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1
SHARETH IS
BOOKTO
OP E N D E S I G
N
AN
INTRODUCTIO
N
O P E N ~
D E S
I G
N
>
S H A R ET H I SB O O K
5
Share This Book: An Introduction to Openness: by Mike Moore is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Share This Book: An Introduction to Open Design Michael J. Moore
Adelaide, South Australia2014
SHARETH IS
BOOKTO
OP E N D E S I G
N
AN
INTRODUCTIO
N
B R E A K
N E W
G R O
U N
D
OPEN DESIGN IS ABOUT FORGING A NEW PATH, SHARING WORK AND CONTRIB-UTING TO IDEAS. IT ALLOWS FOR ALTER-ATION AND INPUT WHICH PUSHES IDEAS FURTHER, DEVELOPING AS A COLLECTIVE.
C O N
T E
N T
S
.
.
.
PART 1: WHAT IS OPEN DESIGN? ...................... 17
»DEFINED ................................... 19
» EXPLAINED ................................ 20
» STANDPOINTS ........................... 23
»ORIGINS ................................... 29
»CONNECTIVITY .......................... 35
»OPEN AND CLOSED .................... 37
»CREATIVE COMMONS ................. 39
»CROWDSOURCING ..................... 45
»WILLINGNESS ............................ 46
PART 3: WHERE DOES OPEN DESIGN WORK? ..... 49
PART 4: GET INVOLVED ................................... 59
» FIELDS ...................................... 51
»APPLICATIONS ........................... 57
» FOREWORD ............................... 13
» SEEK AND FIND ......................... 61
» BE INVOLVED ............................ 63
»OPEN IDEAS .............................. 65
»MAP ......................................... 93
»WHY OPEN DESIGN ................... 95
PART 2: HOW DOES OPEN DESIGN WORK? ........ 33
»CHANGE ................................... 97
»NOTES ...................................... 99
» BREAK NEW GROUND .................. 7
13
15
17
19
21
23
but is undoubtedly a product of the open design process, assisted by a vast collective of different minds.
25
on taste and requirements for the intended application.
In this way, the initial design that is provided for open access is utilised carefully by the user. Improvements and results can be re-posted based on how the design fared in use, and any improvements or specialty develop-ments can be utilised or further developed by others.
In open design, the user takes on a very involved and critical role. Through the process, the users and developers essentially become their own, self motivated and realised designer. In this way, open design harnesses the ability of everyone to contribute creatively.
27
1
0
*)
1
1
wecandoany-thingnow
welcoetothefuture
29
01
wecandoany-thingnow
31
33
35
O
P
E
I
D
E
S
N
N
G
CL
ODE
S
37
39
41
43
45
47
A
PP
L I C
A T I O
N S
49
51
53
M A K E I TF I T
Open design as a concept, and where it can be applied is continually changing and evolving. The fact that it harnesses the ideas and abilities of many different people, allows its application to span all sorts of disciplines. It pushes the envelope as to what can be achieved and how far designs and concepts can develop.
The key of open design is to never stop looking for where it can work. There are many benefits to the model of thought, capable of being adopted to suit all kinds of different things .
There is no single way that open design works, but there are certainly a great deal of fields where the application can assist in some way. It is crucial to understand that open application can be moulded and shaped to fit. Open design is capable of pushing the limits of how things are done.
It is not always about the final and finished design or product. Because of the way open design works, it pushes the way that things ahve been done traditionally. Development of process is as important as the final outcome, and certainly is also just as capable of making a change for good.
Open design is an exciting field to experiment with. It may not be the answer or the solution to every problem, but you can not argue that it is the right step forward in bringing people together and working toward a common set of goals.
You don’t have to be open in everything you do
57
59
PART 4
I N V O L V E D
G E T
61
63
65
67
69
73
75
77
79
(UN)LIMITED
DESIGN
81
(Un)Limited Design is a part of Premsela, an initiative created by the Netherlands Institute for Design and Fashion.
Through Premsela, (Un)Limited Design seeks to investigate and demonstrate possibilities presented by open design. this is done so by allowing everyone the opportunity to share creativity through the open source model.
Through seminars, workshops, publications, contests, and festivals, Premsela develop an understanding of the concepts of open design, leading by example.
The first (Un)limited Design Contest was intended as an experiment in open design. Entrants submitted product designs on the condition that they shared their digital blueprints so others could modify and improve their designs or manufacture them using Fab Labs. Creative Commons licences allowed entrants to share their designs without relinquishing copyright. The contest elicited innovative and inspiring designs, some of which have been exhibited several times.
http://www.premsela.org/en/
83
INSTRUCTABLES
85
INSTRUCTABLES
Instructables is a website specializing in user-created and uploaded do-it-yourself projects, which other users can comment on and rate for quality.
It was created by Eric Wilhelm and Saul Griffith and launched in August 2005.
Instructables is dedicated to step-by-step collaboration among members to build a variety of projects. Users post instructions to their projects, usually accompanied by visual aids, and then interact through comment sections below each Instructable step as well in topic forums.
Designs are openly accessible for alteration and comment, allowing users to build, develop, improve and share their own designs.
DESIRABILITY
VIABILIT Y
FEASIBILITY
INNOVA
87
VATION
89
91
MA
P
P R OJE
CT
S
2014
WO
RLD
WID
E
This
map
is
an i
ndic
atio
n of
loc
atio
ns t
hat
open
de
sign
pro
ject
s ar
e no
w
unde
rway
in
the
wor
ld.
IV
REA
, IT
ALY
Ard
uino
: Th
e op
en
sour
ce e
lect
roni
c so
ftw
are
and
hard
war
e pr
oduc
er s
tart
ed a
s a
conc
ept.I
t is
now
util
ised
w
orld
wid
e fo
r hu
ndre
ds
of d
iffe
rent
app
licat
ions
.
ardu
ino.
cc
SA
N F
RAN
CIS
CO
Beta
bran
d: O
nlin
e cl
othi
ng c
omm
unit
y an
d de
sign
pla
tfor
m
whe
re f
ans
can
subm
it id
eas
for
desi
gns
whi
ch
are
crow
dfun
ded
into
pr
oduc
tion.
New
ide
as
an r
elea
ses
happ
en e
very
w
eek,
mak
ing
peo
ple
inte
ract
and
sup
port
ea
ch o
ther
s vi
sion
s.
ww
w.b
etab
rand
.com
LO
ND
ON
, U
K
Op
enD
esk:
Glo
bal
pl
atfo
rm f
or l
ocal
m
akin
g, w
ith a
glo
bal
ne
twor
k of
mak
ers
and
a
colle
ctio
n of
fur
nitu
re b
y a
rang
e of
int
erna
tiona
l de
sign
ers.
Bec
ause
tha
t fu
rnitu
re i
s de
sign
ed f
or
digi
tal f
abri
catio
n, i
t ca
n b
e do
wnl
oade
d as
a
digi
tal f
ile a
nd m
ade
loca
lly,
on d
eman
d,
anyw
here
in
the
wor
ld.
ww
w.o
pend
esk.
cc
N
EW
YORK
Kic
ksta
rter
: A
now
glo
bal
pl
atfo
rm t
hat i
s de
sign
ed
to h
elp
fund
and
fac
ilita
te
crea
tive
proj
ects
. Pr
ojec
ts
are
post
ed f
or p
oten
tial
user
s an
d de
velo
per
s to
bac
k an
d pl
edge
to
war
ds,
allo
win
g fo
r p
eopl
e to
cho
ose
wha
t th
ey w
ant t
o su
ppor
t.
ww
w.k
icks
tart
er.c
om
TO
KYO
, JA
PAN
Op
enso
urce
Rob
otic
s,
Kyo
kai:
A c
omm
unit
y de
term
ined
to
cont
ribu
te
to s
ocie
ty b
y in
tegr
atin
g th
e ro
botic
s te
chno
logy
in
to t
he s
ocia
l inf
rast
ruc-
ture
, de
velo
ping
and
su
ppor
ting
open
sour
ce
soft
war
e in
rob
otic
s en
hanc
ing
the
bond
bet
wee
n ro
bot u
sers
co
mm
unit
y, a
cade
mia
an
d in
dust
ry.
open
sour
ce-r
obot
ics.
toky
o.jp
/
PA
RIS,
FRA
NC
E
OSV
ehic
le:
Op
en
Sour
ce V
ehic
le p
rovi
des
open
ly a
cces
sed
plan
s fo
r su
stai
nabl
e an
d ad
apta
ble
tran
spor
tatio
n so
lutio
ns.
They
are
di
stri
bute
d un
der
a cr
eativ
e co
mm
ons
licen
se
allo
win
g fo
r al
tera
tion
in
both
des
ign
and
man
u-fa
ctur
ing
proc
ess
to s
uit
the
loca
tion,
mat
eria
ls,
and
need
s of
the
use
r.
ww
w.o
sveh
icle
.com
C
OPE
NH
AG
EN
Free
bee
r: T
he w
orld
s fi
rst o
pen
sou
rce
bee
r. O
rigi
nally
con
ceiv
ed b
y ar
tist c
olle
ctiv
e ‘S
uper
flex’
an
d C
open
hage
n IT
un
iver
sity
stu
dent
s,
Free
bee
r ap
plie
s op
en
sour
ce s
oftw
are
met
hod
to a
tan
gibl
e pr
oduc
t. Th
e re
cip
e, m
etho
d an
d la
bel
ling
of t
he b
eer
is a
vaila
ble
to c
reat
e
and
prof
it fr
om f
reel
y,
prov
ided
the
ori
gina
l cr
eato
rs a
re c
redi
ted.
It
may
als
o b
een
alte
red
and
vari
atio
ns a
re
shar
ed b
ack
to t
he
Free
bee
r co
mm
unit
y.
fre
ebee
r.or
g
IS
RAEL
Zoyb
ar:
An
open
re
sear
ch a
nd d
evel
op-
men
t lab
for
pro
fess
iona
l an
d ho
bbyi
st m
usic
ians
to
easi
ly c
reat
e, c
usto
miz
e an
d fa
bric
ate
thei
r ow
n m
usic
ins
trum
ents
and
ap
plic
atio
ns.
Des
igns
of
inst
rum
ents
are
ava
ilabl
e on
line
for
prod
uctio
n on
3
d pr
inte
rs.
As
a m
odul
ar
plat
form
the
ins
trum
ent
kits
can
be
alte
red
and
cust
omiz
ed b
y th
e us
ers
them
selv
es w
ith
min
imum
ski
lls a
nd t
ools
.
ww
w.z
oyba
r.ne
t
BE
RLIN
, G
ERM
AN
Y
Soun
dclo
ud:
Mus
ic
shar
ing
com
mun
ity
that
al
low
s ar
tists
to
uplo
ad
its w
orks
und
er t
he f
ull
suite
of
CC
lice
nses
. Its
se
t of
tool
s in
tegr
ate
nice
ly a
cros
s th
e w
eb,
with
ado
ptio
ns f
rom
wel
l kn
own
artis
ts a
nd l
abel
s.
soun
dclo
ud.c
om
H
OU
STO
N,
TEX
AS
Op
enSt
ax:
Foun
ded
in
199
9 a
t Ric
e U
nive
rsit
y to
pro
vide
aut
hors
and
le
arne
rs w
ith a
n op
en
spac
e w
here
the
y ca
n sh
are
and
free
ly a
dapt
ed
ucat
iona
l mat
eria
ls
such
as
cour
ses,
boo
ks,
and
repo
rts.
Op
enst
ax
is f
ree
reso
urce
for
st
uden
ts a
nd t
each
ers
to
obta
in c
ours
e w
ork
and
teac
hing
too
ls,
and
adap
t th
em f
or t
heir
nee
ds.
V
IEN
NA
, A
UST
RIA
Dun
ne a
nd R
aby:
C
olla
bora
tive
artis
ts
usin
g de
sign
as
a m
ediu
m
to s
timul
ate
disc
ussi
on
and
deb
ate
amon
gst
desi
gner
s, i
ndus
try
and
the
publ
ic a
bout
th
e so
cial
, cu
ltura
l and
et
hica
l im
plic
atio
ns o
f ex
istin
g an
d em
ergi
ng
tech
nolo
gies
, ex
hibi
ting
inte
ract
ive
wor
k ar
ound
the
wor
ld.
95
99