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Site & Sound

Date post: 25-Mar-2016
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The museum is a place filled with sound. Sometimes those sounds come from deep within the display (is that a bird or a squirrel?), sometimes they come from the shuffling feet of a fellow visitor. There are fixed sounds and there are constantly changing sounds. There are sounds that you remember hearing when you were a kid visiting the museum years ago. And there are sounds that you never quite noticed before. For two hours the space is ours to listen deeply, and wander curiously. Take it at your own pace, find your own spots. The museum is a place filled with sound. www.royalbcmuseum.bc.ca/siteandsound
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Poles Music for Natural History is a work-in- progress performative installation. The score involves transcriptions and translations of sounds made by the creatures, vegetation, rocks and water represented in the Forest and Seashore Galleries with interactive elements based on the communicative behaviour of the birds and land and sea mammals. Dave Morris & Missie Peters Majestic Theatre The Victoria Phonographers Union Old Town Buddha machine sound installation The Mine Janet Rodgers & Peter Morin First Peoples gallery With drummers: Rob Spade Celeste Pedri Kelly Aguirre Jarrett Martinaue Margaret Brier Sally Hunter Rik Leaf Garrett Tompson & Shanti Bremer Tremblay Farm Kathy Rodgers Discovery Ship Gum Sing Musical Society Third Floor Foyer Third Floor Second Floor Paul Walde & Tina Pearson Coastal Forest and Seashore With performers: Anne Schaefer George Tzanetakis John G. Boehme Grace Salez Geraldine Bulosan June Waters Steeve Bjornson Oliver Dason Julia Zhu Alexei Paish PJ Armstrong Andi Lemus Mario Zetina SITE & Sound A unique festival evening of all things auditory April 28, 7 pm The museum is a place filled with sound. Sometimes those sounds come from deep within the display (is that a bird or a squirrel?), sometimes they come from the shuffling feet of a fellow visitor. There are fixed sounds and there are constantly changing sounds. There are sounds that you remember hearing when you were a kid visiting the museum years ago. And there are sounds that you never quite noticed before. For two hours the space is ours to listen deeply, and wander curiously. Take it at your own pace, find your own spots. The museum is a place filled with sound. www.royalbcmuseum.bc.ca/siteandsound
Transcript
Page 1: Site & Sound

Poles

Music for Natural History is a work-in-progress performative installation.

The score involves transcriptions and translations of sounds made by the creatures, vegetation, rocks and water represented in the Forest and Seashore Galleries with interactive elements based on the communicative behaviour of the birds and land and sea mammals.

Dave Morris & Missie PetersMajestic Theatre

The Victoria Phonographers Union Old Town

Buddha machine sound installation The Mine

Janet Rodgers & Peter Morin First Peoples gallery

With drummers:Rob SpadeCeleste PedriKelly AguirreJarrett MartinaueMargaret BrierSally HunterRik Leaf

Garrett Tompson & Shanti Bremer Tremblay Farm

Kathy Rodgers Discovery Ship

Gum Sing Musical Society Third Floor Foyer

Third FloorSecond Floor

Paul Walde & Tina Pearson Coastal Forest and Seashore

With performers:Anne SchaeferGeorge TzanetakisJohn G. BoehmeGrace SalezGeraldine BulosanJune WatersSteeve Bjornson

Oliver DasonJulia ZhuAlexei PaishPJ ArmstrongAndi LemusMario Zetina

SiTe &SoundA unique festival evening of all things auditory

April 28, 7 pm

The museum is a place filled with sound. Sometimes those sounds come

from deep within the display (is that a bird or a squirrel?), sometimes they

come from the shuffling feet of a fellow visitor. There are fixed sounds and there

are constantly changing sounds. There are sounds that you remember hearing

when you were a kid visiting the museum years ago. And there are

sounds that you never quite noticed before.

For two hours the space is ours to listen deeply, and wander curiously.

Take it at your own pace, find your own spots.

The museum is a place filled with sound.

www.royalbcmuseum.bc.ca/siteandsound

Page 2: Site & Sound

Phonographers Union grew out of a workshop and performance with the Seattle Phonographers Union. exploring the ways in which the hu-man ear experiences our sonic land-scapes, the VPU juxtaposes familiar, novel, and foreign sounds in a listening environment that detaches context from the sound source. The intent is to offer an investigation into how we individually perceive, analyze, and connect with sound and the thoughts and sensations that these sounds evoke in their raw, unprocessed state.

Members of the VPU include: Michael Bennyworth, Hunter Bouch-er, Caleb Cobell, Christine Comrie, Kristy Farkas, Jessica Karuhanga, eugene Lee, Christopher Reiche.

Paul WaldePaul Walde is an intermedia artist, musician, and curator. Walde’s eclectic body of work suggests un-expected interconnections between landscape, identity, and technology and includes painting, photography, printmaking, sculpture, installation and audio. Recently his work was seen at the electric eclectics Festival of experimental Music and Sound Art in Meaford, Ontario (2010), at Malaspina Printmakers Gallery in conjunction with ViVO’s Signal + Noise festival in Vancouver (2010), and at the Open ears Festival of Music and Sound in Kitchener, Ontario (2011).

Tina PearsonTina M Pearson is a sound artist whose interest in sonic phenomena, perception and modes of human interaction has led to roles in art, education and community develop-ment. Many of her projects look at the boundaries between languages, disciplines and cultures, and

Dave Morris & Missie PetersSpeakeasy is the improvised poetry duo of Dave Morris and Missie Peters. Together they have performed at festivals such as the Belfry’s Spark Festival, the Victoria Fringe Festival and the Berlin international improv Festival.

Dave Morris is an improviser, sto-ryteller and educator from Victoria B.C. He is the director of Paper Street Theatre, the regional director for the Canadian improv Games and in 2011 won Pick of the Fringe for best comedy performer.

Missie Peters is an M-Award win-ning poet and improviser from Vic-toria BC. She is a two-time Victoria Slam Champion, the former Vic Slam Master and the current artistic director of Not Your Grandma’s Poetry Productions.

Kathy Rodgers Award-winning Victoria flutist Katherine Rogers received her Bachelor of Music from the University of Victoria in 2008 where she studied with Lanny Pollet and performed principal flute under the baton of János Sándor in both the University of Victoria Orchestra and the Greater Victoria Youth Orchestra. Katherine recently completed her Master of Music degree at the University of British Columbia in 2010 under the direction of Lorna McGhee (former co-principal with the BBC Symphony Orchestra). in July 2010 Katherine followed the UBC Opera ensemble to the Czech Republic. Katherine is currently flutist with Victoria’s Palm Court Orchestra, enjoys subbing for the Victoria Symphony, and takes great joy in sharing her love for music with her students.

between creators, performers and audiences. Tina was editor of the journal Musicworks, an instructor at OCAD University and recently co-chaired the New Music Forum “Connecting Cultures, Practices and Geographies” in Vancouver. Tina composes and performs in acoustic, electronic and telematic settings with conventional, found and invent-ed instruments. Her music has been commissioned for dance, video, ra-dio and spoken word performances in europe and North America. She performs with the global collective Avatar Orchestra Metaverse and the Victoria group LaSaM.

The Victoria Phonographers UnionFormed in 2010, the Victoria

works in video poetry and performance poetry.

Janet is a radio host on Native Waves Radio CFUV 101.9fm and Tribal Clefs CBC radio British Columbia. Janet is Victoria’s current Poet Laureate.

Chinese musical culture.

Garrett Tompson & Shanti BremerThe Garrett and Shanti Bluegrass Duo are a pair of young talented bluegrass pickers from Victoria BC Both pickers grew up steeped in the hard driving bluegrass sounds of great players like J.D. Crowe and Tony Rice and it shows in their play-ing and singing. Shanti Bremer multi instrumentalist, singer and music teacher has played in many Victoria Bluegrass bands over the years and is the banjo player from the Victoria band “The Sweet Lowdown”. Shanti plays Scruggs style banjo in this collaboration along with lead and harmony vocals. Garrett Tompson has been playing guitar and singing for 9 years. He started out playing everything from Neil Young to eric Clapton but once he got into blue-grass singing and guitar flat pickin that was it, he was hooked. Garrett plays lead and rhythm guitar along with vocals in this collaboration.

at the Royal Ontario Museum, Toronto; 12 Making Objects, 12 indigenous interventions (2009) at Open Space, Victoria and Peter Morin’s Museum (2011) at Satellite Gallery, Vancouver. in 2010 the artist was awarded the British Columbia Creative Achievement Award for First Nations’ Art. Morin is currently serving as the curator in residence at Open Space Artist Run Centre in Victoria BC.

Janet RodgersJanet Rogers is a west coast Mohawk living on the traditional lands of the Songhees and esquimalt nations. Janet is a spoken word poet, print poet, recording poet and

Peter Morin Peter Morin, of the Tahltan Nation of northern British Columbia, is a Victoria-based performance artist. His ideas about museums and their transformation through indigenous ways of knowing began in his cous-in’s cabin, where visits with friends, relatives, and elders offered him a gradual understanding of Tahltan his-tory and means of sharing it with one another. Peter Morin has participated in numerous group and solo exhibi-tions and live events including Team Diversity Bannock and the World’s Largest Bannock attempt, 7 Suits for 7 Days of Colonialism, and A return to the place where God outstretched his hand (2007); performative works

The Victoria Gum Sing Musical Society The Victoria Gum Sing Musical Society is a non profit organization operated under the society’s act and is dependent on the generous donation and contributions by its membership and community organi-zations. This society was formed by Mr. Leung Kwong Yip and Mr. Stan Tong in 1980 with the intention that members of the Chinese commu-nity could enjoy and promote the


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