+ All Categories

SKRIPSI

Date post: 25-Nov-2014
Category:
Upload: youvita-devi-
View: 8 times
Download: 3 times
Share this document with a friend
Popular Tags:
133
i THE USE OF IDIOMS FOUND IN HARRY POTTER AND THE HALF BLOOD PRINCE’S MOVIE BY DAVID YATES Submitted as the partial fulfillment of the requirements for the attainment of the Diploma III in English Language Department Written By: YOVITA DEVI 07100030 SINEMA YOGYAKARTA FOREIGN LANGUAGE ACADEMY YOGYAKARTA 2010
Transcript
Page 1: SKRIPSI

i

THE USE OF IDIOMS

FOUND IN

HARRY POTTER AND THE HALF BLOOD PRINCE’S MOVIE

BY DAVID YATES

Submitted as the partial fulfillment of the requirements for the attainment of

the Diploma III in English Language Department

Written By:

YOVITA DEVI

07100030

SINEMA YOGYAKARTA FOREIGN LANGUAGE ACADEMY

YOGYAKARTA

2010

Page 2: SKRIPSI

ii

APPROVAL

THE USE OF IDIOMS

FOUND IN

HARRY POTTER AND THE HALF BLOOD PRINCE’S MOVIE

BY DAVID YATES

Written By:

YOVITA DEVI

07100030

This is approved on May 26th

2010

First consultant Second consultant

Dra. Rina Noviari, MM Catur Wiranto, S.Pd

Page 3: SKRIPSI

iii

RATIFICATION

Accepted and approved by the Board of Examiners to Sinema Yogyakarta Foreign

Language Academy and declared to have fulfilled by the requirement to acquire

Diploma III of the English Language Department.

On

Day : Saturday

Date : May 29th

, 2010

The Board of Examiners:

First Examiner : Drs. Tahajudin Sudibyo

Second Examiner : Nyoman Hedi Triyodanto, S.Kom

Third Examiner : Catur Wiranto, S.Pd

Director of Sinema Yogyakarta Foreign Language Academy

Nyoman Hedi Triyodanto, S.Kom

Page 4: SKRIPSI

iv

MOTTO

♥♥ CCaakkee''ss nnoott wwoorrtthh tthhee ccaannddllee

♥♥ EEaarrllyy bbiirrdd ccaattcchheess tthhee wwoorrmm

♥♥ IIff MMoohhaammmmeedd wwoonn''tt ccoommee ttoo tthhee mmoouunnttaaiinn,, tthhee

mmoouunnttaaiinn mmuusstt ccoommee ttoo MMoohhaammmmeedd

Page 5: SKRIPSI

v

DEDICATION

I dedicate this paper to:

My beloved parents Mr. Santoso and Mrs. Sukeksi

My brother, my sister

All of my family members

My dearest boy who always help me

All of my beloved best friends in ABA SINEMA

Page 6: SKRIPSI

vi

ACKNOWLEDGEMENT

First of all, the writer would like to thank Allah SWT for the blessing and mercy

given to the writer during her study in writing this final paper, entitled ‘THE USE OF

IDIOMS FOUND IN HARRY POTTER AND THE HALF BLOOD PRINCE’S

MOVIE BY DAVID YATES’.

Then, the writer would like to express her gratitude to Mr. Catur Wiranto, S.Pd

and Mrs. Dra. Rina Noviari MM who have helped and guided her to write this paper.

Without their deep involvement and advice, this paper would not have been finished.

The writer would also like to express her gratitude to Mr. Nyoman Hedi

Triyodanto, S.Kom as the Director of Sinema Yogyakarta Foreign Language

Academy. She also dedicates her sincere appreciation to all of the lecturers and staffs

of the English Department for their support and guidance during her study.

The writer would also like to express her thank to the writer’s parents for

providing her with their constant support, understanding attitude, care and patience

that can never be repaid. The writer also owes her special and deepest thanks to her

best friends and a special boy for their immense help, affection and moral support.

The writer realizes that this paper is still far from of being perfect, so any

constructive critics from readers will be gladly accepted.

The writer

Page 7: SKRIPSI

vii

TABLE OF CONTENTS

TITLE............................................................................................................. i

APPROVAL .................................................................................................. ii

RATIFICATION ............................................................................................ iii

MOTTO.......................................................................................................... iv

DEDICATION................................................................................................ v

ACKNOWLEDMENT.................................................................................... vi

TABLE OF CONTENTS ................................................................................ vii

CHAPTER I: INTRODUCTION

A. Background of the Study ................................................................... 1

B. Limitation of the Study ..................................................................... 2

C. Formulation of the Study ................................................................... 3

D. Methods of Writing The Pape r ......................................................... 3

E. Objectives ........................................................................................ 5

F. Significances ..................................................................................... 5

CHAPTER II: REVIEW OF RELATED LITHERATURE

A. Idioms ............................................................................................ 6

B. Forms of Idioms ............................................................................... 7

1. Definitions of Sentence and Phrase

2.

............................................ 7

Idioms as Sentences and Phrases

3. The Division of Idioms as Phrases ............................................. 10

............................................... 9

Page 8: SKRIPSI

viii

CHAPTER III: FINDINGS

A. The Summary of Harry Potter and the Half Blood Prince’s Movie ..... 14

B. The Application of the Idioms Occur in Harry Potter and the Half

Blood Prince’s Script.......................................................................... 16

CHAPTER IV: CONCLUSION AND SUGGESTION

A. Conclusion ......................................................................................... 67

B. Suggestion.......................................................................................... 70

REFERENCES ................................................................................................ 72

APPENDICES

Page 9: SKRIPSI

1

CHAPTER I

INTRODUCTION

A. Background of the study

In learning English, learners learn to know the meaning of English words; either

the words are in single word or in a group. They usually open up the dictionary to

find the meaning of words.

As defined by The New International Webster’s College Dictionary, an idiom

is an expression not readily analyzable from its grammatical construction or from the

meaning of its component parts. It is the part of the distinctive form or construction of

a particular language that has a specific form or style present only in that language.

While, Oxford Advanced Learner’s Dictionary states that idiom is

Yet, in English, there are words that can’t be found in the

dictionary, and there are phrases or sentences that can’t be explained in grammar

theories. This special feature of English language is called idiom.

the kind of

language and grammar used by particular people at a particular time or place.

Furthermore, idioms, as linguistic feature, present some of the most difficult materials

for learners of English as a foreign or second language to successfully understand.

The difficulties in understanding idioms arise from two different characteristics of

language. The meaning of many idioms often does not correspond to idiom's

individual components (www.articleinsider.com).

Page 10: SKRIPSI

2

In some senses, idioms are the reflection of the environment, life, and historical

culture of the native speakers and are closely associated with their innermost spirit

and feelings. They are commonly used in all types of language, informal and formal,

spoken and written. As idioms are important part of languages, understanding of a

language requires understanding of its idioms and the tactics for idiom translation.

(www.ccsenet.org/journal.htm)

The writer chooses Harry Potter and the Half Blood Prince’s movie to analyze

idioms that may occur. The writer chooses movie because English movie is one of the

effective media to understand English. The writer chooses Harry Potter and the Half

Blood Prince’s movie this movie is a popular movie. It is on the 4th

B. Limitation of the Study

(forth) rank of All

Time Worldwide Charts and it was nominated on Oscar 2009

(http://boxofficemojo.com). It is proved that a lot of people watch and like this

movie. The writer chooses this movie because there are many idioms that occur in

this movie. Moreover, the idioms that are spoken are often used by teenagers, so the

idioms will be suitable to learn by students. All in all, the writer decides to write a

paper entitled The Use of Idioms Found in Harry Potter and the Half Blood Prince’s

Movie by David Yates.

The analysis of this paper is limited on the idioms which are in the form of

phrase. The analysis will be conducted towards the dialogues of the movie.

Page 11: SKRIPSI

3

C. Formulation of the Study

In this paper, the writer will analyze the idioms in Harry Potter and the Half

Blood Prince’s movie. The central problems to be analyzed in this paper are:

1. How far are idioms used in Harry Potter and the Half Blood Prince’s movie?

2. What are the forms of idioms in Harry Potter and the Half Blood Prince’s

movie?

3. What are the meanings of idioms that occur in Harry Potter and the Half

Blood Prince’s movie?

D. Method of Writing the Paper

1. Library Study

The writer reads and collects the reference books and articles which deal with

idioms as the subject of the paper. She collects the theories about idioms then

she searches the dictionaries of idioms. She uses three idiom dictionaries to

do the analysis of meaning. Then she searches the movie which will be

analyzed. She decides to use Harry Potter and the Half Blood Prince’s movie

to be analyzed because this movie has many idioms. Then, to help her

understanding the movie, she searches the written script of Harry Potter and

the Half Blood Prince’s movie.

Page 12: SKRIPSI

4

2. Observation

The writer watches Harry Potter and the Half Blood Prince’s movie to

understand the story and to match the written script with the real dialogues of

the movie. She fixes the written script based on the real dialogue on the

movie. Afterwards, she writes down sentences which use idioms from the

written script based on the context of the dialogues in the movie.

3. Application

The writer analyzes the meanings of idioms based on the idioms dictionaries

and decides the exact meaning of each idiom based on the context of the

sentence and the story of the movie. Then, she uses the theories of idioms

from the reference books and articles to analyze the form of idioms.

4. Conclusion

The writer makes conclusion after she analyzes the application of idioms in

the written script. Then, she makes suggestions for readers based on her

experience when analyzing the application of idioms in the movie.

Page 13: SKRIPSI

5

E. Objectives

The objectives of the study are :

1. To find out the number and forms of idioms that are used in Harry Potter and

the Half Blood Prince’s movie.

2. To find out the meaning of idioms that are used in Harry Potter and the Half

Blood Prince’s movie.

F. Significances

The paper is expected to inform students, especially foreign language students,

that learning English can be done by watching movie and other fun activities. The

paper is also expected to give advantage for English movie’s viewers to understand

the idioms that may occur in a movie, not only in Harry Potter and the Half Blood

Prince’s movie. Besides, this can also be used in the English class, especially in

relation to the teaching of idioms.

For other writers who are interested in analizing idioms, the paper can be a

reference.

Page 14: SKRIPSI

6

CHAPTER II

REVIEW OF RELATED LITHERATURE

This paper discusses idioms. To have a clear description of the aspects of idiom,

the writer explains it from the general terms, as follows:

A. Idioms

A S Hornby on Oxford Advanced Learner’s Dictionary of Current English

(1974:421) defines idiom as a phrase or sentence whose meaning is not obvious

through knowledge of the individual meanings of the constituent words but must be

learnt as a whole.

Michael Swan (1995:243) proposed an expression like turn up (meaning

‘arrive’), break even (meaning ‘make neither a profit nor a loss’) or a can of worms

(meaning ‘a complicated problem’) can be difficult to understand, because its

meaning is different from the meanings of the separate words in the expression.

Expression like this called idioms. Idioms are usually special to one language and

cannot be translated word for word.

Douglas Biber, Susan Conrad, Geoffrey Leech, (2002;18) stated that an idiom,

like many compounds, is a multi-word unit with a meaning that cannot be predicted

from the meanings of its constituent words. A typical example is a verb expression

like fall in love or make up (one’s) mind. However, the boundary between idioms and

freely chosen combinations is not always clear.

Page 15: SKRIPSI

7

Three definitions of idiom have been written above, but basically they contain a

similar definition: an idiom is a multi-word expression whose meaning is different

from the meaning of the individual words, so it must be learnt as a whole.

B. Forms of Idioms

Oxford Advanced Learner’s Dictionary of Current English defines idiom as

a phrase or sentence whose meaning is not obvious through knowledge of the

individual meanings of the constituent words but must be learnt as a whole.

1.

From the definition above we know that in fact the forms of idioms can be two:

sentence or phrase.

Definitions of Sentence and Phrase

a)

Before going on, to know more clearly about the theory of sentence and phrase,

the writer discusses the scientific definitions of sentence and phrase as follows:

The definition of sentence

A S Hornby (1974;777) defines sentence is the largest grammatical unit,

consisting of phrases and/or clause, used to express a statement, question,

command, etc. Besides, A S Hornby (1974;629) defines phrase as a group of

words (often without a finite verb) forming part of a sentence. A S Hornby

(1974;153) also defines clause as a (gram) component of a (complex) sentence

with its own subject and predicate, especially one doing the work of a noun,

adjective or adverb.

Page 16: SKRIPSI

8

• My mother gives me a beautiful dress.

The writer syntezises that a sentence at least has to have a subject and

predicate in it. The example of sentence is:

This example is a sentence because it has a subject and a predicate.

1) Subject : My mother

2) Predicate : gives

b)

A S Hornby (1974;629) defines

The definition of phrase

phrase is group of words (often without a

finite verb) forming part of a sentence. In grammar, a phrase is a group of

words functioning as a single unit in the syntax of sentence. (wikipedia.com)

Geoffrey Leech (2001;289) states that in English phrases, there is usually one

word which is the main word in the phrase and we can add one or more

modifiers to this to specify its meaning more exactly. The main word is called

a head word. The names of the phrases based on the kind of the head word in

the phrase.

Douglas Biber (2002;38) states that a phrase may consist of a single word or a

group of words. Phrases can be identified by substitution, that is by replacing

one expression with another, to see how it fits into the structure. In particular,

a multi word phrase can often be replaced by a single-word phrase without

changing the basic meaning. Douglas (2002;39) writes down the example of

diagram that shows us the position and function of a phrase in a clause.

Page 17: SKRIPSI

9

They passed the table with the two men

From the explanation above, the writer syntezise that a phrase is made from a

word or a group of words, which behaves like units : subject, verb, predicate,

object, adverb; in clause or sentence. The example of phrase is:

On the bedroom floor

2.

This example is a phrase because it has no subject and predicate. As a

phrase, it behaves as adverb.

Now, the writer will give examples of idioms used both as a phrase and a

sentence.

Idioms as Sentences and Phrases

a) Idiom as a sentence:

A chain is no stronger than its weakest link.

Idiom above is in a form of sentence because it has a subject and a predicate.

• Subject: A chain

• Predicate: is

Clause

Noun phrase

Verb phrase

Noun phrase

Prep. phrase

Noun phrase

Page 18: SKRIPSI

10

This idiom means that processes, organizations, etc, are vulnerable because

the weakest person or part can always damage or break them.

b) Idiom as a phrase:

Get in touch with someone.

Idiom above is in a form of phrase because it has no subject. It only has a

predicate: Get. Whereas, a sentence at least has to have a subject and a

predicate. So, it is included in idiom as a phrase. In a sentence, this idiom

usually behaves as predicate.

This idiom means to communicate with someone or to telephone or write to

someone.

3. The Division of Idioms as Phrases

In this paper, the writer limits the discussion on idioms as phrases, so the writer

tries to find deep theories of idiom as a phrase.

Douglas Biber, Susan Conrad, Geoffrey Leech, (2002;18) defines that the

boundary between idioms and freely chosen combinations is not always clear.

Then,

a) Phrasal Verbs

Geoffrey Leech (2001:205) states Phrasal Verbs and Phrasal-Prepositional

Verbs are an important classes of idioms. Moreover, Dr Tan Cheng Lim PhD

(2004: Preface) purposes english idioms takes different forms and are unclear in

meaning on the surface structure. Generally speaking, they consist of the

following six types:

b) Prepositional Phrases

Page 19: SKRIPSI

11

c) Idioms with verbs as keywords

d) Idioms with nouns as keywords

e) Idioms with adjectives as keywords

f) Idiomatic pairs

Based on

a) Phrasal Verbs

the explanation above and the writer’s library study process, she

syntezises that there is no exact structure or syntax of English idioms. So, the

writer combines the two statement above to analyze idioms which will be found

on the script. In the result, there are 7 (seven) forms of idioms which will be

analyzed. Here are the further explanation:

Geoffrey Leech (2001:392) mentioned “A phrasal verbs consists of

Such phrasal verbs are the main way new verbs enter the English language.

They usually begin in casual speech where they become part of our everyday

vocabulary and eventually become recognized as acceptable standard usage.

(www.uhv.edu/ac)

VERB + ADVERB. The two words form an idiom. It is called a phrasal verb

only if the adverb changes the meaning of the verb.”

(1). Broke down means stopped working.

The example of phrasal verbs as idioms are:

(2). Grow up means becoming adults.

(3). Look out means a warning.

Page 20: SKRIPSI

12

Most of the adverbs in phrasal verbs are related to prepositions, so they are

known as Prepositional Adverbs. The example of prepositional adverbs which

form phrasal verbs are: about, around, on, up, in, over, etc.

b) Phrasal-Prepositional Verbs

The next class of idioms is Phrasal-Prepositional Verbs. Phrasal-Prepositional

Verbs are partly phrasal verbs and partly prepositional verbs. Like phrasal

verbs (e. g take off), they have an adverb following the verb. Like

prepositional verbs (e. g looks at), they have a preposition following the verb.

The form of Phrasal-Prepositional verb is

VERB + ADVERB + PREPOSITION

Here are some examples:

(1). Look up to means respect.

(2). Looking forward to means waiting in an excitement.

c) Prepositional Phrase

Geoffrey Leech (2001:391-393) states that the purpose of the adverb is to

change the meaning of the verb and the purpose of the preposition is to link

the noun phrase to the verb (+adverb).

Geoffrey Leech (2001:413) states prepositional phrase is a group of words

composed of a preposition and the word(s) which follow(s) it (normally a

noun phrase).

(1). PREPOSITION + NOUN PHRASE

Forms of Prepositional Phrase are:

Page 21: SKRIPSI

13

(2). PREPOSITION + PRONOUN

(3). PREPOSITION + -ING CLAUSE

(4). PREPOSITION + WH- CLAUSE

(5). PREPOSITION + ADVERB

The examples of Prepositional Phrase as idioms are:

(1). In a nutshell means in a few words.

(2). From time to time means occasionally.

(3). With a view to means with the intention of doing something.

d) Idioms with verbs as keywords

For example:

(1). Come in handy means prove to be useful.

(2). Fight shy of means avoid

(3). Leave no stone unturned means use every possible means.

e) Idioms with nouns as keywords

For example:

(1). Child’s play means something very easy to do.

(2). A blessing disguise means something that turns out to be fortunate and

advantageous after seeming to be the opposite at first.

(3). Food for thought means something to think about.

f) Idioms with adjectives as keywords

For example:

(1). Cold comfort means no comfort or consolation at all.

Page 22: SKRIPSI

14

(2). Wishful thinking means believing that something is true or that something

will happen just because one wishes that it were true or would happen.

(3). Plan sailing means an easy course.

g) Idiomatic pairs

For example:

(1). Safe and sound means safe and whole or healthy.

(2). Do or die means to do something or die trying.

(3). Sink or swim means to fail or succeed.

Page 23: SKRIPSI

14

CHAPTER III

FINDINGS

A. The Summary of Harry Potter and the Half Blood Prince’s Movie

Harry Potter and the Half Blood Prince is Harry Potter’s sixth movie. From its

previous movies, it was told that Harry Potter is an orphan boy. Since child, he lives with

his aunt, uncle and his cousin. They don’t treat him well. When he grew up, someone

which is mysterious came and told him that he has a magic skill. Then, he spends his live

in a magic school, Hogwarts. He has two best friends, Hermione and Ron. He has a big

enemy, the greatest evil wizard in the wizard world, Voldemort, known as You-Know-

Who or the Dark Lord. Year by year, Harry, Hermione and Ron, helped by his

Headmaster, Dumbledore tries to fight against Voldemort.

On his sixth year in Hogwarts, Harry starts his journey with Dumbledore to persuade

Professor Horace Slughorn to return teaching. Then, he comes to Ron’s house. They buy

school equipment and visit Fred and George’s new shop. They meet Draco and his

mother who walk on the dark alley suspiciously. At Hogwarts, Slughorn becomes the

Potions teacher. Harry and Ron are able to enroll in his class, and Harry borrows a special

book that makes him winning a vial of Felix Felicis, a luck potion. The book formerly

belonged to "The Half-Blood Prince".

Harry becomes suspicious of his rival Draco Malfoy, and when Katie Bell is almost

killed while attempting to deliver a cursed necklace under the influence of the Imperius

Curse. Then, after winning Quidditch Cup, Ron dates with Lavender Brown, creating a

divide between him and Hermione. This rift is only mended when he accidentally

consumes a love potion and then poisoned mead which almost kills him.

Page 24: SKRIPSI

15

Dumbledore tells Harry to use his Pensieve to show him memories of Voldemort's

past. Dumbledore asks Harry to retrieve a key memory from Slughorn regarding

Slughorn's conversation with a young Tom Riddle. Harry uses some of his Felix Felicis

to acquire the memory.

The memories reveal that Voldemort splintered his soul into six fragments attached to

objects called Horcruxes, while leaving a seventh piece in his body, in order to achieve

immortality. Two Horcruxes have been destroyed - Tom Riddle's diary, by Harry in the

Chamber of Secrets four years earlier, and Marvolo Gaunt's ring, by Dumbledore.

Dumbledore locates another Horcrux and asks Harry to accompany him to destroy it.

They travel to a cave and retrieve a locket, but Dumbledore is weakened after drinking a

potion to obtain the Horcrux. They successfully back to the school. Dumbledore are

confronted at the top the tower by Draco Malfoy. Draco admits that he was behind two

attacks on Hogwarts students, with both objects intended for Dumbledore, whom

Voldemort had ordered Draco to kill. At the end, Snape kills Dumbledore. Harry is angry,

run after Snape, who reveals that he is the Half-Blood Prince then disapparates with

Draco and the Death Eaters.

Harry recovers the locket from Dumbledore's body, only to discover it is a fake left

by someone with the initials R. A. B., who stole the real Horcrux and left a note about his

opposition to Voldemort. The school year ends with Dumbledore's death. Harry vows to

hunt for the remaining Horcruxes instead.

Page 25: SKRIPSI

16

B. The Analysis of the Idioms Found in Harry Potter and the Half Blood Prince’s

Script

1. Get off (page 1, dialogue 9)

Waitress : Eleven. That’s when I get off

a. Meaning:

. You can tell me all about that tosser

Harry Potter.

Joseph (2003; 94) stated that get off has three meanings: go down (out from

vehicle), to leave or to depart, and to escape or avoid punishment.

Richard (2000; 139) stated that get off has three meanings: to escape or avoid

punishment, to start off (on a friendship), and to leave or to depart.

Harold (1973; 55) stated that get off means: leave or alight from a vehicle or

public means of transportation, remove, mail or send, deliver, produce.

According to the story, the waitress is working and tells Harry that he can see

her after she gets off at eleven. So, get off means to leave (from her place of

work).

b. Form

Get = verb

Off = adverb

Get off is formed by Verb + Adverb. So, it belongs to a form of phrasal verb.

2. Come by (page 2, dialogue 23)

Slughorn: “It’s all in the upholstery. I came by

a. Meaning:

the stuffing naturally. What gave

me away?

Page 26: SKRIPSI

17

Joseph (2003; 45) stated that come by means to get something.

Richard (2000; 72) stated that come by (something) means: to travel by a

specific carrier, such as a plane, a boat, or a car, and to find or get something.

Harold (1973; 26) stated that come by means: get or acquire and pass by or

approach.

According to the story, Slughorn managed to turn himself into an armchair by

magic. Dumbledore praised him and said that it was a convincing armchair.

Then, Slughorn said the sentence above. So, come by means get something.

b. Form

Come = verb

By = adverb

Come by has a form of phrasal verb because it consists of Verb + Adverb.

3. Give someone away (page 2, dialogue 23)

Slughorn: “It’s all in the upholstery. I came by the stuffing naturally. What gave

me away

a. Meaning:

?

Joseph (2003; 99) stated that give away has two meanings: hand over, and to

divulge or revealed (a secret).

Harold (1973; 57) stated that give away means: give to another, reveal

something hidden and give the bride to the groom in marriage.

According to the story, Slughorn turned his body into an armchair then

Dumbledore succeed to find him. Then Slughorn was curious and asked the

questions above. So, give away in this context means reveal something hidden.

Page 27: SKRIPSI

18

b. Form

Give = verb

Away = adverb

Give away has a form of phrasal verbs because it is formed by Verb + Adverb.

4. Put back (page 2, dialogue 30)

Dumbledore: Well, I think it should be put back

a. Meaning:

in order for them, don't you,

mind?

Harold (1973; 123) stated that put back means return. According to the story,

Dumbledure, Dumbledore saw the house was in a mess then he said the

sentence above. So, put back means return (the furniture that are scattered to

be in order).

b. Form:

Put = verb

Back = adverb

Put back has a form of phrasal verb because it consists of Verb + Adverb.

5. Look like (page 2, dialogue 33)

Slughorn: You look very like

a. Meaning:

your father. Except for your eyes. You’ve got..

Richard (2000; 253) stated that look like has one meaning: to give the

appearance of predicting (something).

Harold (1973; 89) stated that look like means resemble.

Page 28: SKRIPSI

19

Based on the story, Slughorn observed Harry’s face and said that Harry looks

like his father, so it means that Harry resembles his father.

b. Form:

Look = verb

Like = adjective

Look like has a form of idiom with verb (look) as keyword because it is formed

by Verb + Adjective.

6. Come along (page 3, dialogue 40)

Slughorn: Ah yes. Regulus Black. You no doubt know of his older brother Sirius.

Died a few weeks ago. I taught the whole Black family except Sirius. Shame.

Talented boy. I got Regulus when he came along

a. Meaning:

, of course, but I'd have liked the

set.

Joseph (2003; 45) stated that come along has one meaning. It means get better.

Harold (1973; 26) stated that come along means: accompany, and succeed or

get along.

According to the story, Slughorn has taught the Black family and he taught

Regulus Black when Regulus came along. So, come along means get along or

make progress. It means Slughorn taught and closed to Regulus when he made

progress in his study at the magic school, Hogwartz.

b. Form:

Come = verb

Along = adverb

Page 29: SKRIPSI

20

Come along is a phrasal verb because it consists of Verb + Adverb.

7. A lost cause (page 3, dialogue 43)

Dumbledore: I think I know a lost cause

a. Meaning:

when I see one. Regrettable. I would

have considered it a personal triumph had you consented to return to Hogwarts,

Horace. You are, like my friend Mr. Potter -- one of a kind. Bye bye Horace!

Richard (2000; 255) stated that a lost cause has one meaning. It means a futile

attempt or a hopeless matter.

Harold (1973; 90) stated that a lost cause means a movement which has failed

and has no chance of being revived.

Based on the story, Dumbledore persuaded Slughorn to return teaching but

Slughorn refused it. Then Dumbledore said the sentence above. So a lost cause

means a matter which has failed or it means a futile attempt.

b. Form:

A = article

Lost = adjective

Cause = noun

A lost cause is formed by Article + Adjective + Noun. So, it belongs to a form

of idiom with noun (cause) as keyword.

8. Step in (page 5, dialogue 78)

Ron: Anyway, Dad stepped in

a. Meaning:

, told her she was being barmy. Took a day or two,

but she came round.

Page 30: SKRIPSI

21

Joseph (2003; 267) stated that step in has two meanings: to enter (a room) and

intervene.

According to the story, Ron’s mother avoids him to back to Hogwarts but his

father tells her to not being barmy (unreasonable). So, step in means intervene.

b. Form:

Step = verb

In = adverb

Step in is a phrasal verb because it consists of Verb + Adverb.

9. Come round (page 5, dialogue 78)

Ron: Anyway, Dad stepped in, told her she was being barmy. Took a day or two,

but she came round

a. Meaning:

.

Joseph (2003; 319) stated that come around has two meanings: change the

opinion, and come or visit.

Richard (2000; 72) stated that come (a)round has two meanings: finally to

agree or consent (to something), and to return to consciousness or to wake up.

Harold (1973; 26) stated that come around means: agree, revive and visit.

According to the story, Ron’s mother was told by Ron’s father that she was

wrong. Then she came round with Ron’s father’s opinion. So, come round

means finally to agree or consent.

b. Form:

Come = verb

Around = adverb

Page 31: SKRIPSI

22

Come around has a form of phrasal verb because it consists of Verb + Adverb.

10. Put down (page 6, dialogue 88)

Snape: If the Dark Lord has forbidden it, ought not to speak. Put it down

a. Meaning:

, Bella.

We mustn't touch what isn't ours.

Joseph (2003; 230) stated that put down has four meanings: quell or break,

write a note, lists, (passive) caused by.

Richard (2000; 328) stated that put (something) down has five meanings: to

belittle or degrade someone or something, (with something) to repress or

(figuratively) crush something, (with something) to write something down,

(with something) to land an aircraft, (with something) to take the life of an

animal, such as a pet that is suffering.

Harold (1973; 123) stated that put down means: cease to hold or place down

somewhere or lay aside, suppress, write down and attribute to.

From the story, Snape said something to Cissy then he saw Bella touched

something and Snape asked her to put it down. So, put down means to place

down something somewhere.

b. Form:

Put = verb

Down = adverb

Put down consists of Verb + Adverb. So, it belongs to a form of phrasal verb.

11. Take out (page 6, dialogue 101)

Snape: Take out your wand.

Page 32: SKRIPSI

23

a. Meaning:

Joseph (2003; 279) stated that take out has two meanings: asked (something) to

be filled, start scattered.

Harold (1973; 166) stated that take out means: accompany or escort, remove or

extract from a pocket, purchase or contract for and vent one’s feeling upon or

get revenge upon.

According to the story, Snape asked Bella to take out her wand. Then, she toke

her wand from her pocket. So, it is clear that take out means extract

(something) from a pocket.

b. Form:

Take = verb

Out = adverb

Take out has a form of phrasal verb because it is formed by Verb + Adverb.

12. Watch over (page 6, dialogue 102)

Bellatrix: Will you, Severus Snape, watch over

a. Meaning:

Draco Malfoy as he attempts to

fulfill the Dark Lord's wishes.

Richard (2000; 429) stated that watch over has one meaning. It means to

monitor or guard someone or something.

Harold (1973; 181) stated that watch over means take care of or guard.

According to the story, Snape was asked to promise that he would watch over

Draco as long as he completed the task given by The Dark Lord because it was

a dangerous task. So, watch over means guard someone.

Page 33: SKRIPSI

24

b. Form:

Watch = verb

Over = adverb

Watch over consists of Verb + Adverb. So, it belongs to a form of phrasal verb.

13. Carry out (page 7, dialogue 106)

Bellatrix: And should it prove necessary, if it seems Draco will fail... will you

yourself carry out

a. Meaning:

the deed that the Dark Lord has ordered Draco to perform?

Richard (2000; 62) stated that carry out has one meaning. It means to perform

a task or an assignment.

Harold (1973; 21) stated that carry out means perform or complete an assigned

task.

According to the story, Snape had to promise that he would guard Draco and if

Draco failed, he had to carry out the deed that had been ordered by Dark Lord

to Draco. So, carry out means complete a task (action).

b. Form:

Carry = verb

Out = adverb

Carry out consists of Verb + Adverb. So, it has a form of phrasal verb.

14. Step up (page 7, dialogue 108)

Fred/George: Step up

a. Meaning:

! Step up!

Page 34: SKRIPSI

25

Joseph (2003; 268) stated that step up has four meanings: go up, show,

promoted (at work), increasing the speed.

Richard (2000; 379) stated that step up has one meaning. It means to move

forward, toward someone.

Harold (1973; 157) stated that step up means increase, accelerate.

According to the story, Fred and George asked the customers of their crowded

store to step up because there were more customers which were coming. So,

step up means to move forward.

b. Form:

Step = verb

Up = adverb

Step up is formed by Verb + Adverb. So, it belongs to a form of phrasal verb.

15. Close down (page 8, dialogue 131)

Hermione: How is it Fred and George are doing it? Half the alley's closed down

a. Meaning:

.

Joseph (2003; 43) stated that close down means close (store or business)

Richard (2000; 70) stated that close down has one meaning. It means to make

something stop operating or to put something out of business.

According to the story, Hermione was in a market and she saw the stores are

closed down. So, close down means to make something stop operating or out of

business.

b. Form:

Close = verb

Page 35: SKRIPSI

26

Down = adverb

Close down is formed by Verb + Adverb. So, it has a form of phrasal verb.

16. Go out (page 9, dialogue 153)

Pansy: Relax, boys. The lights went out

a. Meaning:

is all. Come, Draco. We'll be at Hogwarts

before you know it.

Harold (1973; 60) stated that go out means: stop burning or giving off light,

pass out of date or style, accompany or go out in the company of, leave.

According to the story, they were in the train and the room suddenly became

dark. Then, Pansy said the sentence. Moreover, the object of the verb went out

is the lights. So, go out means stop giving off light.

b. Form:

Go = verb

Out = adverb

Go out has a form of phrasal verb because it consists of Verb + Adverb.

17. Go on (page 9, dialogue 160)

Draco: You two go on

a. Meaning:

. I want to check something.

Joseph (2003; 105) stated that go on has five meanings: happen, nearly, keep

going, passed, took place

Richard (2000; 163) stated that go on has one meaning, it means stop saying

those things, not so or I don’t believe you. (Also literal, meaning “to continue.”

Always as a command.)

.

Page 36: SKRIPSI

27

Harold (1973; 60) stated that go on means continue, proceed, continue walking

or riding or go along, approach, a scornful expression suggesting disbelief,

proceed upon, and use as a basis.

Based on the story, Draco asked his friends to go on then his friends left him

behind. So, go on means continue walking and according to the movie, the

writer synthesizes that it is a command.

b. Form:

Go = verb

On = adverb

Go on has a form of phrasal verb because it consists of Verb + Adverb.

18. Wipe (something) off (page 9, dialogue 162)

Draco: Oh, right, she was dead before you could wipe the drool off

a. Meaning:

your chin.

Richard (2000; 435) stated that wipe (something) off means: to remove

something (from something else) by wiping or rubbing, to tidy or clean

something by wiping (something else) off.

According to the story, Harry was mocked by Draco about Harry’s mother

death when he was child. Moreover, on the sentence above, the object of verb

wipe off is the drool and the adverb of place is your chin. So, it is clear that

wipe (something) off means to remove something (from something else) by

wiping.

b. Form:

Wipe = verb

Page 37: SKRIPSI

28

Off = adverb

Wipe off has a form of phrasal verb because it is formed by Verb + Adverb.

19. Devil-may-care (page 10, dialogue 181)

Luna: Would you like me to fix it? Personally I think you look a bit more devil-

may-care

a. Meaning:

this way. But it's up to you.

Joseph (2003; 58) stated that devil-may-care has one meaning, it means not

care.

Richard (2000; 88) stated that devil-may-care (attitude) means a very casual

attitude, worry-free or carefree attitude.

According to the story, Luna saw Harry looked messy and his nose covered by

blood. So, Luna said Harry looked a bit more devil-may-care because Harry

didn’t care about his condition. So, devil-may-care means carefree attitude.

b. Form:

Devil = noun

May = modal

Care = verb

Devil-may-care has a form of Noun + Modal + Verb. So, it belongs to a form

of idiom with noun (devil) as keyword.

20. Give it a go (page 11, dialogue 184)

Harry: Okay, yeah. Give it a go

a. Meaning:

.

Joseph (2003; 322) stated that give it a go has one meaning. It means try.

Page 38: SKRIPSI

29

Based on the story, Harry was offered by Luna to fix his condition then he

permitted her by saying give it a go. So, give it a go means try.

b. Form:

Give = verb

It

A = article

= pronoun

Go = noun

Give it a go has a form of idiom with verb (give) as keyword because it is

formed by Verb + Pronoun + Article + Verb.

21. Look out (page 12, dialogue 202)

Dumbledore: Today, of course, the world knows him by another name. Which is

why, as I stand looking out

a. Meaning:

upon you all tonight, I am reminded of a sobering fact.

Every day, every hour, this very minute perhaps, dark forces attempt to penetrate

this castle’s wall. But in the end, their greatest weapon is... you.

Joseph (2003; 180) stated that look out means be careful.

Richard (2000; 253) stated that look out has three meanings: (with someone) to

watch over and care for someone, to be on guard for someone or something or

to be on watch for the arrival or approach of someone or something, to try to

avoid a confrontation with someone or something.

Harold (1973; 89) stated that look out means be careful or watch.

According to the context, Dumbledore stood in front of the students. So, look

out means watch over.

Page 39: SKRIPSI

30

b. Form:

Look = verb

Out = adverb

Look out has a form of phrasal verb because it consists of Verb + Adverb.

22. Keep in mind (page 12, dialogue 203)

Dumbledore: Just something to keep in mind

a. Meaning:

. Now, off to bed. Pip pip!

Harold (1973; 77) stated that keep in mind means remember.

Based on the story, Dumbledore gave an advice to the students and he said

keep in mind on the end of his advice. So, keep in mind means remember.

b. Form:

Keep = verb

In = preposition

Mind = noun

Keep in mind consists of Verb + Preposition + Noun. So, it belongs to a form

of idiom with verb (keep) as keyword.

23. Come up (page 12, dialogue 215)

Ron: But I don't want to take Potions! This is Quidditch trials coming up

a. Meaning:

. I need

to practice.

Joseph (2003; 48) stated that come up means coming soon.

Harold (1973; 28) stated that come up means arise.

Page 40: SKRIPSI

31

Based on the story, Ron was forced to follow Dr. Slughorn’s class and he said

that Quidditch trial’s coming up and he needs practice as an excuse to miss the

class. Moreover, according to its context, something which coming up is a

match. So, come up means coming soon.

b. Form:

Come = verb

Up = adverb

Come up has a form of phrasal verb because it consists of Verb + Adverb.

24. Wear off (page 13, dialogue 230)

Slughorn: Yes, Miss Granger. Desperately tricky to make. Disastrous should you

get it wrong. One sip and you will find that all your endeavors succeed... at least

until the effects wear off

a. Meaning:

.

Joseph (2003; 306) stated that wear off has two meanings: disappear gradually

and become less.

Richard (2000; 430) stated that wear off means to become less and to stop

gradually. (Also literal)

Harold (1973; 182) stated that wear off means pass off and disappear

gradually.

According to the story, Slughorn explained the magical power of a potion

when they use it. It is very powerful potion but he said until the effect wears

off. So, wear off means disappear gradually.

b. Form:

Page 41: SKRIPSI

32

Wear = verb

Off = prepositional verb

Wear off is formed by Verb + Adverb. So, it belongs to a form of phrasal verb.

25. Point out (page 14, dialogue 232)

Slughorn: I should point out

a. Meaning:

, however, only once did a student manage to brew a

potion of sufficient quality to claim this prize. Nevertheless, good luck to you all.

Let the brewing commence.

Joseph (2003; 225) stated that point out means to show.

According to the story, Slughorn explained something that was mentioned on

the dialogue above after the phrase of point out. So, point out means to show

or more specifically it means explain.

b. Form:

Point = verb

Out = adverb

Point out belongs to a form of phrasal verb because it consists of Verb +

Adverb.

26. Get out of (page 16, dialogue 268)

Dumbledore: I think there is something trying to get out of

a. Meaning:

your wardrobe, Tom.

Harold (1973; 56) stated that get out of means: avoid and extract from or gain

from.

Page 42: SKRIPSI

33

Based on the story, Dumbledore showed his magic power to Tom by burned

Tom’s wardrobe. Then, he said the sentence above to forced Tom to show him

Tom’s secret box. According to Harold definition, get out of means extract

from. Moreover, Hornby (1974; 302) defined that extract means take or get out

(usually with effort or by force). So, in other words, get out of in this context

means get out by force.

b. Form:

Get = verb

Out = adverb

Of = prepositional

Get out of is formed by Verb + Adverb + Preposition. So, it belongs to a form

of phrasal-prepositional verb.

27. Go out for (page 17, dialogue 286)

Cormac: I'll be going out for

a. Meaning:

Keeper as well. Nothing personal.

Joseph (2003; 106) stated that go out for means following the test to become a

member of the team.

Harold (1973; 60) stated that go out for means: strive for, seek to gain or enter

into.

Based on the story, Cormac and Ron competed to be the best Keeper on the

Quiditch team. Then, Cormac said to Ron that he will be going out for the

position of a Keeper on the team. So, go out for means seek to gain.

b. Form:

Page 43: SKRIPSI

34

Go = verb

Out = adverb

For = prepositional

Go out for consists of Verb + Adverb + Preposition. So, it belongs to a form of

phrasal-prepositional verb.

28. Take a look (page 17, dialogue 298)

Hermione: I'd like to know just whose book that was. Let's take a look

a. Meaning:

, shall we?

Richard (2000; 389) stated that take a look means to examine (briefly) someone

or something.

According to the story, Hermione was curious about Harry’s book and she

wanted to take a look the book to know whose book it is. So, it is clear that

take a look means to examine something.

b. Form:

Take = verb

A = article

Look = noun

Take a look consists of Verb + Article + Noun. So, it belongs to a form of

idiom with noun (look) as keyword.

29. Find out (page 18, dialogue 306)

Hermione: For weeks you carry around this book, practically sleep with it... and

you have no desire to find out

a. Meaning:

who The Half-Blood Prince is?

Page 44: SKRIPSI

35

Joseph (2003; 79) stated that find out means to know

Richard (2000; 116) stated that find (someone or something) out has two

meanings: (with something) to discover facts about someone or something or to

learn a fact, (with someone) to discover something bad about someone.

Harold (1973; 49) stated that find out means discover or learn.

According to the story, Hermione wondered Harry didn’t want to know who is

The Half Blood Prince. So, find out means to discover facts about someone.

b. Form:

Find = verb

Out = adverb

Find out is formed by Verb + Adverb. So, it belongs to a form of phrasal verb.

30. By the way (page 18, dialogue 307)

Harry: I didn't say I wasn't curious. And, by the way

a. Meaning:

, I don't sleep with it.

Joseph (2003; 34) stated that by the way means in addition (an expression).

Richard (2000; 58) stated that by the way means incidentally, in addition or

while I think of it.

Harold (1973; 19) stated that by the way means incidentally.

According to the story, Harry’s friends accused him that he wasn’t curious and

he slept with the book for weeks. Then Harry denied those two accusations. So,

the most suitable synonym for by the way is in addition.

b. Form:

By = preposition

Page 45: SKRIPSI

36

The = article

Way = noun / adverb

By the way is formed by Preposition + Article + Noun / Adverb. So, it belongs

to a form of prepositional phrase.

31. Look over (page 19, dialogue 329)

Hermione: So? What if she looked over

a. Meaning:

here and saw you snogging me? Would

you expect her to get up and leave?

Richard (2000; 253) stated that look (someone or something) over means to

examine someone or something carefully

Harold (1973; 89) stated that look over means examine.

According to the story, Ron’s said something about his sister who sat on the

corner of the café then Hermione replied by saying that if Ron’s sister look

over here. Here means Hermione, Ron and Harry who sat near Ron’s sister. So,

look over means to examine someone.

b. Form:

Look = verb

Over = adverb

Look over has a form of phrasal verb because it is formed by Verb + Adverb.

32. Get up (page 19, dialogue 329)

Hermione: So? What if she looked over here and saw you snogging me? Would

you expect her to get up

a. Meaning:

and leave?

Page 46: SKRIPSI

37

Joseph (2003; 98) stated that get up has two meanings: wake up or stand (from

the seat)

Harold (1973; 57) stated that get up means: arise from a bed, chair, etc, or

organize, plan.

According to the story, they talked about Ron’s sister who is in the bar and was

sitting near them. The object her on the sentence above means Ron’s sister. So,

get up means arise from chair.

b. Form:

Get = verb

Up =adverb

Get up is formed by Verb + Adverb. So, it belongs to a form of phrasal verb.

33. Get back (page 20, dialogue 349)

Hagrid: Don’t go any closer. Get back

a. Meaning:

! All of you!

Richard (2000; 136) stated that get back (at someone) means someone to repay

one for a bad deed, to get even (with someone).

Harold (1973; 55) stated that get back means return or receive back.

According to the story, Hagrid saw the students come near to a student who

was unconscious because she was cursed. Then, Hagrid asked them to get back

because he realized that it was a dangerous matter. So, get back means return.

b. Form:

Get = verb

Back = adverb

Page 47: SKRIPSI

38

Get back has a form of phrasal verb because it consists of Verb + Adverb.

34. Running something all over (page 21, dialogue 374)

Ron: Yeah, well, he was running his hands all over

a. Meaning:

my sister, wasn't he?

Something snaps. You've got to hate him. You know, on principle.

Harold (1973; 135) stated that run over has three meanings: knock down and

pass over with an automobile or other moving vehicle, review or rehearse,

exceed.

A S Hornby (1974; 747) stated that run over means (of a vessel or its contents)

overflow.

According to the context, Hornby stated that run over means overflow and

Harold stated that run over means knock down. Whereas, knock down means

overwhelming. Two definitions above are close in meaning. But, the movie

shows a boy embrace Ron’s sister. In addition, the object of run over on the

dialogue is his hands. So, the writer synthesizes that run over means

overwhelming but not about vehicle or vessel. It means embrace or someone

who puts his hands on the someone else’s body and moves it throughout it.

b. Form:

Run = verb

Over = adverb

Run over is formed by Verb + Adverb. So, it belongs to a form of phrasal verb.

35. Get on (page 22, dialogue 389)

Page 48: SKRIPSI

39

Marcus: Don’t know. He and my dad don't get on

a. Meaning:

. Probably because Dad thinks

potions are rubbish. Says the only potion worth having is a stiff one at the end of

the day.

Joseph (2003; 95) stated that get on means discipline.

Richard (2000; 142) stated that get on (someone) means to pester someone

(about something), to pressure someone. (Also literal)

Harold (1973; 56) stated that get on means: board or enter a vehicle, progress

or succeed, grow older, live or work harmoniously with.

Based on the story, Slughorn asked Marcus about the relationship between

Marcus’s uncle and dad. Moreover, according to the context, the subjects of the

verb get on are two people. So, the most correct definition about get on is live

or work harmoniously with.

b. Form:

Get = verb

On = adverb

Get on has a form of phrasal verb because it is formed by Verb + Adverb.

36. Come in (page 22, dialogue 394)

Slughorn: Miss Weasley! Come in, come in

a. Meaning:

.

Joseph (2003; 46) stated that come in means become the winner.

Harold (1973; 27) stated that come in means: begin, enter, share and

participate.

Page 49: SKRIPSI

40

According to the story, Miss Weasley came late to the dinner and Slughorn

asked her to come in. Then she entered the room. So, come in means enter.

b. Form:

Come = verb

In = adverb

Come in is formed by Verb + Adverb. So, it belongs to a form of phrasal verb.

37. In time (page 23, dialogue 397)

Slughorn: No matter. You'll be just in time

a. Meaning:

for dessert. That is if Belby leaves

you any.

Joseph (2003; 150) stated that in time has three meanings:

Richard (2000; 221) stated that in time has three meanings: in a normal or

expected amount of time, keeping in rhythm or cadence with music (with

someone or something), before the deadline or before the last minute.

right time, in due

course, finally, in the right rhythm.

According to the story, Miss Weasley came late to the dinner and she came

after the desserts were served and right before the desserts time was over. So,

in time means before the last minute (of desserts time).

b. Form:

In = preposition

Time = noun

In time has a form of prepositional phrase because it is formed by Preposition +

Noun.

Page 50: SKRIPSI

41

38. Count on (page 24, dialogue 415)

Seamus: Counting on

a. Meaning:

you, Ron. I've two Galleons on Gryffindor.

Joseph (2003; 50) stated that count on has two meanings: to rely, to expect.

Richard (2000; 79) stated that count on (someone or something) means to rely

on someone or something.

Harold (1973; 30) stated that count on means depend upon.

According to the story, Ron would play on the Quidditch match and Seamus

came to tell Ron that he bet for the winning of Ron’s team, Gryffindor and

Seamus count on Ron to win the game. So, count on means to rely on someone.

b. Form:

Count = verb

On = adverb

Count on belongs to a form of phrasal verb because it is formed by Verb +

Adverb.

39. Have it (page 24, dialogue 426)

Harry: Have it

a. Meaning:

your way. Juice?

Joseph (2003; 122) stated that have it has five meanings: to know or hear,

choose, allowing, win, here's the deal.

According to the story, Ron decided that he would resign from the team then

Harry replied it. So, have it means to choose (anything that Ron has been

decided)

Page 51: SKRIPSI

42

b. Form:

Have = verb

It = pronoun

40. Put in (page 24, dialogue 429)

Have it has a form of idiom with verb (have) as keyword because it is formed

by Verb + Pronoun.

Luna: Is that why you just put something in

a. Meaning:

his cup. Is it a tonic?

Joseph (2003; 230) stated that put in has six meanings: to add (statement), to

add (items), spend, planting, pay a visit, apply (job).

b.

Based on the story, Harry put a liquid in Ron’s cup before he came. Moreover,

according to the context, put in has an object between it. The object is

something. So, it is clear that put in means to add (items).

Form:

Put = verb

In = adverb

41. Couldn’t careless (page 25, dialogue 439)

Put in has a form of phrasal verb because it is formed by Verb + Adverb.

Hermione: He's at perfect liberty to kiss whomever he likes. I really couldn't care

less

a. Meaning:

. Was I under the impression that he and I would be attending Slughorn's

Christmas party together? Yes. Now, given the circumstances, I've had to make

other arrangements.

Page 52: SKRIPSI

43

Richard (2000; 79) stated that couldn’t careless has one meaning. It means

unable to care at all.

According to the story, Hermione talked about Lavender who made her jealous

because she kissed Ron but she tried to not admit it. She pretended to not care

about it. So, couldn’t careless means unable to care at all.

b. Form:

Could = modal

Not = adverb

Careless = adjective

Couldn’t careless has a form of idiom with adjective (careless) as keyword

because it consists of Modal + Adverb + Adjective.

42. At least (page 26, dialogue 450)

Luna: I've never been to this part of the castle. At least

a. Meaning:

not while awake. I

sleepwalk, you see. It's why I wear shoes to bed.

Joseph (2003; 9) stated that at least has two meanings: no less than and no

fewer than.

Richard (2000; 26) stated that at least has two meanings: no less than or no

fewer than and anyway or in spite of difficulties.

The movie showed that Luna and Harry are walking on the dark alley of the

castle. According to the sentence, Luna told Harry that she has never been to

this part of the castle, at least not while she awake. So, at least means no less

than.

Page 53: SKRIPSI

44

b. Form:

At = preposition

Least = adjective

At least is formed by Preposition + Adjective. So, it belongs to a form of

prepositional phrase.

43. On second thought (page 27, dialogue 463)

Hermione: On second thought

a. Meaning:

, maybe it'll keep Cormac at bay. Oh no, here he

comes!

Richard (2000; 290) stated that on second thought means having given

something more thought or having reconsidered something.

According to the story, at first Hermione didn’t want to eat the Dragon Tartar

but she finally wanted it. So, it is clear that on second thought means having

given something more thought.

b. Form:

On = preposition

Second = adjective

Thought = noun

On second thought has a form of idiom with noun (thought) as keyword

because it is formed by Preposition + Adjective + Noun.

44. Go on (page 27, dialogue 467)

Snape: What's going on

a. Meaning:

back here?

Page 54: SKRIPSI

45

Joseph (2003; 105) stated that go on has five meanings: happen, nearly, keep

going, passed, took place

Richard (2000; 163) stated that go on has one meaning, it means stop saying

those things, not so or I don’t believe you. (Also literal, meaning “to continue.”

Always as a command.)

.

Harold (1973; 60) stated that go on means: continue, proceed or continue

walking or riding or go along, approach, a scornful expression suggesting

disbelief, proceed upon or use as a basis.

According to the story, Snape suspected Harry and Cormac who hid behind the

curtain then he came to them curiously and asked the question above. So, the

most correct meaning of go on is happen.

b. Form:

Go = verb

On = adverb

Go on has a form of phrasal verb because it consists of Verb + Prepositonal

Adverb.

45. Take off (page 27, dialogue 476)

Malfoy: Take your hands off

a. Meaning:

me, you filthy squib!

Harold (1973; 165) stated that take off means: remove (said particularly of

clothes), depart (said particularly of airplanes), mimic another, deduct.

Based on the story, Filch gripped Malfoy’s shoulder by his hands and brought

him in the party’s room. Moreover, according to the sentence, there is and

Page 55: SKRIPSI

46

object between verb take and off, it is your hands. So, the most correct meaning

of take off is remove.

b. Form:

Take = verb

Off = adverb.

Take off has a form of phrasal verb because it is formed by Verb + Prepositonal

Adverb.

46. Carry on (page 28, dialogue 481)

Slughorn: Okay, everyone carry on

a. Meaning:

, carry on.

Joseph (2003; 37) stated that carry on means do (something)

Richard (2000; 62) stated that carry on (with someone or something) means:

(with something) to continue with something, (with someone) to behave

improperly with someone or to be affectionate in public.

Harold (1973; 21) stated that carry on means: misbehave or be indiscreet,

continue or keep up, weep or become hysterical, keep on doing one’s job or

duty.

According to the story that Slughorn’s party stopped because of something but

it is finally handled, then Slughorn asked his guests to carry on. So, it means

continue (with something).

b. Form:

Carry = verb

On = adverb

Page 56: SKRIPSI

47

Carry on has a form of phrasal verb because it is formed by Verb + Adverb.

47. Take (one)’s word (page 28, dialogue 494)

Harry: I'll take your word

a. Meaning:

for it.

Harold (1973; 166) stated that take one’s word means accept or believe

someone’s promise.

According to the story, Ron told Harry about something confidently then Harry

replied it. So, take one’s word means believe someone’s promise.

b. Form:

Take = verb

One’s = possesive pronoun

Word = noun

Take one’s word belongs to a form of idiom with verb (take) as keyword

because it is formed by Verb + Pronoun + Noun.

48. Come down to (page 29, dialogue 504)

Lupin: It comes down to

a. Meaning:

whether or not you trust Dumbledore’s judgement. He

trusts Snape. Therefore, I do.

Joseph (2003; 46) stated that come down to has two meanings: the matter is, be

bequeathed to.

Richard (2000; 73) stated that come down to (something) means to be reduced

to something, to amount to no more than something. (Informal. Similar to boil

down to something.)

Page 57: SKRIPSI

48

According to the story, Harry didn’t trust Snape. But, Dumbledore trusted

Snape. Whereas, Dumbledore is the one Harry really believed. So, Lupin asked

Harry which one he really prefered. Trusting Dumbledore’s instinct or his

instinct. So, come down to means the matter is.

b. Form:

Come = verb

Down = adverb

To = preposition

Come down to is formed by Verb + Adverb + Preposition. So, it belongs to a

form of phrasal-prepositional verb.

49. Open up (page 29, dialogue 509)

Ginny: Open up

a. Meaning:

, you.

Harold (1973; 107) stated that open up means intensive form of ‘open’, and

disclose or reveal or become articulate or talk.

According to the story, Ginny wanted to give Harry a cake and told him to

open his mouth but at first, Harry hesitated to do it and Ginny a little bit forced

him. So, open up means intensive form of ‘open’ or it means Ginny forced

Harry to open his mouth.

b. Form:

Open = verb

Up = adverb

Open up has a form of phrasal verb because it consists of Verb + Adverb.

Page 58: SKRIPSI

49

50. Go on (page 30, dialogue 518)

Harry: Go on

a. Meaning:

.

Joseph (2003; 105) stated that go on has five meanings: happen, nearly, keep

going, passed, took place

Richard (2000; 163) stated that go on has one meaning, it means stop saying

those things, not so or I don’t believe you. (Also literal, meaning “to continue.”

Always as a command.)

.

Harold (1973; 60) stated that go on means: continue, proceed or continue

walking or riding or go along, approach, a scornful expression suggesting

disbelief, proceed upon or use as a basis.

According to the story, Mr. Weasley said something to Harry and he was

listening and replied it. Then Mr. Weasley continued his sentence. So, go on is

a command to continue.

b. Form:

Go = verb

On = adverb

Go on belongs to a form of phrasal verb because it is formed by Verb +

Adverb.

51. Off (someone) go (page 31, 544)

Slughorn: Good gracious, look at the time. Off you go

a. Meaning:

, boys, or Professor Dippett

will have us all in detention.

Page 59: SKRIPSI

50

Richard (2000; 286) stated that off (someone or something) goes means

someone or something is leaving.

According to the story, Slughorn was chatted with his students and he realized

that it was late at night and his students should in their room now. So, it is clear

Slughorn said off you go to ask his students to leave.

b. Form:

Off = adverb

(someone) = pronoun

Go = verb

Off (someone) go belongs to a form of idiom with verb (go) as keyword

because it is formed by Adverb + Pronoun + Verb.

52. Get out (page 31, dialogue 550)

Slughorn: I don't know anything about such things and I wouldn't tell you if I

did! Now get out

a. Meaning:

of here at once and don't ever let me catch you mentioning it

again!

Harold (1973; 56) stated that get out means: leave or depart from a vehicle,

publish or produce, escape.

Based on the story, Slughorn was angry with his student. Then, he asked his

student to get out from his room. So, get out means leave.

b. Form:

Get = verb

Out = prepositinal adverb

Page 60: SKRIPSI

51

Get out is formed by Verb + Adverb. So, it belongs to a form of phrasal verb.

53. Look over (page 32, dialogue 562)

Slughorn: Now don't forget to look over

a. Meaning:

the chapter on antidotes. I'll be

poisoning one of you next time we meet. I'm joking! Off you go! Don't forget

your rattails, Miss Alys.

Richard (2000; 253) stated that look (someone or something) over means to

examine someone or something carefully

Harold (1973; 89) stated that look over means examine.

According to the story, Slughorn taught in his class and said to his students to

look over the chapter on antidotes for their next meeting. So, look over means

to examine something.

b. Form:

Look = verb

Over = adverb

Look over has a form of phrasal verb because it is formed by Verb + Adverb.

54. See eye-to-eye (page 33, dialogue 570)

Harry: Yes, well, we don't exactly see eye-to-eye

a. Meaning:

, sir. What I mean to say is, he's

not like you. He might... misunderstand.

Joseph (2003; 248) stated that see eye-to-eye means agreed.

Page 61: SKRIPSI

52

Richard (2000; 351) stated that see eye to eye (with someone) (about

something) and see eye to eye (with someone) (on something) means to view

something in the same way (as someone else).

According to the story, Slughorn suggested Harry to ask Snape but Harry

refused it because he and Snape didn’t exactly see eye-to-eye and Snape might

be misunderstand. So, see eye-to-eye means to view something in the same

way.

b. Form:

See = verb

Eye = noun

To = preposition

Eye = noun

See eye-to-eye belongs to a form of idiom with verb (see) as keyword because

it is formed by Verb + Noun + Preposition + Noun.

55. Put one up to (page 33, dialogue 573)

Slughorn: Dumbledore put you up to

a. Meaning:

this. Didn't he? Didn't he!

Joseph (2003; 231) stated that put one up to means persuade.

Richard (2000; 330) stated that put someone up to something has three

meanings: to cause someone to do something, to bribe someone to do

something, to give someone the idea of doing something.

Harold (1973; 124) stated that put one up to means: instigate, cause another to

do something.

Page 62: SKRIPSI

53

According to the story, Dumbledore asked Harry to investigate Slughorn by

questioning him but Slughorn didn’t realize it. Then, because Harry didn’t get

what he wanted, he questioned Slughorn directly. Slughorn realized it and he

said the sentence above. So, the most correct meaning of put one up to means

instigate.

b. Form:

Put = verb

(one) = pronoun

Up = adverb

To = preposition

Put one up to belongs to a form of idiom with verb (put) as keyword because it

is formed by Verb + Pronoun + Adverb + Preposition.

56. Whip up (page 34, dialogue 600)

Slughorn: I'd have thought you could whip up

a. Meaning:

a remedy for this in no time,

Harry.

Joseph (2003; 309) stated that whip up has two meanings: prepare quickly,

inspire.

Richard (2000; 434) stated that whip (something) up means to prepare, create,

or put something together quickly.

Harold (1973; 183) stated that whip up means prepare quickly.

According to the story, Harry brought Ron who was under the influence of a

love potion to Slughorn’s room whereas Slughorn has taught them how to treat

Page 63: SKRIPSI

54

those case. So, he thought that Harry didn’t really understand the chapter of

love pot ion. So, whip up a remedy means prepare quickly a remedy (on the

chapter of love potion).

b. Form:

Whip = verb

Up = adverb

Whip up belongs to a form of phrasal verb because it is formed by Verb +

Adverb.

57. Water under the bridge (page 34, dialogue 605)

Slughorn: Yes, well, water under the bridge

a. Meaning:

as they say, correct?

Richard (2000; 429) stated that water under the bridge (something) means past

and forgotten.

Harold (1973; 181) stated that water under the bridge means that which is past

and unchangeable.

According to the story, Harry apologized to Slughorn then Slughorn answered

it with that sentence to show that he didn’t think about it anymore. So, it is

clear that water under the bridge means that which is past and unchangeable.

b. Form:

Water = noun

Under = preposition

The = article

Bridge = noun

Page 64: SKRIPSI

55

Water under the bridge belongs to a form of idiom with noun (water) as

keyword because it is formed by Noun + Preposition + Article + Noun.

58. Pick-me-up (page 35, dialogue 615)

Slughorn: Pick-me-up

a. Meaning:

's what you need, my boy. Do us all good, I think. I've got

butterbeer, wine -- ah -- and a dazzling oak-matured mead. I had other intentions

for this but given the circumstances...

Richard (2000; 179) stated that (have) a pick-me-up means to eat or drink

something stimulating. (The have can be replaced with need, want, etc. The me

does not change.)

The movie showed that Ron just woke up but wasn’t really conscious. Then,

Slughorn gave him drink. So, pick-me-up means to drink something

stimulating.

b. Form:

(have) = verb

A = article

Pick = verb

Me = pronoun

Up = preposition

(have) a pick-me-up belongs to a form of idiom with verb (pick) as keyword

because it is formed by Verb + Article + Verb + Pronoun + Preposition.

59. By chance (page 36, dialogue 626)

Page 65: SKRIPSI

56

Dumbledore: This appears to be a gift, Horace. You don't by chance

a. Meaning:

remember

who gave you this bottle, do you -- which by the way possesses remarkably subtle

hints of licorice and cherry when not polluted with poison.

Joseph (2003; 33) stated that by chance means coincidentally.

Richard (2000; 56) stated that by chance means accidentally, randomly,

without planning.

Based on the story, the bottle contained of potion and Dumbledore asked

Slughorn in case he remembered who gave him the bottle. So, by chance

means coincidentally.

b. Form:

By = preposition

Chance = noun

By chance belongs to a form of prepositional phrase because it is formed by

Preposition + Noun.

60. Make up (page 36, dialogue 634)

Lavender: Don't make me laugh. You haven't spoken in weeks. I suppose you

want to make up

a. Meaning:

with him now that he's suddenly all interesting.

Joseph (2003; 188) stated that make up has five meanings: make, concoct

(stories), replace, apply cosmetics, to end a disagreement (with someone).

Richard (2000; 266) stated that make up (with someone) means to reconcile

with someone, to end a disagreement (with someone).

Page 66: SKRIPSI

57

Harold (1973; 94) stated that make up has eight meanings: constitute or form,

invent or fabricate, renew cordial relations or become reconciled, apply

cosmetics, arrange the bedclothes in proper order, prepare or produce,

compensate for, complete.

According to the story, Hermione and Ron had a problem before. They didn’t

speak to each other for weeks but when Ron was in the hospital, Hermione

suddenly cared about him. Then, Lavender was amazed and said the sentence

above. So, make up means to end a disagreement

b. Form:

Make = verb

Up = adverb

Make up is formed by Verb + Adverb. So, it belongs to a form of phrasal verb.

61. About time (page 36, dialogue 639)

Ginny: About time

a. Meaning:

, don't you think?

Joseph (2003; 1) stated that about time means it is time.

On the movie, Ginny said the sentence above because she saw Herminone

finally made up with Ron. So, about time means it is the time (they finally

made up).

b. Form:

About = preposition

Time = noun

Page 67: SKRIPSI

58

About time has a form of prepositional phrase because it is formed by

Preposition + Noun.

62. Shut up (page 36, dialogue 641)

Hermione: Oh, shut up

a. Meaning:

.

Joseph (2003; 256) stated that shut up has three meanings: silent, close and

lock, be enclosed in.

Richard (2000; 332) stated that Put up or shut up! means: (a command to prove

something or stop talking about it or to do something or stop promising to do

it.) (Slang.), (a command to bet money in support of what one advocates.)

Harold (1973; 147) stated that shut up means be quiet or stop talking, close

completely (often said of a house).

According to the story, Hermione was relieved because she and Ron finally

made up. Harry saw her bashful face then tempted her. Then she replied. So,

shut up means be quiet.

b. Form:

Shut = verb

Up = adverb

Shut up belongs to a form of phrasal verb because it is formed by Verb +

Adverb.

63. Break up (page 36, dialogue 643)

Ron: Huh? Tell me how I broke up

a. Meaning:

with Lavender again?

Page 68: SKRIPSI

59

Richard (2000; 49) stated that break up (with someone) means to end a love

affair or a romance.

Harold (1973; 15) stated that break up means: break into small pieces,

terminate, scatter or separate.

Based on the story, Ron was Lavender’ boyfriend but because of something,

Lavender was mad at him and didn’t want to talk to him anymore. So, break up

means to end a love affair or a romance.

b. Form:

Break = verb

Up = adverb

Break up belongs to a form of phrasal verb because it is formed by Verb +

Adverb.

64. Put out (page 37, dialogue 645)

Ron: Don't get me wrong. I'm bloody thrilled to be shot of her. It's just she

seems... a bit put out

a. Meaning:

.

Joseph (2003; 232) stated that put out has five meanings: extinguish, publish,

(passive form) angry, make a fuss of one’self or try hard, sail.

Richard (2000; 327) stated that put out (about someone or something) means

irritated, bothered.

Harold (1973; 125) stated that put out has four meanings: exclude or dismiss or

eject, extinguish, disturb or inconvenience, annoyed or indignant.

Page 69: SKRIPSI

60

According to the story, Ron saw Lavender looked at him angrily. So, put out

means angry.

b. Form:

Put = verb

Out = adverb

Put out is formed by Verb + Adverb. So, it belongs to a form of phrasal verb.

65. Get rid of (page 37, dialogue 654)

Ginny: You have to get rid of

a. Meaning:

it. Today.

Richard (2000; 143) stated that get rid of (someone or something) means to get

free of someone or something or to dispose of or destroy someone or

something.

According to the story, Ginny asked Harry to get rid of the book because the

book is dangerous. So, get rid of means to dispose of something.

b. Form:

Get = verb

Rid = verb

Of = preposition

Get rid of has a form of idiom with verb (rid) as keyword because it consists of

Verb + Verb + Preposition.

66. Feel like (page 39, dialogue 683)

Harry: Through the front doors, sir. I'm off to Hagrid's, you see. He's a very dear

friend and I felt like paying him a visit. So if you don't mind, I'll be going.

Page 70: SKRIPSI

61

a. Meaning:

Joseph (2003; 78) stated that feel like means want (do something).

Richard (2000; 114) stated that feel like (doing something) means to want to do

something or to be in the mood to do something, to feel well enough to do

something.

Harold (1973; 47) stated that feel (like doing) means be inclined to, have a

desire to.

Based on the story, Slughorn saw Harry went out of the castle and questioned

him. Then, Harry answered it with the sentence above. So, feel like means want

to do something.

b. Form:

Feel = verb

Like = adjective

Feel like has a form of idiom with verb (feel) as keyword because it is formed

by Verb + Adjective.

67. Come along (page 39, dialogue 687)

Harry: Well, then by all means come along

a. Meaning:

, sir

Joseph (2003; 45) stated that come along has one meaning. It means get better.

Harold (1973; 26) stated that come along means: accompany, and succeed or

get along.

According to the story, Harry asked Slughorn to come along with him to visit

Hagrid. So, come along means accompany.

Page 71: SKRIPSI

62

b. Form:

Come = verb

Along = adverb

Come along is a phrasal verb because it consists of Verb + Adverb.

68. Not to mention (page 40, dialogue 700)

Harry: Not to mention

a. Meaning:

the pincers.

Harold (1973; 103) stated that not to mention means without mentioning,

besides, in addition to.

According to the story, Hagrid told Slughorn that the spider often scared

people because of the eyes. Then Harry added. So, not to mention means in

addition to.

b. Form:

Not = adverb

To = preposition

Mention = verb

Not to mention is formed by Adverb + Preposition + Verb. So, it belongs to a

form of idiom with verb (mention) as keyword.

69. In order to (page 41, dialogue 724)

Harry: Only I can destroy him. But in order to

a. Meaning:

do so, I need to know what Tom

Riddle asked you that night in your office all those years ago. And I need to know

what you told him.

Page 72: SKRIPSI

63

Joseph (2003; 144) stated that in order to means for (purpose).

Richard (2000; 212) stated that in order to (do something) means for the

purpose of doing something, as a means of doing something.

According to the story, Dumbledore told some information to Harry.

Moreover, the object of in order to is do so. So, it means for the purpose of

doing something.

b. Form

In = preposition

Order = noun

To = preposition

In order to has a form of prepositional phrase because it is formed by

Preposition + Noun + Preposition.

70. Come across (page 42, dialogue 729)

Tom Riddle: Horcrux. I came across

a. Meaning:

the term while reading and I didn't fully

understand it.

Joseph (2003; 45) stated that come across has two meanings: give, considered

as.

Richard (2000; 72) stated that come across (someone or something) means to

find someone or something, to discover someone or something.

Harold (1973; 26) stated that come across has two meanings: meet or find

unexpectedly, pay or do what is desired.

Page 73: SKRIPSI

64

According to the story, Tom was reading something on the library and came

across the term on a book. So, the most correct meaning of come across is find

(something) unexpectedly.

b. Form:

Come = verb

Across = adverb

Come across belongs to a form of phrasal verb because it is formed by Verb +

Adverb.

71. Up to (you) (page 10, dialogue 181)

Luna: Would you like me to fix it? Personally I think you look a bit more devil-

may-care this way. But it's up to you

a. Meaning:

.

Joseph (2003; 301) stated that up to has six meanings: until, approaching, as

many, can (modal), planning something secretly, to be someone’s own choice.

Richard (2000; 423) stated that up to (someone) means to be someone’s own

choice.

According to the story, Luna offered Harry to fix his nose but she said “it’s up

to you” to give an option to Harry. So, up to (someone) means to be someone’s

own choice.

b. Form:

Up = adverb

To = preposition

(someone) = pronoun

Page 74: SKRIPSI

65

Up to(someone) has a form of Adverb + Preposition + Pronoun. On the

theoretical literature, the writer classifies idioms into 7 (seven) forms. And this

form does not belong to any those forms. So, the writer includes this form on

the writer’s finding.

72. Up to (page 29, dialogue 501)

Lupin: Has it occurred to you, Harry, that Snape was simply pretending to offer

Draco help so that he could find out what he's up to

a. Meaning:

?

Joseph (2003; 301) stated that up to has six meanings: until, approaching, as

many, can (modal), planning something secretly, to be someone’s own choice.

Richard (2000; 422) stated that up to (doing something) means able to do

something.

Harold (1973; 178) stated that (be) up to means dependent upon or depending

upon the decision of, physically capable of.

The movie showed that Lupin and Harry tried to find out about Draco’s

mysterious plan. Then, on the sentence above, it is said that Snape could find

out what Draco is up to. So, the most correct meaning of up to is planning

something secretly.

b. Form:

Up = adverb

To = preposition

Page 75: SKRIPSI

66

Up to has a form of Adverb + Preposition. On the theoretical literature, the

writer classifies idioms into 7 (seven) forms. And this form does not belong to

any those forms. So, the writer includes this form on the writer’s finding.

Page 76: SKRIPSI

67

CHAPTER IV

CONCLUSION AND SUGGESTION

A. Conclusion

72 idioms were found in Harry Potter and Half Blood Prince’s movie. Here are

the details:

1. Phrasal Verbs

Example: Come by, means get something

Quantity: 43 idioms

Percentage: 59.7 %

2. Phrasal-prepositional Verbs

Example: Get out of, means get out by force

Quantity: 3 idioms

Percentage: 4.2 %

3. Prepositional Phrases

Example: By the way, means in addition

Quantity: 6 idioms

Percentage: 8.3 %

Page 77: SKRIPSI

68

4. Idioms with verbs as keywords

Example: Give it a go, means try

Quantity: 12 idioms

Percentage: 16.7 %

5. Idioms with nouns as keywords

Example: A lost cause, means a matter which has failed or it means a

futile attempt

Quantity: 5 idioms

Percentage: 6.9 %

6. Idioms with adjectives as keywords

Example: Couldn’t careless, means unable to care at all

Quantity: 1 idiom

Percentage: 1.4 %

7. Idiomatic pairs

Example: -

Quantity: 0 idioms

Percentage: 0 %

Page 78: SKRIPSI

69

8. The writer’s findings

Example: Up to, means planning something secretly

Quantity: 2 idioms

Percentage: 2.8 %

I

The writer also finds one form of idioms besides 7 (seven) forms mentioned

above. She finds idioms which are formed by Adverb + Preposition + Pronoun

and Adverb + Preposition. The forms are not mentioned on the Review of Related

Literature. So, the writer includes them on the writer’s findings.

dioms which were found have no exact grammatical structure. Especially for

the forth until sixth form of idioms: idioms with verbs as keywords, idioms with

nouns as keywords and idioms with adjectives as keywords. The keywords and

words which form the idiom have differences in grammatical structure for each

idiom. The writer determines the keywords based on which word that mostly

influences the whole phrase and the meaning of its.

Idioms as phrases follow the tenses of the sentence. So, most idioms which are

formed by verbs: phrasal verbs form, and have a verb as keywords have many

forms of verb based on the tenses of the sentence.

On the dictionary, idioms have many meanings, but each idiom has a meaning

depends on its context and story. Although there are some idioms which have the

same forms and words but they have different meaning according to the context

and story. On the findings, there are two idioms of come along which were found.

Page 79: SKRIPSI

70

The first finding (page 3, dialogue 40) means get along (come) and the second

(page 39, dialogue 687) means accompany.

There is finding which show that phrase which has an idiomatic meaning is not

always an idiom. It may be has a literal meaning. For example look like. This

phrase has an idiomatic meaning and also literal meaning depends on its context.

In findings, look like (page 2, dialogue 33) means resemble, but look like (page 8,

dialogue 131) has a literal meaning: look like means seem (to be)

B. Suggestion

An English movie can be media to teach the study of the language meaning.

According to Professor Sir Randolph Quirk (1987; 380) in Longman Dictionary

of Contemporary English, English movie is a story of western life (European or

American) which has been presented on television or at the cinema and become

entertainment. According to Hudoro Sumeto, MBA (2003; 35) in Kiat Menguasai

Bahasa Asing, said that:

The role of radio and television are also very importance in learning foreign language. Because by listening and watching television, we are used to hearing pronunciation and speaking from foreign language which we learn. We can hear news or film which are presented by both of them. In listening or watching, we learn to understand what the people said and also increase vocabulary.

So far teacher or lecturer seems only use English movie to teach about

listening, whereas the movie has many language forms in it. This analysis show

one of language forms – idioms – that can be found in movie. Studying idiom

from an English movie can be helpful since the movie has clear example about

when, where, how and what idiom can be used.

Page 80: SKRIPSI

71

It is time for English Learners to considering a movie as media of teaching and

learning. Through fun and interesting media, student can learn how to understand

idioms. They will found the fact that words in idioms have different meaning with

dictionary.

Based on the conclusion, the writer would like to give some suggestions. First,

in learning English idioms, learners should notice to use feeling and pay attention

on the context where the idiom is occurred because one idiom has many meanings

in the dictionary.

Second, understanding the meaning of idioms is quite difficult. English

learners need to check on the dictionary to get the definite meaning of the idioms.

But, based on the analysis that the form of idioms which are mostly found is

phrasal verb, the writer suggests that English learners may notice the verb of the

idiom with a form of phrasal verb. The verb is the keyword and the meaning of

the idioms mostly based on the meaning of the verb. So, if English learners are in

the urgent situation, they may use this technique.

Page 81: SKRIPSI

72

REFERENCES

2008. Idiom - Idioms and culture. Retrieved April 23rd , from

http://www.experiencefestival.com/a/Idiom_-_Idioms_and_culture/id/1495763

2010

2004. What is an idiom?. Retrieved at April 29th

________. 2010. Worldwide Grosse. Retrieved at Mei 10

2010, from

http://www.sil.org/linguistics/GlossaryOfLinguisticTerms/WhatIsAnIdiom.htm

th

Biber, Douglas, Susan Conrad and Geoffrey Leech. 2002. Longman Student Grammar of

Spoken and Written English. England. Pearson Education Limited.

2010, from

http://boxofficemojo.com/alltime/world/

Brown, Brooke. 2003. Phrasal Verbs as Idioms. Retrieved at Mei 7th

Fadhillah, Harris. 2006. A Descriptive Study on Idioms with Magical Terminology in J. K.

Rowling’s “Harry Potter and the Order of the Phoenix”. Lambung Mangkurat University.

Paper

2010, from

http://www.uhv.edu/ac/efl/pdf/phrasalverbs.pdf

Frank,Marcella. 1972. Modern English A Practical Reference Guide. New Jersey. Prentice-

Hall Inc.

Heyman, David and David Yates. 2009. Harry Potter and the Half Blood Prince. England.

Heyday Films Warner Bros.

Hornby, A S with A P Cowie and A C Gimson. 1974. Oxford Advanced Learner’s Dictionary

of Current English. New York. Oxford University Press.

Page 82: SKRIPSI

73

Kamuda, Nicholas. Idioms. Retrieved at Mei 7th

Kloves, Steve and J. K. Rowling. 2007. Harry Potter and the Half-Blood Prince Script.

Retrieved April 20

2010, from

http://www.articleinsider.com/business/translation/idioms

th

Kunen, Sophia Danger. 2009. Language is Culture and Culture is Language. R

2010, from http://www.imsdb.com/Movie Scripts/Harry Potter and

the Half-Blood Prince Script.html

etrieved April

23rd , from http://sciencewhynot.blogspot.com/2009/03/language-is-culture-and-

culture-is.html

2010

Lim, Tan Cheng. 2007. Advanced English Idioms for Effective Communications. Singapore.

Singapore Asian Publications.

Quirk, Sir Randolph. 1987. Longman Dictionary of Contemporary English. United Kingdom.

Longman Group UK Limited.

Spears, Richard A. 1998. NTC’s American Idioms Dictionary. United States of America.

NTC Publishing Group.

Sullivan, Joseph J. dan Hadi Podo. 2003. Kamus Ungkapan Inggris-Indonesia Dictionary of

Idioms and Idiomatic Expressions. Jakarta.Gramedia.

Sumeto, Hudoro. 2003. Kiat Menguasai Bahasa Asing. Jakarta. Puspa Swara, Anggota Ikapi.

Swan, Michael. 1995. Practical English Usage Second Edition. New York. Oxford

University Press.

Wyatt,Rawdon. 2006. Check Your English Vocabulary for Phrasal Verbs and Idioms.

London. A&C Black.

Page 83: SKRIPSI

APPENDICES

Page 84: SKRIPSI

HARRY POTTER AND THE HALF-BLOOD PRINCE WOMAN I killed Sirius Black MAN He’s back WAITRESS (O.S.) Harry Potter. Who's Harry Potter? HARRY Oh. Um. No one. Bit of a tosser, really. WAITRESS Funny that paper of yours. Couple nights ago, I could’ve sworn I saw one of the pictures move. HARRY Really. WAITRESS Thought I'd gone round the twist. HARRY Hey. I was wondering... WAITRESS Eleven. That's when I get off. You can tell me all about that tosser Harry Potter. DUMBLEDORE You've been reckless this summer, Harry. HARRY I like riding round on the trains.It takes my mind off... things. DUMBLEDORE Rather unpleasant to behold, isn't it? The tale is thrilling if I do say so myself, but now is not the time to tell it. Take my arm. Do as I say. HARRY I just Apparated, didn't I? DUMBLEDORE Indeed. And quite successfully too I might add. Most people vomit their first time. HARRY Can't imagine why... DUMBLEDORE Welcome to the charming village of Budleigh Babberton, Harry. I assume right about now you're wondering why I've brought you here, am I right? HARRY After all these years, I just sort of roll with it, sir. DUMBLEDORE Wands out, Harry.

Page 85: SKRIPSI

DUMBLEDORE Horace! ARMCHAIR Merlin's Beard! SLUGHORN There's no need to disfigure me, Albus! DUMBLEDORE I must say, you make a very convincing armchair, Horace. SLUGHORN It's all in the upholstery. I come by the stuffing naturally. What gave me away? DUMBLEDORE Dragon's blood. SLUGHORN Oho! DUMBLEDORE Ah yes. Introductions. Harry, this is an old friend and colleague of mine, Horace Slughorn. Horace, this is, well, you know who this is. SLUGHORN Harry Potter DUMBLEDORE So why all the theatrics, Horace? You weren't by any chance waiting for someone else, were you? SLUGHORN S-someone else? I'm sure I don't know what you mean. SLUGHORN Oh all right! The Death Eaters have been trying to recruit me for over a year. Do you know what that's like? One can only say no to these people so many times before they...I never stay anywhere more than a week. The Muggles who own this place are in the Canary Islands. DUMBLEDORE Well, I think it should be put back in order for them, don't you, mind? DUMBLEDORE That was fun. Do you mind if I use the loo? SLUGHORN No, of course! Don't think I don't know why you're here, Albus! The answer is still no! Absolutely, unequivocally no! SLUGHORN You look very like your father. Except for your eyes. You've got -- HARRY My mother's eyes, yeah. SLUGHORN

Page 86: SKRIPSI

Lily. Lovely Lily. She was exceedingly bright -- your mother. Even more impressive when one considers she was Muggle-born. HARRY One of my best friends is Muggle-born. She's the best in our year. SLUGHORN Oh, but you mustn't think I'm prejudiced! No, no, no! Your mother was one of my absolute favorites! Look, there she is. Right at the front. SLUGHORN All mine, each and every one. Ex-students, I mean. You recognize Barnubas Cuffe, of course, editor of the Daily Prophet. (MORE) SLUGHORN (CONT'D) Always takes my owl should I want register my opinion on the news the day. And Gwenog Jones, of the Holyhead Harpies -- free tickets whenever I want them. Of course, I haven't been to a match in some time... SLUGHORN Ah yes. Regulus Black. You no doubt know of his older brother Sirius. Died a few weeks ago. I taught the whole Black family except Sirius. Shame. Talented boy. I got Regulus when he came along, of course, but I'd have liked the set. DUMBLEDORE Horace, Mind if I take this? I do love knitting patterns. SLUGHORN Of course. But you're not leaving? DUMBLEDORE I think I know a lost cause when I see one. Regrettable. I would have considered it a personal triumph had you consented to return to Hogwarts, Horace. You are, like my friend Mr. Potter -- one of a kind. Bye bye Horace! SLUGHORN All right! I'll do it. But I'll be wanting Professor Merrythought's old office, not that water closet I had before. And I expect a raise! These are mad times we live in! Mad! DUMBLEDORE They are, Indeed. HARRY Sir, exactly what was that all -- DUMBLEDORE You are talented, famous and powerful -- everything Horace values. Professor Slughorn is going to try to collect you, Harry. You would be his crowning jewel. That is why he is returning to Hogwarts. And it is crucial he should return... DUMBLEDORE I fear I may have stolen a wondrous night from you, Harry. She was, truthfully, very pretty. The girl. HARRY

Page 87: SKRIPSI

It's alright, sir. I'll go back tomorrow, make some excuse -- DUMBLEDORE You'll not be going back to Little Whinging tonight, Harry. HARRY But, sir. What about Hedwig? And there's my trunk -- DUMBLEDORE Both are waiting for you. GINNY Hedwig...? Mum! MRS. WEASLEY What is it, Ginny? GINNY I was only wondering when Harry got here. MRS. WEASLEY Harry who? GINNY Harry Potter, of course. MRS. WEASLEY I think I'd know if Harry Potter was in my house, wouldn't I? GINNY Well his trunk's in the kitchen. And his owl. MRS. WEASLEY No Dear, I seriously doubt that. RON Harry? Did someone say Harry? GINNY Me, nosy. Is he up there with you? RON `Course not. Think I'd know if my best friend was in my room,wouldn't I? HERMIONE Was that an owl I heard? GINNY Harry's. Haven't seen him, have you? Apparently, he's wandering about the house. HERMIONE Really? HARRY (O.S.) Really. RON/HERMIONE/MRS. WEASLEY Harry! MRS. WEASLEY What a lovely surprise! Why didn't you let us know you were coming?

Page 88: SKRIPSI

HARRY Didn't know. Dumbledore. MRS. WEASLEY That man. But then, what would we without him? Ron! RON Got a bit of toothpaste.. HARRY When'd you get here? HERMIONE A few days ago. Though... for a while, I wasn't sure I was coming. RON Mum sort of lost it last week. Said Ginny and I had no business going back to Hogwarts. That it's too dangerous. HARRY Oh come on... HERMIONE She's not alone. Even my parents -- and they're Muggles – know something bad is happening. RON Anyway, Dad stepped in, told her she was being barmy. Took a day or two, but she came round. HARRY But we're talking about Hogwarts.Dumbledore. What could be safer? HERMIONE There's been a lot of chatter lately. That he's gotten... old. HARRY Rubbish. He's only -- what? RON A hundred and fifty. Give or take a few years. BELLATRIX Cissy! You can't do this.He can't be trusted. NARCISSA The Dark Lord trusts him. BELLATRIX The Dark Lord is mistaken. SNAPE Run along, Wormtail. NARCISSA I know I ought not to be here. Dark Lord himself has forbidden me to speak of this -- SNAPE If the Dark Lord has forbidden it,ought not to speak.

Page 89: SKRIPSI

Put it down, Bella. We mustn't touch what isn't ours. SNAPE As it so happens I'm aware of your situation, Narcissa. BELLATRIX The Dark Lord told you?You? SNAPE Your sister doubts me.Understandable. (MORE) SNAPE Over the years I have played my part well. So well I've deceived one of the greatest wizards of all time. SNAPE Dumbledore is a great wizard. Only a fool would question it. NARCISSA I... I don't doubt you, Severus. BELLATRIX You should feel honored, Cissy. As should Draco -- NARCISSA He's just a boy! SNAPE I can't change the Dark Lord's mind. But it might be possible for me to help Draco. To provide some... protection. NARCISSA Severus.. BELLATRIX Swear to it. BELLATRIX Make the Unbreakable Vow. You see. It's just empty words.He'll give it his best effort. But when it matters most he'll slither back into his hole. Bloody coward... SNAPE Take out your wand. BELLATRIX Will you, Severus Snape, watch over Draco Malfoy as he attempts to fulfill the Dark Lord's wishes. SNAPE I will. BELLATRIX And will you, to the best of your ability, protect him from harm? SNAPE I will.

Page 90: SKRIPSI

BELLATRIX And should it prove necessary, if it seems Draco will fail... will you yourself carry out the deed that the Dark Lord has ordered Draco to perform? SNAPE I will. FRED/GEORGE Step up! Step up! GEORGE We've got Fainting Fancy... FRED Nosebleed Nougats... GEORGE And just in time for school... FRED Puking Pastilles! FRED/GEORGE Into the cauldron, handsome. HARRY Peruvian Instant Darkness Powder? FRED A real money spinner that one. FRED Handy if you need to make a quick escape. Hello, ladies! GEORGE Love Potion hey..Yes, they do really work. FRED Then again, the way we hear it, sis, you're doing just fine on your own. GINNY Meaning? FRED Are you not currently dating Dean Thomas? GINNY None of your business. RON How much for this? FRED/GEORGE Five Galleons. RON How much for me? FRED/GEORGE Five Galleons.

Page 91: SKRIPSI

RON But I'm your brother! FRED/GEORGE Ten Galleons. RON C'mon. Let's go. LAVENDER BROWN Hi, Ron. RON Hi. HERMIONE How is it Fred and George are doing it? Half the alley's closed down. RON Fred reckons people need a laugh these days. HARRY I reckon he's right... HERMIONE Oh no. Everyone got their wands from Ollivander’s. RON Is it just me? Or do Draco and Mummy look like two people who don't want to be followed? LUNA Quibbler...? Quibbler...? LUNA He's lovely. They've been known to sing on Boxing Day, you know. Quibbler? GINNY Please. What's a Wrackspurt? LUNA They're invisible creatures that float in your ears and make your brain go fuzzy. Quibbler? Quibbler? HARRY So what was Draco doing with that weird-looking cabinet? And who were all those people? Don't you see, it was a ceremony. An initiation. HERMIONE Stop, Harry, I know where you're going with this -- HARRY It's happened. He's one of them. RON One of what? HERMIONE Harry is under the impression that Draco Malfoy is now a Death Eater.

Page 92: SKRIPSI

RON You're barking. What would You-Know-Who want with a sod like Malfoy? HARRY So what's he doing in Borgin and Burke's? Browsing for furniture? RON It's a creepy shop. He's a creepy bloke. HARRY Look. His father's a Death Eater. It only makes sense. Besides, Hermione saw it. With her own eyes. HERMIONE I told you. I don't know what I saw. HARRY I need some air. MALFOY What just happened? Blaise? BLAISE Don't know. PANSY Relax, boys. The lights went out is all. Come, Draco. We'll be at Hogwarts before you know it. MALFOY Hogwarts. What a pathetic excuse for a school. I think I'd pitch myself off the Astronomy Tower if I thought I had to continue on for another two years. PANSY What's that supposed to mean? MALFOY Let's just say I don't think you'll be seeing me wasting my time in Charms Class next year. MALFOY Amused, Blaise? We'll see just who's laughing in the end. HERMIONE Where's Harry? RON Probably on the platform. C'mon. MALFOY You two go on. I want to check something. MALFOY Didn't mummy ever tell you it's bad manners to eavesdrop, Potter? Petrificus Totalus! MALFOY Oh, right, she was dead before you could wipe the drool off your chin. MALFOY

Page 93: SKRIPSI

That’s for my father. Enjoy your ride back to London. LUNA Hello, Harry. HARRY Luna. How'd you know where I was? LUNA Wrackspurts. Your head's full of them. HARRY Sorry I made you miss the carriages, Luna. LUNA It's alright. It was like being with a friend. HARRY I am your friend, Luna. LUNA That's nice. FLITWICK About time! I've been looking all over for you two. Names. HARRY Professor Flitwick, you've known me for five years. FLITWICK No exceptions, Potter. LUNA Who are those people? FLITWICK Aurors. For security. FILCH What’s this cane here, then? MALFOY (O.S.) It's a not a cane, you cretin. It's a walking stick. FILCH And what exactly would you be wanting with a walking stick? Could be construed as an offensive weapon. SNAPE It's alright, Mr. Filch. I can vouch for Mr. Malfoy. MALFOY Nice face, Potter. LUNA Would you like me to fix it? Personally I think you look a bit more devil-may-care this way. But it's up to you. HARRY Have you ever fixed one? A nose.

Page 94: SKRIPSI

LUNA No. But I've done several toes and how different are they really? HARRY Okay, yeah. Give it a go. LUNA Episkey. HARRY Well? How do I look? LUNA Exceptionally ordinary. HARRY Brilliant. RON Don' worry. He'll be here in a minute. HERMIONE Will. You. Stop. Eating! Your best friend is missing! RON Oi! Turn around, you lunatic. GINNY He's covered in blood again. Why is it he's always covered in blood? RON Looks like his own this time. HERMIONE Where've you been, Harry? And what happened to your face? HARRY Later. What've I missed? RON Sorting Hat urged us all to be brave and strong in these troubled times -- easy for it to say -- it's a hat, isn't it? HARRY Thanks... DUMBLEDORE The very best of evenings to you! First off, please join me in welcoming the newest member of our staff, Horace Slughorn. DUMBLEDORE Professor Slughorn, I'm happy to say, has agreed to resume his old post as Potions master. Meanwhile, the post of Defense Against the Dark Arts will be taken by Professor Snape. DUMBLEDORE Now, as you know, each and everyone of you was searched upon your arrival tonight. You have a right to know why. (MORE)

Page 95: SKRIPSI

DUMBLEDORE (CONT'D) Once there was a young man who, like you, sat in this very Hall. Walked this castle's corridors. Slept under its roof. He seemed, to all the world, a student like any other. His name? Tom Riddle. DUMBLEDORE Today, of course, the world knows him by another name. Which is why, as I stand looking out upon you all tonight, I am reminded of a sobering fact. Every day, every hour, this very minute perhaps, dark forces attempt to penetrate this castle’s wall. But in the end, their greatest weapon is... you. DUMBLEDORE Just something to keep in mind. Now, off to bed. Pip pip! RON That was cheerful. PROFESSOR McGONAGALL History of Magic is up, ladies, not down. Mr. Davies -- that's the girl's lavatory... PROFESSOR McGONAGALL Potter! HARRY This can't be good. PROFESSOR McGONAGALL Enjoying ourself, are we? HARRY Well, you see, I've got an open period this morning, Professor -- PROFESSOR McGONAGALL So I noticed. I would think you'd want to fill it with Potions. Or is it no longer your ambition to become an Auror? HARRY It was. But I was told I had to get an Outstanding in my O.W.L. -- PROFESSOR McGONAGALL And so you did when Professor Snape was teaching Potions. However, Professor Slughorn is perfectly happy to accept N.E.W.T. students with `Exceeds Expectations.' HARRY Really? Well... brilliant. I'll head there straight away. PROFESSOR McGONAGALL Good. And take Weasley with you. He looks far too happy over there. RON But I don't want to take Potions! This is Quidditch trials coming up. I need to practice. SLUGHORN Attention to detail in the preparation is the prerequisite of all plaanning. Harry m'boy! I was beginning to worry! And I see we've brought someone with us...

Page 96: SKRIPSI

RON Ron Weasley, sir. But I'm dead awful at Potions, a menace actually, so I probably should just.. SLUGHORN Nonsense, we'll sort you out. Any friend of Harry's is a friend of mine. Right then, get your books out -- HARRY Um, sorry, sir, but I haven't got my book yet -- nor's Ron. SLUGHORN Not to worry. You two get what you want from the cupboard. SLUGHORN Now, as I was saying, I've prepared a few concoctions this morning. Any ideas what these might be? Yes, Miss...? HERMIONE Granger, sir. That one there is Veritaserum. It’s a truth-telling serum. And that would be Polyjuice Potion. It’s terribly tricky to make. And that... HERMIONE ... is Amortentia! The most powerful love potion in the world. (MORE) HERMIONE (CONT'D) It's rumored to smell differently to each person, according to what attracts them. For example, I smell freshly mown grass and new parchment and spearmint toothpaste -- SLUGHORN Now Amortentia doesn't create actual love, of course. That's impossible. But it does cause a powerful infatuation or obsession. For that reason, it is probably the most dangerous potion in this room. KATIE BELL Sir, you haven't told us what's in that one. SLUGHORN Ah yes... SLUGHORN What you see before you, ladies and gentlemen, is a curious little potion known as Felix Felicis. But it is more commonly referred to as -- HERMIONE Liquid luck. SLUGHORN Yes, Miss Granger. Desperately tricky to make. Disastrous should you get it wrong. One sip and you will find that all your endeavors succeed... at least until the effects wear off. SLUGHORN So. This is what I offer each of you today. One tiny vial of liquid luck... to the student who, in the hour that remains, manages to brew an acceptable Draught of Living Death, the recipe for which can be found on page ten of your textbook.

Page 97: SKRIPSI

SLUGHORN I should point out, however, only once did a student manage to brew a potion of sufficient quality to claim this prize. Nevertheless, good luck to you sll. Let the brewing commence. HERMIONE How did you do that? HARRY Crush it. Don't cut it. HERMIONE No. The instructions specifically say to cut. HARRY No. Really -- HERMIONE Sh! SLUGHORN Merlin's Beard! But it's perfect. So perfect I daresay one drop would kill us all! Here you are then, as promised. One bottle of Felix Felicis. Use it well. DUMBLEDORE Good evening, Harry. You got my message, I see. Come, come. Sit. DUMBLEDORE So. How are you? HARRY Fine, sir. DUMBLEDORE Enjoying your classes? Professor Slughorn, is most impressed with you. HARRY I think he overestimates my abilities, sir. DUMBLEDORE Do you? HARRY Definitely. DUMBLEDORE And what of your activities outside the classroom? HARRY Sir? DUMBLEDORE I notice you spend a great deal of time with Miss Granger. I can't help but wondering... HARRY No! I mean... she's brilliant. And we're friends. But... no.

Page 98: SKRIPSI

DUMBLEDORE Forgive me, Harry, I was merely curious. But enough chitchat. You must be wondering why I summoned you here tonight. The answer lies here. DUMBLEDORE What you see before you are memories. In this case pertaining to one individual: Voldemort. Or as he was known then... Tom Riddle. DUMBLEDORE This vial contains a most particular memory -- of the day I first met him. I'd like you to see it. If you would... MRS. COLE I must confess to a bit of confusion upon receiving your letter, Mr. Dumbledore. In all the years Tom's been here, he's never once had a family visitor. There have been incidents with the other children. Nasty things. MRS. COLE You've got a visitor, Tom. DUMBLEDORE How do you do, Tom. MRS. COLE Well, I'll leave you two to yourselves. TOM RIDDLE Don't. You're the doctor, aren't you? DUMBLEDORE No. I am a Professor. TOM RIDDLE I don't believe you. She wants me looked at. They think I'm different. DUMBLEDORE Perhaps they're right. TOM RIDDLE I'm not mad. DUMBLEDORE Hogwarts is not a place for mad people. DUMBLEDORE It's a school. A school of...magic. DUMBLEDORE You can do things, can't you, Tom? Things the other children can't. TOM RIDDLE I can make things move – without touching them. I can make animals do what I want without training them. I can make bad things happen to people who are mean to me. I can make them hurt... if I want. TOM RIDDLE Who are you? DUMBLEDORE I'm like you, Tom. Different.

Page 99: SKRIPSI

TOM RIDDLE Prove it. DUMBLEDORE I think there is something trying to get out of your wardrobe, Tom. DUMBLEDORE Thievery is not tolerated at Hogwarts. At Hogwarts, you will be taught not only how to use magic, but to control it. You understand me? TOM RIDDLE I can speak to snakes too. TOM RIDDLE They find me. Whisper things. Is that normal for someone like me? HARRY Did you know, sir? Then? DUMBLEDORE Did I know that I had just met the most dangerous Dark Wizard of all time? No. If I had, I... DUMBLEDORE Over time, while here at Hogwarts, Tom Riddle grew close to one particular teacher. Can you guess which teacher that might be? HARRY You didn't bring Professor Slughorn back simply to teach Potions, did you, sir? DUMBLEDORE No. I did not. You see,Professor Slughorn possesses something I desire very dearly. And he will not part with it easily... HARRY You said Professor Slughorn would try to collect me. DUMBLEDORE I did. HARRY Do you want me to let him? DUMBLEDORE Yes. HARRY All right! This morning I'll be putting you all through a few drills to assess your strengths. Quiet please.. GINNY SHUT IT! HARRY Thanks. All right. Just because you made the team last year does not guarantee you a spot this year. Is that clear? CORMAC No hard feelings, Weasley, alright?

Page 100: SKRIPSI

RON Hard feelings? CORMAC I'll be going out for Keeper as well. Nothing personal. RON Really? Strapping guy like you, you've got a Beater's build, don't you think? Keeper needs to be agile, quick -- CORMAC I like my chances. Say... think you could introduce me to your friend Granger? Wouldn't mind getting on a first name basis, know what I mean? HARRY C'mon, Ron... LAVENDER BROWN Isn't he brilliant? RON I have to admit, thought I was going to miss that last one. Hope Cormac's not taking it too hard. RON He’s got a bit of a thing for you, Hermione. Cormac. HERMIONE He's vile. HARRY Ever heard of this spell? HERMIONE No I have not. And if you had a shred of self-respect you would turn that book in. RON Not bloody likely. He's top of the class. Even better than you, Hermione. Slughorn thinks he's a genius. RON What? HERMIONE I'd like to know just whose book that was. Let's take a look, shall we? HARRY No. HERMIONE Why not? HARRY It's... old. The binding is fragile. HERMIONE The binding is fragile? GINNY Who's the Half-Blood Prince?

Page 101: SKRIPSI

HERMIONE The who? GINNY That's what it says. Right here. `This Book is the Property of the Half-Blood Prince.' HERMIONE For weeks you carry around this book, practically sleep with it... and you have no desire to find out who The Half-Blood Prince is? HARRY I didn't say I wasn't curious. And, by the way, I don't sleep with it. RON Yeah. Right. Well, it's true. I like a nice chat before I go to bed. Now you're always reading that bloody book. It's like being with Hermione. HERMIONE Well, I was curious. So I went to -- HARRY/RON The library. HARRY And? HERMIONE And... nothing. There's no reference to the Half-Blood Prince anywhere. HARRY Good. That settles it then. SLUGHORN Filius! I was hoping to find you at the Three Broomsticks. FLITWICK Emergency choir practice, I'm afraid, Horace. HARRY Does anyone fancy a Butterbeer? SLUGHORN A chum of mine was sledging down Claxby Hill. We had a very long, homemade Norwegian-style sledge.. HARRY No. Not there, Over here. HARRY No, no. Sit beside me. RON O-kay. SKINNY KID Something to drink? HERMIONE Three Butterbeers. Some ginger in mine, please.

Page 102: SKRIPSI

RON Aw, bloody hell...slick git HERMIONE Oh, honestly, Ronald. They're just holding hands... (MORE) HERMIONE (CONT'D) And snogging. RON I'd like to leave. HERMIONE Leave? You can't be serious. RON That happens to be my sister. HERMIONE So? What if she looked over here and saw you snogging me? Would you expect her to get up and leave? SLUGHORN Harry, m'boy! HARRY Hello, sir. Wonderful to see you. HARRY So what brings you here, sir? SLUGHORN Oh, the Three Broomsticks and I go way back. Longer than I'd care to admit. In fact, I remember when it was simply One Broomstick! SLUGHORN Oops! All hands on deck, Granger! SLUGHORN Listen, m'boy. In the old days, I used to throw together the occasional supper and invite a select student or two. Would you be game? HARRY I'd consider it an honor, sir. SLUGHORN You'd be welcome too, Granger. HERMIONE I’d be delighted, sir. SLUGHORN Splendid. Look for my owl. Good to see you, Wallenby. RON What're you playing at? HARRY Dumbledore asked me to... get to know him.

Page 103: SKRIPSI

RON Get to know him? HARRY Dunno. But it must be important. Otherwise Dumbledore wouldn't ask. RON Um... You've got a little... LEANNE (O.S.) Katie. You don't know what it could be! RON Did you hear that rubbish she said back in the pub about me and her snogging? HARRY As if... LEANNE I warned her! I warned her not to touch it! HAGRID Don’t go any closer. Get back! All o' yeh! HAGRID No, no. No, no... HAGRID Do not touch that, except by the wrappings. Do you understand? PROFESSOR McGONAGALL You're sure Katie did not have this in her possession when she entered the Three Broomsticks? LEANNE It's like I said. She went to the loo and when she came back she had the package. She said it was important that she deliver it. PROFESSOR McGONAGALL Did she say to whom? LEANNE To Professor Dumbledore PROFESSOR McGONAGALL Very well, Thank you, Leanne. You may go. Why is it always you three? Hm? When something happens? RON Believe me, Professor, I've been asking myself the same question for six years. PROFESSOR McGONAGALL Severus. SNAPE Is this it? PROFESSOR McGONAGALL What do you think?

Page 104: SKRIPSI

SNAPE I think Miss Bell is lucky to be alive. HARRY She was cursed, wasn't she? I know Katie. Off the Quidditch pitch she wouldn't hurt a fly. If she was bringing that to Prof. Dumbledore, she wasn't doing it knowingly. PROFESSOR McGONAGALL Yes. She was cursed. HARRY It was Malfoy. PROFESSOR McGONAGALL That's a very serious accusation, Potter. SNAPE Indeed. Your evidence? HARRY I... just... know. SNAPE You... just... know. Once again you astonish with your gifts, Potter, gifts mere more mortals could only dream of possessing. How grand it must be to be the Chosen One. PROFESSOR McGONAGALL I suggest you return to your dormitory. All of you. RON What do you suppose Dean sees in her? Ginny. HARRY What does she see in him? RON Dean? He's brilliant. HARRY You called him a slick git not five hours ago. RON Yeah, well, he was running his hands all over my sister, wasn't he? Something snaps. You've got to hate him. You know, on principle. HARRY I suppose. RON So what is it? He sees in her? HARRY I don't know. She's smart. Funny. Attractive... RON Attractive?

Page 105: SKRIPSI

HARRY You know. She's... got nice skin. RON Skin? You're saying Dean's dating my sister because of her skin? HARRY Well, no. I mean... I'm just saying it could be a contributing factor. RON Hermione's got nice skin. Wouldn't you say? As skin goes, I mean. HARRY I've never really thought about it. But I suppose, yeah. Very nice. HARRY I think I'll be going to sleep now. RON Right. SLUGHORN So tell me, Cormac. See much of your Uncle Tiberius these days? CORMAC Yes, sir. In fact, I'm meant to go hunting with him and the Minister for Magic over holiday. SLUGHORN Well, be sure to give them both my best. What about your uncle, Belby? For those of you who don't know, Marcus' uncle invented the Wolfsbane Potion. Is he working on anything new? MARCUS BELBY Dunno. He and me dad don't get on. Probably because Dad thinks potions are rubbish. Says the only potion worth having is a stiff one at the end of the day. SLUGHORN And you, Miss Granger? What is it your family does in the Muggle world? HERMIONE My parents are dentists. They tend to people's teeth. SLUGHORN Fascinating. And is that considered a dangerous profession? HERMIONE No. Though, a boy named Robbie Fenwick did bite my father once. He needed ten stitches. SLUGHORN Miss Weasley! Come in, come in. HERMIONE Look at her eyes. They've been fighting again. Her and Dean. GINNY Sorry, I'm not usually late --

Page 106: SKRIPSI

SLUGHORN No matter. You'll be just in time for dessert. That is -- if Belby leaves you any. HARRY What? HERMIONE Nothing. SLUGHORN Good bye, bye bye.. SLUGHORN Oh. Potter. HARRY Sorry, sir, I was just admiring your hourglass. SLUGHORN Ah, yes. A most intriguing object. The sands run in accordance to the quality of the conversation. When it is stimulating, the sands run slowly. When it is not... HARRY I think I'll be going. SLUGHORN Nonsense. You have nothing to fear, m'boy. As for some of your classmates, well, let's just say, they're unlikely to make the shelf. HARRY The shelf, sir? SLUGHORN Anyone who aspires to be anyone hopes to end up here. Then again... you are already someone aren't you, Harry? HARRY Did Voldemort ever make the shelf, sir? HARRY You knew him, didn't you, sir? Tom Riddle. You were his teacher. SLUGHORN Mr. Riddle had many teachers while here at Hogwarts. HARRY What was he like? HARRY I'm sorry, sir. Forgive me. He killed my parents, you see... SLUGHORN Of course. It's only natural that you should want to know more. I'm afraid I must disappoint you, Harry. When I first met young Mr. Riddle, he was simply a quiet, albeit brilliant, boy committed to becoming a first-rate wizard. Not unlike the others I've known. In fact, not unlike... you. If the monster existed, it was buried deep within.

Page 107: SKRIPSI

NEVILLE Good luck, eh, Ron? SEAMUS Counting on you, Ron. I've two Galleons on Gryffindor. RON So. How was it? HERMIONE How was what? RON Your dinner party. HERMIONE Dead boring. Though I think Harry enjoyed dessert. HERMIONE Ol' Sluggy's having a Christmas do, you know. And we're meant to bring someone... RON I expect you'll be going with McLaggen. Isn't he a member of the Slug Club? HERMIONE Actually, I was going to ask you. RON Really? LAVENDER BROWN Good luck today, Ron! I know you'll be brilliant! RON I'm resigning. After today's match. McLaggen can have my spot. HARRY Have it your way. Juice? RON Sure... LUNA Hello, everyone. You look dreadful, Ron. LUNA Is that why you just put something in his cup. Is it a tonic? HERMIONE Liquid Luck, Don't drink that, Ron! HERMIONE You could be expelled for that. HARRY Dunno what you're talking about. RON C'mon, Harry. We've got a game to win.

Page 108: SKRIPSI

CROWD Weasley! Weasley! Weasley! HERMIONE You really shouldn’t have done it. HARRY Yeah. I suppose I could've just used, a Confundus charm? HERMIONE That was different. It was tryouts. This was an actual match -- HERMIONE You didn't put it in? Ron only thought you did? HERMIONE Charms spell. Just practicing. HARRY Ah. Well... they're really good. HERMIONE How does it feel, Harry? When you see Dean with Ginny? I know. I see the way you look at her. You're my best friend. LAVENDER BROWN Oops. I think this room's taken. RON What's with the birds? HERMIONE Oppugno! HARRY It feels like this. RON Look, I can't help it if she's got her knickers in a twist. What Lav and I have -- well, let's just say there was no stopping it. It's chemical. Will it last? Who knows? Point is, I'm a free agent. HERMIONE He's at perfect liberty to kiss whomever he likes. I really couldn't care less. Was I under the impression that he and I would be attending Slughorn's Christmas party together? Yes. Now, given the circumstances, I've had to make other arrangements. HARRY Have you? HERMIONE Yes. Why? HARRY I just thought, you know, since neither one of us can take who we'd really like... maybe we'd go together. As friends. HERMIONE Why didn't I think of that?

Page 109: SKRIPSI

HARRY So who are you taking? HERMIONE Um... it's a surprise. Besides, it's you we need to worry about. And you can't pick just anyone. See that girl over there. That's Romilda Vane. Rumor has it she's trying to smugle you a love potion. HARRY Really...? HERMIONE Hey! She's only interested in you because she thinks you're the Chosen One. You know that, right? HARRY But I am the Chosen One. HARRY Okay. Kidding. I'll just ask someone I like. Someone cool. LUNA I've never been to this part of the castle. At least not while awake. I sleepwalk, you see. It's why I wear shoes to bed. VOICE (O.S.) Drink? HARRY Neville...? NEVILLE I didn't make the cut for the Slug Club. It's okay. He's got Belby handing out towels in the loo. HARRY Oh, i’m fine, mate. Thanks HARRY (O.S.) Hermione, What're you doing? And what's happened to you? HERMIONE Hm? Oh, I've just escaped – I mean, left Cormac under the mistletoe. HARRY Cormac! That's who you invited! HERMIONE I thought it would annoy Ron most. But he's a menace. He's got more tentacles than a Snarfalump plant. WAITER (O.S.) Dragon tartar? HERMIONE No thank you. WAITER Just as well. They give one horribly bad breath.

Page 110: SKRIPSI

HERMIONE On second thought -- maybe it'll keep Cormac at bay. Oh no, here he comes! HARRY I think she went to powder her nose. CORMAC Slippery little minx, your friend. Likes to work her mouth too, doesn't she? Yak yak yak. What is this I'm eating, by the way? HARRY Dragon balls. SNAPE What's going on back here? SNAPE You've just bought yourself a month's detention, McLaggen. SNAPE Not so quick, Potter. HARRY I think I should rejoin the party, sir. My date... SNAPE ... can surely survive your absence for another minute or two. (MORE) SNAPE (CONT'D) Besides, I only wish to convey a message. HARRY A message...? SNAPE From Professor Dumbledore. He asked that I give you his best and that he hopes you enjoy your holiday. You see, he's traveling and won't return until term resumes. HARRY Traveling? Where? MALFOY (O.S.) Take your hands off me, you filthy squib! FILCH Professor Slughorn, sir! I've just discovered this boy lurking in an upstairs corridor. He claims to have been invited to your party. MALFOY Okay, okay, I was gate-crashing. Happy? SNAPE I'll escort him out. MALFOY Certainly... Professor.

Page 111: SKRIPSI

SLUGHORN Okay, everyone carry on, carry on.. MALFOY (O.S.) Maybe I did hex that Bell girl. Maybe I didn't. What's it to you? SNAPE I swore to protect you. I made the Unbreakable Vow -- MALFOY I don't need protection. I was chosen for this! Out of all others. Me! And I won't fail him. SNAPE You're afraid, Draco. You attempt to conceal it, but it's obvious. Let me assist you -- MALFOY No! I was chosen. This is my moment! RON Unbreakable Vow. You're sure that's what Snape said. HARRY Positive. Why? RON It's just, well, you can't break an Unbreakable Vow. HARRY I'd worked that much out for myself, funnily enough. RON No, you don't understand -- Oh, bloody hell... HARRY Lovely. RON All she wants to do is snog me. My lips are getting chapped. Look. HARRY I'll take your word for it. HARRY So what happens? If you break an Unbreakable Vow? RON You die. MRS. WEASLEY Eat up, eat up, everyone! There's more to come! HARRY Draco's plotting something, I know it, something to do with Voldemort. He's been given a task or a mission -- and Snape was offering to help. LUPIN Voldemort has chosen Draco Malfoy for a mission?

Page 112: SKRIPSI

HARRY I know it sounds mad -- LUPIN Has it occurred to you, Harry, that Snape was simply pretending to offer Draco help so that he could find out what he's up to? HARRY That's not what it sounded like. TONKS Perhaps Harry's right, Remus. To make an Unbreakable Vow, after all -- LUPIN It comes down to whether or not you trust Dumbledore's judgement. He trusts Snape. Therefore, I do. HARRY But Dumbledore can make mistakes. He's said it himself -- LUPIN You're blinded by hatred. HARRY I'm not -- LUPIN You are! People are disappearing, Harry. Daily. We can only put our trust in a handful of people. If we start fighting amongst ourselves, we're doomed. GINNY Open up, you. GINNY Don't you trust me? HARRY It's good. GINNY `Course `tis. Made them myself. MR. WEASLEY You'll have to forgive Remus. It takes its toll -- his condition. HARRY Are you alright, Mr. Weasley? MR. WEASLEY We're being followed, all of us. Molly doesn't leave the house most days. It's not been easy. HARRY Did you get my owl? MR. WEASLEY If Dumbledore's traveling, it's news to the Ministry. But perhaps that's the way Dumbledore wants it. As for Draco Malfoy -- I know a bit more.

Page 113: SKRIPSI

HARRY Go on. MR. WEASLEY I sent an agent to Borgin & Burkes. From what you describe, I think what you and Ron saw at the end of the summer -- the object that Draco seemed so interested in -- was a Vanishing Cabinet. HARRY A Vanishing Cabinet? MR. WEASLEY They were all the rage when Voldemort first rose to power. You can imagine the appeal. Should the Death Eaters come calling, one needed only slip inside and disappear for an hour or two. They can transport you anywhere. But they're tricky contraptions, very temperamental. HARRY What happened to it? The one at Borgin & Burkes? MR. WEASLEY Nothing. It's still there. TONKS It was delicious, Molly. Really. MRS. WEASLEY You're sure you won't stay? TONKS No, we should go. The first night of the cycle is always the worst -- MRS. WEASLEY Remus...? GINNY Everyone gone to bed? HARRY Not yet, no. GINNY Shoelace. Happy Christmas, Harry. TONKS Sweetheart... MR. WEASLEY Harry, no! TONKS Remus! HERMIONE (V.O.) It’s so easy for them to get you. You're bloody lucky you weren't killed. HERMIONE You have to realize who you are, Harry.

Page 114: SKRIPSI

HARRY I know who I am, Hermione alright? Sorry. RON (O.S.) Lav, c'mon. Of course I'll wear it. LAVENDER BROWN That's my Won-Won. HERMIONE Excuse me, I have to go vomit. SLUGHORN I must say, m'boy, I'd like to know where you get your information. More knowledgeable than half the staff, you are. TOM RIDDLE Sir, is it true that Professor Merrythought is retiring? SLUGHORN Now, Tom, I couldn't tell you if I knew, could I? By the way, thank you for the pineapple -- you're quite right, it is my favorite -- how did you know? TOM RIDDLE Intuition. SLUGHORN Good gracious, look at the time. Off you go, boys, or Professor Dippett will have us all in detention. SLUGHORN Look sharp, Tom. You don't want to be caught out of bed after hours... Something on your mind, Tom? TOM RIDDLE Yes, sir. I couldn't think of anyone else to go to. The other professors, well, they're not like you. They might... misunderstand. SLUGHORN Go on. TOM RIDDLE I was in the library the other night, in the Restricted section, and I read something rather odd, about a bit of rare magic, and I thought perhaps you could illuminate me...I called as I understand it.. SLUGHORN I beg you pardon. SLUGHORN I don't know anything about such things and I wouldn't tell you if I did! Now get out of here at once and don't ever let me catch you mentioning it again! DUMBLEDORE Confused? I would be surprised if you weren't. HARRY I don't understand – what happened?

Page 115: SKRIPSI

DUMBLEDORE This is perhaps the most important memory I've collected. It's also a lie. This memory has been tampered with. In this case by the person whose memory it is, our friend Slughorn. HARRY But why would he tamper with his own memory? DUMBLEDORE I suspect he is ashamed of it. HARRY Why? DUMBLEDORE Why indeed. DUMBLEDORE I asked you to get to know Professor Slughorn and you've done so. (MORE) DUMBLEDORE (CONT'D) Now I want you to persuade him to divulge his true memory. Any way you can. HARRY I don't know him that well, sir -- DUMBLEDORE This memory is everything, Harry. Without it, we are blind. Without it, we leave the fate of our world to chance. You have no choice. You must not fail. SLUGHORN Now don't forget to look over the chapter on antidotes. I'll be poisoning one of you next time we meet. I'm joking! Off you go! Don't forget your rattails, Miss Alys. SLUGHORN Ah! If it isn't the Prince of Potions himself! To what do I owe the pleasure? HARRY Well, sir, I wondered if I might ask you something. SLUGHORN Ask away, my dear boy, ask away! HARRY Well, you see, the other day I was in the Restricted Section – in the library -- and I stumbled upon something rather odd while reading. Something about a bit of rare magic... SLUGHORN Yes? And exactly what was this rare magic. HARRY I'm not sure... That is, I don't recall the name... exactly. But it got me wondering... Are there some kinds of magic you're not allowed to teach?

Page 116: SKRIPSI

SLUGHORN I'm a Potions Professor, Harry. Perhaps your question would best be posed to Professor Snape. HARRY Yes, well, we don't exactly see eye-to-eye, sir. What I mean to say is, he's not like you. He might... misunderstand. SLUGHORN There can be no light without the dark. And so it is with magic. Myself, I have always strived to live within the light. I suggest you do the same. HARRY Did you say the same to Tom Riddle, sir? When he came asking questions. SLUGHORN Dumbledore put you up to this. Didn't he? Didn't he! HARRY Sir -- SLUGHORN Yes???!!!! (warily) Oh. Potter. It's you. I'm afraid I'm busy at the moment. RON It's beautiful, isn't it? The moon. HARRY Divine. Had ourselves a little late-night snack, did we? RON It was on your bed. The box. Thought I'd try one... HARRY Or twenty. RON I can't stop thinking about her, Harry. HARRY Really? Honestly, I reckoned she was starting to annoy you. RON She could never annoy me. I think... I think I love her. HARRY Well... Brilliant. RON Do you think she knows I exist? HARRY Bloody well hope so. She's been snogging you for three months. RON Snogging? Who're you talking about? HARRY Who're you talking about?

Page 117: SKRIPSI

RON Romilda, of course. Romilda Van HARRY Okay. Very funny. HARRY What the hell was that for? RON It's no joke! I'm in love with her! HARRY Okay! Fine! You're in love with her! Have you ever actually met her! RON No. Can you introduce me? HARRY Ron, these chocolates, they're -- C'mon. I'm going to introduce you to Romilda Vane. HARRY Sir. I'm sorry. I wouldn't bother you if it weren't absolutely essential. RON Where's Romilda? SLUGHORN What's the matter with Wenby? HARRY Very powerfull love potion. SLUGHORN Ah. Very well. Bring him in. SLUGHORN I'd have thought you could whip up a remedy for this in no time, Harry. HARRY I figured this called for a more practiced hand, sir. RON Hello, darling. Fancy a drink? SLUGHORN Hm. Perhaps you're right. HARRY I'm sorry, sir. About the other day. Our... misunderstanding. SLUGHORN Yes, well, water under the bridge as they say, correct? HARRY I mean, I'm sure you're tired of it, after all these years. The questions. About... Voldemort. SLUGHORN Do not use that name.

Page 118: SKRIPSI

SLUGHORN Alright, m'boy! Bottoms up! RON What's this? SLUGHORN A tonic for the nerves. RON What happened to me? HARRY Love potion. SLUGHORN And a bloody strong one at that. RON I feel really... bad. SLUGHORN Pick-me-up's what you need, m'boy. Do us all good, I think. I've got butterbeer, wine -- ah -- and a dazzling oak-matured mead. I had other intentions for this but given the circumstances... SLUGHORN Here we are, Potter. To life! HARRY Ron! Professor, help him! Ron!!! SLUGHORN I d-don't understand -- HARRY Professor! Do something!! HARRY C'mon, Ron, Breathe! RON These girls are gonna kill me, Harry. DUMBLEDORE Quick thinking on your part,Harry. Using a Bezoar. You must be very proud of your student, eh, Horace? SLUGHORN Hm? Oh. Yes... very proud. PROFESSOR McGONAGALL I think we all agree that Mr. Potter's actions were heroic. The question is: Why were they necessary. DUMBLEDORE Why indeed.

Page 119: SKRIPSI

DUMBLEDORE This appears to be a gift, Horace. You don't by chance remember who gave you this bottle, do you -- which by the way possesses remarkably subtle hints of licorice and cherry when not polluted with poison. SLUGHORN Actually I had intended to give it as a gift myself. DUMBLEDORE To whom might I ask? SLUGHORN To you, Headmaster. LAVENDER BROWN Where is he? Where's my Won-Won! Has he been asking for me? What's she doing here? HERMIONE I might ask you the same question. LAVENDER BROWN I happen to be his girlfriend. HERMIONE I happen to be his... friend. LAVENDER BROWN Don't make me laugh. You haven't spoken in weeks. I suppose you want to make up with him now that he's suddenly all interesting. HERMIONE He's been poisoned, you daft dimbo! And for the record, I've always found him interesting. LAVENDER BROWN Ha! See? He senses my presence. Dont worry, Won-Won. I'm here -- RON Er... My... Nee... Er! My! Nee! DUMBLEDORE Ah, to be young and feel love's keen sting. Come, everyone, I think Mr. Weasley is well tended. GINNY About time, don't you think? HARRY Thank you HERMIONE Oh shut up. HERMIONE Ron. Stop. You're making it snow. RON Huh? Tell me how I broke up with Lavender again?

Page 120: SKRIPSI

HERMIONE Um, well, she came to visit you in the hospital, you see, and you talked -- I don't believe it was a long conversation -- RON Don't get me wrong. I'm bloody thrilled to be shot of her. It's just she seems... a bit put out. HERMIONE Yes she does, doesn't she? And you say you don't remember a thing from that night? Not one thing? RON Well... there is... something. But no. It can't be. Besides, I was completely boggled, didn't I? HERMIONE Right. Boggled... HERMIONE That's Katie. That's Katie Bell. HARRY How are you, Katie? KATIE BELL I know you're going to ask, Harry. But I don't know who cursed me. I've been trying to remember. Honestly. But I just... can't... HARRY I know what you did Malfoy. You hexed her, didnt you? HARRY SECTUMSEMPRA! GINNY You have to get rid of it. Today. GINNY Take my hand. HARRY The Room of Requirement... GINNY We need to hide The Half Blood Prince’s book where no one will ever find it, including you. GINNY/HARRY What was that? GINNY See, you never know what you'll find up here. GINNY All right. Close your eyes. That way you can't be tempted. GINNY That can stay hidden up here too, if you like.

Page 121: SKRIPSI

RON (O.S.) So. Did you and Ginny do it? Harry jumps, watches Ron appear. HARRY What? RON You know. Hide the book HARRY Oh. Yeah RON Still no luck with Slughorn, I take it? HARRY Luck. That’s it. All I need’s a bit of luck. HERMIONE Well? How do you feel? HARRY Excellent. Really excellent. HERMIONE Remember. Slughorn usually eats early, takes a short walk and then returns to his office. HARRY Right. I'm going down to Hagrid's. HERMIONE What? No, Harry -- you've got to go see Slughorn. We have a plan -- HARRY I know. I've got a good feeling about going to Hagrid's. I feel like it's the place to be tonight, know what I mean? HERMIONE/RON No. HARRY Trust me. I know what I'm doing. Or at least Felix does. SLUGHORN Merlin's beard, Harry! HARRY Sorry, sir. I should've announced myself. Cleared my throat. Coughed. You probably feared I was Madam Sprout. SLUGHORN Well, yes, actually -- Why would you think that? HARRY Just the general behavior, sir. The sneaking around. The jumping when you saw me. By the way, those Tentacula leaves -- they're quite valuable, aren't they?

Page 122: SKRIPSI

SLUGHORN Ten galleons a leaf to the right buyer -- not that I'm familiar with such back alley transactions. One hears rumors is all. My own interests are purely academic, of course. HARRY Personally, these plants have always kind of freaked me out. SLUGHORN Exactly how did you get out of the castle, Harry? HARRY Through the front doors, sir. I'm off to Hagrid's, you see. He's a very dear friend and I felt like paying him a visit. So if you don't mind, I'll be going. SLUGHORN Harry! HARRY Sir? SLUGHORN It's nearly nightfall. Surely you realize I can't allow you to roam the grounds all by yourself. HARRY Well, then by all means come along, sir. SLUGHORN Harry, I must insist you accompany me back to the castle immediately! HARRY That would be counterproductive, sir. SLUGHORN And what makes you say that? HARRY No idea. SLUGHORN Merlin's beard... SLUGHORN Is that an actual Acromantula? HARRY A dead one, I think, sir. HAGRID `Arry. `Orace. SLUGHORN My god, dear man. How did you ever manage to kill it? HAGRID Kill `im! Me oldest friend, `e was! SLUGHORN I'm sorry, I... (didn't realize.)

Page 123: SKRIPSI

HAGRID Ah, don' worry yerself. Yer not alone. Seriously misunderstood creatures -- spiders. It's the eyes, I reckon. Unnerve people. HARRY Not to mention the pincers. HAGRID I reckon that too... SLUGHORN Hagrid. I wouldn't want to be indelicate, but Acromantula venom is uncommonly rare and, well, if you wouldn't mind my extracting a vial or two -- purely for academic pursuits... HAGRID Don' suppose it's doin' `im any good, izzit? SLUGHORN My thoughts exactly! Always carry a few spare ampoules for just such occasions. Old Potion Master's habit, you know... HAGRID Wish yeh coulda seen `im in `is prime. Magnificent `e was. Jus' magnificent... SLUGHORN Would you like me to say a few words? I trust he had family? HARRY Oh yeah. SLUGHORN Farewell... HAGRID Aragog. SLUGHORN Farewell, Aragog, king of arachnids. Though your body will decay, your spirit lingers on in the quiet, web-spun places of your Forest home. May your many-eyed descendents ever flourish and your human friends find solace for the loss they have sustained. HAGRID Tha' was... tha' was... beautiful. HAGRID/SLUGHORN (O.S.) And Odo the hero, they bore him back home... HAGRID/SLUGHORN To the place he'd known as a lad, They laid him to rest with his hat inside out and his wand snapped in two, which was sad... HAGRID I had `im from an egg, yeh know. Tiny little thing he was when he hatched. No bigger'n a Pekinese. SLUGHORN Sweet. I once had a fish. Francis. Lovely little thing. One day I came downstairs and he'd vanished. Poof.

Page 124: SKRIPSI

HAGRID Tha's odd. SLUGHORN Isn't it? That's life, I suppose. One goes along and then suddenly poof. HAGRID Poof. HARRY Poof. SLUGHORN It was a student who gave me Francis. One spring afternoon I discovered a bowl upon my desk with a few inches of clear water. There was a flower petal floating upon the surface. As I watched, the petal sank, but just before it touched bottom... it transformed. Into a wee fish. It was beautiful magic, wondrous to behold. The petal had come from a lily. SLUGHORN Your mother. The day I came downstairs, the day I found the bowl empty... was the day she... SLUGHORN I know why you’re here. But I can't give it to you. It will ruin me... HARRY Do you know why I survived? The night I got this. HARRY Because of her. Because she sacrificed herself. Because she refused to step aside. Because her love was more powerful than Voldemort. SLUGHORN Please don't say his -- HARRY I'm not afraid of the name, Professor. I'm going to tell you something, something others have only guessed at. It's true. I am the Chosen One. HARRY Only I can destroy him. But in order to do so, I need to know what Tom Riddle asked you that night in your office all those years ago. And I need to know what you told him. HARRY Be brave, Professor. Be brave like my mother. Otherwise you disgrace her. Otherwise she died for nothing. Otherwise, the bowl will remain empty forever. SLUGHORN Please, don't think too badly of me once you've seen it. You don't know what he was like... even then. TOM RIDDLE I was in the library the other night, in the Restricted section, and I read something rather odd,about a bit of rare magic and I thought perhaps you could illuminate me. It's called, as I understand it... a Horcrux. SLUGHORN Excuse me?

Page 125: SKRIPSI

TOM RIDDLE Horcrux. I came across the term while reading and I didn't fully understand it. SLUGHORN I'm not sure what you were reading, Tom, but that's very Dark stuff, very Dark indeed. TOM RIDDLE Yes, sir. Which is why I came to you. SLUGHORN A Horcrux is an object in which a person has concealed part of their soul. TOM RIDDLE Yes, I thought it might be something like that. But I don't understand how that works, sir. SLUGHORN One splits one's soul and hides part of it in an object. By doing so, you are protected should you be attacked and your body destroyed. TOM RIDDLE Protected? SLUGHORN That part of your soul that was hidden, lives on. In other words, you cannot die. TOM RIDDLE How does one split his soul, sir? SLUGHORN I think you can guess the answer to that, Tom. TOM RIDDLE Murder. SLUGHORN Yes. Killing rips the soul apart. It is a violation against nature. After, one is never the same. TOM RIDDLE Out of curiosity, sir -- can you only split your soul once? For instance, isn't seven the most powerfully magical number -- SLUGHORN Seven! Merlin's beard, Tom! Isn't it bad enough to think of killing one person? To rip the soul into seven pieces... (MORE) SLUGHORN (CONT'D) This is all hypothetical, isn't it, Tom? All academic... TOM RIDDLE Of course, sir. It'll be our little secret... HARRY Sir --

Page 126: SKRIPSI

DUMBLEDORE This is beyond anything I imagined. HARRY Do you mean to say he succeeded, sir? In making a Horcrux? DUMBLEDORE Oh he succeeded. And not just once. Think, Harry. He's just told us. HARRY Seven. He made seven -- the most powerfully magical number. But... what are they exactly? DUMBLEDORE They can be anything. The most commonplace of objects. A ring, for example. Or a book... HARRY Tom Riddle's diary -- DUMBLEDORE It's a Horcrux, yes. Four years ago, when you saved Ginny Weasley's life in the Chamber of Secrets, when you brought me this -- I knew. This was a different kind of magic. Very dark. Very powerful. But until tonight, I had no idea just how powerful. HARRY And the ring...? DUMBLEDORE Belonged to Voldemort's mother. It was difficult to find and... ... even more difficult to destroy. HARRY But if you could find them all. If you did destroy each Horcrux... DUMBLEDORE One destroys Voldemort. HARRY But how would you find them? They could be hidden anywhere, couldn't they... DUMBLEDORE True. But magic, especially Dark magic... DUMBLEDORE ... leaves traces. HARRY It's where you've been going, isn't it, sir? When you leave the school. DUMBLEDORE Yes. And I think... perhaps... I may have found another. But this time I cannot hope to destroy it alone. DUMBLEDORE Once again, I shall ask too much of you.

Page 127: SKRIPSI

SNAPE Have you ever considered that you ask too much? That you take too much for granted? Has it ever crossed your brilliant mind that I don't want to do this anymore? DUMBLEDORE Whether it has or hasn't is irrelevant. I will not negotiate this with you, Severus. You agreed. There's nothing more to discuss. DUMBLEDORE Harry. You need a shave, my friend. DUMBLEDORE At times I forget how much you've grown. At times I still see the small boy from the cupboard. Forgive my mawkishness, Harry. I am an old man. HARRY You still look the same to me, sir. DUMBLEDORE Like your mother, you are unfailingly kind. (MORE) DUMBLEDORE (CONT'D) A trait people never fail to undervalue. I'm afraid. DUMBLEDORE The place to which we journey tonight is exceedingly dangerous, Harry. I promised that you could accompany me and I stand by that promise. But there is a condition: You must obey any command I give you – without question. HARRY Yes, sir. DUMBLEDORE Understand what I'm saying. Should I tell you to hide, you must hide. DUMBLEDORE Should I tell you to run, you will run. DUMBLEDORE And should I tell you to abandon me and save yourself.. DUMBLEDORE You must do so. DUMBLEDORE Your word, Harry. HARRY My word. DUMBLEDORE Take my arm. HARRY Sir, I thought one couldn't Apparate within Hogwarts. DUMBLEDORE Being me has its privileges.

Page 128: SKRIPSI

DUMBLEDORE This is the place. Oh yes, this place has known magic. HARRY Sir! DUMBLEDORE In order to gain passage, payment must be made, payment intended to weaken any intruder. HARRY You should've let me, sir. DUMBLEDORE Oh, no, Harry. Your blood is much more precious than mine. DUMBLEDORE Voldemort will not have made it easy to discover his hiding place. He will put certain defenses in position. Careful. DUMBLEDORE There it is. The only question how do we get to it? If you would, Harry... HARRY Do you think the Horcrux is in there, sir? DUMBLEDORE Oh yes. DUMBLEDORE It has to be drunk, all of it has to be drunk. You remember the condition on which I brought you with me? DUMBLEDORE This potion might paralyze me. It might cause me to forget why I'm here. It might create so much pain I beg for relief. You are not to indulge these requests, Harry. It is your job to make sure I keep drinking this potion even if you have to force it down my throat. Understood? HARRY Why can't I drink it, sir? DUMBLEDORE Because I am much older, much cleverer... and much less valuable. Your good health, Harry. HARRY Professor? HARRY Professor? Can you hear me? DUMBLEDORE Don't... don't make me... HARRY You... you can't stop, Professor. You've got to keep drinking. Like you said. Remember.

Page 129: SKRIPSI

DUMBLEDORE Nooooooo!!! DUMBLEDORE Make it stop... Please... make it stop... HARRY It will, sir. It'll stop. But only if you drink... DUMBLEDORE My fault. It's all my fault... DUMBLEDORE Too much... I can't... take it...I want... to die... kill... kill me... KILL ME, HARRY! HARRY What? DUMBLEDORE Your word, Harry! Your word! HARRY No... DUMBLEDORE KILL ME! IT'S THE ONLY WAY! HARRY One more. Just one more. And then -- I promise... I'll do what you say. HARRY I promise. DUMBLEDORE Water. DUMBLEDORE Water... HARRY Aguamenti. HARRY You did it, sir. Look -- DUMBLEDORE Water! HARRY I'm trying, sir. I'm -- DUMBLEDORE Go... DUMBLEDORE We have to... go. HARRY Don't worry, sir. We're nearly there.

Page 130: SKRIPSI

DUMBLEDORE I am not worried, Harry. I am with you. PROFESSOR McGONAGALL To your Houses. No dawdling. HARRY We need to get you up to the hospital, sir, to Madam Pomfrey -- DUMBLEDORE No. Severus... Severus is who I need... Go and wake him... Tell him what has happened... (MORE) DUMBLEDORE (CONT'D) Speak to no one else DUMBLEDORE Hide yourself below. And do not speak or show yourself without my permission. No matter what happens, its imperative you stay below. DUMBLEDORE Do as I say, Harry. DUMBLEDORE Trust me. DUMBLEDORE Good evening, Draco. What brings you out on such a fine Spring evening? Or is it Summer? MALFOY Who else is here? I heard you talking. DUMBLEDORE I often talk aloud to myself. I find it extraordinarily useful. That which sounds sane at a whisper can seem utterly mad when said for all the world to hear. Haven't been whispering to yourself, have you, Draco? DUMBLEDORE You are not an assassin, Draco. MALFOY How do you know what I am? I've done things that would shock you. DUMBLEDORE Like cursing Katie Bell and hoping she would, in turn, bear a curse necklace to me? Like replacing a bottle of mead with one laced with poison. Forgive me, Draco, but these are attempts so feeble I cannot help but question if your heart has been really in them. I'm curious. When Voldemort gave you this task, when he asked you to kill me, was it in a whisper? MALFOY He trusts me! I was chosen! DUMBLEDORE Then I shall make it easy for you. MALFOY Expelliarumus!

Page 131: SKRIPSI

DUMBLEDORE Well done, Draco. But I warn you. Killing is not nearly as easy. DUMBLEDORE You're not alone. Are you. There are others. How? MALFOY The Vanishing Cabinet in the Room of Requirement. DUMBLEDORE That cabinet has been broken for years. MALFOY I've been mending it. DUMBLEDORE Ingenious. Let me guess. It has a sister. A twin. MALFOY In Borgin & Burkes. They form a passage. DUMBLEDORE A passage, yes. Very good. I once knew a boy years ago who made all the wrong choices. Let me help you, Draco. MALFOY I don't want your help! Don't you see! I have to do it! I have to! I've got to kill you or he'll kill me. BELLATRIX Well now, look what we have here. Well done, Draco. DUMBLEDORE Good evening, Bellatrix. I think introductions are in order. BELLATRIX Love to, Albus. But I'm afraid we're on a bit of a tight schedule. Do it. GREYBACK He doesn't have the stomach. Like his father. Let me finish him. In my own way. BELLATRIX No! The Dark Lord was clear. The boy's to do it. Go on, Draco. Now! SNAPE (O.S.) No. DUMBLEDORE Severus... please. SNAPE Avada Kedavra! HARRY Snape. He trusted you! SNAPE Go on

Page 132: SKRIPSI

HARRY Incacerata! Fight! Fight back, you coward! SNAPE No! He belongs to the Dark Lord! HARRY Sectumsempra! SNAPE You dare use my own spells against me, Potter? SNAPE Yes. It's me. I'm the Half-Blood Prince. PROFESSOR McGONAGALL Potter. PROFESSOR McGONAGALL Potter, in light of what's happened... should you feel the need to talk to someone... PROFESSOR McGONAGALL You should know... Professor Dumbledore... You meant a great deal to him. HERMIONE Do you think he would've done it. Draco? HARRY No. He was lowering his wand. In the end, it was Snape. It was always Snape. And I did nothing...It’s fake, open it! HERMIONE `To the Dark Lord. I know I will be dead long before you read this but I want you to know that it was I who discovered your secret. I have stolen the real Horcrux and intend to destroy it as soon as I can. I face death in the hope that when you meet your match, you will be mortal once more. R.A.B.' R.A.B.? HARRY Dunno. But whoever they are, they have the real Horcrux. Which means, it was a waste. All of it. HERMIONE Ron's okay with it, you know. You and Ginny. But if I were you, when he's around, I'd keep the snogging to a minimum. HARRY I'm not coming back, Hermione. HERMIONE We reckoned -- Ron and me. HARRY I have to finish what Dumbledore started. I'm not sure where that will lead me... but I'll let you and Ron konw where I am -- when I can.

Page 133: SKRIPSI

HERMIONE I've always admired your courage, Harry, but sometimes... you're really thick. HERMIONE You don't honestly think you can find all those Horcruxes by yourself, do you? You need us, Harry. HARRY I never realized how beautiful this place was THE END


Recommended