VOLUME XXXVII, NUMBER 1 FEBRUARY 2014 1. UNITED STATES OF AMERICA COMPILED FROM THE LATEST & BEST AUTHOR- ITIES. John Melish. Published by M. Carey & Son, Philadelphia. Engraving, 1821. A fine example of Melish's map of the United States. The map extends westward into the Rocky Mountains and delineates the Northwest, Missouri and Arkansaw (sic) territories. The map draws extensively from the explorers Lewis & Clark, Pike, Humboldt and others. Texas is a state in Mexico. Engraved by Benjamin Tanner. Image size 17 x 21 1/4" (430 x 540 mm). Good condition. Full original hand coloring. #56484.1 $1,500.
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VOLUME XXXVII, NUMBER 1 FEBRUARY 2014
1. UNITED STATES OF AMERICA COMPILED FROM THE LATEST & BEST AUTHOR-ITIES. John Melish. Published by M. Carey & Son, Philadelphia. Engraving, 1821. A fineexample of Melish's map of the United States. The map extends westward into the RockyMountains and delineates the Northwest, Missouri and Arkansaw (sic) territories. The map drawsextensively from the explorers Lewis & Clark, Pike, Humboldt and others. Texas is a state inMexico. Engraved by Benjamin Tanner. Image size 17 x 21 1/4" (430 x 540 mm). Goodcondition. Full original hand coloring. #56484.1 $1,500.
Items are offered subject to prior sale. All are original prints in good to finecondition except as noted. Any major faults or restorations are carefullynoted. Prices are net. Insured shipping is at additional cost. We extendfive-day return privileges. Sales tax applies to Washington, D.C. andNew York orders. “The Old Print Gallery” and “The Old Print GalleryShowcase” are exclusive, federally protected trademarks and their use withoutpermission is expressly prohibited.
Published by: The Old Print Gallery Telephone: 202-965-1818Editor: Laura Graham Fax: 202-965-1869www.oldprintgallery.com Email: [email protected]
In Partnership with THE OLD PRINT SHOP in New York City
2. AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO. Sebastain Munster. Pub-lished by Sebastain Petri, Basel. Woodcut, 1588-1628 (1628 edition). This influential woodcut map from Munster’s Cosmographia, was based on Ortelius’ 1570 map, with the bulge onthe west coast of South America. This map replaced the earlier and highly speculativeMunster map of 1540. A secondary title appears above the map in German text, "Die newenInseln so hinder Hispania Gegen Orient bey dem Landt Indie Gelegen". Image size 12 1/8x 14 1/8" (306 x 360 mm). Very good condition; black and white. Burden, P. "The Mappingof North America", 67. See page 4 for a colored version of this map. #42556.2 $2,400.
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The Old Print Gallery is celebrating maps in 2014, with a mini exhibit of antiqueAmerican maps displayed on our gallery walls. We selected eight maps from ourcollection, starting with the influential Munster 1588 map Americae sive Noi Orbis
Nova Descriptio, and ending with Mitchell’s 1861 Military Map of the United States. Galleryfriends are invited to stop by and see “snapshots” of our great country over time, throughwars and conflict as well as periods of prodigious exploration and expansion, as told by maps.These maps are presented on pages 4 through 11 .
Our show, runs February 21 through April 5, showcasing the long legacy ofprintmakers who specialize in and focus on etching as a way of image making. As the showpulls from over a century of creative expression, viewers will be fascinated by the myriad ofways an artist can use an etched line to create tone, atmosphere, and detail. The show alsohighlights new technical advances in etching, including multi-plate color etchings andexperimental solar plate etchings.
Highlights include meticulously etched architectural views by John Taylor Arms, direct andintimate portraits by Isabel Bishop and Nicholas Vagenas, and velvety and dense lines foundin works by Peter Milton and Otto Kuhler. To view all of the works in the show, visit ourwebsite: www.oldprintgallery.com.
In conjunction with our etching event, we are devoting pages 14 through 24 to thisprintmaking technique, starting with a 16th century example and continuing to recent worksby living artists.
3. ETCHING TOOLS AND PLATE. Eric Gold-berg. Aquatint and etching, 2006. Edition 30.Signed and titled in pencil. Inscribed "7/30."Image size 13 1/4 x 11 5/8" (335 x 294 mm).Very good condition. #45211.2 $350.
Visit our website:
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4. AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTO. Sebastain Munster. Publishedby Sebastain Petri, Basel. Woodcut, 1588. This influential woodcut map from Munster’sCosmographia replaced the earlier and highly speculative Munster map of 1540. Cartographi-cally based on Ortelius’ 1570 map, this map features a typical Ortelian treatment of thewestern coastline of North America. Place names like Quivera, Anian, and Tolm are artfullyengraved in the Northern continent, along with river ways and mountain ranges, includingthe Sierra Nevada Mountains. The map shows an oversized southwestern coastline of SouthAmerica, sometimes referred to as the “Chilean bulge”. A massive southern continent,Meridies Tierra del Fuego, sits at the bottom of the map. This map was issued unchangedfrom 1588 through 1628. A secondary title in German appears above the map, "Die newenInseln so hinder Hispania Gegen Orient bey dem Landt Indie Gelegen". Good conditionwith centerfold repair; modern hand color. #42556.3 $2,800.
Americae Sive Novi Orbis, Nova Descripto.Sebastain Munster, 1588
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5. AMERICA. Jodocus Hondius. Published by J. Hondius, Amsterdam. Copper engraving,c.1606. French issue, 1630 (Phillips, Atlases, 441, #160). Hondius engraved this map for hisfirst edition of Gerard Mercator’s atlas. It was issued in his atlases until 1630. The enlargedNorth American continent includes many errors, notably the northeast portion in the currentU.S., which is badly distorted, and an oddly protruding Virginia coastline. It does have a moreaccurate depiction of the southwest coast of South America. Various scenes which were takenfrom the earlier volumes of de Bry’s Grand Voyages adorn this map. The inset in the lower leftmargin is an intriguing Brazilian native scene, illustrating the method used to make a localbeverage. Good condition save repair near lower centerfold. Black and white. #10432.1$7,500.
America.Jodocus Hondius, 1630
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6. AMERICA WITH THOSE KNOWN PARTS IN THAT UNKNOWN WORLDEBOTH PEOPLE AND MANNER OF BUILDINGS DISCRIBED AND INLARGED BYI.S. ANO. 1626. John Speed. Published by Thomas Bassett and Richard Chiswell, London.Copper plate engraving, 1626 (1676.) This is a quite decorative and highly desirable map ofthe Americas. It appeared in Speed's atlas Prospect of the Most Formed Parts of the World, thefirst English world atlas, although the copperplates were engraved by Abraham Goos inAmsterdam, the center of the European map trade. This was the first map published in anatlas that depicted California not as a peninsula, but as an island, a cartographic misconcep-tion that endured for nearly 100 years. The map has a fairly accurate rending of the EastCoast, especially between Chesapeake Bay and Cape Cod. Many English colonies appear onthe map, including Plymouth in the northeast and Iames Citti in Virginia. The northwestcoastline is very faint. Surrounding this map on two sides are images of indigenous peoplesfound from Greenland to the Straits of Magellan. The figures on the left represent nativesfrom the north, while figures on the right side are southern natives. Eight town views appearon top. Although the map depicts the English presence in North America, surprisingly noneof the town views are English colonies. Rather, they show important early views of Havana,St. Domingo, and Rio, among others. An inset map shows Greenland, Baffin's Bay andIceland. On the verso is a two-page English text "The Description of America". Fourth stateof four. Image size 15 1/8 x 20" (385 x 506 mm) plus narrow margins. Good condition savefor tear in lower portion of image just left of the centerfold. Early twentieth century handcoloring. #43658.1 $7,500.
America with Those Known Parts in that UnknownWorlde both People and Manner of Buildings Discribed
And Inlarged by I.S. Ano. 1626John Speed, 1676
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7. ACCURATA DELINEATIO CELEBERRIMAE REGIONIS LUDOVICIANAE VELGALLIEE LOUISIANE OL CANADAE ET FLORIDAE ADPELLATIONE IN SEP-TEMTRIONALI AMERICA . . . MISSISSIPPI VEL ST. LOUIS. Matthew Seutter.Published by Matthew Seutter, Augsburg. Copper plate engraving with original hand color,c.1730. This map shows North America as known in the early 18th century, with the Englishcolonies along the Atlantic seaboard, a large Louisiana to the south, and Canada with NewFrance taking up the northern tier. At upper left is a large inset of the Gulf coast from theMississippi delta to Cap St. Blaise. The map prominently features the Mississippi River andGreat Lakes. This map has an elaborately engraved title cartouche, which depicts anallegorical scene of the Mississippi Bubble, a rather poor investment scheme by John Law todevelop French Louisiana. The cherubs floating above the cartouche are shown issuing stockfor Law’s trading company, while a female personification of the Mississippi River pours outriches and gold to frenzied buyers on her left. To her right, forlorn investors mourn theirlosses and stab themselves, while cherubs below blow bubbles, surrounded by worthlessstocks. Good condition, save several faint foxing marks in right margin and brown stain inlower right of image. #19754.3 $2,950.
Accurata Delineatio Celeberrimae Regionis LudovicianaeVel Galliee Louisiane ol Canadae et Floridae AdpellationeIn Septemtrionali America . . . Mississippi vel St. Louis.
Matthew Seutter, c. 1730
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8. A NEW MAP OF NORTH AMERICA. Copper plate engraving, undated, c.1760. Thisis an unusual folio-sized map of the English colonies, shown approximately at the close of theFrench and Indian War. No cartographer or publisher's name is given. This scarce and highlydetailed map later appeared as a folded insert in History of the War in America printed in 1779Dublin, and the next year in An Impartial History of the War in America. It was engraved basedon John Mitchell's map of 1755. The map, meant to acquaint the general reader with theNorth American theater of the Seven Years War, identifies Indian tribes and forts built by theFrench. Good condition, save for splitting along fold lines. Professionally conserved. Black& white. #69440.1 $1,750.
A New Map of North America.c. 1760
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9. A CORRECT MAP OF THE UNITED STATES OF NORTH AMERICA INCLUD-ING THE BRITISH AND SPANISH TERRITORIES CAREFULLY LAID DOWNAGREEABLE TO THE TREATY OF 1784. Thomas Bowen. Published London.Copper plate engraving, 1787-90. An early map of the United States, printed soon afterthe conclusion of the American Revolution. It was published in A New Royal Authentic andComplete System of Universal Geography by Rev. Thomas Bankes. The map shows the first 13states; it was published prior to admission of Vermont, Kentucky or Tennessee. It includesa great deal of information on the Great Lakes and Mississippi valley areas. It is also filledwith extensive notations on everything from locations and characteristics of Native Ameri-can tribes (ex: “Tintons- a Wandering Nation”) to land conditions (ex: “Extensive MeadowsFull of Buffalos” and “Country Full of Mines”). East and West Florida are shown, as are alarge Louisiana and New Mexico. Good condition, save small marginal repairs. #61733.1$1,950.
A Correct Map of the United States of North AmericaIncluding the British and Spanish Territories
Carefully Laid Down Agreeable to the Treaty of 1784.Thomas Bowen, 1787-90
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10. CHARTE UBER DIE VEREINIGTEN STAATEN VON NORD-AMERICA. Chris-toph Fembo. Copper plate engraving, 1818. This unusual map was first issued by Gussefeld/ Homann Heirs of Nuremburg in 1784, showing the newly formed United States under thetitle "Charte über die XIII verinigte Staaten von Nord-America." The plate was subsequentlyupdated and reissued in 1818 to reflect additional states. Many of the new states are strangelyshaped. Virginia is engraved with an almost straight north to south western border, andKentucky and Ohio are wedge shaped. Indiana and Illinois are placed approximately 100miles to the west of where they should be. Illinois does not touch Lake Michigan. Mississippiis shown as a territory, despite gaining statehood in December of 1817. A very scarce map.Image size 17 5/8 x 22 3/4" (447 x 575 mm) plus margins. Good condition. Originaloutline hand coloring. #31519.1 $2,000.
Charte Uber Die Vereinigten StaatenVon Nord-America
11. MITCHELL'S MILITARY MAP OF THE UNITED STATES, SHOWING FORTS,&C. WITH SEPARATE MAPS OF STATES, VICINITIES OF CITIES &C. S. AugustusMitchell. Published by S.A. Mitchell Jr. 31 S. 6th St., Philadelphia. Stone engraving, 1861.A scarce separately issued broadside map produced at the beginning of the American CivilWar. This map shows the new territories that were made after southern states seceded. Asthe trans-Mississippi region developed during the 1850s, there was a call to break up the verylarge territories into smaller ones. However, every newly created territory had an impact onthe power struggle in Congress over the issue of slavery, so between 1854, with its Kansas-Nebraska Act, and 1860, no new territories were created. After secession, the northernersin Congress were able to act quickly and create three new territories: a large DakotaTerritory, Territory of Utah, and Colorado Territory. Another feature of this map is thedepiction of a never-existing horizontal border between the free territory of New Mexico andslave territory of Arizona. The region was sometimes called Arizona before 1863, despite thefact it was still part of the Territory of New Mexico until 1912. Two large inset maps appearat the bottom, “County map of Virginia, and North Carolina” and “County map ofPennsylvania, New Jersey, Maryland, and Delaware.” Smaller inset maps show HamptonRoads, Washington, D.C., Pensacola Bay, Charleston Harbor, New Orleans, Louisiana,Baltimore and Richmond. Image size 22 3/4 x 25 1/4" (64.1 x 57.8 cm) plus margins. Goodcondition, save for several short tears along sheet edges and fold lines. Small stain in uppertitle. Backed on rice paper. #79674.1 $2,500.
Mitchell’s Military Map of the United States,Showing Forts &c. with Separate Maps of States,
Vicinities of Cities &c.S. Augustus Mitchell, 1861.
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12. FORTRESS MONROE, OLD POINT COMFORT AND HYGEIA HOTEL, VA.Edward Sachse. Published by Charles Magnus. Three color lithograph, 1861. Lithographdrawn, lithographed and printed by E. Sachse & Co., Baltimore. Published early in the CivilWar by Charles Magnus, New York, 1861. Both the moated fort and the famous honey-mooners' hotel appear clearly, as do the docks, the bridge to the mainland, and a great varietyof shipping boats. At lower right is the steamship Adelaide. Image size 17 15/16 x 28 1/16'(451 x 713 mm). Good condition and color, tears in title margin well outside image. Widemargins. #44092.2 $1,250.
13. MONUMENT. Published by Currier & Ives, 152 Nassau St. New York. Lithograph,hand-colored, c. 1866. Secondary title reads: 75 feet high containing 720 tons solid Granite.Erected in the National Cemetery near Fortress Monroe by subscriptions of loyal Citizens inNorthern Cities in Memory of Union Soldiers who perished in the War of the Rebellion.Image size 8 1/4 x 12 3/8" (209 x 315 mm). Good condition with original color save lightmarginal water stains and marginal crease. Conningham 4172. #49933.1 $285.
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14. ACROSS THE CONTINENT. : PASSING THE HUMBOLDT RIVER. [title in alsoin German] Pacific Bahn Nach Californien. : Den Humboldt Fluss Passirend. Published byH. Schile & Co. 62 Division St. N.Y. Lithograph, hand-colored, 1870. An iconic image ofwestern Americana, depicting the arrival of a Central Pacific Railroad train at an isolatedvillage. Across the Humboldt River is an Indian tepee encampment. Snow-capped mountainpeaks loom in the background. The first transcontinental railroad was completed just a yearearlier, in 1869. Image size 17 1/4 x 25 1/4" (439 x 641 mm). Good condition with fadedoriginal color save repaired marginal tears just into image. #25359.3 $7,500.
15. THE HOME OF WASHINGTON.: MOUNT VERNON, VA. Published by Currier& Ives, 152 Nassau St. New York. Lithograph, hand-colored, undated. A fine view ofMount Vernon, the home of George Washington. The Potomac River is shown in thedistance. Medium folio - image size 11 9/16 x 16 3/16" (294 x 410 mm). Good conditionand color. Conningham 2874. #14.4 $750.
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16. PLATE 10 (DECORATIVEROOF EAVES). Wendel Dietter-lin. Etching, c. 1590. Scarce earlydepiction of architectural elementsby Wendel Dietterlin (1550-1599).Austrian--born, he was an architecthimself, as well as a painter andetcher. Image size 9 7/8 x 7 1/4""(250 x 183 mm). Good conditionsave light marginal soiling.#59140.1 $225.
17. AVANZI DELL ANTICA PORTA DITIVOLI, FATTA DI GROSSI PEZZI DI TRE-VERTINO. T. 13 Luigi Rossini. PublishedRome. Etching, 1824. From Le AntichitaRomane. Image size 20 x 16 7/8" (510 x 429mm). Good condition, save light stain in sky.Black and white. #45832.1 $650.
19. MAKING-DECENT; - I.E. - BROAD-BOTTOMITES GETTING INTO THEGRAND COSTUME. James Gillray. Pubd.Feby. 20th 1806 by H. Humphrey - No. 27 St.James's Street [London]. Etching, originalhand-color, 1806. Members of the new Minis-try in a handsome room, grooming themselvesto prepare for office. Image size 9 x 13 1/2"(231 x 342 mm). Good condition and color;re-margined. BM Satires 10531. #64597.1$285.
18. A VOLUNTARY VICTIM TOPATRIOTISM!! PLATE 62.George M. Woodward. Published byAllen & West, 15, Paternoster, Row,London. Etching with original handcolor, 1797. Caricature etched byIsaac Cruikshank after Woodward.Depicts a man overcome by taxes andlevies on all sorts of goods to pay thenational debt. Image size 8 3/4 x 67/8" (222 x 175 mm). Good condi-tion and color. #64315.1 $85.
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Martinet Birds.Etchings with original hand-color by Francois Nicolas Martinet from Historie Naturelle desOiseaux, by Georges Louis LeClerc and Comte de Buffon, published Paris, 1770-86.Grand-papier folio edition. Due in large part to Martinet's skill, "This edition was certainlythe most ambitious and comprehensive bird book which had appeared at the time of itspublication, and ranks still as one of the most important of all bird books from theCollector's point of view." [Sitwell Fine Bird Books, 63]. Paper size 18 ¾ x 12 1/2”.
20. LA SPATULE. (Spoonbill) PLATE405. Francois Nicholas Martinet. Imagesize 8 1/4 x7" (210 x 178 mm). Goodcondition and color. #84231.1 $365.
21. HIBOU, DES TERRES MAGELLA-NIQUES. PLATE 385. Francois Nicho-las Martinet. Image size 8 1/2 x7" (215 x178 mm). Good condition and color.#58902.1 $345.
Maddalena Bouchard Birds.Etchings with engraving and original hand-color from Recueil De Cent-Trente-Trois Oiseaux DesPlus Belles Espece, published in Rome by Bouchard & Gravier, 1775. A beautifully primitiveand quite scarce ornithological work. Titles given in French, Latin and Italian. While nottrue to nature in a scientific sense, Bouchard's prints possess a liveliness and charm oftenlacking in more straightforward bird depictions. They are further enhanced by their strongcolor, contained within bright yellow borders. [Nissen IVB 124] Paper size 21 1/4 x 15 ½”.
22. FAUCON GENTIL, OU FAUCONAPRIVOISE. ACCIPITER GENTILIS,VULGO ROMARIUS. SPARVIEREDELLA SPECIE GENTILE VOLGAR-MTE. DETTO RAMINGO. MaddalenaBouchard. Good condition. #62230.1$1,000.
23. 1. LE COUCOU COMMUN. 2. LECOUCOU NOIR ET BLANC. Madd-alena Bouchard. Good condition.#30575.1 $650.
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24. THE GUNNER’S BLIND. Frank W. Benson.Etching, 1921. Edition 150. Signed in pencil, in-scribed "To Royal Cortissoz, 1921." Image size 7 7/8 x9 1/4" (199 x 248 mm). Very good condition. Paff204. #29084.3 $7,500.
25. CASTING FOR SALMON.Frank W. Benson. Etching,1929. Edition 150. Fifth state offive. Signed in pencil. Image size7 3/4 x 10" (195 x 251 mm).Very good condition. Paff 288.#29109.2 $3,200.
26. KINDER THICK. George C. Wales. Etching,1922. Recorded impressions 103. Signed in pencil.Titled, initialed and dated in plate. Image size 8 7/8x 6 7/8" (224 x 174 mm). Very good condition.Goodspeed 62. #13678.2 $225.
27. LAGUNA VENETA. James McBey. Etching,1926. Edition 80 + 11 Trial Proofs. "Chioggiafishing-boats are drifting, with sails up, on the calmwater of the lagoon. Behind them is Venice, mistilyseen in morning sunshine." - Hardie/Carter. (Signedin ink, inscribed "V." Signed by Martin Hardie inlower margin.) Image size 6 3/4 x 14 3/4" (175 x 375mm). Good condition, printed on 18th-century laidpaper. Hardie 227. #57872.1 $1,750.
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28. SHADOWS OF VENICE.(IL PONTE DI RIALTO, VENE-ZIA.) John Taylor Arms. Etching,1930. Edition 100. Italian Series#16. Plate inscription "J.T. ArmsVenezia 1929." Signed and datedin pencil. Inscribed "Privated col-lection 'd.'” Printed on antiquepaper. Image size 10 1/8 x 12"(257 x 305 mm). Very good condi-tion. Fletcher 229. #22954.7$2,500.
29. SENTINELS. (SENTINELSIN THE NIGHT.) John TaylorArms. Etching, 1922. Edition135. Gargoyle Series #9. Signedand dated in pencil. Image size 43/16 x 7 7/16" (109 x 189 mm).Very good condition. Fletcher123. #35564.1 $1,950.
30. LACE IN STONE,ROUEN CATHEDRAL.John Taylor Arms. Etching,1927. Edition 100. FrenchChurch Series #18. Signedand dated in pencil. Imagesize 14 1/8 x 11 1/4" (358 x285 mm). Good condition.Fletcher 200. #7606.1$6,000.
31. THE CHOIR – WASHINGTONCATHEDRAL. Joseph Pennell. Etch-ing, 1923. 50 proofs. Signed in pencil"Pennell imp". Image size 11 7/8 x 93/4" (300 x 249 mm). Good condi-tion, some minor foxing. #43515.1$650.
32. THE PIERCER. [A MACHINE FORMAKING SEAMLESS TUBES]. OttoKuhler. Etching, c. 1924. Edition 10.Signed in pencil, titled "For Making Seam-less Tubes" and "Ltd ed 10 prints, del etimp." Image size 10 7/8 x 8 15/16" (277 x228 mm). Very good condition. Kennedy7. #36695.1 $950.
33. RHEIMS CATHEDRAL. (EXTE-RIOR). Louis Orr. Etching, 1917.Edition 24. Artist's Proof. Signed in theplate at lower left and in pencil in lowerright margin. With landscape re-marquein lower margin. Image size 25 1/2 x 203/4" (647 x 528 mm). Good conditionsave light remnant of old mat stain out-side the plate mark; marginal repair.#36710.2 $1,100.
34. FEBRUARY I. Peter Milton. Etching,1963. Edition 50 + 40 Trial Proofs. Signed,titled, and dated in pencil. Image size 173/4 x 14 3/4" (450 x 375 mm). Very goodcondition. #58163.1 $1,800.
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35. GENERAL JACKSON'S HOUSE - NEW ORLEANS. Childe Hassam. Etching, 1927.Signed in pencil with the cipher. Image size 3 1/2 x 6" (88 x 151 mm). Very good conditionwith artists original pin holes. C&C 269. #67472.1 $3,500.
36. DEPARTURE. Isabel Bishop.Etching, 1939 (printed 1981). Proofsprinted by the artist in 1939, edition of25 printed in 1981. Signed in pencil,inscribed "XXV/XXV." Image size 5 1/2x 3 5/8" (140 x 92 mm). Very goodcondition. Teller 23. #40699.1 $500.
37. THE DOOR OF ST. BARTHLOM-EW'S. Charles F. Mielatz. Three-platecolor etching, 1909. Edition unknown.Signed in pencil, inscribed "imp." Signedin plate lower right "Mielatz '02." Imagesize 9 7/8 x 6 7/8" (251 x 175 mm). Verygood condition. #17880.2 $1,200.
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38. INTERLUDE. Isabel Bishop. Etching,1952 (printed 1981). Proofs printed by theartist in 1952, edition of 25 printed in 1981.Signed in pencil, inscribed "XII/XXV." Im-age size 7 3/8 x 4 3/8" (182 x 111 mm).Very good condition. Teller 48. #40708.1$600.
39. ISRAEL’S WIFE. Sigmund Abeles.Etching, 1964. Edition 30. Signed inpencil. Inscribed "30/30." Image size 12x 12" circle (360 mm). Very good condi-tion. Drake 44. #23120.1 $1,200.
40. C. K. KELLER. John Sloan. Etching,1903. Edition 100, 20 printed. Signed inpencil, inscribed "100 proofs." Image size 31/4 x 5" (82 x 127 mm). Good condition,slight mat line. Morse 81. #36397.2 $650. 41. CONSTRUCTION WORKER.
Nicholas Vagenas. Etching, 1968.Edition 10. Signed, titled, and dated inpencil. Inscribed "1/10." Image size 83/4 x 5 15/16" ( 224 x 149 mm). Verygood condition. #81489.1 $350.
42. STUDIO CORNER. Richard Pantell. Etching,2006. Edition 25. Signed and titled in pencil. Imagesize 7 15/16 x 5 7/8" (202 x 148 mm). Very goodcondition. #42608.2 $250.
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43. JAZZ MUSICIANS #15.Bruce Waldman. Etchingprinted in brown, 2002. Art-ist’s proof. Signed and titledin pencil. Inscribed "A/P."Image size 6 7/8 x 8 13/16"(174 x 223 mm). Very goodcondition. #36182.4 $225.
44. CARNEGIE HALL. Arthur Cohen.Etching, 1965 (printed in 2008). Edition50. Signed and titled in pencil. Inscribed"6/50." Image size 5 7/8 x 6 7/8" (148 x178 mm). Very good condition. #58362.1$800.
45. CELLIST II. Arthur Cohen. Etch-ing, 1973 (printed in 2008). Edition 50.Signed and titled in pencil. Inscribed"7/50." Image size 5 7/8 x 4 7/8" (152 x125 mm). Very good condition.#58374.2 $700
46. YELLOW EXIT. Robert Birmelin. Hand-colored etching, 2006. Artist’s proof. Signed andtitled in pencil. A reversible print. Inscribed"A.P." Paper size 21 3/8 x 14 13/16" (542 x 376mm). Very good condition. #41468.1 $1,200.
47. REVEREND KITE'S TREES. Richard Carleton. Etching with hand-coloring, 2012.Trial proof. Signed in pencil. Inscribed "Trial proof 2/2." Image size 10 5/16 x 11 1/4"(263 x 285 mm). Very good condition. #78490.1 $400.
48. SUN DAPPLED HOUSE. [SAVAN-NAH, GEORGIA.] Ellen Nathan Singer.Etching, 2008. Edition 12. Signed andtitled in pencil. Inscribed "4/12." Imagesize 11 15/16 x 9" (303 x 227 mm). Verygood condition. #62542.1 $475.
49. ANDES BASKETS. Susan Pyzow.Etching, 2004. Edition 40. Signed andtitled in pencil. Inscribed "2/40." Imagesize 12 3/4 x 8 15/16" (324 x 226 mm).Very good condition. #34343.2 $350.
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50. MORPHO MOOSE.Steven Hazard. Etching,undated. Printed in eightcolors with three plates.Inscribed "31/100."Signed and titled in pen-cil. Image size 17 1/2 x21 3/4" (447 x 556 mm).Very good condition.#79098.1 $450.
51. BRAZILIAN DRAGON-FLY II. Takuji Kubo. Etch-ing, 2004. Edition 100.Signed and titled in pencil.Inscribed "25/100." Imagesize 6 15/16 x 6 15/16" (177x 177 mm). Very good condi-tion. #47447.4 $400.
52. MEMORY AND PRES-ENCE: LEFT. Art Werger.Color etching, 2002. Edition25. Signed, titled, and datedin pencil. Inscribed "15/25."Image size 36 x 24" (903 x 602mm). Very good condition.#29340.2 $1,800
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53. MEMORY AND PRESENCE: RIGHT. Art Werger. Color etching, 2002. Edition 25.Signed, titled, and dated in pencil. Inscribed "7/25." Image size 36 x 24" (903 x 602 mm).Very good condition. #29341.2 $1,800.
