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Proof: 2/3/12; 12:15PMBeauty and The BeastPublication: Broadway in Detroit program for “Rock of Ages”Run dates: 2/21/12 thru 2/26/12Size: full page full bleed trim size: 5-3/8” x 8-3/8” bleed: 1/8” inside margin: 1/4”For: Nederlander Detroit (Fisher Theatre & others) Design: Frank Bach, Bach & Associates; Phone 313-822-43038; frank@frankbach.com

“Warm and winning performances, a tuneful score, and real heart.”—Chicago Sun-Times

on sale now!Fisher Theatre • april 10–22

Tickets: Fisher Box Office, ticketmaster.com & 800-982-2787 • Info: BroadwayInDetroit.com, 313-872-1000 Groups (12+): Groups@BroadwayInDetroit.com or 313-871-1132

Broadway In Detroit 50th Anniversary Season sponsored by

Disney’s Beauty and the Beast, now embarked on a lavish and visually re-imagined new tour presented by

NETworks, is one of best-loved of all musi-cals. It’s easy to understand why. Its classic story—of a beautiful village girl, Belle, who is first repelled by, then attracted to a gruff yet big-hearted Beast—is indeed, as one of the show’s numbers has it, “a tale as old as time.” The songs (music by Alan Menken; lyrics by Howard Ashman and Tim Rice) are almost criminally tuneful. And the musical’s appeal crosses age barriers: truly, Beauty is an experience that can be enjoyed by child and adult alike.

Many of the songs—the charming “Belle,” the infectious “Something There,” and the spectacular hospitality anthem “Be Our Guest”—were written for the 1991 ani-mated movie, which was the first—and until 2010, the only—animated film ever to be nominated for the Best Picture Oscar. The movie’s status not just in cinematic history but in critical lore was cemented when New York Times theater critic Frank Rich called Beauty and the Beast the best musical of the year—in any format.

Disney took the cue, and soon started things rolling for the live adaptation. Sev-eral new songs, as well as the book by Linda Woolverton, were written for the stage ver-sion, which opened on Broadway at the Pal-ace Theater on April 18, 1994, and went on to become the seventh-longest running pro-duction in Broadway history.

Rob Roth, who directed the Broadway premiere and is back at the helm for the new tour, says that the “story of the show is about seeing past the exterior of a person and into his or her heart.” He says that conveying that feeling is key to any production of Beauty.What’s fresh about the tour, he adds, is not just the timeless moral but a new approach to the visuals.

“So few directors have the opportunity to work on a show several years later in a new form,” Roth says. “I’m lucky that way, and I’m also lucky because I never get bored with Beauty.”

Stan Meyer, the scenic designer both for the 1994 Broadway version and for the new production, says that the former staging was, essentially, the 1991 movie made live. The latter is “a departure from that.” He explains: “We did a lot of research that involved east-ern-European wood carving and gilded man-uscripts. The new version is an illuminated manuscript come to life.”

Audiences will delight in the eye-popping storybook shapes and colors that Meyer and the other original-version designers—Ann Hould-Ward, costumes and Natasha Katz, lighting—have re-imagined. The produc-tion’s look, adds Meyer, “is more evocative of whimsy and very, very romantic.”

Beauty and the Beast plays at the Fisher Theatre April 10–22. Tickets are on sale now at the Fisher Theatre box office, ticketmaster.com and 800-982-2787. For Group Sales and more info, please see the page at left.

Looking into the heart of an all-new BeautyBy Brendan Lemon

D

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We congratulate the Fisher Theatre on 50 successful years of the Broadway in Detroit series

Proof: xxxxxxxxxxxxTitlePublication: Broadway in Detroit program for “xxxxxxxxxxx”Run dates: xxxxxxxxxxxxSize: 1/2 pg. horiz. (4-5/8” x 3-3/4”)For: Nederlander Detroit (Fisher Theatre & others) Design: Frank Bach, Bach & Associates; Phone 313-822-4303; frank@frankbach.com

Spotlight RoomAt the Fisher theAtre

Experience theatre at an entirely new level. • An elegant, private environment with comfortable seating and many amenities including food, beverages, private bar

service, coat check and private restroom. • Comfortably accommodates parties of ten to thirty guests. • Available for pre-show, intermission and post-show events.

For more information visit BroadwayInDetroit.com or call (313) 872-1177

Catering provided exclusively by

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Originally produced on Broadway by DreamWorks Theatricals and Neal Street ProductionsOriginal cast album available on Decca Records

www.ShrekTheMusical.com

Based on the DreamWorks Animation Motion Picture and the Book by William Steig

Book and Lyrics by

DAVID LINDSAY-ABAIREMusic by

JEANINE TESORIWITH

LukaS POOST LIz SHIveNeR aNDRÉ JORDaN MeRRITT DavID JaNeS

WILLIe Dee LauReN DevINe eRIN eDeLLe aNNIe FITcH IaN FRazIeR MaRa GaBRIeLLe SuSaN LeILaNI GeaROu NaDIa JeWeL ScHuyLeR MIDGeTT LyONeL ReNeau RyaN RuBek LauRa SMITH aDaM STeINeR eRIN SuLLIvaN

cHaSe TODD MaGGIe TOMPkINS SaRaH TRaNcHINa RyaN eveReTT WOOD cHRIS WOODS Luke yeLLIN

Original Scenic & Costume Design

TIM HaTLeyCostume Coordinator

auSTIN k. SaNDeRSONScenic Design Adapter

JaMeS kRONzeRLighting Design

PauL MILLeR

Dance Arrangements

MaTTHeW SkLaRAssociate Orchestrator

JOHN cLaNcyIncidental Music Arrangements

TIM WeIL

Choreography Recreated by

cHRIS BaILey

Music Coordinator

JOHN MezzIOVocal Arrangements

JeaNINe TeSORI & TIM WeIL Music Director

kevIN caSey

Original National Tour Production Directed by

JaSON MOORe & ROB aSHFORD

Tour Directed by

STePHeN SPOSITO

Sound Design

SHaNNON SLaTONHair/Wig Design

DavID BRIaN-BROWNMake-Up Design

NaOMI DONNePuppet Design

TIM HaTLey

Original Choreography

JOSH PRINce

NETworks presents

Casting

BOB cLINe caSTINGCompany Manager

kRISTIN STeWaRTProduction Stage Manager

caROLINe WaLkeR

Production Manager

JaSON JueNkeRGeneral Management

kIM ReITeR GeNTRy & aSSOcIaTeS

Executive Producer

DaNI DavIS

Orchestrations

DaNNy TROOB

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Theatre-Goers for Three GenerationsAlgert and Dona Shnerpunas were long-

time theatre lovers and subscribers to the Birmingham Theatre. When the

Birmingham closed its doors in 1994, the Nederlander organization of-fered them a similar subscription package with the Fisher Theatre. Taking advantage of the offer, they continued to en-joy Broadway shows from the front row of the Mezzanine. After Algert passed away, Dona offered to take her daughter Rhonda Madej to the shows. “I jumped at the chance,” stated Rhonda, “She and I enjoyed several years of memorable theatrical perfor-mances together and wonderful mother-daughter time.”

It wasn’t long before Rhonda’s daughter Meagan graduated from college and began joining them on Sunday theatre trips. The three of them enjoyed one of the Fisher’s few three-seat rows. “As my mom’s health de-clined, I was very appreciative of my daugh-ter’s assistance. It meant the world to my Mom to have her daughter and granddaugh-ter at her side sharing in these experiences, creating special memories.”

Today, Dona is unable to make the trips to the shows, only making it to one perfor-mance last season, but Rhonda carries on the tradition with Meagan. “We have established a routine that includes breakfast or lunch pri-

or to each performance at the Birmingham Deli in the Fisher building.” Sometimes they

join fellow subscriber friends for dinner following the performances.

Over the years, Dona, Rhonda, and Meagan have enjoyed many

performances at the Fisher, but they regularly reminisce about

their favorite pro-ductions. Dona and Algert fell in love with Fiddler On The Roof the first time they saw it. Rhonda still cries when she talks about Les Mi-sérables, and Mea-gan convinced her mom to organize a group of twelve people to see her

favorite show, Wicked, last month at the De-troit Opera House.

“I love that the arts are alive in Detroit, Michigan!” states Rhonda. She is proud to have passed on her mother’s love of theatre to her daughter for another generation.

from left: Broadway In Detroit patrons Dona Shnerpunas, Rhonda Madej and Meagan Madej

PProof: 3/26/11; 2:52PMBroadwayInDetroit.comPublication: Broadway in Detroit program for “Mamma Mia”Run dates: 4/13–4/17/11 Size: Jumbo 1/4 pg. vert. (2-1/4” x 260 pt.”)For: Nederlander Detroit (Fisher Theatre & others) Agency: SMZ advertisingDesign: Frank Bach, Bach & Associates; Phone 313-822-4303; frank@frankbach.com

Sign up for E-LErtS! Receive the latest information before the general public on

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CAST(in alphabetical order)

Papa Bear, u/s Donkey ....................................................................................... WILLIE DEEUgly Duckling, u/s Princess Fiona ................................................................. ANNIE FITCHWitch ......................................................................................... SUSAN LEILANI GEAROUMama Ogre, Mama Bear, Dragon .................................................................. ERIN EDELLELord Farquaad .............................................................................. MERRITT DAVID JANESDonkey ....................................................................................................... ANDRÉ JORDANYoung Fiona/Young Shrek, Dwarf ................................................................ NADIA JEWELYoung Fiona/Young Shrek, Dwarf ..................................................... MAGGIE TOMPKINSSugar Plum, Gingy, Teen Fiona ....................................................... SCHUYLER MIDGETTShrek ..............................................................................................................LUKAS POOSTPig, u/s Donkey ........................................................................................ LYONEL RENEAUPrincess Fiona ............................................................................................... LIZ SHIVENERPapa Ogre, Big Bad Wolf, u/s Shrek...........................................................ADAM STEINERFairy Godmother, u/s Princess Fiona .........................................................ERIN SULLIVANPeter Pan ..........................................................................................................CHASE TODDShoemaker’s Elf ................................................................................. SARAH TRANCHINA Baby Bear .................................................................................................LAUREN DEVINEPig, u/s Shrek, u/s Lord Farquaad .................................................RYAN EVERETT WOODPig, u/s Lord Farquaad ...................................................................................CHRIS WOODSPinocchio ....................................................................................................... LUKE YELLIN

UNDERSTUDIESFor Shrek—ADAM STEINER, RYAN EVERETT WOODFor Princess Fiona—ANNIE FITCH, ERIN SULLIVAN

For Donkey—WILLIE DEE, LYONEL RENEAUFor Lord Farquaad—CHRIS WOODS, RYAN EVERETT WOOD

SWINGSIAN FRAZIER, MARA GABRIELLE, RYAN RUBEK, LAURA SMITH

DANCE CAPTAINLAURA SMITH

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We could tell you Why you should go to the university of toledo.

But they said it better.

Come visit us during Discover UT Days Feb. 24 and March 16 and 30. UT is just an hour away!

Visit utoledo.edu/admission/DiscoverUT to register and learn more.

for you at The University of Toledo.

MuSICAL NuMBERSACT 1

“Big Bright Beautiful World”“Story of My Life”

“The Goodbye Song”“Don’t Let Me Go”

“Welcome to Duloc”*“What’s Up, Duloc?”“I Know It’s Today”

“Travel Song”“Forever”

“This Is How A Dream Comes True”“Who I’d Be”

ACT II“Morning Person”

“I Think I Got You Beat”“The Ballad of Farquaad”

“Make a Move”“When Words Fail”

“Morning Person” (Reprise)“Freak Flag”

“Big Bright Beautiful World” (Reprise) “This Is Our Story”

“I’m a Believer”

*“Welcome to Duloc” (2001) Music by Mike Himelstein, Lyrics by Eric Darnell

SHREK THE MUSICAL ORCHESTRAConductor/Keyboard—Kevin Casey

Asst. conductor/Keyboard 2—Danny WhiteGuitar/Violin —Austin Moorhead

Reed 1—Mike LivingstonReed 2—Chris WidomskiTrumpet—Chris Imhoff

French horn—Everett BurnsTrombone—James YardleyDrums—Jeffrey Roberts

THERE WILL BE ONE 20-MINUTE INTERMISSION

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

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WHO’S WHOLUKAS POOST (Shrek) Favorite credits include: The Crucible (Reverend Hale), The Seagull (Trig-orin), Curtains (Aaron Fox), and Bat Boy (Bud). Graduate of The Brind School at University of the Arts. Hails from Wyalusing, PA. Rise to the Joy! LukasPoost.com

LIZ SHIVENER (Princess Fiona) is blessed to be on the road again! She was most recently seen as Belle in the Networks National Tour of Dis-ney’s Beauty and the Beast. She holds a BFA in Musical Theatre from Otterbein University. Many thanks to friends, the best family on the planet, and Jim at bloc. All her love to Steve, the man she can’t wait to marry.

ANDRÉ JORDAN (Donkey) is beyond stoked to be a part of Shrek. Tours: Legally Blonde (Carlos). Other credits include Rent, Aida, See What I Wan-na See and Toy Story the Musical (Original Cast). He thanks God for all his blessings. Hi Mom!

MERRITT DAVID JANES (Lord Farquaad) UMaine and Circle in the Square graduate from Colchester, VT. National Tours: Sweeney Todd (Sweeney), Beauty and the Beast (Lumiere), The Wedding Singer (Robbie Hart). Regional: Little Shop… (The Dentist), Two Gentleman of Verona (The Duke), Grease (Danny), Works of Shake-speare Abridged (Adam). Performed at Carnegie Hall, Bway’s Beacon Theatre and Notre Dame Ca-thedral in Paris. merrittdavidjanes.com.

WILLIE DEE (Papa Bear, Dragon Puppeteer #3 (Body), u/s Donkey) originally from Dallas, TX, is blessed to be living a dream in Shrek! Na-tional tours: A Chorus Line (Richie), Hairspray (Thad). Regional: Paper Mill Playhouse, Gateway Playhouse. Thanks God, My Family, Friends, and MSA Agency for always believing in me!

LAUREN DEVINE (Baby Bear, u/s Teen Fiona) is delighted to join the company! She was recently seen on the national tour of How the Grinch Stole Christ-mas. Favorite roles: Amber, Hairspray (Merry-Go-Round Playhouse); Anybodys, West Side Story (Gateway Playhouse). Thanks to the creative team, cast, friends, LCLs and family. laurendevine.com

ERIN EDELLE (Mama Ogre, Mama Bear, Dragon) is blessed to join this wonderful com-pany of Shrek out on the road. National Tour: The Drowsy Chaperone (Swing/Chaperone u/s). Off-Broadway: The Karaoke Show (Lucille). Favor-ite Regional: The Who’s TOMMY (Acid Queen), Shout (Orange Girl), I Love a Piano (Sadie), Rag-time (Emma Goldman), Parade (Lucille Frank). Many thanks to everyone, ever. As always, for Mom. “Explore, Dream, Discover” —Twain.

ANNIE FITCH (Ugly Duckling, u/s Princess Fiona) is thrilled to be making her post-college debut in Shrek! Kansas City native, Roosevelt University graduate. A huge thank you to my

family, friends, and mentors—you’re the great-est! Enjoy the show!

SUSAN LEILANI GEAROU (Witch, u/s Dragon) is thrilled to be back on the road! BFA M.T. FSU. National Tour: The Wedding Singer (Imelda Marcos, u/s Holly). Favorites: Fame (Carmen), Sweeney Todd (Beggar Woman). Love to my TOTAS, S.S. peeps, and family. This one’s for you mama!

NADIA JEWEL (Young Fiona/Young Shrek, Dwarf). Ecstatic to be living a dream come true on my national tour debut! Thanks to all who have inspired me… Parkside Talent, Our Gang Players, Lisa Carlson, Spotlight, Matarazzo Family, my best friends and incredible family! Especially mom, dad and grammy. Recently in Christmas Under the Sea, Oliver, The AristoCats Kids.

SCHUYLER MIDGETT (Sugar Plum, Gingy, Teen Fiona) National Tour debut! Born and raised in Virginia Beach, VA. Credits: SYTA Broadway Convention in Norfolk, VA and D.C. for Thomas Schumacher; National Pre-Release Little Mermaid JR. (Ariel), Hurrah Players in Norfolk, Va. Thanks to Mom, Chan, Hugh, and Hurrah Family! “Mawmaw and Uncle Rick, I’m really doing it!”

LYONEL RENEAU (Pig, Dragon Puppeteer #2 (Wings), u/s Donkey). National Tour Debut! BFA: Oklahoma City University. Regional favorites: MTW- Finian’s Rainbow (Gospeleer), Xanadu (Hermes); Lyric Theatre of Oklahoma—The Bud-dy Holly Story (Apollo Performer/Jack Daw); Pol-lard Theatre—Rent (Benny); OSP—The Taming of the Shrew (Petruchio). Thank you God, Mom, and Quan for the support!

ADAM STEINER (Papa Ogre, Big Bad Wolf, u/s Shrek) is thrilled to be a part of this amazing show, and elated to be back on the road! National/International Tours: CATS (Rum Tum Tugger), and Gypsy (Swing). Much love and thanks to Parents, Brothers, Bob Cline and NETworks! Detroit native/Western Michigan University Grad!

ERIN SULLIVAN (Fairy Godmother, u/s Prin-cess Fiona) is tickled green to be on this magic tour! National Tours: Hairspray (Amber), The Wedding Singer (Cindy Lauper), Grease (Swing). Regional credits: Chicago (Roxie), High School Musical (Sharpay) and Guys and Dolls (Adelaide). Special thanks to Sir Bob Cline and the Creative Team. “For Daddy. Thanks to my love, Matt No-lan. I sing, dance and live for you!”

CHASE TODD (Peter Pan, Dragon Head Pup-peteer, u/s Pinocchio). National Tour debut. Re-gional: Hairspray (Link), Batboy the Musical (Batboy), A Funny Thing… Forum (Hysterium), Forever Plaid (Jinx), Into The Woods (Jack), The Wizard of Oz (Scarecrow), High School Musical 1&2 (Ryan). NYC cabarets: Scott Alan and Thom-son & Mann. <3Family!> chasetodd.com

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MAGGIE TOMPKINS (Young Fiona/Young Shrek, Dwarf ). Maggie is thrilled to be making her National touring debut with such a fantastic production. Favorite credits: The Sound of Mu-sic (Gretl), Annie Jr. (Molly), and Red Mountain Theatre Company’s Sprouts. Thanks to God, family and friends for their support. Special thanks to Amy Murphy Studio and Tina Marie Casamento.

SARAH TRANCHINA (Shoemaker’s Elf, Dragon Puppeteer #4 (Tail), u/s Teen Fiona). Favorite cred-its include: Waiting for Lefty (Edna), The Wedding Singer (Linda), Robin Hood!: A New Rock Musical (NYMF, Janey), …Charlie Brown (Lucy), Godspell (O Bless the Lord,) and Starmites (Eleanore/Bizar-bara). Wagner College Theatre Grad. Many thanks to NETworks!

RYAN EVERETT WOOD (Pig, u/s Shrek, u/s Lord Farquaad). Lyric OK: Hairspray (Corny Collins), The Music Man (Britt), Tommy (Hawk-er). University: …Forum (Pseudolus), The Scarlet Pimpernel (Chauvelin), Adventures of Pinocchio (Gepetto), A Midsummer… Dream (Bottom). Other: …Spelling Bee (Barfee), Into the Woods (Baker). Love to Mom, Dad, Sisters and MT’11.

CHRIS WOODS (Pig, u/s Lord Farquaad). Na-tional Tour: The Wizard of Oz. NYC: Panama Hattie. Regional: RENT (Mark; Big Easy Award) West Side Story (Anxious) Pal Joey (The Tenor) HAIR (Woof) Li’l Abner (Dr. Krogmeyer) Little Me (Ensemble). AMDA alum. Proud native of New Orleans!

LUKE YELLIN (Pinocchio) is ecstatic to be playing Pinocchio, after spending the last year on the road with Grease. Some credits include Foot-loose (Ren) and All Shook Up (Dean). Thanks to God, my parents, my Liz, and Bob Cline Casting!

IAN FRAZIER (Swing) is excited to be a part of Shrek The Musical! Favorite credits include: Hair-spray (Fender) Joseph… Dreamcoat (Reuben), High School Musical (Jack Scott), A Christmas Carol (Fred Anderson), and Swing! Thanks to my family and friends for their constant support.

MARA GABRIELLE (Swing) is thrilled to be touring with Shrek! Graduate of The Boston Con-servatory. Credits include: Spelling Bee (Olive), Mack and Mabel (Mabel), Gypsy (Dainty June), 42nd St (Anytime Annie), Prince and the Pauper (Radio City Music Hall). Love to my incredibly supportive family and friends!

RYAN RUBEK (Swing) is thrilled to be a part of Shrek! Nat’l Tours: Hairspray (Link Larkin) and Radio City Christmas Spectacular. Regional: The Wedding Singer, Cats, Altar Boyz. A big thanks to Mom, Dad, family, friends, and Jill!

LAURA SMITH (Swing/Dance Captain) is thrilled to be making her National Tour debut with Shrek! Watertown, New York native and Marymount Manhattan College graduate. Favor-ite credits include: A Chorus Line (Cassie), Honky

Tonk Angels! (Sue Ellen), and A Chorus Line (Val). So much love and thanks to her family and friends!

DAVID LINDSAY-ABAIRE (Book & Lyrics), along with composer Jeanine Tesori, was nominated for a Grammy and two Tony Awards for their work on Shrek The Musical: Best Score, and Best Book of a Musical. Prior to that David was awarded the Kleban Award as America’s most promising musical theatre lyricist. His play Rabbit Hole premiered on Broadway, and went on to receive the 2007 Pulitzer Prize for Drama, as well as five Tony Award nomi-nations, including Best Play, and the Spirit of Amer-ica Award. His newest play, Good People, recently finished an acclaimed Broadway run, earning him the 2011 New York Drama Critics Circle Award for Best Play of the year. His other shows include Fuddy Meers, Kimberly Akimbo, Wonder of the World, High Fidelity and A Devil Inside, among others. In addition to his work in theatre, David’s screen credits include his film adaptation of Rabbit Hole (starring Nicole Kidman—Oscar Nomination), as well as the upcoming features Rise of the Guardians (Dream-works), and Oz: The Great and Powerful (Disney.) David is a proud New Dramatists alum, a graduate of Sarah Lawrence College and the Juilliard School, as well as a member of the WGA and the Dramatists Guild Council.

JEANINE TESORI (Music) has written four To-ny-nominated scores for Broadway: Twelfth Night (Lincoln Center); Thoroughly Modern Millie (lyrics, Dick Scanlan); Caroline, or Change (lyrics, Tony Kushner); and Shrek The Musical (lyrics, David Lin-say-Abaire). The production of Caroline, or Change at the National Theater in London received the Ol-ivier Award for Best New Musical. Her first musi-cal, Violet, written with Brian Crawley, received the New York Drama Critics Circle Award in 1997. She has been the recipient of many other honors includ-ing Drama Desk and Obie Awards, and was cited by ASCAP as the first woman composer to have two new musicals running concurrently on Broadway. She composed the music for the New York Shake-speare Festival’s Mother Courage, directed by George C. Wolfe, starring Meryl Streep and Kevin Kline. She has written songs for the movie Shrek The Third. Her film scores include Nights in Rodanthe, Winds of Change, Show Business and Wrestling With Angels. She composed songs for the Disney DVD releases Mulan II, Lilo and Stitch II and The Little Mermaid III. She has produced 60 CDs for Sil-ver-Burdeett Ginn’s Making Music and the original cast albums for Twelfth Night, Violet and Caroline, or Change. Ms. Tesori, a Barnard graduate, is on the council of the Dramatists Guild. Her next project is a new musical with the playwright Lisa Kron.

JASON MOORE (Original Director). Broad-way: Shrek The Musical, Avenue Q, Steel Magno-lias. Carnegie Hall: Jerry Springer: The Opera. Off-Broadway: Speech and Debate (Roundabout), Avenue Q (the Vineyard), Guardians (the Culture Project), The Crumple Zone. Associate direction:

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WHO’S WHOLes Misérables (Broadway, national tour), Ragtime (Vancouver). Regional: Tales of the City (American Conservatory Theatre, San Francisco). TV direct-ing: episodes of “Dawson’s Creek,” “Everwood,” “One Tree Hill” and “Brothers and Sisters.” Jason has a B.S. in performance studies from Northwest-ern University.

ROB ASHFORD (Original Director) Broadway as Director and Choreographer; How to Succeed… starring Daniel Radcliffe (Tony nominations for Direction and Choreography), Promises, Promises starring Sean Hayes and Kristin Chenowith (Tony nomination for Choreography). Other Broadway credits as Choreographer include Thoroughly Mod-ern Millie (2002 Tony Award, Best Choreography), The Wedding Singer (Tony nomination), Curtains (Tony nomination), Cry-Baby (Tony nomination). In London as Director, Anna Christie starring Jude Law, A Streetcar Names Desire starring Ra-chel Weisz both at the Donmar Warehouse (Olivier nomination, Best Revival), Parade at the Donmar Warehouse (Olivier nominations for Direction and Choreography). As Choreographer: Evita (Olivier nomination), Guys and Dolls (Olivier nomination), Thoroughly Modern Millie (Olivier nomination), A Funny Thing Happened on the Way to the Forum, Once in a Lifetime (National Theatre). Other cred-its include Parade (Mark Taper Forum), Candide (English National Opera, La Scala, Milan, Chatelet, Paris), Tenderloin, Bloomer Girl, A Connecticut Yankee… and Pardon My English (encores!). He provided choreography for the film Beyond the Sea directed by and starring Kevin Spacey. Mr. Ash-ford won an Emmy Award for Outstanding Chore-ography for his work on the 81st Annual Academy Awards, and is an Associate Director at The Donmar Warehouse in London.

STEPHEN SPOSITO (Director) is the Associate Director of the current Broadway revival of How To Succeed In Business starring Daniel Radcliff. Other credits include: Promises, Promises (Broad-way); Shrek The Musical (Broadway); Leap of Faith (Ahmanson Theatre); Parade (Mark Taper Forum); Jerry Springer: The Opera (Carnegie Hall); Speech and Debate (Roundabout Theatre Company); 81st Annual Academy Awards (Production Coordinator). Graduate of The University of Michigan.

JOSH PRINCE (Original Choreography). Broadway: Shrek The Musical (Outer Critics Circle nom.). Off-Broadway: The Kid (The New Group). New York City: The Bridge Project (BAM/The Old Vic ‘09/’10); The Jerry Springer Opera (with Harvey Keitel) at Carnegie Hall; Camelot (with Gabriel Byrne) with the NY Phil-harmonic at Lincoln Center (PBS); and All Singing All Dancing (Town Hall ’09). Josh also recently had the pleasure of choreographing the 2010 Kennedy Center Spring Gala. Additional credits: Tales From The Bad Years (Theater Works Palo Alto, dir.); Calvin Berger (MTC 7@7 Series, Dir.); Cabaret (Dir.); Guys and

Dolls; One Way Ticket To Hell (Dir.); The Full Monty; The Big Funk (Dir.); La Boheme; Anything Goes; and Singin’ In The Rain.

CHRIS BAILEY (Choreographer). Seoul Ko-rea: Dancing Shadows (National Korean Theatre Award for Best Choreography 2007), Pyoor Native American. Associate Choreography, Broadway: How to Succeed in Business Without Really Try-ing, Promises Promises, Cry Baby. West End: Guys and Dolls, Evita, Once in a Lifetime, Candide (also Paris) Tours: The Wedding Singer (US), Guys and Dolls (UK, Australia), Thoroughly Modern Millie (UK). Film: Beyond the Sea. Television: The 2011, 2010 and 2009 Tony Awards, 2010 and 2008 Ken-nedy Center Honors. Upcoming: Evita (Broadway).

TIM HATLEY (Original Set, Costume and Pup-pet Design). Winner of the 2009 Tony Award & Drama Desk Award for Best Costume & Scenic Design for his work on Shrek The Musical. Win-ner of 2002 Tony and Drama Desk Awards for Private Lives on Broadway. Broadway & West End credits include: Spamalot, Private Lives, Vin-cent in Brixton, The Crucible, Stanley, Betty Blue Eyes & Endgame. Film credits: Stage Beauty, Closer and Notes on a Scandal. Previous theatre work includes working with Complicite, Royal National Theatre, Royal Shakespeare Company, English National Opera and London’s West End. Graduated from Central Saint Martins School of Art, London.

JAMES KRONZER (Scenic Adaptation) Broad-way: Glory Days. Off-Broadway: Primary Stages: Opus; Zipper Theatre: Under the Bridge. Re-gional: Denver Center, Arden Theatre Co, Flor-ida Stage, Pioneer Theatre, Philadelphia Theatre Co., The Wilma. Cruise Lines: Disney Cruise Line and Norwegian Cruise Line. Washington, D.C.: Shakespeare Theatre, Signature Theatre, Woolly Mammoth, The Studio Theatre, The Ken-nedy Center. Television: Comedy Central and Showtime specials for Whitney Cummings, Nick Cannon, Joe Papa, Josh Blue and Joe Piscopo. National Tours: Broadway Across America: Back-yardigans, Barbie™ Live! In Fairytopia™, NET-Works: Seussical the Musical, Show Boat, Big. Scenic Adapter: Spamalot, Drowsy Chaperone, The Wizard of Oz. Awards: Helen Hayes Award, (8), Barrymore Award (1).

PAUL MILLER (Lighting) Broadway: Legally Blonde, Freshly Squeezed, Laughing Room; Lost in the Stars, Where’s Charley, Of Thee I Sing, Mu-sic in the Air (Encores). Off-Broadway: Nunsense, Vanities—the Musical, Waiting for Godot, Ad-dicted, Balancing Act. Regional: Cleveland Play-house, Pasadena Playhouse, Bay Street, Looking-glass, Chicago Shakespeare, and Paper Mill. International: West End, China, Asia, La Scala. Tours: Storytime Live, Wizard of Oz, Sweeney Todd, Legally Blonde, Nunsense, Scooby Doo. Television: “Camelot” (Lincoln Center), and the

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internationally televised “New Year’s Eve Cel-ebration in Times Square.”

SHANNON SLATON (Sound Design) designed the tours for Aeros, Kiss Me Kate, The Full Monty, The Producers, Contact, Tap Dogs, Hairspray, Sweeney Todd, The Wedding Singer, The Wiz-ard of Oz, and A Chorus Line. Broadway mix-ing includes: A Christmas Carol, Jersey Boys, Dirty Rotten Scoundrels, Sweet Charity, The Drowsy Chaperone, Man of La Mancha, Bom-bay Dreams, Spring Awakening, Anything Goes, and Legally Blonde. He was also the Production Sound for The Phantom of the Opera on Broad-way and the US national tour and the Advance Contract on Wicked.

TIM WEIL (Incidental Music Arrangements). Broadway: Rent, Jumpers, Sally Marr… and her escorts (composer). Off-Broadway: Current re-vivial of Rent at New World Stages, 10 Million Miles (ATC, Drama Desk nomination, Best Or-chestrations), The Baker’s Wife (York Theatre). Film: Camp (IFC), Rent (Sony, Revolution), The Marc Pease Experience (Paramount). Television: “Sheep in the Big City,” “Bear in the Big Blue House” (Nickelodeon, Cartoon Networks), many early-morning and late-night variety shows. Re-cordings: Rent (Broadway, film soundtracks), Camp (producer, arranger), Adam Pascal’s Model Prisoner and Sherie Rene Scott’s Men I’ve Had (Sh-K-Boom Records). For the past several years, Tim has served on the panel for the Jonathan Lar-son Foundation, which provides grants to aspiring composers and lyricists.

DANNY TROOB (Orchestrator). His career as a musician includes composing, orchestrating and conducting. Some early credits: Pacific Over-tures, The Baker’s Wife (dance music), Big River (music supervision, Drama Desk Award winner). Orchestrated the animated features Beauty and the Beast, Aladdin and Pocahontas, where he also conducted the score. Wrote the underscore to The Little Mermaid II (nominated for Annie Award—lost to Shrek!), and the TV musical versions of “Cinderella,” “Annie” and “The Music Man.” He orchestrated the revival of Pajama Game with Harry Connick Jr. and the Sydney stage produc-tion of Des McAnuff’s Dr. Zhivago, and Aladdin in Seattle, dir. Casey Nickelaw, along with the upcoming stage version of “Newsies” and a Euro-pean tour of “The Little Mermaid.”

AUSTIN K. SANDERSON (Costume Coordina-tor) has designed costumes for Denver Theatre Center, Alliance Theatre, Cincinnati Playhouse, Trinity Rep, The Big Apple Circus, Ballet His-panico, Shakespeare Santa Cruz, Old Globe Theatre, San Diego Rep, Alabama Shakespeare Festival, Manhattan School of Music, Theatre Virginia, New Jersey Shakespeare Festival, Shakespeare Festival of St. Louis, Primary Stag-es, The Kirk Theatre, Royal Caribbean Cruise Lines, and many other companies. His set designs

include the Reem Acra Bridal Collection, Capi-tal Rep, Theatre Virginia, Fleetwood Stage, and numerous television commercials and industrials. He is represented by Barbara Hogenson, The Bar-bara Hogenson Agency. austinsanderson.com.

DAVID BRIAN-BROWN (Hair/Wig Design). Broadway: Follies, Sister Act, Arcadia, A Steady Rain, Shrek, The Country Girl, The Little Mer-maid, Legally Blonde, Spamalot, Butley, Tarzan, Chita The Dancers Life , The Odd Couple, Dirty Rotten Scoundrels, Fiddler on the Roof, Nine, Gypsy, Flower Drum Song, Sweet Smell of Suc-cess, The Invention Of Love, Aida, The Iceman Cometh, Annie Get Your Gun, Chicago, Side-show, Steel Pier, Big, Sunset Boulevard. Film credits include: It’s Complicated, Angels In Amer-ica (Emmy Nominated), Too Wong Foo…

NAOMI DONNE (Make-up Design). Film: James Bond—The Living Daylights, License to Kill and The Quantum of Solace; Six Degrees of Separa-tion; The Crucible; The Object of My Affection; A Perfect Murder; Chocolate (BAFTA nomination); Random Hearts; Practical Magic; Little Women; Zoolander; The Royal Tenenbaums (Hollywood Make Up Guild Award); Meet the Fockers; The Producers; Synecdoche, New York; Salmon Fish-ing in the Yemen. Theatre N.Y.: Twelfth Night (LCT), Electra, Betrayal, Aida, The Graduate, Nine, Sweet Smell of Success, Tarzan, Mary Pop-pins, The Year of Magical Thinking, Shrek The Musical (New York Theater Wing design nomi-nation). Theatre West End: Starlight Express, Song and Dance, Children of a Lesser God, Time, Mary Poppins, Love Never Dies.

MATTHEW SKLAR (Dance Music Arrange-ments) composed the music for the Broadway musicals Elf and The Wedding Singer (Tony and Drama Desk Award nominations). He is a recipient of the ASCAP Richard Rodgers New Horizons Award, the Gilman & Gonzalez-Falla Musical Theatre Award, and the Jonathan Lar-son Performing Arts Foundation Award. In ad-dition to his work as a composer/arranger, Mat-thew has been a pianist and/or conductor for more than a dozen Broadway musicals includ-ing Caroline, or Change; Nine; 42nd Street; Titanic; Miss Saigon; and Les Misérables. He has also contributed original music to the hit Nickelodeon television series “Wonder Pets.”

MARSHALL MAGOON (Illusions Consul-tant) has created illusions for Monty Python’s Spamalot, the revival of Damn Yankees and The Shaw Festival’s Invisible Man. Marshall was fea-tured on NBC television’s “Days of Our Lives” and has created presentations for many Fortune 500 companies. Find out more about him at magoonmagic.com.

BOB CLINE CASTING (Casting Director). Besides Shrek, Bob has most recently cast the national tours of Young Frankenstein, Hairspray, Beauty and the Beast, The Drowsy Chaperone,

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Proof: 3/28/11; 8:39AMComplimentary:EncoreMichigan.comPublication: Broadway in Detroit program for “Chicago”Run dates: xxxxxxxxxxxxSize: 2-1/4” x 63 pt.)Design: Frank Bach, Bach & Associates; Phone 313-822-4303; frank@frankbach.com

If it’s about Michigan theaters, it’s here. • Show Listings • Theater News 

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WHO’S WHOAnnie, Full Monty, Rent, Ragtime, Seussical, Bye Bye Birdie, Music Man, Little Women, 39 Steps + over 30 others. He has also helped to populate nearly 1000 regional theatre productions across the country + tv, film, and commercials. Bob is also a proud professor at Pace University in their BFA Musical Theatre program.

THE BOOKING GROUP. Since its inception in 1996, The Booking Group has been considered the most prominent Broadway booking agency in the industry. Their current roster includes: The Book of Mormon, Anything Goes, Beauty and the Beast, Mamma Mia!, The Addams Family, Memphis, Shrek The Musical, Million Dollar Quartet, La Cage Aux Folles, West Side Story, In the Heights, Fiddler on the Roof, and Irving Ber-lin’s White Christmas. Past shows have included Rent, The Producers, Annie, Avenue Q, The Full Monty, Contact, Cabaret, Evita, Legally Blonde, Thoroughly Modern Millie, 12 Angry Men, Au-gust Osage County and Fosse, among many oth-ers. TheBookingGroup.com

KEVIN CASEY (Conductor/Keyboard). Al-though not currently a member of The Rolling Stones, Kevin remains hopeful that he will even-tually be asked to join the band. In the meantime, he is grateful for the opportunity to be a part of this production of Shrek, which is clearly the next best thing. Thanks to P & M and Kim & the boys for their support.

KRISTIN STEWART (Company Manager). Fresh off of the set of the Twilight series (jk), Kristin is excited to be managing the logistics of Shrek the Musical. Previously, she assisted the wonderful Jamey Jennings on Young Fran-kenstein & The Wizard of Oz National Tours. Thank you to NETworks, for giving a girl from Iowa a shot. HMMTEMJ. TJAMZSCSJ. Mike, I just wouldn’t have fun without you. Mom & Dad, thanks for reading me stories that started with “Once Upon A Time…”

CAROLINE WALKER (Production Stage Manager) is very excited to be a part of this tour! Previous credits include: Six Degrees of Separa-tion, Hedwig… Angry Inch, Oklahoma!, and Mar-riage of Figaro. Special thanks and lots of love to her incredibly supportive family and friends!

DANI DAVIS (Executive Producer) is a Broad-way producer, director, and lyricist. On Broad-way, she produced Little Women—the Musical (Tony, Drama Desk nominations) and The Lone-some West (Tony, Drama Desk noms/awards). She won a 2010 Emmy Award for writing Handel’s Messiah Rocks (Sony Classical, PBS), which she also directed. For NETworks, she was Execu-tive Producer for Little Women and The Wedding Singer. She is on the board of Duke University’s Women’s Forum and The American Songbook

Project. Her songs are published by Cherry Lane Music/BMG. Member: SDC, BMI.

DREAMWORKS DreamWorks Theatricals was established in 2007 by DreamWorks Animation SKG, Inc (NASDAQ: DWA) to produce stage pro-ductions adapted works. Bill Damaschke serves as Chief Creative Officer of DWA. DWA is devoted to producing high-quality family entertainment through the use of computer-generated (CG) ani-mation. DWA’s 2011 film slate features Kung Fu Panda 2 and Puss In Boots. The Company has theatrically released a total of 22 animated fea-ture films, including the franchise properties of Shrek, Madagascar, Kung Fu Panda and How to Train Your Dragon. Shrek was the winner of the first ever Academy Award for Best Animated Fea-ture. Jeffrey Katzenberg serves as DWA’s CEO and was a co-founder of DreamWorks Studios in 1994. The Broadway production was nominated for eight Tony Awards, including Best Costume Design awarded to Tim Hatley. The production is currently playing in London’s West End.

NETworks PRESENTATIONS, LLC (Produc-er) Since 1995, NETworks has produced and man-aged over 45 touring productions in the U.S., U.K. and internationally. Current productions include Disney’s Beauty and the Beast, Young Franken-stein, Rodgers and Hammerstein’s South Pacific, Blue Man Group National Tour, La Cage, Shrek The Musical and The New 25th Anniversary Pro-duction of Les Misérables. Future productions include Disney and Cameron Mackintosh’s Mary Poppins, Flashdance the Musical and National Theatre of Great Britain’s production of War Horse touring the U.S.

WILLIAM STEIG (Author of the Book Shrek!). Named the “King of Cartoons” by Newsweek, William Steig remains The New Yorker’s longest-running contributor, with more than 1,600 draw-ings and 117 covers to his name. He began writing and illustrating books for children at the age of 60. His work Sylvester and the Magic Pebble earned him the Caldecott Medal, the highest honor be-stowed on children’s picture books, but it was the 1990 fairy tale Shrek! that ultimately brought him his largest audience by inspiring one of the most successful film franchises in motion picture histo-ry. William Steig wrote and illustrated children’s books up until the last year of his life and died in 2003 at the age of 96.

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STAFF FOR Shrek The Musical

Executive ProducerDani Davis

General ManagementGentry & Associates

Scott JacksonGregory Vander Ploeg Kim Reiter

Dawn Kusinski Bobby Maglaughlin

Tour MarketingC Major Marketing

Tour DirectionThe Booking Group

Meredith BlairMollie Mann, Kara Gebhart, Brian Brooks,

Rich Rundlethebookinggroup.com

CastingBob Cline Casting

Company ManagerKristin Stewart

Production Stage Manager ....................................... Caroline WalkerHead Carpenter .............................................................................. Rick HaugAssistant Director ........................................................Sara-Ashley BischoffAssistant Choreographer ............................................................Krista SaabAssistant Scenic Design ...............................................................Jeremy FoilAssistant Costume ............................................................... Meghan HealeyAssociate Lighting Designer .............................................Anthony PearsonMoving Light Programmer ................................................... Tommy HagueAssistant Sound ........................................................................Justin StasiwAssociate Designer:

Tour Make-Up & Prosthetic Coordinator .... Angela L. JohnsonAssistant Make-Up ............................................................ Jorie Mars MalanFlyman ..................................................................................................Nicholas RutzCarpenter ...............................................................................Caitlin MaddenHead Electrician ........................................................................ Kaycee DavisAss’t. Electrician ......................................................................... Matt HrinkoHead Audio ................................................................................ Ben MaddenAss’t. Audio.......................................................................... Kate MunchrathHead Props ................................................................................Sean HulbertHead Wardrobe ..........................................................................Kristina MayAss’t. Wardrobe ........................................................................Jocelyn LittelWardrobe Interns ...........Isabelle Parzygnat, Liana Beer, Amanda ShafranHead Hair and Make-Up .......................................................Michael A. KingAss’t Hair and Make-Up ........................................................... Angie JerbasiDialect Coach ...........................................................................Stephen GabisProduction Carpenter ....................................................................Brad KorffProduction Assistants ........................ Corey Gosselin, Stephanie HalbedelRehearsal Pianists ............................................ Nate Patten, Kasey GrahamPrint Design ............................................................................Rooney DesignRadio Spot Production ................................................................HMS MediaTelevision Spot Design/Video Production ......................................HMS MediaWebsite .............................................................................Pit Bull InteractiveProduction Photography ..........................................................Joan Marcus

Merchandising ...........................................................................Araca GroupLegal ..........................................................................F. Richard Pappas, Esq.HR & Payroll Services ................................................Human Resources, inc.Insurance ..............................................................................................ChubbTax Consultant........................................... Brent A. Turner, One Source PSGIT Services ............................................. George W. Wilson, One Source PSGFinancial Services ....................................George W. Wilson, One Source PSGAccounting Services ............................................................ One Source PSGHousing ............................................................ Lisa Morris, Road ConciergeTravel Agency ..................................... Janice Kessler, Carlson Wagonlit TravelTrucking ....................................................................................Clark TransferCast Bus ...........................................................................Croswell VIP CoachCrew Bus ...................................................................................Clarion Coach

For NETworks PresentationsChief Executive Officer ...................................................... Ken GentryChief Operating Officer ............................................ Scott W. JacksonDirector of Finance .............................................................John KinnaExecutive Producers ............................... Seth Wenig, Kary M. WalkerAssociate Producer .......................................................Angela RowlesAssistant Producers .....................................Jim Lanahan, Mary WitteAssistant to the CEO ..........................................................Curt OwensSenior General Manager ..................................Gregory Vander PloegGeneral Managers ..................................... Dawn Kusinski, Kim ReiterAssociate General Manager ..............................................Curt OwensAssistant General Manager ..................................Bobby MaglaughlinProduction Manager .....................................................Jason JuenkerAssociate Production Manager ..................................... Hector GuivasAssistant Production Manager ...............................Christian BottorffMarketing/PR ................................................................. Heather HessMusic Coordinator ........................................................... John MezzioAssistant Controller .................................................... Jennifer GiffordOffice Manager...........................................................Buddy PiccolinoOffice Assistant ..................................................................Nancy Kerr

CreditsSound Equipment by Solotech US Corp Inc; Lighting Equipment by Christie Lights; Scenery Constructed by F&D Scene Changes; Properties by Spoon Group; Automation by PRG Scenic Technology; Printed Marley by Gerriets International; Prosthetics by Prosthetic Renaissance Inc.; Fiona Dress Effects by Tom Talmon Studios; Dragon puppet built by Michael Curry Design, Inc.; Costume Shops—Marie Stair, Jennifer Love Costumes, Tricorn Costumes, Eric Winterling Inc, Arnold S. Levine, Inc. Rehearsed at Chelsea Studios, Foxwoods Theater, Alvin Ailey Dance Studios.

Orchestral Enhancement by HalfPint Studios, Jason Howland

Special Thanks to The Capitol Theatre and Steve Caffery

Financial Services and banking arrangements by M&T Bank

Visit the Shrek The Musical website at ShrekTheMusical.com

All stage work performed by employees represented by IATSE.

United Scenic Artists represents the designers and scenic painters for the American Theatre.

The Director and Choreographer are members of the Stage Directors and Choreographers Society, an independent national labor union.

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Proof: #3; 8/26/11; 2:06PMMario’sPublication: Broadway in Detroit program for “Come Fly Away”Run dates: 9-13-11 thru 9-25-11Size: 1/4 pg. vert. (2-1/4” x 3-1/4”)For: Nederlander Detroit (Fisher Theatre & others) Design: Frank Bach, Bach & Associates; Phone 313-822-4303, frank@frankbach.com

Complimentary shuttle service to & from the Fisher

Scan in to see our list of Cast Parties & other upcoming events…

Live Entertainment Fri. & Sat. Evenings

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Restaurant Brewery

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Handcrafted & Homemade Since 1965

Mention this ad & get 10% off your entrée

Special places before & after the show

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e proudly present Broadway In Detroit Preludes & Encores, our recommendations for a great meal before the show, or a place to

close the night’s curtain with a delicious dessert. Please consider these wonderful restaurants—and don’t forget to say that you heard about them here. Thanks!

GuiDE: $ = <$10, $$ = $10-$25, $$$ = $25-$50, $$$$ = >$50, F=Free Parking, G = Groups, P=Prix fixe packages available, R = Reservations, S = Shuttle Service, V=Valet Parking

Andiamo • andiamoitalia.com Warren, Grosse Pointe Woods, Bloomfield, Royal Oak, Sterling Heights, Dearborn, Detroit Riverfront, Novi, Livonia. Type of cuisine: Italian, Price: $$$, Amenities: GRV (F-some locations). This season, enjoy Prezzo-Fisso, a fixed-price Fisher Theatre menu on performance days with tickets. Contact your local Andiamo for reservations and information.

The Capital Grille • thecapitalgrille.com The Somerset Collection—North, 2800 W. Big Beaver Rd., Troy, MI 48084. (248) 649-5300. Type of cuisine: American, Price: $$$, Amenities: FGPRV. Join us before or after the show for our dry aged steaks, freshest of seafood, award-winning wine list, incredible staff and our special $39 menu especially created for theatre guests.

La Musique • hotelstregisdetroit.com New Center, 3071 W Grand Blvd., Detroit, MI 48202. (313)873-3000. Type of Cuisine: American, Price: $$, Amenities: GPRV. Eat. Play. Stay. Park and dine at La Musique in the historic St. Regis Hotel and walk to the Fisher Theatre. Contemporary American Cuisine.

Majestic Café • majesticdetroit.com Midtown, 4120 Woodward Ave., Detroit, MI 48201. (313) 833-9700. Type of cuisine: American, Price: $$, Amenities: FGSR. Located in the historic Majestic Theatre Center. The menu is rooted in classic American comfort food with a modern twist. Delicious appetizers, sandwiches, burgers, entrees & desserts are all made fresh daily.

Mario’s • mariosdetroit.com Midtown, 4222 Second St., Detroit, MI 48201. (313) 832-1616. Type of cuisine: Italian, Price: $$$, Amenities: GPRSV. Complimentary shuttle to & from the Fisher Theatre. Show your tickets and receive 10% off food on your performance date. Afterglow specials too! Party with the people who perform.

☛ continued on page 21

W

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A Dining Experience Worthy of Applause

We want to help make your Fisher Theatre experience even more spectacular! Visit one of our nine Andiamo

locations on show night and order from our fixed price menu. Visit our website for full menu.

Buon Appetito!

Dinner for Two – Fixed Price Menu

Proof: 12/29/11; 11:52AMPrlanta Fine JewelryPublication: Broadway in Detroit program for “American Idiot”Run dates: Jan. 24–Feb 5Size: 1/2 pg. horiz. (4-5/8” x 3-3/4”)For: Nederlander Detroit (Fisher Theatre & others) Design: Frank Bach, Bach & Associates; Phone 313-822-43038; frank@frankbach.com

Since 1971, Prlanta has been known for its exclusive selection of fine and custom jewelry at wholesale prices. Our team of skilled designers, proficient

goldsmiths, and meticulous stone setters work diligently with you to make all of your jewelry dreams a reality.

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Proof: 10/23/10; 8:52PMUnion StreetPublication: Broadway in Detroit program for “Rock of Ages”Run dates: 11-9 to 11-21-10Size: 1/4 pg. vert. (2-1/4” x 3-1/4”)For: Nederlander Detroit (Fisher Theatre & others)

Design: Frank Bach, Bach & Associates; Phone 313-822-4303, fax 313-331-1108; frank@frankbach.com

Bring This Ad & Receive 15% Off!

Lunch • Dinner • Sunday BrunchGroup Tours Welcome!

4145 Woodward Avenue Midtown Detroit313.831.3965

www.unionstreetdetroit.com

Proof: xxxxxxxxxxxxTitlePublication: Broadway in Detroit program for “xxxxxxxxxxx”Run dates: xxxxxxxxxxxxSize: 1/4 pg. vert. (2-1/4” x 3-1/4”)Design: Frank Bach, Bach & Associates; Phone 313-822-4303; frank@frankbach.com

• AlySSA Cohen acohen@broadwayindetroit.com • (248) 608-1884

• SCoTT MyeRS smyers@nederlanderdetroit.com • (313) 872-1177

Preludes & encores from page 19

Ocean Prime • ocean-prime.com Coolidge & Big Beaver, 2915 Coolidge Highway, Troy, MI 48084. (248) 458-0500. Type of Cuisine: American, Price $$$, Amenities: FVRG. Seafood or Steak? At Ocean Prime, you can choose the best of both. Our passion is to give you an extraordinary supper club experience.

Traffic Jam & Snug • trafficjamdetroit.com 511 W. Canfield St., Detroit MI, 48201. (313) 831-9470. Type of cuisine: American, Price: $$, Amenities: FGR. Featuring an eclectic menu of vegetarian items, burgers, fresh fish, pastas & salads. Decadent house-made desserts. Free, guarded parking. Minutes from the Fisher Theatre.

Union Street • unionstreetdetroit.com Midtown, 4145 Woodward Ave, Detroit, MI 48201. (313) 831-3965. Type of Cuisine: American, Price: $$, Amenities: GR. 15% off when you bring in your Shrek The Musical ticket! Serving lunch, dinner, desserts and Sunday brunch. Kitchen open late. Large group tours welcomed.

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Broadway In Detroit TicketExchange— buy and sell theater tickets online:

Buyers: print guaranteed tickets directly from subscribers.

Subscribers: enjoy automatic payment and ticket delivery.

Get a My Broadway In Detroit account at BroadwayInDetroit.com or by calling Subscriber Services at 313-872-1180.

Visit BroadwayInDetroit.com

BROADwAy iN DETROiT The Program for the Fisher Theatre

Volume 50, Number 9 February 28–March 11, 2012

Fisher Theatre • Fisher Building 3011 w. Grand Blvd., Detroit, Mi 48202

BroadwayinDetroit.com

under the Management of Nederlander Detroit, LLC

Executive Director ............................................ Alan N. LichtensteinAssistant to Mr. Lichtenstein.......................................... Nancy KingDirector, Corporate Sales/Marketing .............................Scott MyersSenior Director, Marketing .......................................... Alyssa CohenAdvertising Director .................................... Debbie Michelson, SMZPress Agent................... Brendy Barr, Brendy Barr CommunicationsProgram Design................................ Frank Bach, Bach & Associates

ThE FiShER ThEATREBusiness Office Staff

Accounting ................................................................ Barbara Jones

house StaffTheatre Manager ....................................................James ManduzziHouse Manager ...........................................................Reuben PerezBox Office Treasurer...................................................... Marc RolandGroup Sales Manager .......................................................Amy YokinSubscription Manager .................................................Gwen HardenLost and Found .......................................................... Robin Teachey

Production StaffHead Stage Technician ........................................... Robert HaywardHead Lighting Technician ................................................. Sam AluiaHead Propman ................................................................ Joe AchatzHead Sound Technician ............................................. J. B. RalbovskyHead Scenery Technician................................................Ronald IveyWardrobe Supervisor ....................................... Kristyn Pinky MahleMusical Director ..............................................................Alice Sauro

The photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside the theater without the written permission of the management is prohibited by law. Violations may be punishable by ejection and may render the offender liable for money damages.

The musicians employed in this production are members of the Detroit Federation of Musicians, Local 5.

Backstage employees are represented by the International Alliance of Theatrical Stage Employees (I.A.T.S.E).

Articles found in the theater will be held for 30 days only. Lost article inquiries should be made by phone to (313) 872-l000 between 10:00 a.m. and 4:00 p.m.Fisher Theatre Offices ............................................... (313) 872-1000Broadway In Detroit Season Ticket Office & Subscription Information ..........................................(313) 872-1180 Group Sales Information ........................................... (313) 871-1132If you expect emergency phone calls please leave your seat location with the ticket taker.For emergencies only during performances ............. (313) 872-1111New handicap (wheelchair) facilities now located in the main floor lobby near elevators.

AGE LIMIT As a courtesy to our patrons, it is the policy of Broadway In Detroit not to admit children under the age of 5. This policy may be altered from time to time based on Shows and Show content. You will be made aware of particular age restrictions during your purchase. Some shows make further age appropriate recommen-dations and Broadway In Detroit will provide those on its website; however, judgment of the content for each show should be made on an individual basis prior to purchase. When available, Broadway In Detroit provides links to show websites for further information. All patrons, regardless of age, must have a ticket.

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Proof: 2/13/12; 9:05PMBlue Man GroupPublication: Broadway in Detroit program for “Shrek”Run dates: 2/28 to 3/11Size: full page full bleed trim size: 5-3/8” x 8-3/8” bleed: 1/8” inside margin: 1/4”For: Nederlander Detroit (Fisher Theatre & others) Design: Frank Bach, Bach & Associates; Phone 313-822-43038; frank@frankbach.com

On Sale nOw Fisher Theatre • May 1–13

Tickets: Fisher Theatre Box Office, ticketmaster.com & 800-982-2787 Groups (12+): Groups@BroadwayInDetroit.com (subject line: Blue Man)

or 313-871-1132 • Info: BroadwayInDetroit.com • 313-872-1000

Broadway In Detroit 50th Anniversary Season sponsored by

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T H E C H R Y S L E R 3 0 0 I S B A C K

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A T T R A C T I T.

Chrysler is a registered trademark of Chrysler Group LLC. Available optional feature. Claim based on 2011 Chrysler Group LLC Upper Large Car segment.

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A D VA N C E D T E C H N O LO G Y L I K E T H E C L A S S - L E A D I N G 8 . 4 - I N C H TO U C H S C R E E N , O U R M O S T I N N O VAT I V E A W D E V E R A N D R E F I N E D D E TA I L S

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