, the head-man, divides his time, so to speak, between the first and second floors. His authority emanates from there. But I guarantee you his influence doesn't go beyond the third floor; beyond that point his authority diminishes, his orders aren't followed as well as they might be, they're misconstrued; the heart of the hospital is on the lower floors and on the lower floors is where you need to be to get the best treatment."

"Then, in short," Giuseppe Corte said with a trembling voice, "you advise me to …"

"Let me add something," the doctor continued undismayed, "let me add that in your own case what we need to do is get rid of the eczema. It's a matter of little importance, I agree, but rather tiresome that in the long run could depress your 'morale;' and you know how important it is for a cure to be in good spirits. The radiation treatment that I've prescribed for you has only been halfway effective. The reason? It might be that it's pure chance, but it might be too that the radiation hasn't been strong enough. Well then, on the third floor the radiation machines are much more powerful. The chances of curing

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your eczema would be far greater. So you see? Once you're on the road to recovery, you've taken the hardest step. Once you've started making progress, the chances are you won'trelapse. When you start feeling really better, there's no reason for you not to come back up here or go even higher, depending on your condition, even to the fifth, the sixth, or I might even dare to say, to the seventh."

"But do you think that this can speed up the cure?""There's absolutely no doubt. I've already told you what I'd do if I

were in your shoes."Every day the doctor had conversations like this with Giuseppe

Corte. Finally the moment came when the sick man, tired of suffering from the eczema and despite his instinctive reluctance to go down, decided to take the doctor's advice, and move to the floor below.

As soon as he moved to the third floor he noticed there was an air of gaiety in the ward among the doctors as well as the nurses, even though this floor housed a number of extremely serious cases. He noticed that this gaiety was increasing from day to day; after he had gotten to know the nurse a little better, and curious to know the reason, he asked why everyone was so happy.

"Oh, you don't know?" replied the nurse. "In three days we're going on vacation."

"What do you mean 'we're going on vacation'?""But yes. For two weeks the third floor is closing and the

personnel is on leave. The various floors take turns going on vacation."

"And the patients? What do you do with them?""Since there are so few, we combine the two floors into one.""What? You mix the patients of the third and fourth floors?""No, no," the nurse corrected him, "the third and second floors.

Those that are here have to go down a floor.""Go down to the second?" Giuseppe Corte said, pale as death.

"Will I have to go down to the second, too?""Of course. What's so strange about that? In two weeks, when we

return, you'll come back to this room. I don't think that's anything to get concerned about."

Instead, Giuseppe Corte - a mysterious instinct was warning him - was seized by a cruel fear. But, seeing as there was no way to keep the staff from going on vacation, and convinced that the new treatment with stronger radiation was doing him good - the eczema was almost completely gone - he did not dare to raise a formal objection to the new move. He insisted, however, even though the nurses made fun of him, that on the door of his new room they attach a notice with the words "Giuseppe Corte, here temporarily from the third floor." Such a thing had no precedent in the history of the

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sanitarium, but the doctors were not opposed, believing that with a nervous temperament like Corte's, upsetting him even a little, could give him a serious shock.

In short, it was a matter of waiting two weeks, not one day more, not one day less. Giuseppe Corte set himself to counting them with stubborn eagerness, remaining for hours on end, immobile on the bed, with his eyes fixed on the furniture, which was not so bright or modern as on the floors above, but seemed larger with harsher and more solemn lines. And from time to time he strained his ears because he seemed to hear from the floor below, the floor of the moribund, the ward of the "condemned," the faintly perceptible death rattles of the dying.

All this naturally combined to discourage him. And his loss of composure seemed to aggravate the illness; his fever tended to climb, his general weakness became more pronounced. From the window - it was by now the middle of summer and the windows were almost always open - neither the roofs nor the houses of the city were visible, only the green wall of trees that surrounded the hospital.

After a week, one afternoon around two, the head nurse and two others suddenly entered, pushing a gurney. "Are we ready for the move?' the head nurse said pleasantly.

"What move?" Giuseppe Corte asked with a faltering voice. "What kind of a joke is this? Isn't there still another week before the patients from the third floor go back upstairs?"

"What do you mean, 'third floor?'" said the head nurse as if he did not understand. "I have instructions to move you to the first, look here," and he showed him a printed form ordering his move to the lower floor signed by none other than Dr. Dati.

Giuseppe Corte's terror, his overwhelming rage exploded in long angry screams that reverberated through the entire ward. "Gently, gently, please," the nurses begged him, "there are sick people here." But that was not sufficient to calm him.

Finally the doctor who was in charge of the department appeared, an agreeable and courteous man. He found out what was happening, looked at the form and listened to Corte's explanation. Then he turned in anger to the head nurse, saying there had been an error, he had not issued an order of that sort, that for some time there was unbearable confusion, and that he was kept in the dark about everything. Finally, when he had finished venting his wrath on the nurse, he turned to the patient, and in a courteous voice, excused himself profusely.

"Unfortunately, however," the doctor added, "unfortunately Dr. Dati left for a short leave just an hour ago and will not be back for another two days. I am absolutely devastated, but his orders can't be overridden. He'll be the first one to regret what's happened, I

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guarantee you... what a mistake! I don't understand how it could have happened!"

By this time Giuseppe Corte was seized with a pitiful trembling. His self-control had forsaken him entirely. Terror had overwhelmed him as if he were a child. His slow, desperate sobs echoed around the room.

Reaching the bottom floor just because of that horrible error. Sent to the floor of the dying he who, basically, according to the severity of his illness, even in the judgment of the strictest doctors, had the right to be assigned to the sixth, if not the seventh! The situation was so grotesque that Giuseppe Corte almost felt like bursting into laughter.

Stretched out on the bed, while the hot summer afternoon passed slowly over the large city, he looked through the window at the foliage of the trees, with the impression of having reached an unreal world, made of absurd walls of sterilized tiles, of cold mortuary entrances, of white human figures devoid of souls. It even seemed to him that the trees he saw outside the window were not real; eventually he was sure of it, noticing that the leaves did not move at all. This idea agitated him so much that Corte rang the bell for the nurse and had her give him his glasses, glasses that he did not use in bed; only then was he able to calm himself a bit when he could see that they were real trees and that the leaves, though their motion was slight, moved every so often in the wind.

When the nurse had left, he spent a quarter of an hour in total silence. Six floors, six terrible walls, towered over Giuseppe Corte with an implacable weight and only because of an error. How many years, yes, he had to measure the time in years, how many years would it take him to climb back from the edge of that precipice?

But why was the room suddenly becoming so dark? It was the middle of theafternoon. With a supreme effort Giuseppe Corte, who felt himself paralyzed by astrange lethargy, looked at the clock on the nightstand beside the bed. It was 3:30. He turned his head in the other direction and saw that the shutters, in obedience to some mysterious command, were closing slowly, blocking the passage of the light.

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